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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2221E it is the complementary color #4DDDE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2221E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2221E shade: #B72219, #C8342C, #D9463F, #EA5852 and #FB6A65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2221E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2221E shade: #B2221E, #A1100B, #900000, #7F0000 and #6E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2221E shade: #B2221E and #B21E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2221E shade: #B2221E, #B24A1E, #B2721E, #B29A1E and #A3B21E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2221E shade matches the following richer shades: #B2221E and #C3120D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2221E shade: #B2221E, #A1322F, #904240, #805251 and #6F6261

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2221E shade: #B21E6B, #B21E43, #B2201E, #B2481E and #B26F1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2221E shade: #6C1412, #8F1B18, #B2221E, #D62924 and #DF4844

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2221E shade: #B2221E, #92B21E and #1E57B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2221E shade: #B2221E, #1EB220 and #201EB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2221E shade: #B2221E, #92B21E, #1EB0B2 and #3E1EB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2221E shade: #B2221E, #66B21E, #1EB0B2 and #6B1EB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 83 / 30

HEX #B2221E

RGB 178 34 30

HSL 1.62, 0.71%, 0.41%

LAB 39.08, 55.81, 39.8

 

Complementary color

CMYK 66 / 2 / 0 / 12

HEX #4DDDE1

RGB 77 221 225

HSL 181.62, 0.71%, 0.59%

LAB 81.14, -36.35, -13.23

 

CMYK 0 / 81 / 86 / 28

HEX #B72219

RGB 183 34 25

HSL 3.42, 0.76%, 0.41%

LAB 40.05, 57.16, 43.62

 

CMYK 0 / 74 / 78 / 22

HEX #C8342C

RGB 200 52 44

HSL 3.08, 0.64%, 0.48%

LAB 45.52, 57.31, 40.04

 

CMYK 0 / 68 / 71 / 15

HEX #D9463F

RGB 217 70 63

HSL 2.73, 0.67%, 0.55%

LAB 51.26, 56.86, 36.63

 

CMYK 0 / 62 / 65 / 8

HEX #EA5852

RGB 234 88 82

HSL 2.37, 0.78%, 0.62%

LAB 57.15, 56.05, 33.63

 

CMYK 0 / 58 / 60 / 2

HEX #FB6A65

RGB 251 106 101

HSL 2, 0.95%, 0.69%

LAB 63.14, 55.06, 31.02

 

CMYK 0 / 81 / 83 / 30

HEX #B2221E

RGB 178 34 30

HSL 1.62, 0.71%, 0.41%

LAB 39.08, 55.81, 39.8

 

CMYK 0 / 90 / 93 / 37

HEX #A1100B

RGB 161 16 11

HSL 2, 0.87%, 0.34%

LAB 33.92, 54.67, 43.27

 

CMYK 0 / 100 / 100 / 44

HEX #900000

RGB 144 0 0

HSL 0, 1%, 0.28%

LAB 29.23, 52.34, 42.7

 

CMYK 0 / 100 / 100 / 50

HEX #7F0000

RGB 127 0 0

HSL 0, 1%, 0.25%

LAB 25.3, 47.78, 37.76

 

CMYK 0 / 100 / 100 / 57

HEX #6E0000

RGB 110 0 0

HSL 0, 1%, 0.22%

LAB 21.26, 43.12, 32.36

 

CMYK 0 / 81 / 83 / 30

HEX #B2221E

RGB 178 34 30

HSL 1.62, 0.71%, 0.41%

LAB 39.08, 55.81, 39.8

 

CMYK 0 / 83 / 83 / 30

HEX #B21E1E

RGB 178 30 30

HSL 0, 0.71%, 0.41%

LAB 38.7, 56.87, 39.45

 

CMYK 0 / 81 / 83 / 30

HEX #B2221E

RGB 178 34 30

HSL 1.62, 0.71%, 0.41%

LAB 39.08, 55.81, 39.8

 

CMYK 0 / 58 / 83 / 30

HEX #B24A1E

RGB 178 74 30

HSL 17.84, 0.71%, 0.41%

LAB 44.88, 40.06, 45.17

 

CMYK 0 / 36 / 83 / 30

HEX #B2721E

RGB 178 114 30

HSL 34.05, 0.71%, 0.41%

LAB 53.59, 18.72, 52.96

 

CMYK 0 / 13 / 83 / 30

HEX #B29A1E

RGB 178 154 30

HSL 50.27, 0.71%, 0.41%

LAB 63.89, -3.37, 61.87

 

CMYK 8 / 0 / 83 / 30

HEX #A3B21E

RGB 163 178 30

HSL 66.08, 0.71%, 0.41%

LAB 69.27, -22.42, 65.96

 

CMYK 0 / 81 / 83 / 30

HEX #B2221E

RGB 178 34 30

HSL 1.62, 0.71%, 0.41%

LAB 39.08, 55.81, 39.8

 

CMYK 0 / 91 / 93 / 24

HEX #C3120D

RGB 195 18 13

HSL 1.65, 0.88%, 0.41%

LAB 41.32, 63.59, 50.79

 

CMYK 0 / 81 / 83 / 30

HEX #B2221E

RGB 178 34 30

HSL 1.62, 0.71%, 0.41%

LAB 39.08, 55.81, 39.8

 

CMYK 0 / 69 / 71 / 37

HEX #A1322F

RGB 161 50 47

HSL 1.58, 0.55%, 0.41%

LAB 37.96, 45.52, 27.84

 

