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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1F08B it is the complementary color #4E0F74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1F08B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1F08B shade: #B6F086, #C7FF99, #D8FFAC, #E9FFBF and #FAFFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1F08B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1F08B shade: #B1F08B, #A0DE78, #8FCC65, #7EBA52 and #6DA83F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1F08B shade: #B0EF89, #CBEF89, #E7EF89, #EFDC89 and #EFC189

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1F08B shade: #B0EF89, #94EF89, #89EF9A, #89EFB5 and #89EFD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1F08B shade matches the following richer shades: #B0EF89 and #ADFA7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1F08B shade: #B0EF89, #B2E594, #B5DA9F, #B8CFA9 and #BAC4B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1F08B shade: #E7EF89, #CCEF89, #B0EF89, #95EF89 and #89EF98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1F08B shade: #7EE640, #97EB65, #B0EF89, #C8F4AE and #E1F9D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1F08B shade: #B1F08B, #89EFDD and #EF89D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1F08B shade: #B1F08B, #89B0EF and #EF89B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1F08B shade: #B1F08B, #89EFDD, #C889EF and #EF899C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1F08B shade: #B1F08B, #89E3EF, #C889EF and #EF9589

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 42 / 6

HEX #B1F08B

RGB 177 240 139

HSL 97.43, 0.77%, 0.74%

LAB 88.7, -37.3, 42.51

 

Complementary color

CMYK 33 / 87 / 0 / 55

HEX #4E0F74

RGB 78 15 116

HSL 277.43, 0.77%, 0.26%

LAB 20.91, 44.99, -43.64

 

CMYK 24 / 0 / 44 / 6

HEX #B6F086

RGB 182 240 134

HSL 92.83, 0.78%, 0.73%

LAB 88.92, -36.19, 45.27

 

CMYK 22 / 0 / 40 / 0

HEX #C7FF99

RGB 199 255 153

HSL 92.94, 1%, 0.8%

LAB 94.3, -34.76, 43.09

 

CMYK 15 / 0 / 33 / 0

HEX #D8FFAC

RGB 216 255 172

HSL 88.19, 1%, 0.84%

LAB 95.62, -26.34, 35.66

 

CMYK 9 / 0 / 25 / 0

HEX #E9FFBF

RGB 233 255 191

HSL 80.63, 1%, 0.87%

LAB 97.07, -17.71, 28.27

 

CMYK 2 / 0 / 18 / 0

HEX #FAFFD2

RGB 250 255 210

HSL 66.67, 1%, 0.91%

LAB 98.63, -8.96, 20.99

 

CMYK 26 / 0 / 42 / 6

HEX #B1F08B

RGB 177 240 139

HSL 97.43, 0.77%, 0.74%

LAB 88.7, -37.3, 42.51

 

CMYK 28 / 0 / 46 / 13

HEX #A0DE78

RGB 160 222 120

HSL 96.47, 0.61%, 0.67%

LAB 82.42, -37.4, 43.67

 

CMYK 30 / 0 / 50 / 20

HEX #8FCC65

RGB 143 204 101

HSL 95.53, 0.5%, 0.6%

LAB 76.05, -37.46, 44.83

 

CMYK 32 / 0 / 56 / 27

HEX #7EBA52

RGB 126 186 82

HSL 94.62, 0.43%, 0.53%

LAB 69.59, -37.46, 45.96

 

CMYK 35 / 0 / 63 / 34

HEX #6DA83F

RGB 109 168 63

HSL 93.71, 0.45%, 0.45%

LAB 63.02, -37.36, 46.96

 

CMYK 26 / 0 / 43 / 6

HEX #B0EF89

RGB 176 239 137

HSL 97.06, 0.76%, 0.74%

LAB 88.34, -37.45, 43.01

 

CMYK 15 / 0 / 43 / 6

HEX #CBEF89

RGB 203 239 137

HSL 81.18, 0.76%, 0.74%

LAB 89.97, -27.82, 45.42

 

