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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1F900 it is the complementary color #4E06FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1F900. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1F900 shade: #B6F900, #C7FF0E, #D8FF21, #E9FF34 and #FAFF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1F900. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1F900 shade: #B1F900, #A0E700, #8FD500, #7EC300 and #6DB100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1F900 shade: #B1F900, #F5F900, #F9BB00, #F97700 and #F93400

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1F900 shade: #B1F900, #6EF900, #2AF900, #00F918 and #00F95B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1F900 shade matches the following richer shades: #B1F900

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1F900 shade: #B1F900, #A9E514, #A0D128, #98BD3C and #8FA950

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1F900 shade: #F9BB00, #F5F900, #B3F900, #70F900 and #2DF900

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1F900 shade: #76A700, #94D000, #B1F900, #BFFF24 and #CBFF4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1F900 shade: #B1F900, #00F978 and #DC00F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1F900 shade: #B1F900, #00B3F9 and #F900B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1F900 shade: #B1F900, #00F978, #4600F9 and #F90081

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1F900 shade: #B1F900, #00F9C3, #4600F9 and #F90036

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 100 / 2

HEX #B1F900

RGB 177 249 0

HSL 77.35, 1%, 0.49%

LAB 90.37, -49.52, 87.13

 

Complementary color

CMYK 69 / 98 / 0 / 0

HEX #4E06FF

RGB 78 6 255

HSL 257.35, 1%, 0.51%

LAB 35.93, 79.68, -101.73

 

CMYK 27 / 0 / 100 / 2

HEX #B6F900

RGB 182 249 0

HSL 76.14, 1%, 0.49%

LAB 90.64, -47.68, 87.46

 

CMYK 22 / 0 / 95 / 0

HEX #C7FF0E

RGB 199 255 14

HSL 73.94, 1%, 0.53%

LAB 93.32, -43.73, 88.9

 

CMYK 15 / 0 / 87 / 0

HEX #D8FF21

RGB 216 255 33

HSL 70.54, 1%, 0.56%

LAB 94.41, -36.86, 87.78

 

CMYK 9 / 0 / 80 / 0

HEX #E9FF34

RGB 233 255 52

HSL 66.5, 1%, 0.6%

LAB 95.62, -29.62, 85.27

 

CMYK 2 / 0 / 72 / 0

HEX #FAFF47

RGB 250 255 71

HSL 61.63, 1%, 0.64%

LAB 96.94, -22.08, 81.51

 

CMYK 29 / 0 / 100 / 2

HEX #B1F900

RGB 177 249 0

HSL 77.35, 1%, 0.49%

LAB 90.37, -49.52, 87.13

 

CMYK 31 / 0 / 100 / 9

HEX #A0E700

RGB 160 231 0

HSL 78.44, 1%, 0.45%

LAB 84.29, -48.23, 82.07

 

CMYK 33 / 0 / 100 / 16

HEX #8FD500

RGB 143 213 0

HSL 79.72, 1%, 0.42%

LAB 78.13, -46.92, 76.94

 

CMYK 35 / 0 / 100 / 24

HEX #7EC300

RGB 126 195 0

HSL 81.23, 1%, 0.38%

LAB 71.87, -45.59, 71.73

 

CMYK 38 / 0 / 100 / 31

HEX #6DB100

RGB 109 177 0

HSL 83.05, 1%, 0.35%

LAB 65.51, -44.21, 66.44

 

CMYK 29 / 0 / 100 / 2

HEX #B1F900

RGB 177 249 0

HSL 77.35, 1%, 0.49%

LAB 90.37, -49.52, 87.13

 

CMYK 2 / 0 / 100 / 2

HEX #F5F900

RGB 245 249 0

HSL 60.96, 1%, 0.49%

LAB 94.81, -22.82, 92.43

 

CMYK 0 / 25 / 100 / 2

HEX #F9BB00

RGB 249 187 0

HSL 45.06, 1%, 0.49%

LAB 79.43, 9.9, 81.65

 

CMYK 0 / 52 / 100 / 2

HEX #F97700

RGB 249 119 0

HSL 28.67, 1%, 0.49%

LAB 64.43, 44.92, 72.04

 

CMYK 0 / 79 / 100 / 2

HEX #F93400

RGB 249 52 0

HSL 12.53, 1%, 0.49%

LAB 54.65, 71.07, 67.03

 

CMYK 29 / 0 / 100 / 2

HEX #B1F900

RGB 177 249 0

HSL 77.35, 1%, 0.49%

LAB 90.37, -49.52, 87.13

 

CMYK 56 / 0 / 100 / 2

HEX #6EF900

RGB 110 249 0

HSL 93.49, 1%, 0.49%

LAB 87.52, -70.55, 83.69

 

CMYK 83 / 0 / 100 / 2

HEX #2AF900

RGB 42 249 0

HSL 109.88, 1%, 0.49%

LAB 86.13, -82.4, 81.99

 

CMYK 100 / 0 / 90 / 2

HEX #00F918

RGB 0 249 24

HSL 125.78, 1%, 0.49%

LAB 85.92, -84.21, 79.4

 

CMYK 100 / 0 / 63 / 2

HEX #00F95B

RGB 0 249 91

HSL 141.93, 1%, 0.49%

LAB 86.26, -79.8, 60.32

 

CMYK 29 / 0 / 100 / 2

HEX #B1F900

RGB 177 249 0

HSL 77.35, 1%, 0.49%

LAB 90.37, -49.52, 87.13

 

CMYK 29 / 0 / 100 / 2

HEX #B1F900

RGB 177 249 0

HSL 77.35, 1%, 0.49%

LAB 90.37, -49.52, 87.13

 

