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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2309D it is the complementary color #4DCF62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2309D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2309D shade: #B73098, #C842AB, #D954BE, #EA66D1 and #FB78E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2309D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2309D shade: #B2309D, #A11E8A, #900C77, #7F0064 and #6E0051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2309D shade: #B12F9C, #B12F79, #B12F56, #B12F32 and #B12F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2309D shade: #B12F9C, #A32FB1, #802FB1, #5D2FB1 and #392FB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2309D shade matches the following richer shades: #B12F9C, #C31CA8 and #D50AB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2309D shade: #B12F9C, #9F418F, #8C5383, #7A6577 and #68776B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2309D shade: #7F2FB1, #A22FB1, #B12F9D, #B12F7B and #B12F58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2309D shade: #701D62, #90267F, #B12F9C, #CB3DB4 and #D45EC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2309D shade: #B2309D, #B15C2F and #2FB190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2309D shade: #B2309D, #9DB12F and #2F9DB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2309D shade: #B2309D, #B15C2F, #2FB142 and #2F83B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2309D shade: #B2309D, #B1832F, #2FB142 and #2F5CB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 12 / 30

HEX #B2309D

RGB 178 48 157

HSL 309.69, 0.58%, 0.44%

LAB 44.25, 62.79, -30.81

 

Complementary color

CMYK 63 / 0 / 53 / 19

HEX #4DCF62

RGB 77 207 98

HSL 129.69, 0.58%, 0.56%

LAB 74.24, -57.97, 43.46

 

CMYK 0 / 74 / 17 / 28

HEX #B73098

RGB 183 48 152

HSL 313.78, 0.58%, 0.45%

LAB 44.87, 63.26, -26.78

 

CMYK 0 / 67 / 15 / 22

HEX #C842AB

RGB 200 66 171

HSL 312.99, 0.55%, 0.52%

LAB 50.82, 63.81, -28.59

 

CMYK 0 / 61 / 12 / 15

HEX #D954BE

RGB 217 84 190

HSL 312.18, 0.64%, 0.59%

LAB 56.89, 63.86, -29.99

 

CMYK 0 / 56 / 11 / 8

HEX #EA66D1

RGB 234 102 209

HSL 311.36, 0.76%, 0.66%

LAB 63.01, 63.58, -31.11

 

CMYK 0 / 52 / 9 / 2

HEX #FB78E4

RGB 251 120 228

HSL 310.53, 0.94%, 0.73%

LAB 69.14, 63.12, -32.03

 

CMYK 0 / 73 / 12 / 30

HEX #B2309D

RGB 178 48 157

HSL 309.69, 0.58%, 0.44%

LAB 44.25, 62.79, -30.81

 

CMYK 0 / 81 / 14 / 37

HEX #A11E8A

RGB 161 30 138

HSL 310.53, 0.69%, 0.37%

LAB 38.45, 61.46, -28.59

 

CMYK 0 / 92 / 17 / 44

HEX #900C77

RGB 144 12 119

HSL 311.36, 0.85%, 0.31%

LAB 32.97, 58.89, -25.57

 

CMYK 0 / 100 / 21 / 50

HEX #7F0064

RGB 127 0 100

HSL 312.76, 1%, 0.25%

LAB 27.93, 54.69, -21.52

 

CMYK 0 / 100 / 26 / 57

HEX #6E0051

RGB 110 0 81

HSL 315.82, 1%, 0.22%

LAB 23.37, 48.66, -16.31

 

CMYK 0 / 73 / 12 / 31

HEX #B12F9C

RGB 177 47 156

HSL 309.69, 0.58%, 0.44%

LAB 43.92, 62.73, -30.75

 

CMYK 0 / 73 / 32 / 31

HEX #B12F79

RGB 177 47 121

HSL 325.85, 0.58%, 0.44%

LAB 42.4, 58.03, -11.78

 

CMYK 0 / 73 / 51 / 31

HEX #B12F56

RGB 177 47 86

HSL 342, 0.58%, 0.44%

LAB 41.3, 54.47, 8.46

 

