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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B24182 it is the complementary color #4DBE7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B24182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B24182 shade: #B7417D, #C85390, #D965A3, #EA77B6 and #FB89C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B24182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B24182 shade: #B24182, #A12F6F, #901D5C, #7F0B49 and #6E0036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B24182 shade: #B34083, #B34064, #B34044 and #B34040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B24182 shade: #B34083, #B340A2, #A640B3, #8740B3 and #6840B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B24182 shade matches the following richer shades: #B34083, #C72D86, #DB1989 and #EF058B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B24182 shade: #B34083, #A05480, #8C687D, #787C7A and #649077

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B24182 shade: #A640B3, #B340A2, #B34083, #B34065 and #B34046

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B24182 shade: #772B56, #95356C, #B34083, #C35A96 and #CE78AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B24182 shade: #B24182, #B38740 and #40B2B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B24182 shade: #B24182, #83B340 and #4083B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B24182 shade: #B24182, #B38740, #40B370 and #406CB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B24182 shade: #B24182, #B3AA40, #40B370 and #404AB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 27 / 30

HEX #B24182

RGB 178 65 130

HSL 325.49, 0.47%, 0.48%

LAB 45.44, 52.43, -12.68

 

Complementary color

CMYK 59 / 0 / 34 / 25

HEX #4DBE7D

RGB 77 190 125

HSL 145.49, 0.47%, 0.52%

LAB 69.39, -46.94, 23.5

 

CMYK 0 / 64 / 32 / 28

HEX #B7417D

RGB 183 65 125

HSL 329.49, 0.48%, 0.49%

LAB 46.08, 53.28, -8.58

 

CMYK 0 / 59 / 28 / 22

HEX #C85390

RGB 200 83 144

HSL 328.72, 0.52%, 0.55%

LAB 52.38, 52.92, -10.28

 

CMYK 0 / 53 / 25 / 15

HEX #D965A3

RGB 217 101 163

HSL 327.93, 0.6%, 0.62%

LAB 58.7, 52.34, -11.65

 

CMYK 0 / 49 / 22 / 8

HEX #EA77B6

RGB 234 119 182

HSL 327.13, 0.73%, 0.69%

LAB 65.01, 51.65, -12.8

 

CMYK 0 / 45 / 20 / 2

HEX #FB89C9

RGB 251 137 201

HSL 326.32, 0.93%, 0.76%

LAB 71.29, 50.91, -13.79

 

CMYK 0 / 63 / 27 / 30

HEX #B24182

RGB 178 65 130

HSL 325.49, 0.47%, 0.48%

LAB 45.44, 52.43, -12.68

 

CMYK 0 / 71 / 31 / 37

HEX #A12F6F

RGB 161 47 111

HSL 326.32, 0.55%, 0.41%

LAB 39.17, 52.4, -10.72

 

CMYK 0 / 80 / 36 / 44

HEX #901D5C

RGB 144 29 92

HSL 327.13, 0.66%, 0.34%

LAB 33.09, 51.64, -8.1

 

CMYK 0 / 91 / 43 / 50

HEX #7F0B49

RGB 127 11 73

HSL 327.93, 0.84%, 0.27%

LAB 27.39, 49.62, -4.48

 

CMYK 0 / 100 / 51 / 57

HEX #6E0036

RGB 110 0 54

HSL 330.55, 1%, 0.22%

LAB 22.24, 45.73, 0.52

 

CMYK 0 / 64 / 27 / 30

HEX #B34083

RGB 179 64 131

HSL 325.04, 0.47%, 0.48%

LAB 45.48, 53.29, -13.2

 

CMYK 0 / 64 / 44 / 30

HEX #B34064

RGB 179 64 100

HSL 341.22, 0.47%, 0.48%

LAB 44.48, 49.65, 4.31

 

CMYK 0 / 64 / 62 / 30

HEX #B34044

RGB 179 64 68

HSL 357.91, 0.47%, 0.48%

LAB 43.75, 46.94, 23

 

