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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B28475 it is the complementary color #4D7B8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B28475. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B28475 shade: #B78470, #C89683, #D9A896, #EABAA9 and #FBCCBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B28475. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B28475 shade: #B28475, #A17262, #90604F, #7F4E3C and #6E3C29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B28475 shade: #B18475 and #B17575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B28475 shade: #B18475, #B19475, #B1A575, #AEB175 and #9EB175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B28475 shade matches the following richer shades: #B18475, #C37B64, #D47353, #E56A41 and #F76130

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B28475 shade: #B18475, #A08D87, #8F9698, #7D9FA9 and #6CA7BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B28475 shade: #B17587, #B17577, #B18375, #B19375 and #B1A375

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B28475 shade: #885B4C, #A26D5B, #B18475, #C09C90 and #CFB3AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B28475 shade: #B28475, #97B175 and #757FB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B28475 shade: #B28475, #75B183 and #8375B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B28475 shade: #B28475, #97B175, #75A3B1 and #8F75B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B28475 shade: #B28475, #85B175, #75A3B1 and #A175B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 34 / 30

HEX #B28475

RGB 178 132 117

HSL 14.75, 0.28%, 0.58%

LAB 59.21, 15.59, 15

 

Complementary color

CMYK 44 / 11 / 0 / 46

HEX #4D7B8A

RGB 77 123 138

HSL 194.75, 0.28%, 0.42%

LAB 48.98, -11.51, -13.09

 

CMYK 0 / 28 / 39 / 28

HEX #B78470

RGB 183 132 112

HSL 16.9, 0.33%, 0.58%

LAB 59.65, 16.99, 18.55

 

CMYK 0 / 25 / 35 / 22

HEX #C89683

RGB 200 150 131

HSL 16.52, 0.39%, 0.65%

LAB 66.31, 16.18, 17.33

 

CMYK 0 / 23 / 31 / 15

HEX #D9A896

RGB 217 168 150

HSL 16.12, 0.47%, 0.72%

LAB 72.86, 15.47, 16.22

 

CMYK 0 / 21 / 28 / 8

HEX #EABAA9

RGB 234 186 169

HSL 15.69, 0.61%, 0.79%

LAB 79.31, 14.85, 15.19

 

CMYK 0 / 19 / 25 / 2

HEX #FBCCBC

RGB 251 204 188

HSL 15.24, 0.89%, 0.86%

LAB 85.67, 14.28, 14.23

 

CMYK 0 / 26 / 34 / 30

HEX #B28475

RGB 178 132 117

HSL 14.75, 0.28%, 0.58%

LAB 59.21, 15.59, 15

 

CMYK 0 / 29 / 39 / 37

HEX #A17262

RGB 161 114 98

HSL 15.24, 0.25%, 0.51%

LAB 52.39, 16.43, 16.25

 

CMYK 0 / 33 / 45 / 44

HEX #90604F

RGB 144 96 79

HSL 15.69, 0.29%, 0.44%

LAB 45.44, 17.41, 17.65

 

CMYK 0 / 39 / 53 / 50

HEX #7F4E3C

RGB 127 78 60

HSL 16.12, 0.36%, 0.37%

LAB 38.35, 18.57, 19.28

 

CMYK 0 / 45 / 63 / 57

HEX #6E3C29

RGB 110 60 41

HSL 16.52, 0.46%, 0.3%

LAB 31.13, 19.98, 21.21

 

CMYK 0 / 25 / 34 / 31

HEX #B18475

RGB 177 132 117

HSL 15, 0.28%, 0.58%

LAB 59.1, 15.19, 14.84

 

CMYK 0 / 34 / 34 / 31

HEX #B17575

RGB 177 117 117

HSL 0, 0.28%, 0.58%

LAB 55.44, 23.6, 9.71

 

CMYK 0 / 25 / 34 / 31

HEX #B18475

RGB 177 132 117

HSL 15, 0.28%, 0.58%

LAB 59.1, 15.19, 14.84

 

CMYK 0 / 16 / 34 / 31

HEX #B19475

RGB 177 148 117

HSL 31, 0.28%, 0.58%

LAB 63.19, 6.27, 20.45

 

CMYK 0 / 7 / 34 / 31

HEX #B1A575

RGB 177 165 117

HSL 48, 0.28%, 0.58%

LAB 67.68, -3.01, 26.49

 

CMYK 2 / 0 / 34 / 31

HEX #AEB175

RGB 174 177 117

HSL 63, 0.28%, 0.58%

LAB 70.68, -10.57, 30.4

 

CMYK 11 / 0 / 34 / 31

HEX #9EB175

RGB 158 177 117

HSL 79, 0.28%, 0.58%

LAB 69.47, -16.86, 28.58

 

CMYK 0 / 25 / 34 / 31

HEX #B18475

RGB 177 132 117

HSL 15, 0.28%, 0.58%

LAB 59.1, 15.19, 14.84

 

CMYK 0 / 37 / 49 / 24

HEX #C37B64

RGB 195 123 100

HSL 14.53, 0.44%, 0.58%

LAB 58.68, 25.52, 24.28

 

CMYK 0 / 46 / 61 / 17

HEX #D47353

RGB 212 115 83

HSL 14.88, 0.6%, 0.58%

LAB 58.87, 35.15, 34.44

 

CMYK 0 / 54 / 72 / 10

HEX #E56A41

RGB 229 106 65

HSL 15, 0.76%, 0.58%

LAB 59.29, 45.15, 45.17

 

CMYK 0 / 61 / 81 / 3

HEX #F76130

RGB 247 97 48

HSL 14.77, 0.93%, 0.58%

LAB 60.37, 55.15, 55.44

 