CMYK 0 / 73 / 72 / 31

HEX #B12F32

RGB 177 47 50

HSL 358.62, 0.58%, 0.44%

LAB 40.59, 52.1, 29.89

 

CMYK 0 / 73 / 73 / 31

HEX #B12F2F

RGB 177 47 47

HSL 0, 0.58%, 0.44%

LAB 40.55, 51.96, 31.63

 

CMYK 0 / 73 / 12 / 31

HEX #B12F9C

RGB 177 47 156

HSL 309.69, 0.58%, 0.44%

LAB 43.92, 62.73, -30.75

 

CMYK 8 / 73 / 0 / 31

HEX #A32FB1

RGB 163 47 177

HSL 293.54, 0.58%, 0.44%

LAB 42.75, 63.03, -45.25

 

CMYK 28 / 73 / 0 / 31

HEX #802FB1

RGB 128 47 177

HSL 277.38, 0.58%, 0.44%

LAB 37.47, 55.86, -54.02

 

CMYK 47 / 73 / 0 / 31

HEX #5D2FB1

RGB 93 47 177

HSL 261.23, 0.58%, 0.44%

LAB 32.99, 49.48, -61.51

 

CMYK 68 / 73 / 0 / 31

HEX #392FB1

RGB 57 47 177

HSL 244.62, 0.58%, 0.44%

LAB 29.61, 44.39, -67.2

 

CMYK 0 / 73 / 12 / 31

HEX #B12F9C

RGB 177 47 156

HSL 309.69, 0.58%, 0.44%

LAB 43.92, 62.73, -30.75

 

CMYK 0 / 86 / 14 / 24

HEX #C31CA8

RGB 195 28 168

HSL 309.7, 0.75%, 0.44%

LAB 45.99, 73.2, -34.44

 

CMYK 0 / 95 / 15 / 16

HEX #D50AB4

RGB 213 10 180

HSL 309.75, 0.91%, 0.44%

LAB 49.08, 80.54, -36.44

 

CMYK 0 / 73 / 12 / 31

HEX #B12F9C

RGB 177 47 156

HSL 309.69, 0.58%, 0.44%

LAB 43.92, 62.73, -30.75

 

CMYK 0 / 59 / 10 / 38

HEX #9F418F

RGB 159 65 143

HSL 310.21, 0.42%, 0.44%

LAB 42.97, 48.81, -24.61

 

CMYK 0 / 41 / 6 / 45

HEX #8C5383

RGB 140 83 131

HSL 309.47, 0.26%, 0.44%

LAB 43.36, 31.29, -16.96

 

CMYK 0 / 17 / 2 / 52

HEX #7A6577

RGB 122 101 119

HSL 308.57, 0.09%, 0.44%

LAB 45.33, 11.79, -6.92

 

CMYK 13 / 0 / 10 / 53

HEX #68776B

RGB 104 119 107

HSL 132, 0.07%, 0.44%

LAB 48.51, -8.1, 4.72

 

CMYK 28 / 73 / 0 / 31

HEX #7F2FB1

RGB 127 47 177

HSL 276.92, 0.58%, 0.44%

LAB 37.33, 55.67, -54.25

 

CMYK 8 / 73 / 0 / 31

HEX #A22FB1

RGB 162 47 177

HSL 293.08, 0.58%, 0.44%

LAB 42.6, 62.82, -45.51

 

CMYK 0 / 73 / 11 / 31

HEX #B12F9D

RGB 177 47 157

HSL 309.23, 0.58%, 0.44%

LAB 43.97, 62.88, -31.27

 

CMYK 0 / 73 / 31 / 31

HEX #B12F7B

RGB 177 47 123

HSL 324.92, 0.58%, 0.44%

LAB 42.48, 58.27, -12.9

 

CMYK 0 / 73 / 50 / 31

HEX #B12F58

RGB 177 47 88

HSL 341.08, 0.58%, 0.44%

LAB 41.35, 54.64, 7.27

 

