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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B298DE it is the complementary color #4D6721. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B298DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B298DE shade: #B798D9, #C8AAEC, #D9BCFF, #EACEFF and #FBE0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B298DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B298DE shade: #B298DE, #A186CB, #9074B8, #7F62A5 and #6E5092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B298DE shade: #B197DD, #C497DD, #D797DD, #DD97D0 and #DD97BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B298DE shade: #B197DD, #9E97DD and #9797DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B298DE shade matches the following richer shades: #B197DD, #AE8BE8, #AB80F3 and #A875FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B298DE shade: #B197DD, #B3A2D2, #B6ADC6, #B9B8BB and #BCC3B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B298DE shade: #97A2DD, #9E97DD, #B097DD, #C397DD and #D697DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B298DE shade: #8258C9, #9977D3, #B197DD, #C8B6E7 and #DFD5F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B298DE shade: #B298DE, #DD97B5 and #99DD97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B298DE shade: #B298DE, #DDB097 and #97DDB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B298DE shade: #B298DE, #DD97B5, #C3DD97 and #97DDBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B298DE shade: #B298DE, #DD97A0, #C3DD97 and #97DDD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 32 / 0 / 13

HEX #B298DE

RGB 178 152 222

HSL 262.29, 0.51%, 0.73%

LAB 67.42, 23.58, -32.03

 

Complementary color

CMYK 25 / 0 / 68 / 60

HEX #4D6721

RGB 77 103 33

HSL 82.29, 0.51%, 0.27%

LAB 40.23, -21.55, 35.19

 

CMYK 16 / 30 / 0 / 15

HEX #B798D9

RGB 183 152 217

HSL 268.62, 0.46%, 0.72%

LAB 67.68, 24, -28.85

 

CMYK 15 / 28 / 0 / 7

HEX #C8AAEC

RGB 200 170 236

HSL 267.27, 0.63%, 0.8%

LAB 74.24, 23.42, -29.02

 

CMYK 15 / 26 / 0 / 0

HEX #D9BCFF

RGB 217 188 255

HSL 265.97, 1%, 0.87%

LAB 80.7, 22.89, -29.21

 

CMYK 8 / 19 / 0 / 0

HEX #EACEFF

RGB 234 206 255

HSL 274.29, 1%, 0.9%

LAB 86.43, 18.57, -20.35

 

CMYK 2 / 12 / 0 / 0

HEX #FBE0FF

RGB 251 224 255

HSL 292.26, 1%, 0.94%

LAB 92.15, 14.59, -11.63

 

CMYK 20 / 32 / 0 / 13

HEX #B298DE

RGB 178 152 222

HSL 262.29, 0.51%, 0.73%

LAB 67.42, 23.58, -32.03

 

CMYK 21 / 34 / 0 / 20

HEX #A186CB

RGB 161 134 203

HSL 263.48, 0.4%, 0.66%

LAB 60.73, 24.22, -31.95

 

CMYK 22 / 37 / 0 / 28

HEX #9074B8

RGB 144 116 184

HSL 264.71, 0.32%, 0.59%

LAB 53.9, 24.93, -31.89

 

CMYK 23 / 41 / 0 / 35

HEX #7F62A5

RGB 127 98 165

HSL 265.97, 0.27%, 0.52%

LAB 46.93, 25.72, -31.86

 

CMYK 25 / 45 / 0 / 43

HEX #6E5092

RGB 110 80 146

HSL 267.27, 0.29%, 0.44%

LAB 39.79, 26.59, -31.86

 

CMYK 20 / 32 / 0 / 13

HEX #B197DD

RGB 177 151 221

HSL 262.29, 0.51%, 0.73%

LAB 67.05, 23.61, -32.06

 

CMYK 11 / 32 / 0 / 13

HEX #C497DD

RGB 196 151 221

HSL 278.57, 0.51%, 0.73%

LAB 68.82, 29.47, -29.19

 

