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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B21E77 it is the complementary color #4DE188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B21E77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B21E77 shade: #B71E72, #C83085, #D94298, #EA54AB and #FB66BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B21E77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B21E77 shade: #B21E77, #A10C64, #900051, #7F003E and #6E002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B21E77 shade: #B21E77, #B21E4F, #B21E27 and #B21E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B21E77 shade: #B21E77, #B21E9F, #9D1EB2, #751EB2 and #4D1EB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B21E77 shade matches the following richer shades: #B21E77 and #C30D7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B21E77 shade: #B21E77, #A12F74, #904070, #80516D and #6F6169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B21E77 shade: #9C1EB2, #B21EA1, #B21E79, #B21E52 and #B21E2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B21E77 shade: #6C1248, #8F185F, #B21E77, #D6248F and #DF44A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B21E77 shade: #B21E77, #B2741E and #1EB2B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B21E77 shade: #B21E77, #79B21E and #1E79B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B21E77 shade: #B21E77, #B2741E, #1EB257 and #1E5CB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B21E77 shade: #B21E77, #B2A11E, #1EB257 and #1E2FB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 33 / 30

HEX #B21E77

RGB 178 30 119

HSL 323.92, 0.71%, 0.41%

LAB 40.78, 62.98, -12.98

 

Complementary color

CMYK 66 / 0 / 40 / 12

HEX #4DE188

RGB 77 225 136

HSL 143.92, 0.71%, 0.59%

LAB 80.3, -58.64, 32.34

 

CMYK 0 / 84 / 38 / 28

HEX #B71E72

RGB 183 30 114

HSL 327.06, 0.72%, 0.42%

LAB 41.55, 63.66, -8.6

 

CMYK 0 / 76 / 34 / 22

HEX #C83085

RGB 200 48 133

HSL 326.45, 0.61%, 0.49%

LAB 47.09, 65.1, -11.64

 

CMYK 0 / 70 / 30 / 15

HEX #D94298

RGB 217 66 152

HSL 325.83, 0.67%, 0.55%

LAB 52.86, 65.74, -14.02

 

CMYK 0 / 64 / 27 / 8

HEX #EA54AB

RGB 234 84 171

HSL 325.2, 0.78%, 0.62%

LAB 58.76, 65.85, -15.93

 

CMYK 0 / 59 / 24 / 2

HEX #FB66BE

RGB 251 102 190

HSL 324.56, 0.95%, 0.69%

LAB 64.75, 65.63, -17.5

 

CMYK 0 / 83 / 33 / 30

HEX #B21E77

RGB 178 30 119

HSL 323.92, 0.71%, 0.41%

LAB 40.78, 62.98, -12.98

 

CMYK 0 / 93 / 38 / 37

HEX #A10C64

RGB 161 12 100

HSL 324.56, 0.86%, 0.34%

LAB 35.52, 60.37, -9.26

 

CMYK 0 / 100 / 44 / 44

HEX #900051

RGB 144 0 81

HSL 326.25, 1%, 0.28%

LAB 30.7, 56.25, -4.49

 

CMYK 0 / 100 / 51 / 50

HEX #7F003E

RGB 127 0 62

HSL 330.71, 1%, 0.25%

LAB 26.33, 50.57, 1.42

 

CMYK 0 / 100 / 61 / 57

HEX #6E002B

RGB 110 0 43

HSL 336.55, 1%, 0.22%

LAB 21.91, 44.85, 7.78

 

CMYK 0 / 83 / 33 / 30

HEX #B21E77

RGB 178 30 119

HSL 323.92, 0.71%, 0.41%

LAB 40.78, 62.98, -12.98

 

CMYK 0 / 83 / 56 / 30

HEX #B21E4F

RGB 178 30 79

HSL 340.14, 0.71%, 0.41%

LAB 39.51, 59.29, 10.41

 

CMYK 0 / 83 / 78 / 30

HEX #B21E27

RGB 178 30 39

HSL 356.35, 0.71%, 0.41%

LAB 38.79, 57.14, 34.46

 

CMYK 0 / 83 / 83 / 30

HEX #B21E1E

RGB 178 30 30

HSL 0, 0.71%, 0.41%

LAB 38.7, 56.87, 39.45

 

CMYK 0 / 83 / 33 / 30

HEX #B21E77

RGB 178 30 119

HSL 323.92, 0.71%, 0.41%

LAB 40.78, 62.98, -12.98

 

CMYK 0 / 83 / 11 / 30

HEX #B21E9F

RGB 178 30 159

HSL 307.7, 0.71%, 0.41%

LAB 42.61, 68.09, -34.6

 

CMYK 12 / 83 / 0 / 30

HEX #9D1EB2

RGB 157 30 178

HSL 291.49, 0.71%, 0.41%

LAB 40.1, 67.06, -50.15

 

CMYK 34 / 83 / 0 / 30

HEX #751EB2

RGB 117 30 178

HSL 275.27, 0.71%, 0.41%

LAB 33.83, 60.37, -60.62

 

CMYK 57 / 83 / 0 / 30

HEX #4D1EB2

RGB 77 30 178

HSL 259.05, 0.71%, 0.41%

LAB 28.7, 55.08, -69.23

 

CMYK 0 / 83 / 33 / 30

HEX #B21E77

RGB 178 30 119

HSL 323.92, 0.71%, 0.41%

LAB 40.78, 62.98, -12.98

 

CMYK 0 / 93 / 37 / 24

HEX #C30D7B

RGB 195 13 123

HSL 323.74, 0.88%, 0.41%

LAB 43.24, 70.16, -11.41

 

CMYK 0 / 83 / 33 / 30

HEX #B21E77

RGB 178 30 119

HSL 323.92, 0.71%, 0.41%

LAB 40.78, 62.98, -12.98

 

