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Color name
HEX #B20D56

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B20D56 it is the complementary color #4DF2A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B20D56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B20D56 shade: #B70D51, #C81F64, #D93177, #EA438A and #FB559D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B20D56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B20D56 shade: #B20D56, #A10043, #900030, #7F001D and #6E000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B20D56 shade: #AF0D55, #AF0D29 and #AF0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B20D56 shade: #AF0D55, #AF0D80, #AF0DAC, #860DAF and #5A0DAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B20D56 shade matches the following richer shades: #AF0D55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B20D56 shade: #AF0D55, #A01C56, #902B58, #813B5A and #724A5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B20D56 shade: #AF0DAC, #AF0D81, #AF0D56, #AF0D2A and #AF1A0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B20D56 shade: #62072F, #890A42, #AF0D55, #D51067 and #EE207B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B20D56 shade: #B20D56, #AF860D and #0D97AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B20D56 shade: #B20D56, #56AF0D and #0D56AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B20D56 shade: #B20D56, #AF860D, #0DAF66 and #0D35AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B20D56 shade: #B20D56, #A7AF0D, #0DAF66 and #150DAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 52 / 30

HEX #B20D56

RGB 178 13 86

HSL 333.45, 0.86%, 0.37%

LAB 38.59, 62.98, 4.64

 

Complementary color

CMYK 68 / 0 / 30 / 5

HEX #4DF2A9

RGB 77 242 169

HSL 153.45, 0.86%, 0.63%

LAB 85.98, -58.81, 23.15

 

CMYK 0 / 93 / 56 / 28

HEX #B70D51

RGB 183 13 81

HSL 336, 0.87%, 0.38%

LAB 39.49, 63.82, 9.27

 

CMYK 0 / 85 / 50 / 22

HEX #C81F64

RGB 200 31 100

HSL 335.5, 0.73%, 0.45%

LAB 44.49, 66.36, 4.83

 

CMYK 0 / 77 / 45 / 15

HEX #D93177

RGB 217 49 119

HSL 335, 0.69%, 0.52%

LAB 49.83, 67.81, 1.28

 

CMYK 0 / 71 / 41 / 8

HEX #EA438A

RGB 234 67 138

HSL 334.49, 0.8%, 0.59%

LAB 55.42, 68.47, -1.59

 

CMYK 0 / 66 / 37 / 2

HEX #FB559D

RGB 251 85 157

HSL 333.98, 0.95%, 0.66%

LAB 61.17, 68.62, -3.94

 

CMYK 0 / 93 / 52 / 30

HEX #B20D56

RGB 178 13 86

HSL 333.45, 0.86%, 0.37%

LAB 38.59, 62.98, 4.64

 

CMYK 0 / 100 / 58 / 37

HEX #A10043

RGB 161 0 67

HSL 335.03, 1%, 0.32%

LAB 33.95, 59.12, 9.91

 

CMYK 0 / 100 / 67 / 44

HEX #900030

RGB 144 0 48

HSL 340, 1%, 0.28%

LAB 29.77, 53.79, 16.26

 

CMYK 0 / 100 / 77 / 50

HEX #7F001D

RGB 127 0 29

HSL 346.3, 1%, 0.25%

LAB 25.57, 48.52, 22.91

 

CMYK 0 / 100 / 91 / 57

HEX #6E000A

RGB 110 0 10

HSL 354.55, 1%, 0.22%

LAB 21.35, 43.34, 28.37

 

CMYK 0 / 93 / 51 / 31

HEX #AF0D55

RGB 175 13 85

HSL 333.33, 0.86%, 0.37%

LAB 37.95, 62.18, 4.27

 

CMYK 0 / 93 / 77 / 31

HEX #AF0D29

RGB 175 13 41

HSL 349.63, 0.86%, 0.37%

LAB 37.04, 59.68, 31.16

 

CMYK 0 / 93 / 93 / 31

HEX #AF0D0D

RGB 175 13 13

HSL 0, 0.86%, 0.37%

LAB 36.8, 58.99, 45.82

 

CMYK 0 / 93 / 51 / 31

HEX #AF0D55

RGB 175 13 85

HSL 333.33, 0.86%, 0.37%

LAB 37.95, 62.18, 4.27

 

CMYK 0 / 93 / 27 / 31

HEX #AF0D80

RGB 175 13 128

HSL 317.41, 0.86%, 0.37%

LAB 39.51, 66.4, -20.56

 

CMYK 0 / 93 / 2 / 31

HEX #AF0DAC

RGB 175 13 172

HSL 301.11, 0.86%, 0.37%

LAB 41.81, 72.31, -43.66

 

CMYK 23 / 93 / 0 / 31

HEX #860DAF

RGB 134 13 175

HSL 284.81, 0.86%, 0.37%

LAB 34.91, 66.18, -56.95

 

CMYK 49 / 93 / 0 / 31

HEX #5A0DAF

RGB 90 13 175

HSL 268.52, 0.86%, 0.37%

LAB 28.27, 60.72, -68.1

 

CMYK 0 / 93 / 51 / 31

HEX #AF0D55

RGB 175 13 85

HSL 333.33, 0.86%, 0.37%

LAB 37.95, 62.18, 4.27

 

CMYK 0 / 93 / 51 / 31

HEX #AF0D55

RGB 175 13 85

HSL 333.33, 0.86%, 0.37%

LAB 37.95, 62.18, 4.27

 

CMYK 0 / 83 / 46 / 37

HEX #A01C56

RGB 160 28 86

HSL 333.64, 0.7%, 0.37%

LAB 35.94, 55.57, 0.34

 

