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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B25B9D it is the complementary color #4DA462. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B25B9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B25B9D shade: #B75B98, #C86DAB, #D97FBE, #EA91D1 and #FBA3E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B25B9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B25B9D shade: #B25B9D, #A1498A, #903777, #7F2564 and #6E1351

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B25B9D shade: #B25C9D, #B25C86, #B25C6E and #B25C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B25B9D shade: #B25C9D, #AF5CB2, #985CB2, #815CB2 and #6A5CB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B25B9D shade matches the following richer shades: #B25C9D, #C548A7, #D935B1 and #EC21BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B25B9D shade: #B25C9D, #9E6F93, #8B8289, #78967F and #64A975

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B25B9D shade: #985CB2, #AF5CB2, #B25C9E, #B25C87 and #B25C70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B25B9D shade: #7F3C6F, #9B4987, #B25C9D, #BF78AE and #CC94BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B25B9D shade: #B25B9D, #B2815C and #5CB2A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B25B9D shade: #B25B9D, #9EB25C and #5C9EB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B25B9D shade: #B25B9D, #B2815C, #5CB270 and #5C8CB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B25B9D shade: #B25B9D, #B29B5C, #5CB270 and #5C73B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 12 / 30

HEX #B25B9D

RGB 178 91 157

HSL 314.48, 0.36%, 0.53%

LAB 51.13, 44.08, -20.15

 

Complementary color

CMYK 53 / 0 / 40 / 36

HEX #4DA462

RGB 77 164 98

HSL 134.48, 0.36%, 0.47%

LAB 60.79, -41.02, 26.47

 

CMYK 0 / 50 / 17 / 28

HEX #B75B98

RGB 183 91 152

HSL 320.22, 0.39%, 0.54%

LAB 51.63, 44.86, -16.38

 

CMYK 0 / 46 / 15 / 22

HEX #C86DAB

RGB 200 109 171

HSL 319.12, 0.45%, 0.61%

LAB 58.19, 44.12, -17.27

 

CMYK 0 / 41 / 12 / 15

HEX #D97FBE

RGB 217 127 190

HSL 318, 0.54%, 0.67%

LAB 64.68, 43.36, -18.03

 

CMYK 0 / 38 / 11 / 8

HEX #EA91D1

RGB 234 145 209

HSL 316.85, 0.68%, 0.74%

LAB 71.11, 42.61, -18.7

 

CMYK 0 / 35 / 9 / 2

HEX #FBA3E4

RGB 251 163 228

HSL 315.68, 0.92%, 0.81%

LAB 77.46, 41.88, -19.3

 

CMYK 0 / 49 / 12 / 30

HEX #B25B9D

RGB 178 91 157

HSL 314.48, 0.36%, 0.53%

LAB 51.13, 44.08, -20.15

 

CMYK 0 / 55 / 14 / 37

HEX #A1498A

RGB 161 73 138

HSL 315.68, 0.38%, 0.46%

LAB 44.49, 44.73, -19.22

 

CMYK 0 / 62 / 17 / 44

HEX #903777

RGB 144 55 119

HSL 316.85, 0.45%, 0.39%

LAB 37.83, 45.18, -18.02

 

CMYK 0 / 71 / 21 / 50

HEX #7F2564

RGB 127 37 100

HSL 318, 0.55%, 0.32%

LAB 31.24, 45.19, -16.38

 

CMYK 0 / 83 / 26 / 57

HEX #6E1351

RGB 110 19 81

HSL 319.12, 0.71%, 0.25%

LAB 24.87, 44.29, -13.99

 

CMYK 0 / 48 / 12 / 30

HEX #B25C9D

RGB 178 92 157

HSL 314.65, 0.36%, 0.53%

LAB 51.33, 43.56, -19.84

 

CMYK 0 / 48 / 25 / 30

HEX #B25C86

RGB 178 92 134

HSL 330.7, 0.36%, 0.53%

LAB 50.5, 39.96, -7.48

 

