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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2898D it is the complementary color #4D7672. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2898D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2898D shade: #B78988, #C89B9B, #D9ADAE, #EABFC1 and #FBD1D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2898D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2898D shade: #B2898D, #A1777A, #906567, #7F5354 and #6E4141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2898D shade: #B2898D and #B28989

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2898D shade: #B2898D, #B28998, #B289A3, #B289AE and #AB89B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2898D shade matches the following richer shades: #B2898D, #C27A81, #D16A74, #E15A67 and #F14B5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2898D shade: #B2898D, #A2999A, #93A9A6, #83B8B3 and #73C8C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2898D shade: #B289A3, #B28998, #B2898D, #B29089 and #B29B89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2898D shade: #8D5C61, #A27075, #B2898D, #C2A2A5 and #D3BBBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2898D shade: #B2898D, #AEB289 and #899EB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2898D shade: #B2898D, #8DB289 and #898DB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2898D shade: #B2898D, #AEB289, #89B2AE and #8D89B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2898D shade: #B2898D, #A2B289, #89B2AE and #9A89B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 21 / 30

HEX #B2898D

RGB 178 137 141

HSL 354.15, 0.21%, 0.62%

LAB 61.03, 16.23, 3.89

 

Complementary color

CMYK 35 / 0 / 3 / 54

HEX #4D7672

RGB 77 118 114

HSL 174.15, 0.21%, 0.38%

LAB 46.64, -15.23, -2.36

 

CMYK 0 / 25 / 26 / 28

HEX #B78988

RGB 183 137 136

HSL 1.28, 0.25%, 0.63%

LAB 61.43, 17.4, 7.38

 

CMYK 0 / 23 / 23 / 22

HEX #C89B9B

RGB 200 155 155

HSL 0, 0.29%, 0.7%

LAB 68.09, 16.75, 6.45

 

CMYK 0 / 20 / 20 / 15

HEX #D9ADAE

RGB 217 173 174

HSL 358.64, 0.37%, 0.76%

LAB 74.63, 16.17, 5.59

 

CMYK 0 / 18 / 18 / 8

HEX #EABFC1

RGB 234 191 193

HSL 357.21, 0.51%, 0.83%

LAB 81.07, 15.65, 4.79

 

CMYK 0 / 17 / 16 / 2

HEX #FBD1D4

RGB 251 209 212

HSL 355.71, 0.84%, 0.9%

LAB 87.42, 15.17, 4.03

 

CMYK 0 / 23 / 21 / 30

HEX #B2898D

RGB 178 137 141

HSL 354.15, 0.21%, 0.62%

LAB 61.03, 16.23, 3.89

 

CMYK 0 / 26 / 24 / 37

HEX #A1777A

RGB 161 119 122

HSL 355.71, 0.18%, 0.55%

LAB 54.21, 16.89, 4.8

 

CMYK 0 / 30 / 28 / 44

HEX #906567

RGB 144 101 103

HSL 357.21, 0.18%, 0.48%

LAB 47.26, 17.65, 5.81

 

CMYK 0 / 35 / 34 / 50

HEX #7F5354

RGB 127 83 84

HSL 358.64, 0.21%, 0.41%

LAB 40.15, 18.52, 6.97

 

CMYK 0 / 41 / 41 / 57

HEX #6E4141

RGB 110 65 65

HSL 0, 0.26%, 0.34%

LAB 32.87, 19.55, 8.34

 

CMYK 0 / 23 / 21 / 30

HEX #B2898D

RGB 178 137 141

HSL 354.15, 0.21%, 0.62%

LAB 61.03, 16.23, 3.89

 

CMYK 0 / 23 / 23 / 30

HEX #B28989

RGB 178 137 137

HSL 0, 0.21%, 0.62%

LAB 60.92, 15.61, 6.03

 

CMYK 0 / 23 / 21 / 30

HEX #B2898D

RGB 178 137 141

HSL 354.15, 0.21%, 0.62%

LAB 61.03, 16.23, 3.89

 

CMYK 0 / 23 / 15 / 30

HEX #B28998

RGB 178 137 152

HSL 338.05, 0.21%, 0.62%

LAB 61.33, 18.02, -1.94

 

CMYK 0 / 23 / 8 / 30

HEX #B289A3

RGB 178 137 163

HSL 321.95, 0.21%, 0.62%

LAB 61.65, 19.93, -7.73

 

CMYK 0 / 23 / 2 / 30

HEX #B289AE

RGB 178 137 174

HSL 305.85, 0.21%, 0.62%

LAB 62.01, 21.95, -13.45

 

CMYK 4 / 23 / 0 / 30

HEX #AB89B2

RGB 171 137 178

HSL 289.76, 0.21%, 0.62%

LAB 61.45, 20.32, -16.63

 

CMYK 0 / 23 / 21 / 30

HEX #B2898D

RGB 178 137 141

HSL 354.15, 0.21%, 0.62%

LAB 61.03, 16.23, 3.89

 

CMYK 0 / 37 / 34 / 24

HEX #C27A81

RGB 194 122 129

HSL 354.17, 0.37%, 0.62%

LAB 58.95, 28.97, 8.03

 

CMYK 0 / 49 / 44 / 18

HEX #D16A74

RGB 209 106 116

HSL 354.17, 0.53%, 0.62%

LAB 57.2, 41.51, 13.37

 

CMYK 0 / 60 / 54 / 12

HEX #E15A67

RGB 225 90 103

HSL 354.22, 0.69%, 0.62%

LAB 56.39, 53.58, 20.23

 

CMYK 0 / 69 / 62 / 5

HEX #F14B5B

RGB 241 75 91

HSL 354.22, 0.86%, 0.62%

LAB 56.57, 63.99, 27.97

 