CMYK 3 / 0 / 43 / 6

HEX #E7EF89

RGB 231 239 137

HSL 64.71, 0.76%, 0.74%

LAB 91.92, -17.25, 48.28

 

CMYK 0 / 8 / 43 / 6

HEX #EFDC89

RGB 239 220 137

HSL 48.82, 0.76%, 0.74%

LAB 87.65, -4.67, 43.06

 

CMYK 0 / 19 / 43 / 6

HEX #EFC189

RGB 239 193 137

HSL 32.94, 0.76%, 0.74%

LAB 80.9, 9.27, 34.38

 

CMYK 26 / 0 / 43 / 6

HEX #B0EF89

RGB 176 239 137

HSL 97.06, 0.76%, 0.74%

LAB 88.34, -37.45, 43.01

 

CMYK 38 / 0 / 43 / 6

HEX #94EF89

RGB 148 239 137

HSL 113.53, 0.76%, 0.74%

LAB 86.92, -46.55, 40.91

 

CMYK 43 / 0 / 36 / 6

HEX #89EF9A

RGB 137 239 154

HSL 130, 0.76%, 0.74%

LAB 86.69, -47.21, 32.07

 

CMYK 43 / 0 / 24 / 6

HEX #89EFB5

RGB 137 239 181

HSL 145.88, 0.76%, 0.74%

LAB 87.19, -42.43, 18.92

 

CMYK 43 / 0 / 13 / 6

HEX #89EFD1

RGB 137 239 209

HSL 162.35, 0.76%, 0.74%

LAB 87.8, -36.68, 5.23

 

CMYK 26 / 0 / 43 / 6

HEX #B0EF89

RGB 176 239 137

HSL 97.06, 0.76%, 0.74%

LAB 88.34, -37.45, 43.01

 

CMYK 31 / 0 / 50 / 2

HEX #ADFA7E

RGB 173 250 126

HSL 97.26, 0.93%, 0.74%

LAB 91.13, -44.63, 51.68

 

CMYK 26 / 0 / 43 / 6

HEX #B0EF89

RGB 176 239 137

HSL 97.06, 0.76%, 0.74%

LAB 88.34, -37.45, 43.01

 

CMYK 22 / 0 / 35 / 10

HEX #B2E594

RGB 178 229 148

HSL 97.78, 0.61%, 0.74%

LAB 85.83, -30.69, 34.33

 

CMYK 17 / 0 / 27 / 15

HEX #B5DA9F

RGB 181 218 159

HSL 97.63, 0.44%, 0.74%

LAB 83.16, -22.76, 25.15

 

CMYK 11 / 0 / 18 / 19

HEX #B8CFA9

RGB 184 207 169

HSL 96.32, 0.28%, 0.74%

LAB 80.56, -14.63, 16.33

 

CMYK 5 / 0 / 8 / 23

HEX #BAC4B4

RGB 186 196 180

HSL 97.5, 0.12%, 0.74%

LAB 78, -6.38, 6.84

 

CMYK 3 / 0 / 43 / 6

HEX #E7EF89

RGB 231 239 137

HSL 64.71, 0.76%, 0.74%

LAB 91.92, -17.25, 48.28

 

CMYK 15 / 0 / 43 / 6

HEX #CCEF89

RGB 204 239 137

HSL 80.59, 0.76%, 0.74%

LAB 90.03, -27.45, 45.51

 

CMYK 26 / 0 / 43 / 6

HEX #B0EF89

RGB 176 239 137

HSL 97.06, 0.76%, 0.74%

LAB 88.34, -37.45, 43.01

 

CMYK 38 / 0 / 43 / 6

HEX #95EF89

RGB 149 239 137

HSL 112.94, 0.76%, 0.74%

LAB 86.96, -46.25, 40.98

 

CMYK 43 / 0 / 36 / 6

HEX #89EF98

RGB 137 239 152

HSL 128.82, 0.76%, 0.74%

LAB 86.66, -47.54, 33.03

 