CMYK 3 / 32 / 0 / 13

HEX #D797DD

RGB 215 151 221

HSL 294.86, 0.51%, 0.73%

LAB 70.73, 35.46, -26.08

 

CMYK 0 / 32 / 6 / 13

HEX #DD97D0

RGB 221 151 208

HSL 311.14, 0.51%, 0.73%

LAB 70.91, 35.03, -18.59

 

CMYK 0 / 32 / 14 / 13

HEX #DD97BD

RGB 221 151 189

HSL 327.43, 0.51%, 0.73%

LAB 70.3, 31.83, -8.98

 

CMYK 20 / 32 / 0 / 13

HEX #B197DD

RGB 177 151 221

HSL 262.29, 0.51%, 0.73%

LAB 67.05, 23.61, -32.06

 

CMYK 29 / 32 / 0 / 13

HEX #9E97DD

RGB 158 151 221

HSL 246, 0.51%, 0.73%

LAB 65.45, 17.95, -34.67

 

CMYK 32 / 32 / 0 / 13

HEX #9797DD

RGB 151 151 221

HSL 240, 0.51%, 0.73%

LAB 64.91, 15.94, -35.56

 

CMYK 20 / 32 / 0 / 13

HEX #B197DD

RGB 177 151 221

HSL 262.29, 0.51%, 0.73%

LAB 67.05, 23.61, -32.06

 

CMYK 25 / 40 / 0 / 9

HEX #AE8BE8

RGB 174 139 232

HSL 262.58, 0.67%, 0.73%

LAB 64.4, 32.04, -42.3

 

CMYK 30 / 47 / 0 / 5

HEX #AB80F3

RGB 171 128 243

HSL 262.43, 0.83%, 0.73%

LAB 62.14, 40.03, -51.96

 

CMYK 34 / 54 / 0 / 0

HEX #A875FE

RGB 168 117 254

HSL 262.34, 0.99%, 0.73%

LAB 60.07, 48.04, -61.34

 

CMYK 20 / 32 / 0 / 13

HEX #B197DD

RGB 177 151 221

HSL 262.29, 0.51%, 0.73%

LAB 67.05, 23.61, -32.06

 

CMYK 15 / 23 / 0 / 18

HEX #B3A2D2

RGB 179 162 210

HSL 261.25, 0.35%, 0.73%

LAB 69.52, 15.62, -22.18

 

CMYK 8 / 13 / 0 / 22

HEX #B6ADC6

RGB 182 173 198

HSL 261.6, 0.18%, 0.73%

LAB 72.17, 8.01, -11.55

 

CMYK 1 / 2 / 0 / 27

HEX #B9B8BB

RGB 185 184 187

HSL 260, 0.02%, 0.73%

LAB 74.94, 0.91, -1.4

 

CMYK 4 / 0 / 10 / 24

HEX #BCC3B0

RGB 188 195 176

HSL 82.11, 0.14%, 0.73%

LAB 77.79, -5.84, 8.71

 

CMYK 32 / 27 / 0 / 13

HEX #97A2DD

RGB 151 162 221

HSL 230.57, 0.51%, 0.73%

LAB 67.75, 9.69, -31.14

 

CMYK 29 / 32 / 0 / 13

HEX #9E97DD

RGB 158 151 221

HSL 246, 0.51%, 0.73%

LAB 65.45, 17.95, -34.67

 

CMYK 20 / 32 / 0 / 13

HEX #B097DD

RGB 176 151 221

HSL 261.43, 0.51%, 0.73%

LAB 66.96, 23.3, -32.21

 

CMYK 12 / 32 / 0 / 13

HEX #C397DD

RGB 195 151 221

HSL 277.71, 0.51%, 0.73%

LAB 68.72, 29.16, -29.35

 

CMYK 3 / 32 / 0 / 13

HEX #D697DD

RGB 214 151 221

HSL 294, 0.51%, 0.73%

LAB 70.63, 35.14, -26.25

 