CMYK 0 / 64 / 64 / 30

HEX #B34040

RGB 179 64 64

HSL 0, 0.47%, 0.48%

LAB 43.68, 46.68, 25.33

 

CMYK 0 / 64 / 27 / 30

HEX #B34083

RGB 179 64 131

HSL 325.04, 0.47%, 0.48%

LAB 45.48, 53.29, -13.2

 

CMYK 0 / 64 / 9 / 30

HEX #B340A2

RGB 179 64 162

HSL 308.87, 0.47%, 0.48%

LAB 46.79, 57.82, -29.81

 

CMYK 7 / 64 / 0 / 30

HEX #A640B3

RGB 166 64 179

HSL 293.22, 0.47%, 0.48%

LAB 45.67, 57.47, -41.75

 

CMYK 25 / 64 / 0 / 30

HEX #8740B3

RGB 135 64 179

HSL 277.04, 0.47%, 0.48%

LAB 41.33, 50.09, -48.93

 

CMYK 42 / 64 / 0 / 30

HEX #6840B3

RGB 104 64 179

HSL 260.87, 0.47%, 0.48%

LAB 37.6, 43.19, -55.14

 

CMYK 0 / 64 / 27 / 30

HEX #B34083

RGB 179 64 131

HSL 325.04, 0.47%, 0.48%

LAB 45.48, 53.29, -13.2

 

CMYK 0 / 77 / 33 / 22

HEX #C72D86

RGB 199 45 134

HSL 325.32, 0.63%, 0.48%

LAB 46.63, 65.85, -12.95

 

CMYK 0 / 89 / 37 / 14

HEX #DB1989

RGB 219 25 137

HSL 325.36, 0.8%, 0.48%

LAB 48.96, 75.2, -10.89

 

CMYK 0 / 98 / 42 / 6

HEX #EF058B

RGB 239 5 139

HSL 325.64, 0.96%, 0.48%

LAB 52.2, 81.69, -6.85

 

CMYK 0 / 64 / 27 / 30

HEX #B34083

RGB 179 64 131

HSL 325.04, 0.47%, 0.48%

LAB 45.48, 53.29, -13.2

 

CMYK 0 / 48 / 20 / 37

HEX #A05480

RGB 160 84 128

HSL 325.26, 0.31%, 0.48%

LAB 46.14, 37.11, -10.67

 

CMYK 0 / 26 / 11 / 45

HEX #8C687D

RGB 140 104 125

HSL 325, 0.15%, 0.48%

LAB 48.21, 17.98, -6.03

 

CMYK 3 / 0 / 2 / 51

HEX #787C7A

RGB 120 124 122

HSL 150, 0.02%, 0.48%

LAB 51.63, -1.9, 0.56

 

CMYK 31 / 0 / 17 / 44

HEX #649077

RGB 100 144 119

HSL 145.91, 0.18%, 0.48%

LAB 56.08, -20.6, 8.52

 

CMYK 7 / 64 / 0 / 30

HEX #A640B3

RGB 166 64 179

HSL 293.22, 0.47%, 0.48%

LAB 45.67, 57.47, -41.75

 

CMYK 0 / 64 / 9 / 30

HEX #B340A2

RGB 179 64 162

HSL 308.87, 0.47%, 0.48%

LAB 46.79, 57.82, -29.81

 

CMYK 0 / 64 / 27 / 30

HEX #B34083

RGB 179 64 131

HSL 325.04, 0.47%, 0.48%

LAB 45.48, 53.29, -13.2

 

CMYK 0 / 64 / 44 / 30

HEX #B34065

RGB 179 64 101

HSL 340.7, 0.47%, 0.48%

LAB 44.5, 49.75, 3.73

 

CMYK 0 / 64 / 61 / 30

HEX #B34046

RGB 179 64 70

HSL 356.87, 0.47%, 0.48%

LAB 43.79, 47.08, 21.83

 

