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Color name
HEX #B27A29

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B27A29 it is the complementary color #4D85D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B27A29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B27A29 shade: #B77A24, #C88C37, #D99E4A, #EAB05D and #FBC270

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B27A29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B27A29 shade: #B27A29, #A16816, #905603, #7F4400 and #6E3200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B27A29 shade: #B27A28, #B25428, #B22F28 and #B22828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B27A29 shade: #B27A28, #B29F28, #A0B228, #7BB228 and #56B228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B27A29 shade matches the following richer shades: #B27A28, #C47D16 and #D68005

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B27A29 shade: #B27A28, #A0773A, #8F734C, #7D705D and #6B6D6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B27A29 shade: #B22F28, #B25428, #B27928, #B29E28 and #A2B228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B27A29 shade: #6F4C19, #916320, #B27A28, #D09033 and #D8A255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B27A29 shade: #B27A29, #46B228 and #4128B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B27A29 shade: #B27A29, #28B279 and #7928B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B27A29 shade: #B27A29, #46B228, #2862B2 and #9428B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B27A29 shade: #B27A29, #28B234, #2862B2 and #B228A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 77 / 30

HEX #B27A29

RGB 178 122 41

HSL 35.47, 0.63%, 0.43%

LAB 55.63, 14.66, 50.53

 

Complementary color

CMYK 64 / 38 / 0 / 16

HEX #4D85D6

RGB 77 133 214

HSL 215.47, 0.63%, 0.57%

LAB 55.29, 6.93, -47.08

 

CMYK 0 / 33 / 80 / 28

HEX #B77A24

RGB 183 122 36

HSL 35.1, 0.67%, 0.43%

LAB 56.2, 16.68, 53.29

 

CMYK 0 / 30 / 73 / 22

HEX #C88C37

RGB 200 140 55

HSL 35.17, 0.57%, 0.5%

LAB 62.77, 15.02, 52.49

 

CMYK 0 / 27 / 66 / 15

HEX #D99E4A

RGB 217 158 74

HSL 35.24, 0.65%, 0.57%

LAB 69.26, 13.59, 51.31

 

CMYK 0 / 25 / 60 / 8

HEX #EAB05D

RGB 234 176 93

HSL 35.32, 0.77%, 0.64%

LAB 75.66, 12.37, 49.98

 

CMYK 0 / 23 / 55 / 2

HEX #FBC270

RGB 251 194 112

HSL 35.4, 0.95%, 0.71%

LAB 81.98, 11.3, 48.64

 

CMYK 0 / 31 / 77 / 30

HEX #B27A29

RGB 178 122 41

HSL 35.47, 0.63%, 0.43%

LAB 55.63, 14.66, 50.53

 

CMYK 0 / 35 / 86 / 37

HEX #A16816

RGB 161 104 22

HSL 35.4, 0.76%, 0.36%

LAB 48.93, 16.5, 50.87

 

CMYK 0 / 40 / 98 / 44

HEX #905603

RGB 144 86 3

HSL 35.32, 0.96%, 0.29%

LAB 42.14, 18.66, 49.92

 

CMYK 0 / 46 / 100 / 50

HEX #7F4400

RGB 127 68 0

HSL 32.13, 1%, 0.25%

LAB 35.29, 21.23, 45.22

 

CMYK 0 / 55 / 100 / 57

HEX #6E3200

RGB 110 50 0

HSL 27.27, 1%, 0.22%

LAB 28.37, 23.88, 39.17

 

CMYK 0 / 31 / 78 / 30

HEX #B27A28

RGB 178 122 40

HSL 35.65, 0.63%, 0.43%

LAB 55.62, 14.62, 50.94

 

CMYK 0 / 53 / 78 / 30

HEX #B25428

RGB 178 84 40

HSL 19.13, 0.63%, 0.43%

LAB 46.92, 35.38, 42.37

 

CMYK 0 / 74 / 78 / 30

HEX #B22F28

RGB 178 47 40

HSL 3.04, 0.63%, 0.43%

LAB 40.66, 51.99, 35.87

 

CMYK 0 / 78 / 78 / 30

HEX #B22828

RGB 178 40 40

HSL 0, 0.63%, 0.43%

LAB 39.81, 54.35, 34.96

 

CMYK 0 / 31 / 78 / 30

HEX #B27A28

RGB 178 122 40

HSL 35.65, 0.63%, 0.43%

LAB 55.62, 14.62, 50.94

 

CMYK 0 / 11 / 78 / 30

HEX #B29F28

RGB 178 159 40

HSL 51.74, 0.63%, 0.43%

LAB 65.29, -5.69, 60

 

CMYK 10 / 0 / 78 / 30

HEX #A0B228

RGB 160 178 40

HSL 67.83, 0.63%, 0.43%

LAB 69.09, -23.33, 62.93

 

CMYK 31 / 0 / 78 / 30

HEX #7BB228

RGB 123 178 40

HSL 83.91, 0.63%, 0.43%

LAB 66.68, -38.28, 59.82

 

CMYK 52 / 0 / 78 / 30

HEX #56B228

RGB 86 178 40

HSL 100, 0.63%, 0.43%

LAB 64.94, -50.79, 57.56

 

CMYK 0 / 31 / 78 / 30

HEX #B27A28

RGB 178 122 40

HSL 35.65, 0.63%, 0.43%

LAB 55.62, 14.62, 50.94

 

CMYK 0 / 36 / 89 / 23

HEX #C47D16

RGB 196 125 22

HSL 35.52, 0.8%, 0.43%

LAB 58.47, 20.35, 60.44

 

CMYK 0 / 40 / 98 / 16

HEX #D68005

RGB 214 128 5

HSL 35.31, 0.95%, 0.43%

LAB 61.43, 26.24, 66.94

 