CMYK 0 / 23 / 21 / 30

HEX #B2898D

RGB 178 137 141

HSL 354.15, 0.21%, 0.62%

LAB 61.03, 16.23, 3.89

 

CMYK 0 / 6 / 5 / 36

HEX #A2999A

RGB 162 153 154

HSL 353.33, 0.05%, 0.62%

LAB 64, 3.47, 0.65

 

CMYK 13 / 0 / 2 / 34

HEX #93A9A6

RGB 147 169 166

HSL 171.82, 0.11%, 0.62%

LAB 67.53, -8.23, -1.04

 

CMYK 29 / 0 / 3 / 28

HEX #83B8B3

RGB 131 184 179

HSL 174.34, 0.27%, 0.62%

LAB 71.12, -18.37, -3.06

 

CMYK 43 / 0 / 4 / 22

HEX #73C8C0

RGB 115 200 192

HSL 174.35, 0.44%, 0.62%

LAB 75.3, -27.67, -4.07

 

CMYK 0 / 23 / 8 / 30

HEX #B289A3

RGB 178 137 163

HSL 321.95, 0.21%, 0.62%

LAB 61.65, 19.93, -7.73

 

CMYK 0 / 23 / 15 / 30

HEX #B28998

RGB 178 137 152

HSL 338.05, 0.21%, 0.62%

LAB 61.33, 18.02, -1.94

 

CMYK 0 / 23 / 21 / 30

HEX #B2898D

RGB 178 137 141

HSL 354.15, 0.21%, 0.62%

LAB 61.03, 16.23, 3.89

 

CMYK 0 / 19 / 23 / 30

HEX #B29089

RGB 178 144 137

HSL 10.24, 0.21%, 0.62%

LAB 62.69, 11.7, 8.55

 

CMYK 0 / 13 / 23 / 30

HEX #B29B89

RGB 178 155 137

HSL 26.34, 0.21%, 0.62%

LAB 65.53, 5.6, 12.56

 

CMYK 0 / 35 / 31 / 45

HEX #8D5C61

RGB 141 92 97

HSL 353.88, 0.21%, 0.46%

LAB 44.49, 20.81, 5.43

 

CMYK 0 / 31 / 28 / 36

HEX #A27075

RGB 162 112 117

HSL 354, 0.21%, 0.54%

LAB 52.46, 20.54, 5.23

 

CMYK 0 / 23 / 21 / 30

HEX #B2898D

RGB 178 137 141

HSL 354.15, 0.21%, 0.62%

LAB 61.03, 16.23, 3.89

 

CMYK 0 / 16 / 15 / 24

HEX #C2A2A5

RGB 194 162 165

HSL 354.38, 0.21%, 0.7%

LAB 69.49, 12.23, 2.84

 

CMYK 0 / 11 / 10 / 17

HEX #D3BBBD

RGB 211 187 189

HSL 355, 0.21%, 0.78%

LAB 77.91, 8.86, 2.11

 

CMYK 0 / 23 / 21 / 30

HEX #B2898D

RGB 178 137 141

HSL 354.15, 0.21%, 0.62%

LAB 61.03, 16.23, 3.89

 

CMYK 2 / 0 / 23 / 30

HEX #AEB289

RGB 174 178 137

HSL 65.85, 0.21%, 0.62%

LAB 71.31, -8.36, 20.54

 

CMYK 23 / 11 / 0 / 30

HEX #899EB2

RGB 137 158 178

HSL 209.27, 0.21%, 0.62%

LAB 64.15, -2.86, -12.83

 

CMYK 0 / 23 / 21 / 30

HEX #B2898D

RGB 178 137 141

HSL 354.15, 0.21%, 0.62%

LAB 61.03, 16.23, 3.89

 

CMYK 21 / 0 / 23 / 30

HEX #8DB289

RGB 141 178 137

HSL 114.15, 0.21%, 0.62%

LAB 68.97, -20.55, 16.95

 

CMYK 23 / 21 / 0 / 30

HEX #898DB2

RGB 137 141 178

HSL 234.15, 0.21%, 0.62%

LAB 59.51, 6.73, -19.85

 

CMYK 0 / 23 / 21 / 30

HEX #B2898D

RGB 178 137 141

HSL 354.15, 0.21%, 0.62%

LAB 61.03, 16.23, 3.89

 

CMYK 2 / 0 / 23 / 30

HEX #AEB289

RGB 174 178 137

HSL 65.85, 0.21%, 0.62%

LAB 71.31, -8.36, 20.54

 

CMYK 23 / 0 / 2 / 30

HEX #89B2AE

RGB 137 178 174

HSL 174.15, 0.21%, 0.62%

LAB 69.62, -14.56, -2.47

 

CMYK 21 / 23 / 0 / 30

HEX #8D89B2

RGB 141 137 178

HSL 245.85, 0.21%, 0.62%

LAB 58.76, 10.32, -20.97

 

CMYK 0 / 23 / 21 / 30

HEX #B2898D

RGB 178 137 141

HSL 354.15, 0.21%, 0.62%

LAB 61.03, 16.23, 3.89

 

CMYK 9 / 0 / 23 / 30

HEX #A2B289

RGB 162 178 137

HSL 83.41, 0.21%, 0.62%

LAB 70.41, -12.91, 19.15

 

CMYK 23 / 0 / 2 / 30

HEX #89B2AE

RGB 137 178 174

HSL 174.15, 0.21%, 0.62%

LAB 69.62, -14.56, -2.47

 

CMYK 13 / 23 / 0 / 30

HEX #9A89B2

RGB 154 137 178

HSL 264.88, 0.21%, 0.62%

LAB 59.87, 14.58, -19.18

 

Description

Color code: HEX #B2898D | qconv.com Color code: HEX #B2898D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 137 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 137 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 21 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 21% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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