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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B21717 it is the complementary color #4DE8E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B21717. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B21717 shade: #B71712, #C82925, #D93B38, #EA4D4B and #FB5F5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B21717. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B21717 shade: #B21717, #A10504, #900000, #7F0000 and #6E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B21717 shade: #B01616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B21717 shade: #B01616, #B04016, #B06916, #B09216 and #A3B016

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B21717 shade matches the following richer shades: #B01616 and #C00606

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B21717 shade: #B01616, #9F2626, #8F3737, #7F4747 and #6F5757

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B21717 shade: #B01668, #B0163F, #B01616, #B03F16 and #B06816

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B21717 shade: #660D0D, #8B1212, #B01616, #D41B1B and #E43434

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B21717 shade: #B21717, #91B016 and #1654B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B21717 shade: #B21717, #16B016 and #1616B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B21717 shade: #B21717, #91B016, #16B0B0 and #3516B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B21717 shade: #B21717, #63B016, #16B0B0 and #6316B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 87 / 30

HEX #B21717

RGB 178 23 23

HSL 0, 0.77%, 0.39%

LAB 38.09, 58.28, 42.54

 

Complementary color

CMYK 67 / 0 / 0 / 9

HEX #4DE8E8

RGB 77 232 232

HSL 180, 0.77%, 0.61%

LAB 84.54, -39.45, -11.85

 

CMYK 0 / 87 / 90 / 28

HEX #B71712

RGB 183 23 18

HSL 1.82, 0.82%, 0.39%

LAB 39.11, 59.57, 46.12

 

CMYK 0 / 80 / 82 / 22

HEX #C82925

RGB 200 41 37

HSL 1.47, 0.69%, 0.46%

LAB 44.23, 60.51, 42.53

 

CMYK 0 / 73 / 74 / 15

HEX #D93B38

RGB 217 59 56

HSL 1.12, 0.68%, 0.54%

LAB 49.7, 60.61, 38.81

 

CMYK 0 / 67 / 68 / 8

HEX #EA4D4B

RGB 234 77 75

HSL 0.75, 0.79%, 0.61%

LAB 55.39, 60.17, 35.45

 

CMYK 0 / 62 / 63 / 2

HEX #FB5F5E

RGB 251 95 94

HSL 0.38, 0.95%, 0.68%

LAB 61.22, 59.41, 32.52

 

CMYK 0 / 87 / 87 / 30

HEX #B21717

RGB 178 23 23

HSL 0, 0.77%, 0.39%

LAB 38.09, 58.28, 42.54

 

CMYK 0 / 97 / 98 / 37

HEX #A10504

RGB 161 5 4

HSL 0.38, 0.95%, 0.32%

LAB 33.34, 56.17, 45.73

 

CMYK 0 / 100 / 100 / 44

HEX #900000

RGB 144 0 0

HSL 0, 1%, 0.28%

LAB 29.23, 52.34, 42.7

 

CMYK 0 / 100 / 100 / 50

HEX #7F0000

RGB 127 0 0

HSL 0, 1%, 0.25%

LAB 25.3, 47.78, 37.76

 

CMYK 0 / 100 / 100 / 57

HEX #6E0000

RGB 110 0 0

HSL 0, 1%, 0.22%

LAB 21.26, 43.12, 32.36

 

CMYK 0 / 88 / 88 / 31

HEX #B01616

RGB 176 22 22

HSL 0, 0.78%, 0.39%

LAB 37.59, 57.9, 42.45

 

CMYK 0 / 88 / 88 / 31

HEX #B01616

RGB 176 22 22

HSL 0, 0.78%, 0.39%

LAB 37.59, 57.9, 42.45

 

CMYK 0 / 64 / 88 / 31

HEX #B04016

RGB 176 64 22

HSL 16.36, 0.78%, 0.39%

LAB 42.7, 43.82, 46.63

 

CMYK 0 / 40 / 88 / 31

HEX #B06916

RGB 176 105 22

HSL 32.34, 0.78%, 0.39%

LAB 51.14, 22.63, 53.5

 

CMYK 0 / 17 / 88 / 31

HEX #B09216

RGB 176 146 22

HSL 48.31, 0.78%, 0.39%

LAB 61.52, -0.15, 61.91

 

CMYK 7 / 0 / 88 / 31

HEX #A3B016

RGB 163 176 22

HSL 65.06, 0.78%, 0.39%

LAB 68.68, -21.64, 67.25

 

CMYK 0 / 88 / 88 / 31

HEX #B01616

RGB 176 22 22

HSL 0, 0.78%, 0.39%

LAB 37.59, 57.9, 42.45

 

CMYK 0 / 97 / 97 / 25

HEX #C00606

RGB 192 6 6

HSL 0, 0.94%, 0.39%

LAB 40.16, 64.15, 52.18

 

CMYK 0 / 88 / 88 / 31

HEX #B01616

RGB 176 22 22

HSL 0, 0.78%, 0.39%

LAB 37.59, 57.9, 42.45

 

CMYK 0 / 76 / 76 / 38

HEX #9F2626

RGB 159 38 38

HSL 0, 0.61%, 0.39%

LAB 35.79, 49.02, 30.66

 