CMYK 35 / 56 / 0 / 21

HEX #8258C9

RGB 130 88 201

HSL 262.3, 0.51%, 0.57%

LAB 46.9, 41.53, -52.85

 

CMYK 27 / 44 / 0 / 17

HEX #9977D3

RGB 153 119 211

HSL 262.17, 0.51%, 0.65%

LAB 56.75, 32.4, -42.73

 

CMYK 20 / 32 / 0 / 13

HEX #B197DD

RGB 177 151 221

HSL 262.29, 0.51%, 0.73%

LAB 67.05, 23.61, -32.06

 

CMYK 13 / 21 / 0 / 9

HEX #C8B6E7

RGB 200 182 231

HSL 262.04, 0.51%, 0.81%

LAB 76.98, 15.79, -22.12

 

CMYK 7 / 12 / 0 / 5

HEX #DFD5F1

RGB 223 213 241

HSL 261.43, 0.5%, 0.89%

LAB 86.81, 8.59, -12.47

 

CMYK 20 / 32 / 0 / 13

HEX #B298DE

RGB 178 152 222

HSL 262.29, 0.51%, 0.73%

LAB 67.42, 23.58, -32.03

 

CMYK 0 / 32 / 18 / 13

HEX #DD97B5

RGB 221 151 181

HSL 334.29, 0.51%, 0.73%

LAB 70.06, 30.56, -4.88

 

CMYK 31 / 0 / 32 / 13

HEX #99DD97

RGB 153 221 151

HSL 118.29, 0.51%, 0.73%

LAB 82.23, -34.92, 27.75

 

CMYK 20 / 32 / 0 / 13

HEX #B298DE

RGB 178 152 222

HSL 262.29, 0.51%, 0.73%

LAB 67.42, 23.58, -32.03

 

CMYK 0 / 20 / 32 / 13

HEX #DDB097

RGB 221 176 151

HSL 21.43, 0.51%, 0.73%

LAB 75.24, 12.85, 19.03

 

CMYK 32 / 0 / 20 / 13

HEX #97DDB0

RGB 151 221 176

HSL 141.43, 0.51%, 0.73%

LAB 82.61, -31.18, 15.22

 

CMYK 20 / 32 / 0 / 13

HEX #B298DE

RGB 178 152 222

HSL 262.29, 0.51%, 0.73%

LAB 67.42, 23.58, -32.03

 

CMYK 0 / 32 / 18 / 13

HEX #DD97B5

RGB 221 151 181

HSL 334.29, 0.51%, 0.73%

LAB 70.06, 30.56, -4.88

 

CMYK 12 / 0 / 32 / 13

HEX #C3DD97

RGB 195 221 151

HSL 82.29, 0.51%, 0.73%

LAB 84.77, -20.35, 31.59

 

CMYK 32 / 0 / 14 / 13

HEX #97DDBE

RGB 151 221 190

HSL 153.43, 0.51%, 0.73%

LAB 82.92, -28.44, 8.28

 

CMYK 20 / 32 / 0 / 13

HEX #B298DE

RGB 178 152 222

HSL 262.29, 0.51%, 0.73%

LAB 67.42, 23.58, -32.03

 

CMYK 0 / 32 / 28 / 13

HEX #DD97A0

RGB 221 151 160

HSL 352.29, 0.51%, 0.73%

LAB 69.5, 27.5, 5.99

 

CMYK 12 / 0 / 32 / 13

HEX #C3DD97

RGB 195 221 151

HSL 82.29, 0.51%, 0.73%

LAB 84.77, -20.35, 31.59

 

CMYK 32 / 0 / 5 / 13

HEX #97DDD3

RGB 151 221 211

HSL 171.43, 0.51%, 0.73%

LAB 83.44, -23.98, -2.09

 

Description

Color code: HEX #B298DE | qconv.com Color code: HEX #B298DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 152 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 152 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 32 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 32% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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