CMYK 26 / 0 / 91 / 10

HEX #A9E514

RGB 169 229 20

HSL 77.22, 0.84%, 0.49%

LAB 84.24, -43.79, 80.33

 

CMYK 23 / 0 / 81 / 18

HEX #A0D128

RGB 160 209 40

HSL 77.4, 0.68%, 0.49%

LAB 78.01, -37.9, 70.97

 

CMYK 20 / 0 / 68 / 26

HEX #98BD3C

RGB 152 189 60

HSL 77.21, 0.52%, 0.49%

LAB 71.82, -30.85, 58.37

 

CMYK 15 / 0 / 53 / 34

HEX #8FA950

RGB 143 169 80

HSL 77.53, 0.36%, 0.49%

LAB 65.59, -23.14, 42.48

 

CMYK 0 / 25 / 100 / 2

HEX #F9BB00

RGB 249 187 0

HSL 45.06, 1%, 0.49%

LAB 79.43, 9.9, 81.65

 

CMYK 2 / 0 / 100 / 2

HEX #F5F900

RGB 245 249 0

HSL 60.96, 1%, 0.49%

LAB 94.81, -22.82, 92.43

 

CMYK 28 / 0 / 100 / 2

HEX #B3F900

RGB 179 249 0

HSL 76.87, 1%, 0.49%

LAB 90.48, -48.79, 87.26

 

CMYK 55 / 0 / 100 / 2

HEX #70F900

RGB 112 249 0

HSL 93.01, 1%, 0.49%

LAB 87.58, -70.04, 83.76

 

CMYK 82 / 0 / 100 / 2

HEX #2DF900

RGB 45 249 0

HSL 109.16, 1%, 0.49%

LAB 86.16, -82.11, 82.03

 

CMYK 29 / 0 / 100 / 35

HEX #76A700

RGB 118 167 0

HSL 77.6, 1%, 0.33%

LAB 62.92, -36.51, 64.66

 

CMYK 29 / 0 / 100 / 18

HEX #94D000

RGB 148 208 0

HSL 77.31, 1%, 0.41%

LAB 76.93, -42.95, 76.14

 

CMYK 29 / 0 / 100 / 2

HEX #B1F900

RGB 177 249 0

HSL 77.35, 1%, 0.49%

LAB 90.37, -49.52, 87.13

 

CMYK 25 / 0 / 86 / 0

HEX #BFFF24

RGB 191 255 36

HSL 77.53, 1%, 0.57%

LAB 92.89, -46.33, 85.37

 

CMYK 20 / 0 / 70 / 0

HEX #CBFF4D

RGB 203 255 77

HSL 77.53, 1%, 0.65%

LAB 93.78, -40.18, 75.34

 

CMYK 29 / 0 / 100 / 2

HEX #B1F900

RGB 177 249 0

HSL 77.35, 1%, 0.49%

LAB 90.37, -49.52, 87.13

 

CMYK 100 / 0 / 52 / 2

HEX #00F978

RGB 0 249 120

HSL 148.92, 1%, 0.49%

LAB 86.56, -76.1, 47.93

 

CMYK 12 / 100 / 0 / 2

HEX #DC00F9

RGB 220 0 249

HSL 293.01, 1%, 0.49%

LAB 54.09, 92.21, -67.84

 

CMYK 29 / 0 / 100 / 2

HEX #B1F900

RGB 177 249 0

HSL 77.35, 1%, 0.49%

LAB 90.37, -49.52, 87.13

 

CMYK 100 / 28 / 0 / 2

HEX #00B3F9

RGB 0 179 249

HSL 196.87, 1%, 0.49%

LAB 68.81, -13.36, -45.17

 

CMYK 0 / 100 / 28 / 2

HEX #F900B3

RGB 249 0 179

HSL 316.87, 1%, 0.49%

LAB 55.48, 87.87, -25.38

 

CMYK 29 / 0 / 100 / 2

HEX #B1F900

RGB 177 249 0

HSL 77.35, 1%, 0.49%

LAB 90.37, -49.52, 87.13

 

CMYK 100 / 0 / 52 / 2

HEX #00F978

RGB 0 249 120

HSL 148.92, 1%, 0.49%

LAB 86.56, -76.1, 47.93

 

CMYK 72 / 100 / 0 / 2

HEX #4600F9

RGB 70 0 249

HSL 256.87, 1%, 0.49%

LAB 34.28, 78.82, -101.12

 

CMYK 0 / 100 / 48 / 2

HEX #F90081

RGB 249 0 129

HSL 328.92, 1%, 0.49%

LAB 53.73, 83.35, 1.65

 

CMYK 29 / 0 / 100 / 2

HEX #B1F900

RGB 177 249 0

HSL 77.35, 1%, 0.49%

LAB 90.37, -49.52, 87.13

 

CMYK 100 / 0 / 22 / 2

HEX #00F9C3

RGB 0 249 195

HSL 166.99, 1%, 0.49%

LAB 87.82, -61.51, 12.2

 

CMYK 72 / 100 / 0 / 2

HEX #4600F9

RGB 70 0 249

HSL 256.87, 1%, 0.49%

LAB 34.28, 78.82, -101.12

 

CMYK 0 / 100 / 78 / 2

HEX #F90036

RGB 249 0 54

HSL 346.99, 1%, 0.49%

LAB 52.29, 79.49, 44.56

 

Description

Color code: HEX #B1F900 | qconv.com Color code: HEX #B1F900 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 249 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 249 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 100 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 100% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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