CMYK 0 / 48 / 38 / 30

HEX #B25C6E

RGB 178 92 110

HSL 347.44, 0.36%, 0.53%

LAB 49.79, 36.78, 5.83

 

CMYK 0 / 48 / 48 / 30

HEX #B25C5C

RGB 178 92 92

HSL 0, 0.36%, 0.53%

LAB 49.36, 34.81, 16

 

CMYK 0 / 48 / 12 / 30

HEX #B25C9D

RGB 178 92 157

HSL 314.65, 0.36%, 0.53%

LAB 51.33, 43.56, -19.84

 

CMYK 2 / 48 / 0 / 30

HEX #AF5CB2

RGB 175 92 178

HSL 297.91, 0.36%, 0.53%

LAB 51.82, 46.38, -31.41

 

CMYK 15 / 48 / 0 / 30

HEX #985CB2

RGB 152 92 178

HSL 281.86, 0.36%, 0.53%

LAB 48.94, 39.65, -36.12

 

CMYK 28 / 48 / 0 / 30

HEX #815CB2

RGB 129 92 178

HSL 265.81, 0.36%, 0.53%

LAB 46.36, 33.08, -40.36

 

CMYK 40 / 48 / 0 / 30

HEX #6A5CB2

RGB 106 92 178

HSL 249.77, 0.36%, 0.53%

LAB 44.14, 26.89, -44.03

 

CMYK 0 / 48 / 12 / 30

HEX #B25C9D

RGB 178 92 157

HSL 314.65, 0.36%, 0.53%

LAB 51.33, 43.56, -19.84

 

CMYK 0 / 63 / 15 / 23

HEX #C548A7

RGB 197 72 167

HSL 314.4, 0.52%, 0.53%

LAB 51.03, 60.06, -25.95

 

CMYK 0 / 76 / 18 / 15

HEX #D935B1

RGB 217 53 177

HSL 314.63, 0.68%, 0.53%

LAB 52.37, 73.09, -29.49

 

CMYK 0 / 86 / 21 / 7

HEX #EC21BB

RGB 236 33 187

HSL 314.48, 0.84%, 0.53%

LAB 54.56, 82.95, -31.64

 

CMYK 0 / 48 / 12 / 30

HEX #B25C9D

RGB 178 92 157

HSL 314.65, 0.36%, 0.53%

LAB 51.33, 43.56, -19.84

 

CMYK 0 / 30 / 7 / 38

HEX #9E6F93

RGB 158 111 147

HSL 314.04, 0.2%, 0.53%

LAB 52.67, 24.59, -12.16

 

CMYK 0 / 6 / 1 / 45

HEX #8B8289

RGB 139 130 137

HSL 313.33, 0.04%, 0.53%

LAB 55.34, 4.74, -2.55

 

CMYK 20 / 0 / 15 / 41

HEX #78967F

RGB 120 150 127

HSL 134, 0.13%, 0.53%

LAB 59.29, -15.28, 8.7

 

CMYK 41 / 0 / 31 / 34

HEX #64A975

RGB 100 169 117

HSL 134.78, 0.29%, 0.53%

LAB 63.65, -33.3, 20.17

 

CMYK 15 / 48 / 0 / 30

HEX #985CB2

RGB 152 92 178

HSL 281.86, 0.36%, 0.53%

LAB 48.94, 39.65, -36.12

 

CMYK 2 / 48 / 0 / 30

HEX #AF5CB2

RGB 175 92 178

HSL 297.91, 0.36%, 0.53%

LAB 51.82, 46.38, -31.41

 

CMYK 0 / 48 / 11 / 30

HEX #B25C9E

RGB 178 92 158

HSL 313.95, 0.36%, 0.53%

LAB 51.37, 43.73, -20.37

 

CMYK 0 / 48 / 24 / 30

HEX #B25C87

RGB 178 92 135

HSL 330, 0.36%, 0.53%

LAB 50.53, 40.11, -8.02

 

CMYK 0 / 48 / 37 / 30

HEX #B25C70

RGB 178 92 112

HSL 346.05, 0.36%, 0.53%

LAB 49.84, 37.02, 4.71

 

