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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B276EE it is the complementary color #4D8911. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B276EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B276EE shade: #B776E9, #C888FC, #D99AFF, #EAACFF and #FBBEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B276EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B276EE shade: #B276EE, #A164DB, #9052C8, #7F40B5 and #6E2EA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B276EE shade: #B276EE, #D276EE, #EE76E9, #EE76C9 and #EE76A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B276EE shade: #B276EE, #9276EE and #7676EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B276EE shade matches the following richer shades: #B276EE and #B26AFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B276EE shade: #B276EE, #B283E1, #B28FD5, #B29BC9 and #B2A8BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B276EE shade: #767AEE, #9276EE, #B276EE, #D276EE and #EE76EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B276EE shade: #892DE5, #9D52E9, #B276EE, #C79BF2 and #DBC0F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B276EE shade: #B276EE, #EE769A and #76EE82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B276EE shade: #B276EE, #EEB276 and #76EEB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B276EE shade: #B276EE, #EE769A, #B2EE76 and #76EECA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B276EE shade: #B276EE, #EE7676, #B2EE76 and #76EEEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 50 / 0 / 7

HEX #B276EE

RGB 178 118 238

HSL 270, 0.78%, 0.7%

LAB 60.42, 46.13, -51.87

 

Complementary color

CMYK 44 / 0 / 88 / 46

HEX #4D8911

RGB 77 137 17

HSL 90, 0.78%, 0.3%

LAB 51.28, -38.41, 51.46

 

CMYK 21 / 49 / 0 / 9

HEX #B776E9

RGB 183 118 233

HSL 273.91, 0.72%, 0.69%

LAB 60.7, 46.31, -48.62

 

CMYK 21 / 46 / 0 / 1

HEX #C888FC

RGB 200 136 252

HSL 273.1, 0.95%, 0.76%

LAB 67.21, 45.47, -48.69

 

CMYK 15 / 40 / 0 / 0

HEX #D99AFF

RGB 217 154 255

HSL 277.43, 1%, 0.8%

LAB 72.95, 41.25, -41.21

 

CMYK 8 / 33 / 0 / 0

HEX #EAACFF

RGB 234 172 255

HSL 284.82, 1%, 0.84%

LAB 78.59, 36.69, -32.33

 

CMYK 2 / 25 / 0 / 0

HEX #FBBEFF

RGB 251 190 255

HSL 296.31, 1%, 0.87%

LAB 84.25, 32.45, -23.51

 

CMYK 25 / 50 / 0 / 7

HEX #B276EE

RGB 178 118 238

HSL 270, 0.78%, 0.7%

LAB 60.42, 46.13, -51.87

 

CMYK 26 / 54 / 0 / 14

HEX #A164DB

RGB 161 100 219

HSL 270.76, 0.62%, 0.63%

LAB 53.82, 47.03, -51.85

 

CMYK 28 / 59 / 0 / 22

HEX #9052C8

RGB 144 82 200

HSL 271.53, 0.52%, 0.55%

LAB 47.15, 47.92, -51.78

 

CMYK 30 / 65 / 0 / 29

HEX #7F40B5

RGB 127 64 181

HSL 272.31, 0.48%, 0.48%

LAB 40.43, 48.72, -51.61

 

CMYK 32 / 72 / 0 / 36

HEX #6E2EA2

RGB 110 46 162

HSL 273.1, 0.56%, 0.41%

LAB 33.73, 49.27, -51.23

 

CMYK 25 / 50 / 0 / 7

HEX #B276EE

RGB 178 118 238

HSL 270, 0.78%, 0.7%

LAB 60.42, 46.13, -51.87

 

CMYK 12 / 50 / 0 / 7

HEX #D276EE

RGB 210 118 238

HSL 286, 0.78%, 0.7%

LAB 64.02, 54.59, -45.94

 

CMYK 0 / 50 / 2 / 7

HEX #EE76E9

RGB 238 118 233

HSL 302.5, 0.78%, 0.7%

LAB 67.29, 61.27, -37.81

 

CMYK 0 / 50 / 16 / 7

HEX #EE76C9

RGB 238 118 201

HSL 318.5, 0.78%, 0.7%

LAB 66.02, 56.13, -21.94

 

CMYK 0 / 50 / 29 / 7

HEX #EE76A9

RGB 238 118 169

HSL 334.5, 0.78%, 0.7%

LAB 64.96, 51.67, -5.44

 

CMYK 25 / 50 / 0 / 7

HEX #B276EE

RGB 178 118 238

HSL 270, 0.78%, 0.7%

LAB 60.42, 46.13, -51.87

 

CMYK 39 / 50 / 0 / 7

HEX #9276EE

RGB 146 118 238

HSL 254, 0.78%, 0.7%

LAB 57.31, 38.13, -57.02

 

CMYK 50 / 50 / 0 / 7

HEX #7676EE

RGB 118 118 238

HSL 240, 0.78%, 0.7%

LAB 55.05, 31.82, -60.76

 

CMYK 25 / 50 / 0 / 7

HEX #B276EE

RGB 178 118 238

HSL 270, 0.78%, 0.7%

LAB 60.42, 46.13, -51.87

 

CMYK 29 / 58 / 0 / 2

HEX #B26AFA

RGB 178 106 250

HSL 270, 0.94%, 0.7%

LAB 58.67, 55.22, -61.31

 

CMYK 25 / 50 / 0 / 7

HEX #B276EE

RGB 178 118 238

HSL 270, 0.78%, 0.7%

LAB 60.42, 46.13, -51.87

 