CMYK 0 / 54 / 56 / 44

HEX #904240

RGB 144 66 64

HSL 1.5, 0.38%, 0.41%

LAB 38.19, 32.81, 17.07

 

CMYK 0 / 36 / 37 / 50

HEX #805251

RGB 128 82 81

HSL 1.28, 0.22%, 0.41%

LAB 39.95, 19.12, 8.56

 

CMYK 0 / 12 / 13 / 56

HEX #6F6261

RGB 111 98 97

HSL 4.29, 0.07%, 0.41%

LAB 42.73, 5, 2.46

 

CMYK 0 / 83 / 40 / 30

HEX #B21E6B

RGB 178 30 107

HSL 328.78, 0.71%, 0.41%

LAB 40.34, 61.72, -6.14

 

CMYK 0 / 83 / 62 / 30

HEX #B21E43

RGB 178 30 67

HSL 345, 0.71%, 0.41%

LAB 39.24, 58.49, 17.69

 

CMYK 0 / 82 / 83 / 30

HEX #B2201E

RGB 178 32 30

HSL 0.81, 0.71%, 0.41%

LAB 38.88, 56.35, 39.62

 

CMYK 0 / 60 / 83 / 30

HEX #B2481E

RGB 178 72 30

HSL 17.03, 0.71%, 0.41%

LAB 44.51, 41.03, 44.83

 

CMYK 0 / 38 / 83 / 30

HEX #B26F1E

RGB 178 111 30

HSL 32.84, 0.71%, 0.41%

LAB 52.87, 20.39, 52.32

 

CMYK 0 / 81 / 83 / 58

HEX #6C1412

RGB 108 20 18

HSL 1.33, 0.71%, 0.25%

LAB 22.77, 37.83, 25.69

 

CMYK 0 / 81 / 83 / 44

HEX #8F1B18

RGB 143 27 24

HSL 1.51, 0.71%, 0.33%

LAB 31.09, 47.05, 32.94

 

CMYK 0 / 81 / 83 / 30

HEX #B2221E

RGB 178 34 30

HSL 1.62, 0.71%, 0.41%

LAB 39.08, 55.81, 39.8

 

CMYK 0 / 81 / 83 / 16

HEX #D62924

RGB 214 41 36

HSL 1.69, 0.71%, 0.49%

LAB 46.99, 64.5, 46.63

 

CMYK 0 / 68 / 70 / 13

HEX #DF4844

RGB 223 72 68

HSL 1.55, 0.71%, 0.57%

LAB 52.66, 58.25, 35.71

 

CMYK 0 / 81 / 83 / 30

HEX #B2221E

RGB 178 34 30

HSL 1.62, 0.71%, 0.41%

LAB 39.08, 55.81, 39.8

 

CMYK 18 / 0 / 83 / 30

HEX #92B21E

RGB 146 178 30

HSL 72.97, 0.71%, 0.41%

LAB 68.05, -29.57, 64.44

 

CMYK 83 / 51 / 0 / 30

HEX #1E57B2

RGB 30 87 178

HSL 216.89, 0.71%, 0.41%

LAB 38.39, 16.26, -53.5

 

CMYK 0 / 81 / 83 / 30

HEX #B2221E

RGB 178 34 30

HSL 1.62, 0.71%, 0.41%

LAB 39.08, 55.81, 39.8

 

CMYK 83 / 0 / 82 / 30

HEX #1EB220

RGB 30 178 32

HSL 120.81, 0.71%, 0.41%

LAB 63.53, -62.64, 58.13

 

CMYK 82 / 83 / 0 / 30

HEX #201EB2

RGB 32 30 178

HSL 240.81, 0.71%, 0.41%

LAB 25.11, 51.52, -75.29

 

CMYK 0 / 81 / 83 / 30

HEX #B2221E

RGB 178 34 30

HSL 1.62, 0.71%, 0.41%

LAB 39.08, 55.81, 39.8

 

CMYK 18 / 0 / 83 / 30

HEX #92B21E

RGB 146 178 30

HSL 72.97, 0.71%, 0.41%

LAB 68.05, -29.57, 64.44

 

CMYK 83 / 1 / 0 / 30

HEX #1EB0B2

RGB 30 176 178

HSL 180.81, 0.71%, 0.41%

LAB 65.39, -34.36, -11.37

 

CMYK 65 / 83 / 0 / 30

HEX #3E1EB2

RGB 62 30 178

HSL 252.97, 0.71%, 0.41%

LAB 27.21, 53.58, -71.75

 

CMYK 0 / 81 / 83 / 30

HEX #B2221E

RGB 178 34 30

HSL 1.62, 0.71%, 0.41%

LAB 39.08, 55.81, 39.8

 

CMYK 43 / 0 / 83 / 30

HEX #66B21E

RGB 102 178 30

HSL 90.81, 0.71%, 0.41%

LAB 65.56, -46.27, 61.28

 

CMYK 83 / 1 / 0 / 30

HEX #1EB0B2

RGB 30 176 178

HSL 180.81, 0.71%, 0.41%

LAB 65.39, -34.36, -11.37

 

CMYK 40 / 83 / 0 / 30

HEX #6B1EB2

RGB 107 30 178

HSL 271.22, 0.71%, 0.41%

LAB 32.41, 58.89, -62.99

 

Description

Color code: HEX #B2221E | qconv.com Color code: HEX #B2221E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 34 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 34 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 83 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 83% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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