CMYK 0 / 70 / 39 / 44

HEX #902B58

RGB 144 43 88

HSL 333.27, 0.54%, 0.37%

LAB 34.72, 46.21, -3.08

 

CMYK 0 / 54 / 30 / 49

HEX #813B5A

RGB 129 59 90

HSL 333.43, 0.37%, 0.37%

LAB 35.07, 33.89, -4.14

 

CMYK 0 / 35 / 19 / 55

HEX #724A5C

RGB 114 74 92

HSL 333, 0.21%, 0.37%

LAB 36.46, 19.9, -3.58

 

CMYK 0 / 93 / 2 / 31

HEX #AF0DAC

RGB 175 13 172

HSL 301.11, 0.86%, 0.37%

LAB 41.81, 72.31, -43.66

 

CMYK 0 / 93 / 26 / 31

HEX #AF0D81

RGB 175 13 129

HSL 317.04, 0.86%, 0.37%

LAB 39.56, 66.52, -21.11

 

CMYK 0 / 93 / 51 / 31

HEX #AF0D56

RGB 175 13 86

HSL 332.96, 0.86%, 0.37%

LAB 37.97, 62.26, 3.67

 

CMYK 0 / 93 / 76 / 31

HEX #AF0D2A

RGB 175 13 42

HSL 349.26, 0.86%, 0.37%

LAB 37.06, 59.71, 30.57

 

CMYK 0 / 85 / 93 / 31

HEX #AF1A0D

RGB 175 26 13

HSL 4.81, 0.86%, 0.37%

LAB 37.63, 56.61, 46.37

 

CMYK 0 / 93 / 52 / 62

HEX #62072F

RGB 98 7 47

HSL 333.63, 0.87%, 0.21%

LAB 19.86, 40.3, 1.67

 

CMYK 0 / 93 / 52 / 46

HEX #890A42

RGB 137 10 66

HSL 333.54, 0.86%, 0.29%

LAB 29.23, 51.68, 3.18

 

CMYK 0 / 93 / 51 / 31

HEX #AF0D55

RGB 175 13 85

HSL 333.33, 0.86%, 0.37%

LAB 37.95, 62.18, 4.27

 

CMYK 0 / 92 / 52 / 16

HEX #D51067

RGB 213 16 103

HSL 333.5, 0.86%, 0.45%

LAB 46.31, 72.15, 5.91

 

CMYK 0 / 87 / 48 / 7

HEX #EE207B

RGB 238 32 123

HSL 333.5, 0.86%, 0.53%

LAB 52.55, 77.17, 3.29

 

CMYK 0 / 93 / 52 / 30

HEX #B20D56

RGB 178 13 86

HSL 333.45, 0.86%, 0.37%

LAB 38.59, 62.98, 4.64

 

CMYK 0 / 23 / 93 / 31

HEX #AF860D

RGB 175 134 13

HSL 44.81, 0.86%, 0.37%

LAB 58.22, 5.81, 61.19

 

CMYK 93 / 14 / 0 / 31

HEX #0D97AF

RGB 13 151 175

HSL 188.89, 0.86%, 0.37%

LAB 57.38, -24.09, -21.84

 

CMYK 0 / 93 / 52 / 30

HEX #B20D56

RGB 178 13 86

HSL 333.45, 0.86%, 0.37%

LAB 38.59, 62.98, 4.64

 

CMYK 51 / 0 / 93 / 31

HEX #56AF0D

RGB 86 175 13

HSL 92.96, 0.86%, 0.37%

LAB 63.89, -50.78, 63.05

 

CMYK 93 / 51 / 0 / 31

HEX #0D56AF

RGB 13 86 175

HSL 212.96, 0.86%, 0.37%

LAB 37.55, 14.55, -53.11

 

CMYK 0 / 93 / 52 / 30

HEX #B20D56

RGB 178 13 86

HSL 333.45, 0.86%, 0.37%

LAB 38.59, 62.98, 4.64

 

CMYK 0 / 23 / 93 / 31

HEX #AF860D

RGB 175 134 13

HSL 44.81, 0.86%, 0.37%

LAB 58.22, 5.81, 61.19

 

CMYK 93 / 0 / 42 / 31

HEX #0DAF66

RGB 13 175 102

HSL 152.96, 0.86%, 0.37%

LAB 63.1, -54.37, 27.13

 

CMYK 93 / 70 / 0 / 31

HEX #0D35AF

RGB 13 53 175

HSL 225.19, 0.86%, 0.37%

LAB 28.71, 36.65, -67.54

 

CMYK 0 / 93 / 52 / 30

HEX #B20D56

RGB 178 13 86

HSL 333.45, 0.86%, 0.37%

LAB 38.59, 62.98, 4.64

 

CMYK 5 / 0 / 93 / 31

HEX #A7AF0D

RGB 167 175 13

HSL 62.96, 0.86%, 0.37%

LAB 68.68, -19.59, 68.9

 

CMYK 93 / 0 / 42 / 31

HEX #0DAF66

RGB 13 175 102

HSL 152.96, 0.86%, 0.37%

LAB 63.1, -54.37, 27.13

 

CMYK 88 / 93 / 0 / 31

HEX #150DAF

RGB 21 13 175

HSL 242.96, 0.86%, 0.37%

LAB 22.1, 56.64, -78.51

 

Description

Color code: HEX #B20D56 | qconv.com Color code: HEX #B20D56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 13 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 13 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 52 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 52% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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