CMYK 0 / 31 / 78 / 30

HEX #B27A28

RGB 178 122 40

HSL 35.65, 0.63%, 0.43%

LAB 55.62, 14.62, 50.94

 

CMYK 0 / 26 / 64 / 37

HEX #A0773A

RGB 160 119 58

HSL 35.88, 0.47%, 0.43%

LAB 52.92, 9.26, 39.09

 

CMYK 0 / 20 / 47 / 44

HEX #8F734C

RGB 143 115 76

HSL 34.93, 0.31%, 0.43%

LAB 50.24, 5.6, 25.68

 

CMYK 0 / 10 / 26 / 51

HEX #7D705D

RGB 125 112 93

HSL 35.63, 0.15%, 0.43%

LAB 47.93, 1.82, 12.42

 

CMYK 4 / 2 / 0 / 56

HEX #6B6D6F

RGB 107 109 111

HSL 210, 0.02%, 0.43%

LAB 45.92, -0.35, -1.39

 

CMYK 0 / 74 / 78 / 30

HEX #B22F28

RGB 178 47 40

HSL 3.04, 0.63%, 0.43%

LAB 40.66, 51.99, 35.87

 

CMYK 0 / 53 / 78 / 30

HEX #B25428

RGB 178 84 40

HSL 19.13, 0.63%, 0.43%

LAB 46.92, 35.38, 42.37

 

CMYK 0 / 32 / 78 / 30

HEX #B27928

RGB 178 121 40

HSL 35.22, 0.63%, 0.43%

LAB 55.37, 15.18, 50.7

 

CMYK 0 / 11 / 78 / 30

HEX #B29E28

RGB 178 158 40

HSL 51.3, 0.63%, 0.43%

LAB 65.02, -5.16, 59.75

 

CMYK 9 / 0 / 78 / 30

HEX #A2B228

RGB 162 178 40

HSL 66.96, 0.63%, 0.43%

LAB 69.24, -22.48, 63.12

 

CMYK 0 / 32 / 77 / 56

HEX #6F4C19

RGB 111 76 25

HSL 35.58, 0.63%, 0.27%

LAB 35.24, 9.67, 34.77

 

CMYK 0 / 32 / 78 / 43

HEX #916320

RGB 145 99 32

HSL 35.58, 0.64%, 0.35%

LAB 45.7, 12.41, 43.36

 

CMYK 0 / 31 / 78 / 30

HEX #B27A28

RGB 178 122 40

HSL 35.65, 0.63%, 0.43%

LAB 55.62, 14.62, 50.94

 

CMYK 0 / 31 / 75 / 18

HEX #D09033

RGB 208 144 51

HSL 35.54, 0.63%, 0.51%

LAB 64.64, 16.12, 56.37

 

CMYK 0 / 25 / 61 / 15

HEX #D8A255

RGB 216 162 85

HSL 35.27, 0.63%, 0.59%

LAB 70.24, 11.74, 47.11

 

CMYK 0 / 31 / 77 / 30

HEX #B27A29

RGB 178 122 41

HSL 35.47, 0.63%, 0.43%

LAB 55.63, 14.66, 50.53

 

CMYK 61 / 0 / 78 / 30

HEX #46B228

RGB 70 178 40

HSL 106.96, 0.63%, 0.43%

LAB 64.4, -55.08, 56.85

 

CMYK 63 / 78 / 0 / 30

HEX #4128B2

RGB 65 40 178

HSL 250.87, 0.63%, 0.43%

LAB 29.05, 49.31, -68.7

 

CMYK 0 / 31 / 77 / 30

HEX #B27A29

RGB 178 122 41

HSL 35.47, 0.63%, 0.43%

LAB 55.63, 14.66, 50.53

 

CMYK 78 / 0 / 32 / 30

HEX #28B279

RGB 40 178 121

HSL 155.22, 0.63%, 0.43%

LAB 64.7, -49.24, 19.14

 

CMYK 32 / 78 / 0 / 30

HEX #7928B2

RGB 121 40 178

HSL 275.22, 0.63%, 0.43%

LAB 35.59, 57.56, -57.72

 

CMYK 0 / 31 / 77 / 30

HEX #B27A29

RGB 178 122 41

HSL 35.47, 0.63%, 0.43%

LAB 55.63, 14.66, 50.53

 

CMYK 61 / 0 / 78 / 30

HEX #46B228

RGB 70 178 40

HSL 106.96, 0.63%, 0.43%

LAB 64.4, -55.08, 56.85

 

CMYK 78 / 45 / 0 / 30

HEX #2862B2

RGB 40 98 178

HSL 214.78, 0.63%, 0.43%

LAB 41.85, 10.11, -47.92

 

CMYK 17 / 78 / 0 / 30

HEX #9428B2

RGB 148 40 178

HSL 286.96, 0.63%, 0.43%

LAB 39.63, 62.53, -50.99

 

CMYK 0 / 31 / 77 / 30

HEX #B27A29

RGB 178 122 41

HSL 35.47, 0.63%, 0.43%

LAB 55.63, 14.66, 50.53

 

CMYK 78 / 0 / 71 / 30

HEX #28B234

RGB 40 178 52

HSL 125.22, 0.63%, 0.43%

LAB 63.79, -59.92, 51.71

 

CMYK 78 / 45 / 0 / 30

HEX #2862B2

RGB 40 98 178

HSL 214.78, 0.63%, 0.43%

LAB 41.85, 10.11, -47.92

 

CMYK 0 / 78 / 6 / 30

HEX #B228A7

RGB 178 40 167

HSL 304.78, 0.63%, 0.43%

LAB 43.91, 66.75, -37.33

 

Description

Color code: HEX #B27A29 | qconv.com Color code: HEX #B27A29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 122 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 122 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 77 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 77% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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