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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B27578 it is the complementary color #4D8A87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B27578. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B27578 shade: #B77573, #C88786, #D99999, #EAABAC and #FBBDBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B27578. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B27578 shade: #B27578, #A16365, #905152, #7F3F3F and #6E2D2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B27578 shade: #B17578 and #B17575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B27578 shade: #B17578, #B17589, #B17599, #B175A9 and #AA75B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B27578 shade matches the following richer shades: #B17578, #C36469, #D45359, #E54149 and #F7303A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B27578 shade: #B17578, #A08788, #8F9898, #7DA9A7 and #6CBBB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B27578 shade: #B17598, #B17588, #B17578, #B18275 and #B19275

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B27578 shade: #884C4F, #A25B5F, #B17578, #C09092 and #CFAAAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B27578 shade: #B27578, #A8B175 and #7590B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B27578 shade: #B27578, #78B175 and #7578B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B27578 shade: #B27578, #A8B175, #75B1AE and #7E75B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B27578 shade: #B27578, #96B175, #75B1AE and #9075B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 33 / 30

HEX #B27578

RGB 178 117 120

HSL 357.05, 0.28%, 0.58%

LAB 55.63, 24.39, 8.25

 

Complementary color

CMYK 44 / 0 / 2 / 46

HEX #4D8A87

RGB 77 138 135

HSL 177.05, 0.28%, 0.42%

LAB 53.5, -20.51, -4.58

 

CMYK 0 / 36 / 37 / 28

HEX #B77573

RGB 183 117 115

HSL 1.76, 0.32%, 0.58%

LAB 56.12, 25.7, 11.93

 

CMYK 0 / 33 / 33 / 22

HEX #C88786

RGB 200 135 134

HSL 0.91, 0.38%, 0.65%

LAB 62.78, 24.79, 10.71

 

CMYK 0 / 29 / 29 / 15

HEX #D99999

RGB 217 153 153

HSL 0, 0.46%, 0.73%

LAB 69.35, 23.98, 9.62

 

CMYK 0 / 27 / 26 / 8

HEX #EAABAC

RGB 234 171 172

HSL 359.05, 0.6%, 0.79%

LAB 75.82, 23.24, 8.62

 

CMYK 0 / 25 / 24 / 2

HEX #FBBDBF

RGB 251 189 191

HSL 358.06, 0.89%, 0.86%

LAB 82.2, 22.57, 7.7

 

CMYK 0 / 34 / 33 / 30

HEX #B27578

RGB 178 117 120

HSL 357.05, 0.28%, 0.58%

LAB 55.63, 24.39, 8.25

 

CMYK 0 / 39 / 37 / 37

HEX #A16365

RGB 161 99 101

HSL 358.06, 0.25%, 0.51%

LAB 48.81, 25.34, 9.5

 

CMYK 0 / 44 / 43 / 44

HEX #905152

RGB 144 81 82

HSL 359.05, 0.28%, 0.44%

LAB 41.88, 26.4, 10.97

 

CMYK 0 / 50 / 50 / 50

HEX #7F3F3F

RGB 127 63 63

HSL 0, 0.34%, 0.37%

LAB 34.85, 27.57, 12.75

 

CMYK 0 / 59 / 60 / 57

HEX #6E2D2C

RGB 110 45 44

HSL 0.91, 0.43%, 0.3%

LAB 27.77, 28.82, 15.01

 

CMYK 0 / 34 / 32 / 31

HEX #B17578

RGB 177 117 120

HSL 357, 0.28%, 0.58%

LAB 55.51, 24, 8.07

 

CMYK 0 / 34 / 34 / 31

HEX #B17575

RGB 177 117 117

HSL 0, 0.28%, 0.58%

LAB 55.44, 23.6, 9.71

 

CMYK 0 / 34 / 32 / 31

HEX #B17578

RGB 177 117 120

HSL 357, 0.28%, 0.58%

LAB 55.51, 24, 8.07

 

CMYK 0 / 34 / 23 / 31

HEX #B17589

RGB 177 117 137

HSL 340, 0.28%, 0.58%

LAB 55.96, 26.45, -1.18

 

CMYK 0 / 34 / 14 / 31

HEX #B17599

RGB 177 117 153

HSL 324, 0.28%, 0.58%

LAB 56.46, 29.04, -9.75

 

CMYK 0 / 34 / 5 / 31

HEX #B175A9

RGB 177 117 169

HSL 308, 0.28%, 0.58%

LAB 57.01, 31.87, -18.17

 

CMYK 4 / 34 / 0 / 31

HEX #AA75B1

RGB 170 117 177

HSL 293, 0.28%, 0.58%

LAB 56.53, 31.09, -23.58

 

CMYK 0 / 34 / 32 / 31

HEX #B17578

RGB 177 117 120

HSL 357, 0.28%, 0.58%

LAB 55.51, 24, 8.07

 

CMYK 0 / 49 / 46 / 24

HEX #C36469

RGB 195 100 105

HSL 356.84, 0.44%, 0.58%

LAB 53.75, 38.33, 14.71

 

CMYK 0 / 61 / 58 / 17

HEX #D45359

RGB 212 83 89

HSL 357.21, 0.6%, 0.58%

LAB 52.85, 51.26, 23.35

 

CMYK 0 / 72 / 68 / 10

HEX #E54149

RGB 229 65 73

HSL 357.07, 0.76%, 0.58%

LAB 52.86, 62.95, 33.33

 

CMYK 0 / 81 / 77 / 3

HEX #F7303A

RGB 247 48 58

HSL 356.98, 0.93%, 0.58%

LAB 54.23, 72.53, 44.27

 