CMYK 0 / 62 / 62 / 44

HEX #8F3737

RGB 143 55 55

HSL 0, 0.44%, 0.39%

LAB 35.69, 37.32, 19.38

 

CMYK 0 / 44 / 44 / 50

HEX #7F4747

RGB 127 71 71

HSL 0, 0.28%, 0.39%

LAB 36.88, 23.89, 10.49

 

CMYK 0 / 22 / 22 / 56

HEX #6F5757

RGB 111 87 87

HSL 0, 0.12%, 0.39%

LAB 39.38, 9.89, 3.77

 

CMYK 0 / 88 / 41 / 31

HEX #B01668

RGB 176 22 104

HSL 328.05, 0.78%, 0.39%

LAB 39.25, 62.64, -5.91

 

CMYK 0 / 88 / 64 / 31

HEX #B0163F

RGB 176 22 63

HSL 344.03, 0.78%, 0.39%

LAB 38.13, 59.48, 18.7

 

CMYK 0 / 88 / 88 / 31

HEX #B01616

RGB 176 22 22

HSL 0, 0.78%, 0.39%

LAB 37.59, 57.9, 42.45

 

CMYK 0 / 64 / 88 / 31

HEX #B03F16

RGB 176 63 22

HSL 15.97, 0.78%, 0.39%

LAB 42.53, 44.27, 46.49

 

CMYK 0 / 41 / 88 / 31

HEX #B06816

RGB 176 104 22

HSL 31.95, 0.78%, 0.39%

LAB 50.91, 23.18, 53.31

 

CMYK 0 / 87 / 87 / 60

HEX #660D0D

RGB 102 13 13

HSL 0, 0.77%, 0.23%

LAB 20.6, 37.9, 25.7

 

CMYK 0 / 87 / 87 / 45

HEX #8B1212

RGB 139 18 18

HSL 0, 0.77%, 0.31%

LAB 29.32, 48.1, 34.32

 

CMYK 0 / 88 / 88 / 31

HEX #B01616

RGB 176 22 22

HSL 0, 0.78%, 0.39%

LAB 37.59, 57.9, 42.45

 

CMYK 0 / 87 / 87 / 17

HEX #D41B1B

RGB 212 27 27

HSL 0, 0.77%, 0.47%

LAB 45.44, 66.83, 49.52

 

CMYK 0 / 77 / 77 / 11

HEX #E43434

RGB 228 52 52

HSL 0, 0.77%, 0.55%

LAB 50.92, 65.95, 42.95

 

CMYK 0 / 87 / 87 / 30

HEX #B21717

RGB 178 23 23

HSL 0, 0.77%, 0.39%

LAB 38.09, 58.28, 42.54

 

CMYK 18 / 0 / 88 / 31

HEX #91B016

RGB 145 176 22

HSL 72.08, 0.78%, 0.39%

LAB 67.37, -29.28, 65.64

 

CMYK 88 / 52 / 0 / 31

HEX #1654B0

RGB 22 84 176

HSL 215.84, 0.78%, 0.39%

LAB 37.2, 16.82, -54.26

 

CMYK 0 / 87 / 87 / 30

HEX #B21717

RGB 178 23 23

HSL 0, 0.77%, 0.39%

LAB 38.09, 58.28, 42.54

 

CMYK 88 / 0 / 88 / 31

HEX #16B016

RGB 22 176 22

HSL 120, 0.78%, 0.39%

LAB 62.74, -63.32, 59.85

 

CMYK 88 / 88 / 0 / 31

HEX #1616B0

RGB 22 22 176

HSL 240, 0.78%, 0.39%

LAB 23.27, 53.94, -77.16

 

CMYK 0 / 87 / 87 / 30

HEX #B21717

RGB 178 23 23

HSL 0, 0.77%, 0.39%

LAB 38.09, 58.28, 42.54

 

CMYK 18 / 0 / 88 / 31

HEX #91B016

RGB 145 176 22

HSL 72.08, 0.78%, 0.39%

LAB 67.37, -29.28, 65.64

 

CMYK 88 / 0 / 0 / 31

HEX #16B0B0

RGB 22 176 176

HSL 180, 0.78%, 0.39%

LAB 65.24, -35.52, -10.49

 

CMYK 70 / 88 / 0 / 31

HEX #3516B0

RGB 53 22 176

HSL 252.08, 0.78%, 0.39%

LAB 25.15, 55.4, -73.97

 

CMYK 0 / 87 / 87 / 30

HEX #B21717

RGB 178 23 23

HSL 0, 0.77%, 0.39%

LAB 38.09, 58.28, 42.54

 

CMYK 44 / 0 / 88 / 31

HEX #63B016

RGB 99 176 22

HSL 90, 0.78%, 0.39%

LAB 64.77, -46.77, 62.41

 

CMYK 88 / 0 / 0 / 31

HEX #16B0B0

RGB 22 176 176

HSL 180, 0.78%, 0.39%

LAB 65.24, -35.52, -10.49

 

CMYK 44 / 88 / 0 / 31

HEX #6316B0

RGB 99 22 176

HSL 270, 0.78%, 0.39%

LAB 30.31, 59.79, -65.29

 

Description

Color code: HEX #B21717 | qconv.com Color code: HEX #B21717 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 23 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 23 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 87 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 87% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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