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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2470A it is the complementary color #4DB8F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2470A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2470A shade: #B74705, #C85918, #D96B2B, #EA7D3E and #FB8F51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2470A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2470A shade: #B2470A, #A13500, #902300, #7F1100 and #6E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2470A shade: #B2470A, #B21A0A and #B20A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2470A shade: #B2470A, #B2740A, #B2A10A, #95B20A and #68B20A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2470A shade matches the following richer shades: #B2470A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2470A shade: #B2470A, #A34B19, #934F28, #845338 and #755847

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2470A shade: #B20A29, #B2180A, #B2450A, #B2710A and #B29E0A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2470A shade: #642805, #8B3708, #B2470A, #D9560C and #F16A1D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2470A shade: #B2470A, #55B20A and #0A12B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2470A shade: #B2470A, #0AB245 and #450AB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2470A shade: #B2470A, #55B20A, #0A77B2 and #660AB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2470A shade: #B2470A, #23B20A, #0A77B2 and #990AB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 94 / 30

HEX #B2470A

RGB 178 71 10

HSL 21.79, 0.89%, 0.37%

LAB 44.22, 41.09, 51.97

 

Complementary color

CMYK 69 / 25 / 0 / 4

HEX #4DB8F5

RGB 77 184 245

HSL 201.79, 0.89%, 0.63%

LAB 71.18, -11.74, -39.21

 

CMYK 0 / 61 / 97 / 28

HEX #B74705

RGB 183 71 5

HSL 22.25, 0.95%, 0.37%

LAB 45.06, 42.91, 54.24

 

CMYK 0 / 56 / 88 / 22

HEX #C85918

RGB 200 89 24

HSL 22.16, 0.79%, 0.44%

LAB 51.26, 41.03, 54.41

 

CMYK 0 / 51 / 80 / 15

HEX #D96B2B

RGB 217 107 43

HSL 22.07, 0.7%, 0.51%

LAB 57.5, 39.18, 53.3

 

CMYK 0 / 47 / 74 / 8

HEX #EA7D3E

RGB 234 125 62

HSL 21.98, 0.8%, 0.58%

LAB 63.76, 37.45, 51.67

 

CMYK 0 / 43 / 68 / 2

HEX #FB8F51

RGB 251 143 81

HSL 21.88, 0.96%, 0.65%

LAB 70, 35.86, 49.9

 

CMYK 0 / 60 / 94 / 30

HEX #B2470A

RGB 178 71 10

HSL 21.79, 0.89%, 0.37%

LAB 44.22, 41.09, 51.97

 

CMYK 0 / 67 / 100 / 37

HEX #A13500

RGB 161 53 0

HSL 19.75, 1%, 0.32%

LAB 38.06, 42.88, 49.82

 

CMYK 0 / 76 / 100 / 44

HEX #902300

RGB 144 35 0

HSL 14.58, 1%, 0.28%

LAB 32.1, 44.2, 44.79

 

CMYK 0 / 87 / 100 / 50

HEX #7F1100

RGB 127 17 0

HSL 8.03, 1%, 0.25%

LAB 26.49, 44.37, 38.85

 

CMYK 0 / 100 / 100 / 57

HEX #6E0000

RGB 110 0 0

HSL 0, 1%, 0.22%

LAB 21.26, 43.12, 32.36

 

CMYK 0 / 60 / 94 / 30

HEX #B2470A

RGB 178 71 10

HSL 21.79, 0.89%, 0.37%

LAB 44.22, 41.09, 51.97

 

CMYK 0 / 85 / 94 / 30

HEX #B21A0A

RGB 178 26 10

HSL 5.71, 0.89%, 0.37%

LAB 38.24, 57.43, 48.16

 

CMYK 0 / 94 / 94 / 30

HEX #B20A0A

RGB 178 10 10

HSL 0, 0.89%, 0.37%

LAB 37.31, 60.12, 47.6

 

CMYK 0 / 60 / 94 / 30

HEX #B2470A

RGB 178 71 10

HSL 21.79, 0.89%, 0.37%

LAB 44.22, 41.09, 51.97

 

CMYK 0 / 35 / 94 / 30

HEX #B2740A

RGB 178 116 10

HSL 37.86, 0.89%, 0.37%

LAB 54, 17.16, 58.79

 

CMYK 0 / 10 / 94 / 30

HEX #B2A10A

RGB 178 161 10

HSL 53.93, 0.89%, 0.37%

LAB 65.73, -7.52, 67.45

 

CMYK 16 / 0 / 94 / 30

HEX #95B20A

RGB 149 178 10

HSL 70.36, 0.89%, 0.37%

LAB 68.21, -28.81, 68.34

 

CMYK 42 / 0 / 94 / 30

HEX #68B20A

RGB 104 178 10

HSL 86.43, 0.89%, 0.37%

LAB 65.6, -46.19, 65.16

 

CMYK 0 / 60 / 94 / 30

HEX #B2470A

RGB 178 71 10

HSL 21.79, 0.89%, 0.37%

LAB 44.22, 41.09, 51.97

 

CMYK 0 / 60 / 94 / 30

HEX #B2470A

RGB 178 71 10

HSL 21.79, 0.89%, 0.37%

LAB 44.22, 41.09, 51.97

 

CMYK 0 / 54 / 85 / 36

HEX #A34B19

RGB 163 75 25

HSL 21.74, 0.73%, 0.37%

LAB 42.6, 33.48, 44.41

 

