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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2824E it is the complementary color #4D7DB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2824E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2824E shade: #B78249, #C8945C, #D9A66F, #EAB882 and #FBCA95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2824E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2824E shade: #B2824E, #A1703B, #905E28, #7F4C15 and #6E3A02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2824E shade: #B1814D, #B1664D and #B14D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2824E shade: #B1814D, #B19C4D, #ABB14D, #90B14D and #75B14D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2824E shade matches the following richer shades: #B1814D, #C58239, #DA8324 and #EF830F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2824E shade: #B1814D, #9C8062, #877F77, #737F8B and #5E7EA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2824E shade: #B14D4F, #B1664D, #B1814D, #B19B4D and #ACB14D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2824E shade: #775734, #946C41, #B1814D, #BD956A and #CAAA87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2824E shade: #B2824E, #69B14D and #594DB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2824E shade: #B2824E, #4DB181 and #814DB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2824E shade: #B2824E, #69B14D, #4D7DB1 and #954DB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2824E shade: #B2824E, #4DB14F, #4D7DB1 and #B14DAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 56 / 30

HEX #B2824E

RGB 178 130 78

HSL 31.2, 0.39%, 0.5%

LAB 58.02, 12.53, 35.15

 

Complementary color

CMYK 56 / 29 / 0 / 31

HEX #4D7DB1

RGB 77 125 177

HSL 211.2, 0.39%, 0.5%

LAB 51.17, -0.67, -32.47

 

CMYK 0 / 29 / 60 / 28

HEX #B78249

RGB 183 130 73

HSL 31.09, 0.43%, 0.5%

LAB 58.52, 14.28, 38.53

 

CMYK 0 / 26 / 54 / 22

HEX #C8945C

RGB 200 148 92

HSL 31.11, 0.5%, 0.57%

LAB 65.15, 13.13, 37.03

 

CMYK 0 / 24 / 49 / 15

HEX #D9A66F

RGB 217 166 111

HSL 31.13, 0.58%, 0.64%

LAB 71.67, 12.15, 35.62

 

CMYK 0 / 21 / 44 / 8

HEX #EAB882

RGB 234 184 130

HSL 31.15, 0.71%, 0.71%

LAB 78.1, 11.3, 34.28

 

CMYK 0 / 20 / 41 / 2

HEX #FBCA95

RGB 251 202 149

HSL 31.18, 0.93%, 0.78%

LAB 84.44, 10.56, 33.02

 

CMYK 0 / 27 / 56 / 30

HEX #B2824E

RGB 178 130 78

HSL 31.2, 0.39%, 0.5%

LAB 58.02, 12.53, 35.15

 

CMYK 0 / 30 / 63 / 37

HEX #A1703B

RGB 161 112 59

HSL 31.18, 0.46%, 0.43%

LAB 51.25, 13.76, 36.68

 

CMYK 0 / 35 / 72 / 44

HEX #905E28

RGB 144 94 40

HSL 31.15, 0.57%, 0.36%

LAB 44.36, 15.26, 38.2

 

CMYK 0 / 40 / 83 / 50

HEX #7F4C15

RGB 127 76 21

HSL 31.13, 0.72%, 0.29%

LAB 37.36, 17.09, 39.38

 

CMYK 0 / 47 / 98 / 57

HEX #6E3A02

RGB 110 58 2

HSL 31.11, 0.96%, 0.22%

LAB 30.27, 19.28, 39.84

 

CMYK 0 / 27 / 56 / 31

HEX #B1814D

RGB 177 129 77

HSL 31.2, 0.39%, 0.5%

LAB 57.64, 12.57, 35.19

 

CMYK 0 / 42 / 56 / 31

HEX #B1664D

RGB 177 102 77

HSL 15, 0.39%, 0.5%

LAB 51.14, 27.63, 27.09

 

CMYK 0 / 56 / 56 / 31

HEX #B14D4D

RGB 177 77 77

HSL 0, 0.39%, 0.5%

LAB 45.89, 40.79, 20.29

 

CMYK 0 / 27 / 56 / 31

HEX #B1814D

RGB 177 129 77

HSL 31.2, 0.39%, 0.5%

LAB 57.64, 12.57, 35.19

 

CMYK 0 / 12 / 56 / 31

HEX #B19C4D

RGB 177 156 77

HSL 47.4, 0.39%, 0.5%

LAB 64.69, -2.31, 43.59

 

CMYK 3 / 0 / 56 / 31

HEX #ABB14D

RGB 171 177 77

HSL 63.6, 0.39%, 0.5%

LAB 69.92, -15.92, 49.46

 

CMYK 19 / 0 / 56 / 31

HEX #90B14D

RGB 144 177 77

HSL 79.8, 0.39%, 0.5%

LAB 67.95, -26.96, 46.69

 

CMYK 34 / 0 / 56 / 31

HEX #75B14D

RGB 117 177 77

HSL 96, 0.39%, 0.5%

LAB 66.34, -37.14, 44.4

 

CMYK 0 / 27 / 56 / 31

HEX #B1814D

RGB 177 129 77

HSL 31.2, 0.39%, 0.5%

LAB 57.64, 12.57, 35.19

 

CMYK 0 / 34 / 71 / 23

HEX #C58239

RGB 197 130 57

HSL 31.29, 0.55%, 0.5%

LAB 60.01, 19.3, 48.6

 

CMYK 0 / 40 / 83 / 15

HEX #DA8324

RGB 218 131 36

HSL 31.32, 0.72%, 0.5%

LAB 62.73, 26.87, 60.77

 

CMYK 0 / 45 / 94 / 6

HEX #EF830F

RGB 239 131 15

HSL 31.07, 0.88%, 0.5%

LAB 65.45, 35.12, 69.65

 