CMYK 21 / 42 / 0 / 12

HEX #B283E1

RGB 178 131 225

HSL 270, 0.61%, 0.7%

LAB 62.62, 36.02, -41.18

 

CMYK 16 / 33 / 0 / 16

HEX #B28FD5

RGB 178 143 213

HSL 270, 0.45%, 0.7%

LAB 64.89, 26.61, -30.96

 

CMYK 11 / 23 / 0 / 21

HEX #B29BC9

RGB 178 155 201

HSL 270, 0.3%, 0.7%

LAB 67.37, 17.28, -20.48

 

CMYK 5 / 11 / 0 / 26

HEX #B2A8BC

RGB 178 168 188

HSL 270, 0.13%, 0.7%

LAB 70.25, 7.38, -8.95

 

CMYK 50 / 49 / 0 / 7

HEX #767AEE

RGB 118 122 238

HSL 238, 0.78%, 0.7%

LAB 56.03, 29.43, -59.19

 

CMYK 39 / 50 / 0 / 7

HEX #9276EE

RGB 146 118 238

HSL 254, 0.78%, 0.7%

LAB 57.31, 38.13, -57.02

 

CMYK 25 / 50 / 0 / 7

HEX #B276EE

RGB 178 118 238

HSL 270, 0.78%, 0.7%

LAB 60.42, 46.13, -51.87

 

CMYK 12 / 50 / 0 / 7

HEX #D276EE

RGB 210 118 238

HSL 286, 0.78%, 0.7%

LAB 64.02, 54.59, -45.94

 

CMYK 0 / 50 / 2 / 7

HEX #EE76EA

RGB 238 118 234

HSL 302, 0.78%, 0.7%

LAB 67.33, 61.44, -38.3

 

CMYK 40 / 80 / 0 / 10

HEX #892DE5

RGB 137 45 229

HSL 270, 0.78%, 0.54%

LAB 42.54, 69.72, -75.91

 

CMYK 33 / 65 / 0 / 9

HEX #9D52E9

RGB 157 82 233

HSL 269.8, 0.77%, 0.62%

LAB 50.79, 58.61, -64.65

 

CMYK 25 / 50 / 0 / 7

HEX #B276EE

RGB 178 118 238

HSL 270, 0.78%, 0.7%

LAB 60.42, 46.13, -51.87

 

CMYK 18 / 36 / 0 / 5

HEX #C79BF2

RGB 199 155 242

HSL 270.34, 0.77%, 0.78%

LAB 70.87, 32.67, -37.51

 

CMYK 11 / 22 / 0 / 3

HEX #DBC0F7

RGB 219 192 247

HSL 269.45, 0.77%, 0.86%

LAB 81.55, 19.7, -23.62

 

CMYK 25 / 50 / 0 / 7

HEX #B276EE

RGB 178 118 238

HSL 270, 0.78%, 0.7%

LAB 60.42, 46.13, -51.87

 

CMYK 0 / 50 / 35 / 7

HEX #EE769A

RGB 238 118 154

HSL 342, 0.78%, 0.7%

LAB 64.54, 49.84, 2.48

 

CMYK 50 / 0 / 45 / 7

HEX #76EE82

RGB 118 238 130

HSL 126, 0.78%, 0.7%

LAB 85.31, -55.61, 42.03

 

CMYK 25 / 50 / 0 / 7

HEX #B276EE

RGB 178 118 238

HSL 270, 0.78%, 0.7%

LAB 60.42, 46.13, -51.87

 

CMYK 0 / 25 / 50 / 7

HEX #EEB276

RGB 238 178 118

HSL 30, 0.78%, 0.7%

LAB 76.88, 14.94, 39.02

 

CMYK 50 / 0 / 25 / 7

HEX #76EEB2

RGB 118 238 178

HSL 150, 0.78%, 0.7%

LAB 86.11, -47.35, 18.87

 

CMYK 25 / 50 / 0 / 7

HEX #B276EE

RGB 178 118 238

HSL 270, 0.78%, 0.7%

LAB 60.42, 46.13, -51.87

 

CMYK 0 / 50 / 35 / 7

HEX #EE769A

RGB 238 118 154

HSL 342, 0.78%, 0.7%

LAB 64.54, 49.84, 2.48

 

CMYK 25 / 0 / 50 / 7

HEX #B2EE76

RGB 178 238 118

HSL 90, 0.78%, 0.7%

LAB 87.93, -38.5, 51.6

 

CMYK 50 / 0 / 15 / 7

HEX #76EECA

RGB 118 238 202

HSL 162, 0.78%, 0.7%

LAB 86.64, -42.28, 7.12

 

CMYK 25 / 50 / 0 / 7

HEX #B276EE

RGB 178 118 238

HSL 270, 0.78%, 0.7%

LAB 60.42, 46.13, -51.87

 

CMYK 0 / 50 / 50 / 7

HEX #EE7676

RGB 238 118 118

HSL 0, 0.78%, 0.7%

LAB 63.71, 46.16, 21.82

 

CMYK 25 / 0 / 50 / 7

HEX #B2EE76

RGB 178 238 118

HSL 90, 0.78%, 0.7%

LAB 87.93, -38.5, 51.6

 

CMYK 50 / 0 / 0 / 7

HEX #76EEEE

RGB 118 238 238

HSL 180, 0.78%, 0.7%

LAB 87.57, -33.64, -10.38

 

Description

Color code: HEX #B276EE | qconv.com Color code: HEX #B276EE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 118 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 118 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 50 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 50% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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