CMYK 0 / 74 / 13 / 56

HEX #701D62

RGB 112 29 98

HSL 310.12, 0.59%, 0.28%

LAB 27.31, 43.93, -21.4

 

CMYK 0 / 74 / 12 / 44

HEX #90267F

RGB 144 38 127

HSL 309.62, 0.58%, 0.36%

LAB 35.69, 53.42, -26.33

 

CMYK 0 / 73 / 12 / 31

HEX #B12F9C

RGB 177 47 156

HSL 309.69, 0.58%, 0.44%

LAB 43.92, 62.73, -30.75

 

CMYK 0 / 70 / 11 / 20

HEX #CB3DB4

RGB 203 61 180

HSL 309.72, 0.58%, 0.52%

LAB 51.07, 67.69, -33.44

 

CMYK 0 / 56 / 9 / 17

HEX #D45EC1

RGB 212 94 193

HSL 309.66, 0.58%, 0.6%

LAB 57.9, 58.59, -30.21

 

CMYK 0 / 73 / 12 / 30

HEX #B2309D

RGB 178 48 157

HSL 309.69, 0.58%, 0.44%

LAB 44.25, 62.79, -30.81

 

CMYK 0 / 48 / 73 / 31

HEX #B15C2F

RGB 177 92 47

HSL 20.77, 0.58%, 0.44%

LAB 48.52, 31.07, 40.46

 

CMYK 73 / 0 / 19 / 31

HEX #2FB190

RGB 47 177 144

HSL 164.77, 0.58%, 0.44%

LAB 65.01, -42.53, 6.98

 

CMYK 0 / 73 / 12 / 30

HEX #B2309D

RGB 178 48 157

HSL 309.69, 0.58%, 0.44%

LAB 44.25, 62.79, -30.81

 

CMYK 11 / 0 / 73 / 31

HEX #9DB12F

RGB 157 177 47

HSL 69.23, 0.58%, 0.44%

LAB 68.62, -23.78, 60.11

 

CMYK 73 / 11 / 0 / 31

HEX #2F9DB1

RGB 47 157 177

HSL 189.23, 0.58%, 0.44%

LAB 59.79, -23.63, -19.25

 

CMYK 0 / 73 / 12 / 30

HEX #B2309D

RGB 178 48 157

HSL 309.69, 0.58%, 0.44%

LAB 44.25, 62.79, -30.81

 

CMYK 0 / 48 / 73 / 31

HEX #B15C2F

RGB 177 92 47

HSL 20.77, 0.58%, 0.44%

LAB 48.52, 31.07, 40.46

 

CMYK 73 / 0 / 63 / 31

HEX #2FB142

RGB 47 177 66

HSL 128.77, 0.58%, 0.44%

LAB 63.71, -57.08, 45.79

 

CMYK 73 / 26 / 0 / 31

HEX #2F83B1

RGB 47 131 177

HSL 201.23, 0.58%, 0.44%

LAB 51.85, -9.51, -31.49

 

CMYK 0 / 73 / 12 / 30

HEX #B2309D

RGB 178 48 157

HSL 309.69, 0.58%, 0.44%

LAB 44.25, 62.79, -30.81

 

CMYK 0 / 26 / 73 / 31

HEX #B1832F

RGB 177 131 47

HSL 38.77, 0.58%, 0.44%

LAB 57.83, 9.47, 50.12

 

CMYK 73 / 0 / 63 / 31

HEX #2FB142

RGB 47 177 66

HSL 128.77, 0.58%, 0.44%

LAB 63.71, -57.08, 45.79

 

CMYK 73 / 48 / 0 / 31

HEX #2F5CB1

RGB 47 92 177

HSL 219.23, 0.58%, 0.44%

LAB 40.3, 14.51, -49.8

 

Description

Color code: HEX #B2309D | qconv.com Color code: HEX #B2309D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 48 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 48 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 12 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 12% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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