CMYK 0 / 64 / 28 / 53

HEX #772B56

RGB 119 43 86

HSL 326.05, 0.47%, 0.32%

LAB 30.21, 38.05, -9

 

CMYK 0 / 64 / 28 / 42

HEX #95356C

RGB 149 53 108

HSL 325.63, 0.48%, 0.4%

LAB 37.88, 45.99, -10.99

 

CMYK 0 / 64 / 27 / 30

HEX #B34083

RGB 179 64 131

HSL 325.04, 0.47%, 0.48%

LAB 45.48, 53.29, -13.2

 

CMYK 0 / 54 / 23 / 24

HEX #C35A96

RGB 195 90 150

HSL 325.71, 0.47%, 0.56%

LAB 53.08, 48.88, -12.84

 

CMYK 0 / 42 / 17 / 19

HEX #CE78AA

RGB 206 120 170

HSL 325.12, 0.47%, 0.64%

LAB 61.18, 40.21, -12.09

 

CMYK 0 / 63 / 27 / 30

HEX #B24182

RGB 178 65 130

HSL 325.49, 0.47%, 0.48%

LAB 45.44, 52.43, -12.68

 

CMYK 0 / 25 / 64 / 30

HEX #B38740

RGB 179 135 64

HSL 37.04, 0.47%, 0.48%

LAB 59.23, 9.12, 43.8

 

CMYK 64 / 1 / 0 / 30

HEX #40B2B3

RGB 64 178 179

HSL 180.52, 0.47%, 0.48%

LAB 66.66, -31.01, -9.96

 

CMYK 0 / 63 / 27 / 30

HEX #B24182

RGB 178 65 130

HSL 325.49, 0.47%, 0.48%

LAB 45.44, 52.43, -12.68

 

CMYK 27 / 0 / 64 / 30

HEX #83B340

RGB 131 179 64

HSL 85.04, 0.47%, 0.48%

LAB 67.6, -34.1, 51.89

 

CMYK 64 / 27 / 0 / 30

HEX #4083B3

RGB 64 131 179

HSL 205.04, 0.47%, 0.48%

LAB 52.48, -6.12, -31.62

 

CMYK 0 / 63 / 27 / 30

HEX #B24182

RGB 178 65 130

HSL 325.49, 0.47%, 0.48%

LAB 45.44, 52.43, -12.68

 

CMYK 0 / 25 / 64 / 30

HEX #B38740

RGB 179 135 64

HSL 37.04, 0.47%, 0.48%

LAB 59.23, 9.12, 43.8

 

CMYK 64 / 0 / 37 / 30

HEX #40B370

RGB 64 179 112

HSL 145.04, 0.47%, 0.48%

LAB 65.36, -47.65, 24.95

 

CMYK 64 / 40 / 0 / 30

HEX #406CB3

RGB 64 108 179

HSL 217.04, 0.47%, 0.48%

LAB 45.73, 7.76, -42.25

 

CMYK 0 / 63 / 27 / 30

HEX #B24182

RGB 178 65 130

HSL 325.49, 0.47%, 0.48%

LAB 45.44, 52.43, -12.68

 

CMYK 0 / 5 / 64 / 30

HEX #B3AA40

RGB 179 170 64

HSL 55.3, 0.47%, 0.48%

LAB 68.54, -9.82, 53.94

 

CMYK 64 / 0 / 37 / 30

HEX #40B370

RGB 64 179 112

HSL 145.04, 0.47%, 0.48%

LAB 65.36, -47.65, 24.95

 

CMYK 64 / 59 / 0 / 30

HEX #404AB3

RGB 64 74 179

HSL 234.78, 0.47%, 0.48%

LAB 36.45, 29.55, -57.17

 

Description

Color code: HEX #B24182 | qconv.com Color code: HEX #B24182 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 65 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 65 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 27 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 27% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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