CMYK 0 / 46 / 73 / 42

HEX #934F28

RGB 147 79 40

HSL 21.87, 0.57%, 0.37%

LAB 41.13, 25.2, 34.84

 

CMYK 0 / 37 / 58 / 48

HEX #845338

RGB 132 83 56

HSL 21.32, 0.4%, 0.37%

LAB 40.21, 17.45, 24.19

 

CMYK 0 / 25 / 39 / 54

HEX #755847

RGB 117 88 71

HSL 22.17, 0.24%, 0.37%

LAB 39.94, 9.44, 14.48

 

CMYK 0 / 94 / 77 / 30

HEX #B20A29

RGB 178 10 41

HSL 348.93, 0.89%, 0.37%

LAB 37.56, 60.83, 31.91

 

CMYK 0 / 87 / 94 / 30

HEX #B2180A

RGB 178 24 10

HSL 5, 0.89%, 0.37%

LAB 38.09, 57.86, 48.07

 

CMYK 0 / 61 / 94 / 30

HEX #B2450A

RGB 178 69 10

HSL 21.07, 0.89%, 0.37%

LAB 43.86, 42.04, 51.73

 

CMYK 0 / 37 / 94 / 30

HEX #B2710A

RGB 178 113 10

HSL 36.79, 0.89%, 0.37%

LAB 53.27, 18.84, 58.26

 

CMYK 0 / 11 / 94 / 30

HEX #B29E0A

RGB 178 158 10

HSL 52.86, 0.89%, 0.37%

LAB 64.92, -5.93, 66.84

 

CMYK 0 / 60 / 95 / 61

HEX #642805

RGB 100 40 5

HSL 22.11, 0.9%, 0.21%

LAB 24.44, 25.22, 32.94

 

CMYK 0 / 60 / 94 / 45

HEX #8B3708

RGB 139 55 8

HSL 21.53, 0.89%, 0.29%

LAB 34.48, 33.67, 42.71

 

CMYK 0 / 60 / 94 / 30

HEX #B2470A

RGB 178 71 10

HSL 21.79, 0.89%, 0.37%

LAB 44.22, 41.09, 51.97

 

CMYK 0 / 60 / 94 / 15

HEX #D9560C

RGB 217 86 12

HSL 21.66, 0.9%, 0.45%

LAB 53.42, 48.64, 60.67

 

CMYK 0 / 56 / 88 / 5

HEX #F16A1D

RGB 241 106 29

HSL 21.79, 0.88%, 0.53%

LAB 60.87, 48.46, 62.96

 

CMYK 0 / 60 / 94 / 30

HEX #B2470A

RGB 178 71 10

HSL 21.79, 0.89%, 0.37%

LAB 44.22, 41.09, 51.97

 

CMYK 52 / 0 / 94 / 30

HEX #55B20A

RGB 85 178 10

HSL 93.21, 0.89%, 0.37%

LAB 64.8, -52.26, 64.18

 

CMYK 94 / 90 / 0 / 30

HEX #0A12B2

RGB 10 18 178

HSL 237.14, 0.89%, 0.37%

LAB 22.69, 55.73, -79.33

 

CMYK 0 / 60 / 94 / 30

HEX #B2470A

RGB 178 71 10

HSL 21.79, 0.89%, 0.37%

LAB 44.22, 41.09, 51.97

 

CMYK 94 / 0 / 61 / 30

HEX #0AB245

RGB 10 178 69

HSL 141.07, 0.89%, 0.37%

LAB 63.62, -60.81, 44.21

 

CMYK 61 / 94 / 0 / 30

HEX #450AB2

RGB 69 10 178

HSL 261.07, 0.89%, 0.37%

LAB 25.85, 60.26, -73.97

 

CMYK 0 / 60 / 94 / 30

HEX #B2470A

RGB 178 71 10

HSL 21.79, 0.89%, 0.37%

LAB 44.22, 41.09, 51.97

 

CMYK 52 / 0 / 94 / 30

HEX #55B20A

RGB 85 178 10

HSL 93.21, 0.89%, 0.37%

LAB 64.8, -52.26, 64.18

 

CMYK 94 / 33 / 0 / 30

HEX #0A77B2

RGB 10 119 178

HSL 201.07, 0.89%, 0.37%

LAB 47.59, -5.35, -38.81

 

CMYK 43 / 94 / 0 / 30

HEX #660AB2

RGB 102 10 178

HSL 272.86, 0.89%, 0.37%

LAB 30.05, 63.18, -66.89

 

CMYK 0 / 60 / 94 / 30

HEX #B2470A

RGB 178 71 10

HSL 21.79, 0.89%, 0.37%

LAB 44.22, 41.09, 51.97

 

CMYK 80 / 0 / 94 / 30

HEX #23B20A

RGB 35 178 10

HSL 111.07, 0.89%, 0.37%

LAB 63.52, -62.91, 62.61

 

CMYK 94 / 33 / 0 / 30

HEX #0A77B2

RGB 10 119 178

HSL 201.07, 0.89%, 0.37%

LAB 47.59, -5.35, -38.81

 

CMYK 14 / 94 / 0 / 30

HEX #990AB2

RGB 153 10 178

HSL 291.07, 0.89%, 0.37%

LAB 38.21, 69.97, -53.24

 

Description

Color code: HEX #B2470A | qconv.com Color code: HEX #B2470A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 71 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 71 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 94 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 94% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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