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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B24750 it is the complementary color #4DB8AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B24750. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B24750 shade: #B7474B, #C8595E, #D96B71, #EA7D84 and #FB8F97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B24750. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B24750 shade: #B24750, #A1353D, #90232A, #7F1117 and #6E0004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B24750 shade: #B24750 and #B24747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B24750 shade: #B24750, #B2476D, #B2478A, #B247A7 and #A147B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B24750 shade matches the following richer shades: #B24750, #C6333F, #DB1E2E and #EF0A1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B24750 shade: #B24750, #9E5B61, #8A6F71, #768382 and #619893

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B24750 shade: #B2478B, #B2476E, #B24751, #B25947 and #B27547

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B24750 shade: #772F35, #953B43, #B24750, #C0626A and #CC8086

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B24750 shade: #B24750, #A7B247 and #477CB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B24750 shade: #B24750, #51B247 and #4751B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B24750 shade: #B24750, #A7B247, #47B2A7 and #5147B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B24750 shade: #B24750, #87B247, #47B2A7 and #7247B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 55 / 30

HEX #B24750

RGB 178 71 80

HSL 354.95, 0.43%, 0.49%

LAB 45.01, 44.3, 17.32

 

Complementary color

CMYK 58 / 0 / 5 / 28

HEX #4DB8AF

RGB 77 184 175

HSL 174.95, 0.43%, 0.51%

LAB 68.72, -32.71, -4.66

 

CMYK 0 / 61 / 59 / 28

HEX #B7474B

RGB 183 71 75

HSL 357.86, 0.44%, 0.5%

LAB 45.75, 45.66, 21.48

 

CMYK 0 / 56 / 53 / 22

HEX #C8595E

RGB 200 89 94

HSL 357.3, 0.5%, 0.57%

LAB 52.1, 44.66, 19.07

 

CMYK 0 / 51 / 48 / 15

HEX #D96B71

RGB 217 107 113

HSL 356.73, 0.59%, 0.64%

LAB 58.47, 43.61, 17.05

 

CMYK 0 / 47 / 44 / 8

HEX #EA7D84

RGB 234 125 132

HSL 356.15, 0.72%, 0.7%

LAB 64.82, 42.56, 15.33

 

CMYK 0 / 43 / 40 / 2

HEX #FB8F97

RGB 251 143 151

HSL 355.56, 0.93%, 0.77%

LAB 71.14, 41.55, 13.82

 

CMYK 0 / 60 / 55 / 30

HEX #B24750

RGB 178 71 80

HSL 354.95, 0.43%, 0.49%

LAB 45.01, 44.3, 17.32

 

CMYK 0 / 67 / 62 / 37

HEX #A1353D

RGB 161 53 61

HSL 355.56, 0.5%, 0.42%

LAB 38.66, 45.09, 20.09

 

CMYK 0 / 76 / 71 / 44

HEX #90232A

RGB 144 35 42

HSL 356.15, 0.61%, 0.35%

LAB 32.48, 45.46, 23.58

 

CMYK 0 / 87 / 82 / 50

HEX #7F1117

RGB 127 17 23

HSL 356.73, 0.76%, 0.28%

LAB 26.66, 44.91, 27.95

 

CMYK 0 / 100 / 96 / 57

HEX #6E0004

RGB 110 0 4

HSL 357.82, 1%, 0.22%

LAB 21.3, 43.21, 30.76

 

CMYK 0 / 60 / 55 / 30

HEX #B24750

RGB 178 71 80

HSL 354.95, 0.43%, 0.49%

LAB 45.01, 44.3, 17.32

 

CMYK 0 / 60 / 60 / 30

HEX #B24747

RGB 178 71 71

HSL 0, 0.43%, 0.49%

LAB 44.84, 43.6, 22.55

 

CMYK 0 / 60 / 55 / 30

HEX #B24750

RGB 178 71 80

HSL 354.95, 0.43%, 0.49%

LAB 45.01, 44.3, 17.32

 

CMYK 0 / 60 / 39 / 30

HEX #B2476D

RGB 178 71 109

HSL 338.69, 0.43%, 0.49%

LAB 45.74, 47.15, 0.58

 

CMYK 0 / 60 / 22 / 30

HEX #B2478A

RGB 178 71 138

HSL 322.43, 0.43%, 0.49%

LAB 46.72, 50.87, -15.57

 

CMYK 0 / 60 / 6 / 30

HEX #B247A7

RGB 178 71 167

HSL 306.17, 0.43%, 0.49%

LAB 47.96, 55.37, -30.96

 

CMYK 10 / 60 / 0 / 30

HEX #A147B2

RGB 161 71 178

HSL 290.47, 0.43%, 0.49%

LAB 46.04, 52.89, -40.62

 

CMYK 0 / 60 / 55 / 30

HEX #B24750

RGB 178 71 80

HSL 354.95, 0.43%, 0.49%

LAB 45.01, 44.3, 17.32

 

CMYK 0 / 74 / 68 / 22

HEX #C6333F

RGB 198 51 63

HSL 355.1, 0.59%, 0.49%

LAB 45.27, 57.86, 28.65

 

CMYK 0 / 86 / 79 / 14

HEX #DB1E2E

RGB 219 30 46

HSL 354.92, 0.76%, 0.49%

LAB 47.22, 68.59, 41.86

 

CMYK 0 / 96 / 88 / 6

HEX #EF0A1D

RGB 239 10 29

HSL 355.02, 0.92%, 0.49%

LAB 50.28, 75.82, 54.76

 

CMYK 0 / 60 / 55 / 30

HEX #B24750

RGB 178 71 80

HSL 354.95, 0.43%, 0.49%

LAB 45.01, 44.3, 17.32

 

