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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B24797 it is the complementary color #4DB868. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B24797. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B24797 shade: #B74792, #C859A5, #D96BB8, #EA7DCB and #FB8FDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B24797. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B24797 shade: #B24797, #A13584, #902371, #7F115E and #6E004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B24797 shade: #B24797, #B2477A, #B2475D and #B24747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B24797 shade: #B24797, #B047B2, #9347B2, #7647B2 and #5947B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B24797 shade matches the following richer shades: #B24797, #C633A1, #DB1EAB and #EF0AB5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B24797 shade: #B24797, #9E5B8D, #8A6F83, #768379 and #61986F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B24797 shade: #9447B2, #B047B2, #B24797, #B2477B and #B2475E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B24797 shade: #772F65, #953B7E, #B24797, #C062A8 and #CC80B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B24797 shade: #B24797, #B27747 and #47B2A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B24797 shade: #B24797, #97B247 and #4797B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B24797 shade: #B24797, #B27747, #47B262 and #4782B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B24797 shade: #B24797, #B29747, #47B262 and #4762B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 15 / 30

HEX #B24797

RGB 178 71 151

HSL 315.14, 0.43%, 0.49%

LAB 47.24, 52.8, -22.57

 

Complementary color

CMYK 58 / 0 / 43 / 28

HEX #4DB868

RGB 77 184 104

HSL 135.14, 0.43%, 0.51%

LAB 67.17, -48.28, 31.61

 

CMYK 0 / 61 / 20 / 28

HEX #B74792

RGB 183 71 146

HSL 319.82, 0.44%, 0.5%

LAB 47.81, 53.5, -18.63

 

CMYK 0 / 56 / 18 / 22

HEX #C859A5

RGB 200 89 165

HSL 318.92, 0.5%, 0.57%

LAB 54.18, 53.09, -19.9

 

CMYK 0 / 51 / 15 / 15

HEX #D96BB8

RGB 217 107 184

HSL 318, 0.59%, 0.64%

LAB 60.54, 52.5, -20.93

 

CMYK 0 / 47 / 13 / 8

HEX #EA7DCB

RGB 234 125 203

HSL 317.06, 0.72%, 0.7%

LAB 66.88, 51.82, -21.8

 

CMYK 0 / 43 / 12 / 2

HEX #FB8FDE

RGB 251 143 222

HSL 316.11, 0.93%, 0.77%

LAB 73.17, 51.1, -22.54

 

CMYK 0 / 60 / 15 / 30

HEX #B24797

RGB 178 71 151

HSL 315.14, 0.43%, 0.49%

LAB 47.24, 52.8, -22.57

 

CMYK 0 / 67 / 18 / 37

HEX #A13584

RGB 161 53 132

HSL 316.11, 0.5%, 0.42%

LAB 40.88, 52.9, -21.12

 

CMYK 0 / 76 / 22 / 44

HEX #902371

RGB 144 35 113

HSL 317.06, 0.61%, 0.35%

LAB 34.65, 52.39, -19.16

 

CMYK 0 / 87 / 26 / 50

HEX #7F115E

RGB 127 17 94

HSL 318, 0.76%, 0.28%

LAB 28.7, 50.8, -16.41

 

CMYK 0 / 100 / 32 / 57

HEX #6E004B

RGB 110 0 75

HSL 319.09, 1%, 0.22%

LAB 23.08, 47.92, -12.7

 

CMYK 0 / 60 / 15 / 30

HEX #B24797

RGB 178 71 151

HSL 315.14, 0.43%, 0.49%

LAB 47.24, 52.8, -22.57

 

CMYK 0 / 60 / 31 / 30

HEX #B2477A

RGB 178 71 122

HSL 331.4, 0.43%, 0.49%

LAB 46.15, 48.71, -6.75

 

CMYK 0 / 60 / 48 / 30

HEX #B2475D

RGB 178 71 93

HSL 347.66, 0.43%, 0.49%

LAB 45.31, 45.46, 9.77

 