CMYK 0 / 71 / 28 / 37

HEX #A12F74

RGB 161 47 116

HSL 323.68, 0.55%, 0.41%

LAB 39.36, 53.04, -13.55

 

CMYK 0 / 56 / 22 / 44

HEX #904070

RGB 144 64 112

HSL 324, 0.38%, 0.41%

LAB 39.18, 39.7, -11.59

 

CMYK 0 / 37 / 15 / 50

HEX #80516D

RGB 128 81 109

HSL 324.26, 0.22%, 0.41%

LAB 40.54, 24.11, -7.91

 

CMYK 0 / 13 / 5 / 56

HEX #6F6169

RGB 111 97 105

HSL 325.71, 0.07%, 0.41%

LAB 42.69, 7.14, -2.47

 

CMYK 12 / 83 / 0 / 30

HEX #9C1EB2

RGB 156 30 178

HSL 291.08, 0.71%, 0.41%

LAB 39.93, 66.88, -50.43

 

CMYK 0 / 83 / 10 / 30

HEX #B21EA1

RGB 178 30 161

HSL 306.89, 0.71%, 0.41%

LAB 42.71, 68.38, -35.63

 

CMYK 0 / 83 / 32 / 30

HEX #B21E79

RGB 178 30 121

HSL 323.11, 0.71%, 0.41%

LAB 40.85, 63.21, -14.1

 

CMYK 0 / 83 / 54 / 30

HEX #B21E52

RGB 178 30 82

HSL 338.92, 0.71%, 0.41%

LAB 39.59, 59.52, 8.61

 

CMYK 0 / 83 / 76 / 30

HEX #B21E2A

RGB 178 30 42

HSL 355.14, 0.71%, 0.41%

LAB 38.83, 57.25, 32.72

 

CMYK 0 / 83 / 33 / 58

HEX #6C1248

RGB 108 18 72

HSL 324, 0.71%, 0.25%

LAB 23.96, 42.88, -9.35

 

CMYK 0 / 83 / 34 / 44

HEX #8F185F

RGB 143 24 95

HSL 324.2, 0.71%, 0.33%

LAB 32.52, 53.14, -10.92

 

CMYK 0 / 83 / 33 / 30

HEX #B21E77

RGB 178 30 119

HSL 323.92, 0.71%, 0.41%

LAB 40.78, 62.98, -12.98

 

CMYK 0 / 83 / 33 / 16

HEX #D6248F

RGB 214 36 143

HSL 323.93, 0.71%, 0.49%

LAB 48.93, 72.66, -14.64

 

CMYK 0 / 70 / 28 / 13

HEX #DF44A1

RGB 223 68 161

HSL 324, 0.71%, 0.57%

LAB 54.44, 67.69, -16.83

 

CMYK 0 / 83 / 33 / 30

HEX #B21E77

RGB 178 30 119

HSL 323.92, 0.71%, 0.41%

LAB 40.78, 62.98, -12.98

 

CMYK 0 / 35 / 83 / 30

HEX #B2741E

RGB 178 116 30

HSL 34.86, 0.71%, 0.41%

LAB 54.08, 17.61, 53.38

 

CMYK 83 / 0 / 1 / 30

HEX #1EB2B0

RGB 30 178 176

HSL 179.19, 0.71%, 0.41%

LAB 65.94, -35.9, -9.44

 

CMYK 0 / 83 / 33 / 30

HEX #B21E77

RGB 178 30 119

HSL 323.92, 0.71%, 0.41%

LAB 40.78, 62.98, -12.98

 

CMYK 32 / 0 / 83 / 30

HEX #79B21E

RGB 121 178 30

HSL 83.11, 0.71%, 0.41%

LAB 66.52, -39.48, 62.5

 

CMYK 83 / 32 / 0 / 30

HEX #1E79B2

RGB 30 121 178

HSL 203.11, 0.71%, 0.41%

LAB 48.47, -5.24, -37.4

 

CMYK 0 / 83 / 33 / 30

HEX #B21E77

RGB 178 30 119

HSL 323.92, 0.71%, 0.41%

LAB 40.78, 62.98, -12.98

 

CMYK 0 / 35 / 83 / 30

HEX #B2741E

RGB 178 116 30

HSL 34.86, 0.71%, 0.41%

LAB 54.08, 17.61, 53.38

 

CMYK 83 / 0 / 51 / 30

HEX #1EB257

RGB 30 178 87

HSL 143.11, 0.71%, 0.41%

LAB 64, -56.77, 36.06

 

CMYK 83 / 48 / 0 / 30

HEX #1E5CB2

RGB 30 92 178

HSL 214.86, 0.71%, 0.41%

LAB 39.82, 12.96, -51.19

 

CMYK 0 / 83 / 33 / 30

HEX #B21E77

RGB 178 30 119

HSL 323.92, 0.71%, 0.41%

LAB 40.78, 62.98, -12.98

 

CMYK 0 / 10 / 83 / 30

HEX #B2A11E

RGB 178 161 30

HSL 53.11, 0.71%, 0.41%

LAB 65.79, -7.1, 63.49

 

CMYK 83 / 0 / 51 / 30

HEX #1EB257

RGB 30 178 87

HSL 143.11, 0.71%, 0.41%

LAB 64, -56.77, 36.06

 

CMYK 83 / 74 / 0 / 30

HEX #1E2FB2

RGB 30 47 178

HSL 233.11, 0.71%, 0.41%

LAB 28.18, 42.34, -70.2

 

Description

Color code: HEX #B21E77 | qconv.com Color code: HEX #B21E77 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 30 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 30 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 33 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 33% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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