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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2602E it is the complementary color #4D9FD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2602E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2602E shade: #B76029, #C8723C, #D9844F, #EA9662 and #FBA875

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2602E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2602E shade: #B2602E, #A14E1B, #903C08, #7F2A00 and #6E1800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2602E shade: #B2602E, #B23C2E and #B22E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2602E shade: #B2602E, #B2832E, #B2A72E, #99B22E and #75B22E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2602E shade matches the following richer shades: #B2602E, #C45B1B and #D65709

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2602E shade: #B2602E, #A06440, #8E6852, #7B6D64 and #697176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2602E shade: #B22E44, #B23B2E, #B25E2E, #B2812E and #B2A52E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2602E shade: #703C1D, #914E25, #B2602E, #CC733C and #D58A5D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2602E shade: #B2602E, #67B22E and #2E32B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2602E shade: #B2602E, #2EB25E and #5E2EB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2602E shade: #B2602E, #67B22E, #2E81B2 and #792EB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2602E shade: #B2602E, #3FB22E, #2E81B2 and #A02EB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 74 / 30

HEX #B2602E

RGB 178 96 46

HSL 22.73, 0.59%, 0.44%

LAB 49.53, 29.28, 42.08

 

Complementary color

CMYK 63 / 24 / 0 / 18

HEX #4D9FD1

RGB 77 159 209

HSL 202.73, 0.59%, 0.56%

LAB 62.49, -9.76, -32.97

 

CMYK 0 / 48 / 78 / 28

HEX #B76029

RGB 183 96 41

HSL 23.24, 0.63%, 0.44%

LAB 50.21, 31.14, 45.44

 

CMYK 0 / 43 / 70 / 22

HEX #C8723C

RGB 200 114 60

HSL 23.14, 0.56%, 0.51%

LAB 56.72, 29.42, 43.71

 

CMYK 0 / 39 / 64 / 15

HEX #D9844F

RGB 217 132 79

HSL 23.04, 0.64%, 0.58%

LAB 63.19, 27.89, 41.94

 

CMYK 0 / 36 / 58 / 8

HEX #EA9662

RGB 234 150 98

HSL 22.94, 0.76%, 0.65%

LAB 69.6, 26.53, 40.25

 

CMYK 0 / 33 / 53 / 2

HEX #FBA875

RGB 251 168 117

HSL 22.84, 0.94%, 0.72%

LAB 75.95, 25.32, 38.66

 

CMYK 0 / 46 / 74 / 30

HEX #B2602E

RGB 178 96 46

HSL 22.73, 0.59%, 0.44%

LAB 49.53, 29.28, 42.08

 

CMYK 0 / 52 / 83 / 37

HEX #A14E1B

RGB 161 78 27

HSL 22.84, 0.71%, 0.37%

LAB 42.92, 31.13, 43.72

 

CMYK 0 / 58 / 94 / 44

HEX #903C08

RGB 144 60 8

HSL 22.94, 0.89%, 0.3%

LAB 36.33, 33.13, 44.42

 

CMYK 0 / 67 / 100 / 50

HEX #7F2A00

RGB 127 42 0

HSL 19.84, 1%, 0.25%

LAB 29.83, 35.14, 41.63

 

CMYK 0 / 78 / 100 / 57

HEX #6E1800

RGB 110 24 0

HSL 13.09, 1%, 0.22%

LAB 23.57, 36.59, 34.77

 

CMYK 0 / 46 / 74 / 30

HEX #B2602E

RGB 178 96 46

HSL 22.73, 0.59%, 0.44%

LAB 49.53, 29.28, 42.08

 

CMYK 0 / 66 / 74 / 30

HEX #B23C2E

RGB 178 60 46

HSL 6.36, 0.59%, 0.44%

LAB 42.6, 47.1, 34.58

 

CMYK 0 / 74 / 74 / 30

HEX #B22E2E

RGB 178 46 46

HSL 0, 0.59%, 0.44%

LAB 40.6, 52.59, 32.33

 

CMYK 0 / 46 / 74 / 30

HEX #B2602E

RGB 178 96 46

HSL 22.73, 0.59%, 0.44%

LAB 49.53, 29.28, 42.08

 

CMYK 0 / 26 / 74 / 30

HEX #B2832E

RGB 178 131 46

HSL 38.64, 0.59%, 0.44%

LAB 57.94, 9.87, 50.69

 

CMYK 0 / 6 / 74 / 30

HEX #B2A72E

RGB 178 167 46

HSL 55, 0.59%, 0.44%

LAB 67.5, -9.67, 59.98

 

CMYK 14 / 0 / 74 / 30

HEX #99B22E

RGB 153 178 46

HSL 71.36, 0.59%, 0.44%

LAB 68.61, -25.99, 60.35

 

CMYK 34 / 0 / 74 / 30

HEX #75B22E

RGB 117 178 46

HSL 87.73, 0.59%, 0.44%

LAB 66.38, -40.17, 57.42

 

CMYK 0 / 46 / 74 / 30

HEX #B2602E

RGB 178 96 46

HSL 22.73, 0.59%, 0.44%

LAB 49.53, 29.28, 42.08

 

CMYK 0 / 54 / 86 / 23

HEX #C45B1B

RGB 196 91 27

HSL 22.72, 0.76%, 0.44%

LAB 51.03, 38.54, 52.88

 

CMYK 0 / 59 / 96 / 16

HEX #D65709

RGB 214 87 9

HSL 22.83, 0.92%, 0.44%

LAB 53.09, 47.05, 60.85

 

CMYK 0 / 46 / 74 / 30

HEX #B2602E

RGB 178 96 46

HSL 22.73, 0.59%, 0.44%

LAB 49.53, 29.28, 42.08

 