CMYK 0 / 60 / 60 / 30

HEX #B24747

RGB 178 71 71

HSL 0, 0.43%, 0.49%

LAB 44.84, 43.6, 22.55

 

CMYK 0 / 60 / 15 / 30

HEX #B24797

RGB 178 71 151

HSL 315.14, 0.43%, 0.49%

LAB 47.24, 52.8, -22.57

 

CMYK 1 / 60 / 0 / 30

HEX #B047B2

RGB 176 71 178

HSL 298.88, 0.43%, 0.49%

LAB 48.2, 56.74, -37.07

 

CMYK 17 / 60 / 0 / 30

HEX #9347B2

RGB 147 71 178

HSL 282.62, 0.43%, 0.49%

LAB 44.12, 49.33, -43.79

 

CMYK 34 / 60 / 0 / 30

HEX #7647B2

RGB 118 71 178

HSL 266.36, 0.43%, 0.49%

LAB 40.53, 42.2, -49.75

 

CMYK 50 / 60 / 0 / 30

HEX #5947B2

RGB 89 71 178

HSL 250.09, 0.43%, 0.49%

LAB 37.56, 35.73, -54.68

 

CMYK 0 / 60 / 15 / 30

HEX #B24797

RGB 178 71 151

HSL 315.14, 0.43%, 0.49%

LAB 47.24, 52.8, -22.57

 

CMYK 0 / 74 / 19 / 22

HEX #C633A1

RGB 198 51 161

HSL 315.1, 0.59%, 0.49%

LAB 48.19, 67.13, -26.8

 

CMYK 0 / 86 / 22 / 14

HEX #DB1EAB

RGB 219 30 171

HSL 315.24, 0.76%, 0.49%

LAB 50.6, 78.09, -28.68

 

CMYK 0 / 96 / 24 / 6

HEX #EF0AB5

RGB 239 10 181

HSL 315.2, 0.92%, 0.49%

LAB 53.92, 85.52, -29.1

 

CMYK 0 / 60 / 15 / 30

HEX #B24797

RGB 178 71 151

HSL 315.14, 0.43%, 0.49%

LAB 47.24, 52.8, -22.57

 

CMYK 0 / 42 / 11 / 38

HEX #9E5B8D

RGB 158 91 141

HSL 315.22, 0.27%, 0.49%

LAB 47.85, 34.78, -15.92

 

CMYK 0 / 20 / 5 / 46

HEX #8A6F83

RGB 138 111 131

HSL 315.56, 0.11%, 0.49%

LAB 49.99, 14.25, -6.97

 

CMYK 10 / 0 / 8 / 49

HEX #768379

RGB 118 131 121

HSL 133.85, 0.05%, 0.49%

LAB 53.45, -6.82, 3.78

 

CMYK 36 / 0 / 27 / 40

HEX #61986F

RGB 97 152 111

HSL 135.27, 0.22%, 0.49%

LAB 58.17, -27.23, 15.96

 

CMYK 17 / 60 / 0 / 30

HEX #9447B2

RGB 148 71 178

HSL 283.18, 0.43%, 0.49%

LAB 44.26, 49.58, -43.57

 

CMYK 1 / 60 / 0 / 30

HEX #B047B2

RGB 176 71 178

HSL 298.88, 0.43%, 0.49%

LAB 48.2, 56.74, -37.07

 

CMYK 0 / 60 / 15 / 30

HEX #B24797

RGB 178 71 151

HSL 315.14, 0.43%, 0.49%

LAB 47.24, 52.8, -22.57

 

CMYK 0 / 60 / 31 / 30

HEX #B2477B

RGB 178 71 123

HSL 330.84, 0.43%, 0.49%

LAB 46.18, 48.84, -7.31

 

CMYK 0 / 60 / 47 / 30

HEX #B2475E

RGB 178 71 94

HSL 347.1, 0.43%, 0.49%

LAB 45.33, 45.56, 9.19

 

