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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1E871 it is the complementary color #4E178E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1E871. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1E871 shade: #B6E86C, #C7FA7F, #D8FF92, #E9FFA5 and #FAFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1E871. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1E871 shade: #B1E871, #A0D65E, #8FC44B, #7EB238 and #6DA025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1E871 shade: #B1E872, #D1E872, #E8DF72, #E8BF72 and #E89F72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1E871 shade: #B1E872, #92E872, #72E872, #72E892 and #72E8B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1E871 shade matches the following richer shades: #B1E872 and #B2F565

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1E871 shade: #B1E872, #B0DA7F, #AFCD8D, #AEC09A and #ADB3A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1E871 shade: #E8DE72, #D2E872, #B3E872, #93E872 and #74E872

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1E871 shade: #8ADC2B, #9EE24F, #B1E872, #C5ED96 and #D8F3B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1E871 shade: #B1E871, #72E8BF and #E872E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1E871 shade: #B1E871, #72B3E8 and #E872B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1E871 shade: #B1E871, #72E8BF, #A772E8 and #E8729B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1E871 shade: #B1E871, #72E8E2, #A772E8 and #E87278

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 51 / 9

HEX #B1E871

RGB 177 232 113

HSL 87.73, 0.72%, 0.68%

LAB 86.13, -36.68, 51.75

 

Complementary color

CMYK 45 / 84 / 0 / 44

HEX #4E178E

RGB 78 23 142

HSL 267.73, 0.72%, 0.32%

LAB 24.28, 48.5, -54.58

 

CMYK 22 / 0 / 53 / 9

HEX #B6E86C

RGB 182 232 108

HSL 84.19, 0.73%, 0.67%

LAB 86.38, -35.36, 54.41

 

CMYK 20 / 0 / 49 / 2

HEX #C7FA7F

RGB 199 250 127

HSL 84.88, 0.92%, 0.74%

LAB 92.59, -35.46, 53.34

 

CMYK 15 / 0 / 43 / 0

HEX #D8FF92

RGB 216 255 146

HSL 81.47, 1%, 0.79%

LAB 95.24, -29.54, 47.88

 

CMYK 9 / 0 / 35 / 0

HEX #E9FFA5

RGB 233 255 165

HSL 74.67, 1%, 0.82%

LAB 96.64, -21.12, 40.68

 

CMYK 2 / 0 / 28 / 0

HEX #FAFFB8

RGB 250 255 184

HSL 64.23, 1%, 0.86%

LAB 98.16, -12.54, 33.47

 

CMYK 24 / 0 / 51 / 9

HEX #B1E871

RGB 177 232 113

HSL 87.73, 0.72%, 0.68%

LAB 86.13, -36.68, 51.75

 

CMYK 25 / 0 / 56 / 16

HEX #A0D65E

RGB 160 214 94

HSL 87, 0.59%, 0.6%

LAB 79.83, -36.6, 52.81

 

CMYK 27 / 0 / 62 / 23

HEX #8FC44B

RGB 143 196 75

HSL 86.28, 0.51%, 0.53%

LAB 73.43, -36.43, 53.74

 

CMYK 29 / 0 / 69 / 30

HEX #7EB238

RGB 126 178 56

HSL 85.57, 0.52%, 0.46%

LAB 66.95, -36.16, 54.41

 

CMYK 32 / 0 / 77 / 37

HEX #6DA025

RGB 109 160 37

HSL 84.88, 0.62%, 0.39%

LAB 60.36, -35.71, 54.53

 

CMYK 24 / 0 / 51 / 9

HEX #B1E872

RGB 177 232 114

HSL 87.97, 0.72%, 0.68%

LAB 86.14, -36.58, 51.3

 

CMYK 10 / 0 / 51 / 9

HEX #D1E872

RGB 209 232 114

HSL 71.69, 0.72%, 0.68%

LAB 88.2, -24.58, 54.25

 

CMYK 0 / 4 / 51 / 9

HEX #E8DF72

RGB 232 223 114

HSL 55.42, 0.72%, 0.68%

LAB 87.56, -11.1, 53.91

 

CMYK 0 / 18 / 51 / 9

HEX #E8BF72

RGB 232 191 114

HSL 39.15, 0.72%, 0.68%

LAB 79.4, 5.3, 44.08

 

CMYK 0 / 31 / 51 / 9

HEX #E89F72

RGB 232 159 114

HSL 22.88, 0.72%, 0.68%

LAB 71.67, 22.26, 34.36

 

CMYK 24 / 0 / 51 / 9

HEX #B1E872

RGB 177 232 114

HSL 87.97, 0.72%, 0.68%

LAB 86.14, -36.58, 51.3

 

CMYK 37 / 0 / 51 / 9

HEX #92E872

RGB 146 232 114

HSL 103.73, 0.72%, 0.68%

LAB 84.5, -47.16, 48.94

 

CMYK 51 / 0 / 51 / 9

HEX #72E872

RGB 114 232 114

HSL 120, 0.72%, 0.68%

LAB 83.18, -56.49, 47.02

 

CMYK 51 / 0 / 37 / 9

HEX #72E892

RGB 114 232 146

HSL 136.27, 0.72%, 0.68%

LAB 83.63, -51.72, 31.89

 

CMYK 51 / 0 / 23 / 9

HEX #72E8B2

RGB 114 232 178

HSL 152.54, 0.72%, 0.68%

LAB 84.23, -45.72, 16.22

 