CMYK 0 / 38 / 60 / 37

HEX #A06440

RGB 160 100 64

HSL 22.5, 0.43%, 0.44%

LAB 48.21, 20.54, 30.31

 

CMYK 0 / 27 / 42 / 44

HEX #8E6852

RGB 142 104 82

HSL 22, 0.27%, 0.44%

LAB 47.31, 12.24, 18.35

 

CMYK 0 / 11 / 19 / 52

HEX #7B6D64

RGB 123 109 100

HSL 23.48, 0.1%, 0.44%

LAB 47.06, 3.89, 7.03

 

CMYK 11 / 4 / 0 / 54

HEX #697176

RGB 105 113 118

HSL 203.08, 0.06%, 0.44%

LAB 47.13, -1.92, -3.81

 

CMYK 0 / 74 / 62 / 30

HEX #B22E44

RGB 178 46 68

HSL 350, 0.59%, 0.44%

LAB 40.95, 53.77, 19.32

 

CMYK 0 / 67 / 74 / 30

HEX #B23B2E

RGB 178 59 46

HSL 5.91, 0.59%, 0.44%

LAB 42.45, 47.53, 34.41

 

CMYK 0 / 47 / 74 / 30

HEX #B25E2E

RGB 178 94 46

HSL 21.82, 0.59%, 0.44%

LAB 49.09, 30.36, 41.62

 

CMYK 0 / 28 / 74 / 30

HEX #B2812E

RGB 178 129 46

HSL 37.73, 0.59%, 0.44%

LAB 57.43, 10.98, 50.18

 

CMYK 0 / 7 / 74 / 30

HEX #B2A52E

RGB 178 165 46

HSL 54.09, 0.59%, 0.44%

LAB 66.96, -8.62, 59.46

 

CMYK 0 / 46 / 74 / 56

HEX #703C1D

RGB 112 60 29

HSL 22.41, 0.59%, 0.28%

LAB 31.27, 20.03, 28.56

 

CMYK 0 / 46 / 74 / 43

HEX #914E25

RGB 145 78 37

HSL 22.78, 0.59%, 0.36%

LAB 40.58, 24.74, 35.74

 

CMYK 0 / 46 / 74 / 30

HEX #B2602E

RGB 178 96 46

HSL 22.73, 0.59%, 0.44%

LAB 49.53, 29.28, 42.08

 

CMYK 0 / 44 / 71 / 20

HEX #CC733C

RGB 204 115 60

HSL 22.92, 0.59%, 0.52%

LAB 57.49, 30.53, 44.7

 

CMYK 0 / 35 / 56 / 16

HEX #D58A5D

RGB 213 138 93

HSL 22.5, 0.59%, 0.6%

LAB 64.25, 24.05, 35.72

 

CMYK 0 / 46 / 74 / 30

HEX #B2602E

RGB 178 96 46

HSL 22.73, 0.59%, 0.44%

LAB 49.53, 29.28, 42.08

 

CMYK 42 / 0 / 74 / 30

HEX #67B22E

RGB 103 178 46

HSL 94.09, 0.59%, 0.44%

LAB 65.69, -45.07, 56.5

 

CMYK 74 / 72 / 0 / 30

HEX #2E32B2

RGB 46 50 178

HSL 238.18, 0.59%, 0.44%

LAB 29.6, 41.83, -67.82

 

CMYK 0 / 46 / 74 / 30

HEX #B2602E

RGB 178 96 46

HSL 22.73, 0.59%, 0.44%

LAB 49.53, 29.28, 42.08

 

CMYK 74 / 0 / 47 / 30

HEX #2EB25E

RGB 46 178 94

HSL 141.82, 0.59%, 0.44%

LAB 64.35, -53.62, 32.99

 

CMYK 47 / 74 / 0 / 30

HEX #5E2EB2

RGB 94 46 178

HSL 261.82, 0.59%, 0.44%

LAB 33.02, 50.4, -62.05

 

CMYK 0 / 46 / 74 / 30

HEX #B2602E

RGB 178 96 46

HSL 22.73, 0.59%, 0.44%

LAB 49.53, 29.28, 42.08

 

CMYK 42 / 0 / 74 / 30

HEX #67B22E

RGB 103 178 46

HSL 94.09, 0.59%, 0.44%

LAB 65.69, -45.07, 56.5

 

CMYK 74 / 28 / 0 / 30

HEX #2E81B2

RGB 46 129 178

HSL 202.27, 0.59%, 0.44%

LAB 51.26, -8.14, -32.99

 

CMYK 32 / 74 / 0 / 30

HEX #792EB2

RGB 121 46 178

HSL 274.09, 0.59%, 0.44%

LAB 36.43, 55.16, -56.35

 

CMYK 0 / 46 / 74 / 30

HEX #B2602E

RGB 178 96 46

HSL 22.73, 0.59%, 0.44%

LAB 49.53, 29.28, 42.08

 

CMYK 65 / 0 / 74 / 30

HEX #3FB22E

RGB 63 178 46

HSL 112.27, 0.59%, 0.44%

LAB 64.24, -56.28, 54.58

 

CMYK 74 / 28 / 0 / 30

HEX #2E81B2

RGB 46 129 178

HSL 202.27, 0.59%, 0.44%

LAB 51.26, -8.14, -32.99

 

CMYK 10 / 74 / 0 / 30

HEX #A02EB2

RGB 160 46 178

HSL 291.82, 0.59%, 0.44%

LAB 42.22, 62.92, -46.72

 

Description

Color code: HEX #B2602E | qconv.com Color code: HEX #B2602E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 96 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 96 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 74 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 74% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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