CMYK 0 / 27 / 56 / 31

HEX #B1814D

RGB 177 129 77

HSL 31.2, 0.39%, 0.5%

LAB 57.64, 12.57, 35.19

 

CMYK 0 / 18 / 37 / 39

HEX #9C8062

RGB 156 128 98

HSL 31.03, 0.23%, 0.5%

LAB 55.47, 6.36, 20.34

 

CMYK 0 / 6 / 12 / 47

HEX #877F77

RGB 135 127 119

HSL 30, 0.06%, 0.5%

LAB 53.67, 1.56, 5.43

 

CMYK 17 / 9 / 0 / 45

HEX #737F8B

RGB 115 127 139

HSL 210, 0.09%, 0.5%

LAB 52.61, -1.73, -7.98

 

CMYK 41 / 21 / 0 / 37

HEX #5E7EA0

RGB 94 126 160

HSL 210.91, 0.26%, 0.5%

LAB 51.66, -2.26, -21.8

 

CMYK 0 / 56 / 55 / 31

HEX #B14D4F

RGB 177 77 79

HSL 358.8, 0.39%, 0.5%

LAB 45.93, 40.95, 19.13

 

CMYK 0 / 42 / 56 / 31

HEX #B1664D

RGB 177 102 77

HSL 15, 0.39%, 0.5%

LAB 51.14, 27.63, 27.09

 

CMYK 0 / 27 / 56 / 31

HEX #B1814D

RGB 177 129 77

HSL 31.2, 0.39%, 0.5%

LAB 57.64, 12.57, 35.19

 

CMYK 0 / 12 / 56 / 31

HEX #B19B4D

RGB 177 155 77

HSL 46.8, 0.39%, 0.5%

LAB 64.42, -1.77, 43.28

 

CMYK 3 / 0 / 56 / 31

HEX #ACB14D

RGB 172 177 77

HSL 63, 0.39%, 0.5%

LAB 70, -15.5, 49.57

 

CMYK 0 / 27 / 56 / 53

HEX #775734

RGB 119 87 52

HSL 31.34, 0.39%, 0.34%

LAB 39.56, 8.8, 25.35

 

CMYK 0 / 27 / 56 / 42

HEX #946C41

RGB 148 108 65

HSL 31.08, 0.39%, 0.42%

LAB 48.76, 10.77, 30.1

 

CMYK 0 / 27 / 56 / 31

HEX #B1814D

RGB 177 129 77

HSL 31.2, 0.39%, 0.5%

LAB 57.64, 12.57, 35.19

 

CMYK 0 / 21 / 44 / 26

HEX #BD956A

RGB 189 149 106

HSL 31.08, 0.39%, 0.58%

LAB 64.45, 9.35, 28.4

 

CMYK 0 / 16 / 33 / 21

HEX #CAAA87

RGB 202 170 135

HSL 31.34, 0.39%, 0.66%

LAB 71.59, 6.6, 22.4

 

CMYK 0 / 27 / 56 / 30

HEX #B2824E

RGB 178 130 78

HSL 31.2, 0.39%, 0.5%

LAB 58.02, 12.53, 35.15

 

CMYK 41 / 0 / 56 / 31

HEX #69B14D

RGB 105 177 77

HSL 103.2, 0.39%, 0.5%

LAB 65.74, -41.24, 43.55

 

CMYK 50 / 56 / 0 / 31

HEX #594DB1

RGB 89 77 177

HSL 247.2, 0.39%, 0.5%

LAB 38.91, 31.77, -51.91

 

CMYK 0 / 27 / 56 / 30

HEX #B2824E

RGB 178 130 78

HSL 31.2, 0.39%, 0.5%

LAB 58.02, 12.53, 35.15

 

CMYK 56 / 0 / 27 / 31

HEX #4DB181

RGB 77 177 129

HSL 151.2, 0.39%, 0.5%

LAB 65.44, -40.62, 15.94

 

CMYK 27 / 56 / 0 / 31

HEX #814DB1

RGB 129 77 177

HSL 271.2, 0.39%, 0.5%

LAB 42.99, 41.36, -45.14

 

CMYK 0 / 27 / 56 / 30

HEX #B2824E

RGB 178 130 78

HSL 31.2, 0.39%, 0.5%

LAB 58.02, 12.53, 35.15

 

CMYK 41 / 0 / 56 / 31

HEX #69B14D

RGB 105 177 77

HSL 103.2, 0.39%, 0.5%

LAB 65.74, -41.24, 43.55

 

CMYK 56 / 29 / 0 / 31

HEX #4D7DB1

RGB 77 125 177

HSL 211.2, 0.39%, 0.5%

LAB 51.17, -0.67, -32.47

 

CMYK 16 / 56 / 0 / 31

HEX #954DB1

RGB 149 77 177

HSL 283.2, 0.39%, 0.5%

LAB 45.46, 46.6, -41.06

 

CMYK 0 / 27 / 56 / 30

HEX #B2824E

RGB 178 130 78

HSL 31.2, 0.39%, 0.5%

LAB 58.02, 12.53, 35.15

 

CMYK 56 / 0 / 55 / 31

HEX #4DB14F

RGB 77 177 79

HSL 121.2, 0.39%, 0.5%

LAB 64.63, -49.2, 41.01

 

CMYK 56 / 29 / 0 / 31

HEX #4D7DB1

RGB 77 125 177

HSL 211.2, 0.39%, 0.5%

LAB 51.17, -0.67, -32.47

 

CMYK 0 / 56 / 1 / 31

HEX #B14DAF

RGB 177 77 175

HSL 301.2, 0.39%, 0.5%

LAB 49.19, 53.75, -33.74

 

Description

Color code: HEX #B2824E | qconv.com Color code: HEX #B2824E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 130 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 130 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 56 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 56% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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