CMYK 0 / 34 / 32 / 31

HEX #B17578

RGB 177 117 120

HSL 357, 0.28%, 0.58%

LAB 55.51, 24, 8.07

 

CMYK 0 / 16 / 15 / 37

HEX #A08788

RGB 160 135 136

HSL 357.6, 0.12%, 0.58%

LAB 58.58, 9.64, 2.99

 

CMYK 6 / 0 / 0 / 40

HEX #8F9898

RGB 143 152 152

HSL 180, 0.04%, 0.58%

LAB 62.14, -3.22, -1.12

 

CMYK 26 / 0 / 1 / 34

HEX #7DA9A7

RGB 125 169 167

HSL 177.27, 0.2%, 0.58%

LAB 66.16, -15.13, -3.77

 

CMYK 42 / 0 / 2 / 27

HEX #6CBBB7

RGB 108 187 183

HSL 176.96, 0.37%, 0.58%

LAB 70.97, -25.24, -5.59

 

CMYK 0 / 34 / 14 / 31

HEX #B17598

RGB 177 117 152

HSL 325, 0.28%, 0.58%

LAB 56.42, 28.87, -9.22

 

CMYK 0 / 34 / 23 / 31

HEX #B17588

RGB 177 117 136

HSL 341, 0.28%, 0.58%

LAB 55.93, 26.3, -0.64

 

CMYK 0 / 34 / 32 / 31

HEX #B17578

RGB 177 117 120

HSL 357, 0.28%, 0.58%

LAB 55.51, 24, 8.07

 

CMYK 0 / 27 / 34 / 31

HEX #B18275

RGB 177 130 117

HSL 13, 0.28%, 0.58%

LAB 58.6, 16.31, 14.14

 

CMYK 0 / 18 / 34 / 31

HEX #B19275

RGB 177 146 117

HSL 29, 0.28%, 0.58%

LAB 62.67, 7.38, 19.74

 

CMYK 0 / 44 / 42 / 47

HEX #884C4F

RGB 136 76 79

HSL 357, 0.28%, 0.42%

LAB 39.53, 25.66, 9.37

 

CMYK 0 / 44 / 41 / 36

HEX #A25B5F

RGB 162 91 95

HSL 356.62, 0.28%, 0.5%

LAB 46.96, 29.47, 10.52

 

CMYK 0 / 34 / 32 / 31

HEX #B17578

RGB 177 117 120

HSL 357, 0.28%, 0.58%

LAB 55.51, 24, 8.07

 

CMYK 0 / 25 / 24 / 25

HEX #C09092

RGB 192 144 146

HSL 357.5, 0.28%, 0.66%

LAB 64.35, 18.44, 6.02

 

CMYK 0 / 18 / 17 / 19

HEX #CFAAAC

RGB 207 170 172

HSL 356.76, 0.28%, 0.74%

LAB 72.89, 13.8, 4.05

 

CMYK 0 / 34 / 33 / 30

HEX #B27578

RGB 178 117 120

HSL 357.05, 0.28%, 0.58%

LAB 55.63, 24.39, 8.25

 

CMYK 5 / 0 / 34 / 31

HEX #A8B175

RGB 168 177 117

HSL 69, 0.28%, 0.58%

LAB 70.21, -12.95, 29.7

 

CMYK 34 / 19 / 0 / 31

HEX #7590B1

RGB 117 144 177

HSL 213, 0.28%, 0.58%

LAB 58.88, -1.37, -20.37

 

CMYK 0 / 34 / 33 / 30

HEX #B27578

RGB 178 117 120

HSL 357.05, 0.28%, 0.58%

LAB 55.63, 24.39, 8.25

 

CMYK 32 / 0 / 34 / 31

HEX #78B175

RGB 120 177 117

HSL 117, 0.28%, 0.58%

LAB 67.07, -30.68, 24.96

 

CMYK 34 / 32 / 0 / 31

HEX #7578B1

RGB 117 120 177

HSL 237, 0.28%, 0.58%

LAB 52.27, 12.65, -30.56

 

CMYK 0 / 34 / 33 / 30

HEX #B27578

RGB 178 117 120

HSL 357.05, 0.28%, 0.58%

LAB 55.63, 24.39, 8.25

 

CMYK 5 / 0 / 34 / 31

HEX #A8B175

RGB 168 177 117

HSL 69, 0.28%, 0.58%

LAB 70.21, -12.95, 29.7

 

CMYK 34 / 0 / 2 / 31

HEX #75B1AE

RGB 117 177 174

HSL 177, 0.28%, 0.58%

LAB 68.23, -20, -4.65

 

CMYK 29 / 34 / 0 / 31

HEX #7E75B1

RGB 126 117 177

HSL 249, 0.28%, 0.58%

LAB 52.21, 17.12, -30.61

 

CMYK 0 / 34 / 33 / 30

HEX #B27578

RGB 178 117 120

HSL 357.05, 0.28%, 0.58%

LAB 55.63, 24.39, 8.25

 

CMYK 15 / 0 / 34 / 31

HEX #96B175

RGB 150 177 117

HSL 87, 0.28%, 0.58%

LAB 68.91, -19.92, 27.73

 

CMYK 34 / 0 / 2 / 31

HEX #75B1AE

RGB 117 177 174

HSL 177, 0.28%, 0.58%

LAB 68.23, -20, -4.65

 

CMYK 19 / 34 / 0 / 31

HEX #9075B1

RGB 144 117 177

HSL 267, 0.28%, 0.58%

LAB 53.84, 22.69, -27.95

 

Description

Color code: HEX #B27578 | qconv.com Color code: HEX #B27578 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 117 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 117 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 33 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 33% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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