CMYK 0 / 61 / 15 / 53

HEX #772F65

RGB 119 47 101

HSL 315, 0.43%, 0.33%

LAB 31.57, 38.44, -16.63

 

CMYK 0 / 60 / 15 / 42

HEX #953B7E

RGB 149 59 126

HSL 315.33, 0.43%, 0.41%

LAB 39.62, 45.91, -19.53

 

CMYK 0 / 60 / 15 / 30

HEX #B24797

RGB 178 71 151

HSL 315.14, 0.43%, 0.49%

LAB 47.24, 52.8, -22.57

 

CMYK 0 / 49 / 13 / 25

HEX #C062A8

RGB 192 98 168

HSL 315.32, 0.43%, 0.57%

LAB 54.83, 46.72, -20.74

 

CMYK 0 / 37 / 9 / 20

HEX #CC80B9

RGB 204 128 185

HSL 315, 0.43%, 0.65%

LAB 63.16, 37.74, -17.67

 

CMYK 0 / 60 / 15 / 30

HEX #B24797

RGB 178 71 151

HSL 315.14, 0.43%, 0.49%

LAB 47.24, 52.8, -22.57

 

CMYK 0 / 33 / 60 / 30

HEX #B27747

RGB 178 119 71

HSL 26.92, 0.43%, 0.49%

LAB 55.19, 18.12, 35.47

 

CMYK 60 / 0 / 9 / 30

HEX #47B2A2

RGB 71 178 162

HSL 171.03, 0.43%, 0.49%

LAB 66.36, -34.46, -0.97

 

CMYK 0 / 60 / 15 / 30

HEX #B24797

RGB 178 71 151

HSL 315.14, 0.43%, 0.49%

LAB 47.24, 52.8, -22.57

 

CMYK 15 / 0 / 60 / 30

HEX #97B247

RGB 151 178 71

HSL 75.14, 0.43%, 0.49%

LAB 68.66, -25.17, 50.36

 

CMYK 60 / 15 / 0 / 30

HEX #4797B2

RGB 71 151 178

HSL 195.14, 0.43%, 0.49%

LAB 58.68, -16.31, -21.44

 

CMYK 0 / 60 / 15 / 30

HEX #B24797

RGB 178 71 151

HSL 315.14, 0.43%, 0.49%

LAB 47.24, 52.8, -22.57

 

CMYK 0 / 33 / 60 / 30

HEX #B27747

RGB 178 119 71

HSL 26.92, 0.43%, 0.49%

LAB 55.19, 18.12, 35.47

 

CMYK 60 / 0 / 45 / 30

HEX #47B262

RGB 71 178 98

HSL 135.14, 0.43%, 0.49%

LAB 65.01, -48.25, 31.9

 

CMYK 60 / 27 / 0 / 30

HEX #4782B2

RGB 71 130 178

HSL 206.92, 0.43%, 0.49%

LAB 52.42, -4.53, -31.12

 

CMYK 0 / 60 / 15 / 30

HEX #B24797

RGB 178 71 151

HSL 315.14, 0.43%, 0.49%

LAB 47.24, 52.8, -22.57

 

CMYK 0 / 15 / 60 / 30

HEX #B29747

RGB 178 151 71

HSL 44.86, 0.43%, 0.49%

LAB 63.39, 0.37, 45.05

 

CMYK 60 / 0 / 45 / 30

HEX #47B262

RGB 71 178 98

HSL 135.14, 0.43%, 0.49%

LAB 65.01, -48.25, 31.9

 

CMYK 60 / 45 / 0 / 30

HEX #4762B2

RGB 71 98 178

HSL 224.86, 0.43%, 0.49%

LAB 43.2, 15.06, -45.68

 

Description

Color code: HEX #B24797 | qconv.com Color code: HEX #B24797 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 71 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 71 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 15 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 15% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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