CMYK 0 / 53 / 13 / 50

HEX #7F3C6F

RGB 127 60 111

HSL 314.33, 0.36%, 0.37%

LAB 35.77, 36.01, -16.4

 

CMYK 0 / 53 / 13 / 39

HEX #9B4987

RGB 155 73 135

HSL 314.63, 0.36%, 0.45%

LAB 43.48, 42.36, -19.02

 

CMYK 0 / 48 / 12 / 30

HEX #B25C9D

RGB 178 92 157

HSL 314.65, 0.36%, 0.53%

LAB 51.33, 43.56, -19.84

 

CMYK 0 / 37 / 9 / 25

HEX #BF78AE

RGB 191 120 174

HSL 314.37, 0.36%, 0.61%

LAB 59.49, 35.83, -17.11

 

CMYK 0 / 27 / 6 / 20

HEX #CC94BF

RGB 204 148 191

HSL 313.93, 0.35%, 0.69%

LAB 67.86, 27.94, -13.94

 

CMYK 0 / 49 / 12 / 30

HEX #B25B9D

RGB 178 91 157

HSL 314.48, 0.36%, 0.53%

LAB 51.13, 44.08, -20.15

 

CMYK 0 / 28 / 48 / 30

HEX #B2815C

RGB 178 129 92

HSL 25.81, 0.36%, 0.53%

LAB 57.98, 14.38, 27.46

 

CMYK 48 / 0 / 8 / 30

HEX #5CB2A3

RGB 92 178 163

HSL 169.53, 0.36%, 0.53%

LAB 67.1, -29.72, -0.36

 

CMYK 0 / 49 / 12 / 30

HEX #B25B9D

RGB 178 91 157

HSL 314.48, 0.36%, 0.53%

LAB 51.13, 44.08, -20.15

 

CMYK 11 / 0 / 48 / 30

HEX #9EB25C

RGB 158 178 92

HSL 73.95, 0.36%, 0.53%

LAB 69.39, -20.38, 41.37

 

CMYK 48 / 11 / 0 / 30

HEX #5C9EB2

RGB 92 158 178

HSL 193.95, 0.36%, 0.53%

LAB 61.61, -15.53, -16.92

 

CMYK 0 / 49 / 12 / 30

HEX #B25B9D

RGB 178 91 157

HSL 314.48, 0.36%, 0.53%

LAB 51.13, 44.08, -20.15

 

CMYK 0 / 28 / 48 / 30

HEX #B2815C

RGB 178 129 92

HSL 25.81, 0.36%, 0.53%

LAB 57.98, 14.38, 27.46

 

CMYK 48 / 0 / 37 / 30

HEX #5CB270

RGB 92 178 112

HSL 133.95, 0.36%, 0.53%

LAB 65.97, -40.58, 25.93

 

CMYK 48 / 21 / 0 / 30

HEX #5C8CB2

RGB 92 140 178

HSL 206.51, 0.36%, 0.53%

LAB 56.33, -5.59, -24.98

 

CMYK 0 / 49 / 12 / 30

HEX #B25B9D

RGB 178 91 157

HSL 314.48, 0.36%, 0.53%

LAB 51.13, 44.08, -20.15

 

CMYK 0 / 13 / 48 / 30

HEX #B29B5C

RGB 178 155 92

HSL 43.95, 0.36%, 0.53%

LAB 64.71, 0, 36

 

CMYK 48 / 0 / 37 / 30

HEX #5CB270

RGB 92 178 112

HSL 133.95, 0.36%, 0.53%

LAB 65.97, -40.58, 25.93

 

CMYK 48 / 35 / 0 / 30

HEX #5C73B2

RGB 92 115 178

HSL 223.95, 0.36%, 0.53%

LAB 49.19, 9.18, -36.09

 

Description

Color code: HEX #B25B9D | qconv.com Color code: HEX #B25B9D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 91 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 91 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 12 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 12% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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