CMYK 45 / 0 / 72 / 10

HEX #7EE640

RGB 126 230 64

HSL 97.59, 0.77%, 0.58%

LAB 82.59, -57.19, 67.37

 

CMYK 36 / 0 / 57 / 8

HEX #97EB65

RGB 151 235 101

HSL 97.61, 0.77%, 0.66%

LAB 85.47, -48.2, 56.07

 

CMYK 26 / 0 / 43 / 6

HEX #B0EF89

RGB 176 239 137

HSL 97.06, 0.76%, 0.74%

LAB 88.34, -37.45, 43.01

 

CMYK 18 / 0 / 29 / 4

HEX #C8F4AE

RGB 200 244 174

HSL 97.71, 0.76%, 0.82%

LAB 91.7, -26.42, 29.23

 

CMYK 10 / 0 / 16 / 2

HEX #E1F9D2

RGB 225 249 210

HSL 96.92, 0.76%, 0.9%

LAB 95.33, -14.67, 16.11

 

CMYK 26 / 0 / 42 / 6

HEX #B1F08B

RGB 177 240 139

HSL 97.43, 0.77%, 0.74%

LAB 88.7, -37.3, 42.51

 

CMYK 43 / 0 / 8 / 6

HEX #89EFDD

RGB 137 239 221

HSL 169.41, 0.76%, 0.74%

LAB 88.1, -33.99, -0.61

 

CMYK 0 / 43 / 9 / 6

HEX #EF89D9

RGB 239 137 217

HSL 312.94, 0.76%, 0.74%

LAB 70.35, 49.6, -24.22

 

CMYK 26 / 0 / 42 / 6

HEX #B1F08B

RGB 177 240 139

HSL 97.43, 0.77%, 0.74%

LAB 88.7, -37.3, 42.51

 

CMYK 43 / 26 / 0 / 6

HEX #89B0EF

RGB 137 176 239

HSL 217.06, 0.76%, 0.74%

LAB 71.28, 2.86, -35.6

 

CMYK 0 / 43 / 26 / 6

HEX #EF89B0

RGB 239 137 176

HSL 337.06, 0.76%, 0.74%

LAB 69.02, 43.45, -3.39

 

CMYK 26 / 0 / 42 / 6

HEX #B1F08B

RGB 177 240 139

HSL 97.43, 0.77%, 0.74%

LAB 88.7, -37.3, 42.51

 

CMYK 43 / 0 / 8 / 6

HEX #89EFDD

RGB 137 239 221

HSL 169.41, 0.76%, 0.74%

LAB 88.1, -33.99, -0.61

 

CMYK 16 / 43 / 0 / 6

HEX #C889EF

RGB 200 137 239

HSL 277.06, 0.76%, 0.74%

LAB 66.83, 42.11, -42.17

 

CMYK 0 / 43 / 35 / 6

HEX #EF899C

RGB 239 137 156

HSL 348.82, 0.76%, 0.74%

LAB 68.49, 40.9, 7.06

 

CMYK 26 / 0 / 42 / 6

HEX #B1F08B

RGB 177 240 139

HSL 97.43, 0.77%, 0.74%

LAB 88.7, -37.3, 42.51

 

CMYK 43 / 5 / 0 / 6

HEX #89E3EF

RGB 137 227 239

HSL 187.06, 0.76%, 0.74%

LAB 85.24, -23.91, -14.3

 

CMYK 16 / 43 / 0 / 6

HEX #C889EF

RGB 200 137 239

HSL 277.06, 0.76%, 0.74%

LAB 66.83, 42.11, -42.17

 

CMYK 0 / 38 / 43 / 6

HEX #EF9589

RGB 239 149 137

HSL 7.06, 0.76%, 0.74%

LAB 70.63, 32.52, 20.64

 

Description

Color code: HEX #B1F08B | qconv.com Color code: HEX #B1F08B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 240 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 240 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 42 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 42% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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