CMYK 0 / 42 / 39 / 38

HEX #9E5B61

RGB 158 91 97

HSL 354.63, 0.27%, 0.49%

LAB 46.46, 28.15, 8.54

 

CMYK 0 / 20 / 18 / 46

HEX #8A6F71

RGB 138 111 113

HSL 355.56, 0.11%, 0.49%

LAB 49.45, 10.98, 2.92

 

CMYK 10 / 0 / 1 / 49

HEX #768382

RGB 118 131 130

HSL 175.38, 0.05%, 0.49%

LAB 53.7, -4.96, -1.09

 

CMYK 36 / 0 / 3 / 40

HEX #619893

RGB 97 152 147

HSL 174.55, 0.22%, 0.49%

LAB 59.07, -19.29, -3.13

 

CMYK 0 / 60 / 22 / 30

HEX #B2478B

RGB 178 71 139

HSL 321.87, 0.43%, 0.49%

LAB 46.76, 51.01, -16.12

 

CMYK 0 / 60 / 38 / 30

HEX #B2476E

RGB 178 71 110

HSL 338.13, 0.43%, 0.49%

LAB 45.77, 47.26, 0.02

 

CMYK 0 / 60 / 54 / 30

HEX #B24751

RGB 178 71 81

HSL 354.39, 0.43%, 0.49%

LAB 45.03, 44.38, 16.74

 

CMYK 0 / 50 / 60 / 30

HEX #B25947

RGB 178 89 71

HSL 10.09, 0.43%, 0.49%

LAB 48.34, 34.56, 27.03

 

CMYK 0 / 34 / 60 / 30

HEX #B27547

RGB 178 117 71

HSL 25.79, 0.43%, 0.49%

LAB 54.7, 19.24, 34.88

 

CMYK 0 / 61 / 55 / 53

HEX #772F35

RGB 119 47 53

HSL 355, 0.43%, 0.33%

LAB 29.94, 32.11, 12.29

 

CMYK 0 / 60 / 55 / 42

HEX #953B43

RGB 149 59 67

HSL 354.67, 0.43%, 0.41%

LAB 37.7, 38.55, 14.68

 

CMYK 0 / 60 / 55 / 30

HEX #B24750

RGB 178 71 80

HSL 354.95, 0.43%, 0.49%

LAB 45.01, 44.3, 17.32

 

CMYK 0 / 49 / 45 / 25

HEX #C0626A

RGB 192 98 106

HSL 354.89, 0.43%, 0.57%

LAB 52.93, 38.36, 12.93

 

CMYK 0 / 37 / 34 / 20

HEX #CC8086

RGB 204 128 134

HSL 355.26, 0.43%, 0.65%

LAB 61.65, 30.13, 9.17

 

CMYK 0 / 60 / 55 / 30

HEX #B24750

RGB 178 71 80

HSL 354.95, 0.43%, 0.49%

LAB 45.01, 44.3, 17.32

 

CMYK 6 / 0 / 60 / 30

HEX #A7B247

RGB 167 178 71

HSL 66.17, 0.43%, 0.49%

LAB 69.83, -18.57, 51.99

 

CMYK 60 / 30 / 0 / 30

HEX #477CB2

RGB 71 124 178

HSL 210.28, 0.43%, 0.49%

LAB 50.65, -1, -33.88

 

CMYK 0 / 60 / 55 / 30

HEX #B24750

RGB 178 71 80

HSL 354.95, 0.43%, 0.49%

LAB 45.01, 44.3, 17.32

 

CMYK 54 / 0 / 60 / 30

HEX #51B247

RGB 81 178 71

HSL 114.39, 0.43%, 0.49%

LAB 65, -49.52, 45.24

 

CMYK 60 / 54 / 0 / 30

HEX #4751B2

RGB 71 81 178

HSL 234.39, 0.43%, 0.49%

LAB 38.62, 25.95, -53.04

 

CMYK 0 / 60 / 55 / 30

HEX #B24750

RGB 178 71 80

HSL 354.95, 0.43%, 0.49%

LAB 45.01, 44.3, 17.32

 

CMYK 6 / 0 / 60 / 30

HEX #A7B247

RGB 167 178 71

HSL 66.17, 0.43%, 0.49%

LAB 69.83, -18.57, 51.99

 

CMYK 60 / 0 / 6 / 30

HEX #47B2A7

RGB 71 178 167

HSL 173.83, 0.43%, 0.49%

LAB 66.5, -33.14, -3.53

 

CMYK 54 / 60 / 0 / 30

HEX #5147B2

RGB 81 71 178

HSL 245.61, 0.43%, 0.49%

LAB 36.87, 34.14, -55.83

 

CMYK 0 / 60 / 55 / 30

HEX #B24750

RGB 178 71 80

HSL 354.95, 0.43%, 0.49%

LAB 45.01, 44.3, 17.32

 

CMYK 24 / 0 / 60 / 30

HEX #87B247

RGB 135 178 71

HSL 84.11, 0.43%, 0.49%

LAB 67.61, -31.51, 48.9

 

CMYK 60 / 0 / 6 / 30

HEX #47B2A7

RGB 71 178 167

HSL 173.83, 0.43%, 0.49%

LAB 66.5, -33.14, -3.53

 

CMYK 36 / 60 / 0 / 30

HEX #7247B2

RGB 114 71 178

HSL 264.11, 0.43%, 0.49%

LAB 40.08, 41.25, -50.49

 

Description

Color code: HEX #B24750 | qconv.com Color code: HEX #B24750 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 71 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 71 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 55 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 55% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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