CMYK 0 / 25 / 34 / 31

HEX #B18475

RGB 177 132 117

HSL 15, 0.28%, 0.58%

LAB 59.1, 15.19, 14.84

 

CMYK 0 / 12 / 16 / 37

HEX #A08D87

RGB 160 141 135

HSL 14.4, 0.12%, 0.58%

LAB 60.13, 6.09, 5.8

 

CMYK 6 / 1 / 0 / 40

HEX #8F9698

RGB 143 150 152

HSL 193.33, 0.04%, 0.58%

LAB 61.58, -2.11, -1.93

 

CMYK 26 / 6 / 0 / 34

HEX #7D9FA9

RGB 125 159 169

HSL 193.64, 0.2%, 0.58%

LAB 63.36, -9.31, -9.04

 

CMYK 42 / 11 / 0 / 27

HEX #6CA7BB

RGB 108 167 187

HSL 195.19, 0.37%, 0.58%

LAB 65.29, -13.88, -16.31

 

CMYK 0 / 34 / 24 / 31

HEX #B17587

RGB 177 117 135

HSL 342, 0.28%, 0.58%

LAB 55.91, 26.15, -0.1

 

CMYK 0 / 34 / 33 / 31

HEX #B17577

RGB 177 117 119

HSL 358, 0.28%, 0.58%

LAB 55.48, 23.87, 8.61

 

CMYK 0 / 26 / 34 / 31

HEX #B18375

RGB 177 131 117

HSL 14, 0.28%, 0.58%

LAB 58.85, 15.75, 14.49

 

CMYK 0 / 17 / 34 / 31

HEX #B19375

RGB 177 147 117

HSL 30, 0.28%, 0.58%

LAB 62.93, 6.82, 20.1

 

CMYK 0 / 8 / 34 / 31

HEX #B1A375

RGB 177 163 117

HSL 46, 0.28%, 0.58%

LAB 67.15, -1.93, 25.78

 

CMYK 0 / 33 / 44 / 47

HEX #885B4C

RGB 136 91 76

HSL 15, 0.28%, 0.42%

LAB 43.12, 16.56, 16.15

 

CMYK 0 / 33 / 44 / 36

HEX #A26D5B

RGB 162 109 91

HSL 15.21, 0.28%, 0.5%

LAB 51.12, 18.87, 18.62

 

CMYK 0 / 25 / 34 / 31

HEX #B18475

RGB 177 132 117

HSL 15, 0.28%, 0.58%

LAB 59.1, 15.19, 14.84

 

CMYK 0 / 19 / 25 / 25

HEX #C09C90

RGB 192 156 144

HSL 15, 0.28%, 0.66%

LAB 67.27, 11.52, 11.32

 

CMYK 0 / 14 / 18 / 19

HEX #CFB3AA

RGB 207 179 170

HSL 14.59, 0.28%, 0.74%

LAB 75.08, 8.62, 8.3

 

CMYK 0 / 26 / 34 / 30

HEX #B28475

RGB 178 132 117

HSL 14.75, 0.28%, 0.58%

LAB 59.21, 15.59, 15

 

CMYK 15 / 0 / 34 / 31

HEX #97B175

RGB 151 177 117

HSL 86, 0.28%, 0.58%

LAB 68.97, -19.54, 27.83

 

CMYK 34 / 28 / 0 / 31

HEX #757FB1

RGB 117 127 177

HSL 230, 0.28%, 0.58%

LAB 54.17, 8.49, -27.62

 

CMYK 0 / 26 / 34 / 30

HEX #B28475

RGB 178 132 117

HSL 14.75, 0.28%, 0.58%

LAB 59.21, 15.59, 15

 

CMYK 34 / 0 / 26 / 31

HEX #75B183

RGB 117 177 131

HSL 134, 0.28%, 0.58%

LAB 67.18, -29.2, 17.51

 

CMYK 26 / 34 / 0 / 31

HEX #8375B1

RGB 131 117 177

HSL 254, 0.28%, 0.58%

LAB 52.64, 18.64, -29.9

 

CMYK 0 / 26 / 34 / 30

HEX #B28475

RGB 178 132 117

HSL 14.75, 0.28%, 0.58%

LAB 59.21, 15.59, 15

 

CMYK 15 / 0 / 34 / 31

HEX #97B175

RGB 151 177 117

HSL 86, 0.28%, 0.58%

LAB 68.97, -19.54, 27.83

 

CMYK 34 / 8 / 0 / 31

HEX #75A3B1

RGB 117 163 177

HSL 194, 0.28%, 0.58%

LAB 64.28, -11.9, -12.19

 

CMYK 19 / 34 / 0 / 31

HEX #8F75B1

RGB 143 117 177

HSL 266, 0.28%, 0.58%

LAB 53.75, 22.38, -28.1

 

CMYK 0 / 26 / 34 / 30

HEX #B28475

RGB 178 132 117

HSL 14.75, 0.28%, 0.58%

LAB 59.21, 15.59, 15

 

CMYK 25 / 0 / 34 / 31

HEX #85B175

RGB 133 177 117

HSL 104, 0.28%, 0.58%

LAB 67.81, -26.18, 26.08

 

CMYK 34 / 8 / 0 / 31

HEX #75A3B1

RGB 117 163 177

HSL 194, 0.28%, 0.58%

LAB 64.28, -11.9, -12.19

 

CMYK 9 / 34 / 0 / 31

HEX #A175B1

RGB 161 117 177

HSL 284, 0.28%, 0.58%

LAB 55.56, 28.15, -25.16

 

Description

Color code: HEX #B28475 | qconv.com Color code: HEX #B28475 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 132 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 132 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 34 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 34% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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