CMYK 24 / 0 / 51 / 9

HEX #B1E872

RGB 177 232 114

HSL 87.97, 0.72%, 0.68%

LAB 86.14, -36.58, 51.3

 

CMYK 27 / 0 / 59 / 4

HEX #B2F565

RGB 178 245 101

HSL 87.92, 0.88%, 0.68%

LAB 89.72, -43.23, 61.28

 

CMYK 24 / 0 / 51 / 9

HEX #B1E872

RGB 177 232 114

HSL 87.97, 0.72%, 0.68%

LAB 86.14, -36.58, 51.3

 

CMYK 19 / 0 / 42 / 15

HEX #B0DA7F

RGB 176 218 127

HSL 87.69, 0.55%, 0.68%

LAB 82.33, -28.98, 40.31

 

CMYK 15 / 0 / 31 / 20

HEX #AFCD8D

RGB 175 205 141

HSL 88.13, 0.39%, 0.68%

LAB 78.87, -21.19, 28.65

 

CMYK 9 / 0 / 20 / 25

HEX #AEC09A

RGB 174 192 154

HSL 88.42, 0.23%, 0.68%

LAB 75.47, -13.02, 17.13

 

CMYK 3 / 0 / 7 / 30

HEX #ADB3A7

RGB 173 179 167

HSL 90, 0.07%, 0.68%

LAB 72.17, -4.33, 5.39

 

CMYK 0 / 4 / 51 / 9

HEX #E8DE72

RGB 232 222 114

HSL 54.92, 0.72%, 0.68%

LAB 87.3, -10.6, 53.61

 

CMYK 9 / 0 / 51 / 9

HEX #D2E872

RGB 210 232 114

HSL 71.19, 0.72%, 0.68%

LAB 88.27, -24.2, 54.35

 

CMYK 23 / 0 / 51 / 9

HEX #B3E872

RGB 179 232 114

HSL 86.95, 0.72%, 0.68%

LAB 86.26, -35.86, 51.47

 

CMYK 37 / 0 / 51 / 9

HEX #93E872

RGB 147 232 114

HSL 103.22, 0.72%, 0.68%

LAB 84.55, -46.84, 49.01

 

CMYK 50 / 0 / 51 / 9

HEX #74E872

RGB 116 232 114

HSL 118.98, 0.72%, 0.68%

LAB 83.25, -55.96, 47.13

 

CMYK 37 / 0 / 80 / 14

HEX #8ADC2B

RGB 138 220 43

HSL 87.8, 0.72%, 0.52%

LAB 80.05, -50.53, 71.56

 

CMYK 30 / 0 / 65 / 11

HEX #9EE24F

RGB 158 226 79

HSL 87.76, 0.72%, 0.6%

LAB 83.03, -43.9, 62.72

 

CMYK 24 / 0 / 51 / 9

HEX #B1E872

RGB 177 232 114

HSL 87.97, 0.72%, 0.68%

LAB 86.14, -36.58, 51.3

 

CMYK 17 / 0 / 37 / 7

HEX #C5ED96

RGB 197 237 150

HSL 87.59, 0.71%, 0.76%

LAB 89.22, -27.48, 37.99

 

CMYK 11 / 0 / 24 / 5

HEX #D8F3B9

RGB 216 243 185

HSL 87.93, 0.71%, 0.84%

LAB 92.66, -18.73, 25.11

 

CMYK 24 / 0 / 51 / 9

HEX #B1E871

RGB 177 232 113

HSL 87.73, 0.72%, 0.68%

LAB 86.13, -36.68, 51.75

 

CMYK 51 / 0 / 18 / 9

HEX #72E8BF

RGB 114 232 191

HSL 159.15, 0.72%, 0.68%

LAB 84.51, -42.96, 9.82

 

CMYK 0 / 51 / 3 / 9

HEX #E872E2

RGB 232 114 226

HSL 303.05, 0.72%, 0.68%

LAB 65.5, 60.31, -36.78

 

CMYK 24 / 0 / 51 / 9

HEX #B1E871

RGB 177 232 113

HSL 87.73, 0.72%, 0.68%

LAB 86.13, -36.68, 51.75

 

CMYK 51 / 23 / 0 / 9

HEX #72B3E8

RGB 114 179 232

HSL 206.95, 0.72%, 0.68%

LAB 70.62, -6.26, -32.9

 

CMYK 0 / 51 / 23 / 9

HEX #E872B3

RGB 232 114 179

HSL 326.95, 0.72%, 0.68%

LAB 63.71, 53.02, -13.09

 

CMYK 24 / 0 / 51 / 9

HEX #B1E871

RGB 177 232 113

HSL 87.73, 0.72%, 0.68%

LAB 86.13, -36.68, 51.75

 

CMYK 51 / 0 / 18 / 9

HEX #72E8BF

RGB 114 232 191

HSL 159.15, 0.72%, 0.68%

LAB 84.51, -42.96, 9.82

 

CMYK 28 / 51 / 0 / 9

HEX #A772E8

RGB 167 114 232

HSL 266.95, 0.72%, 0.68%

LAB 58.11, 44.06, -52.28

 

CMYK 0 / 51 / 33 / 9

HEX #E8729B

RGB 232 114 155

HSL 339.15, 0.72%, 0.68%

LAB 62.98, 49.9, -0.47

 

CMYK 24 / 0 / 51 / 9

HEX #B1E871

RGB 177 232 113

HSL 87.73, 0.72%, 0.68%

LAB 86.13, -36.68, 51.75

 

CMYK 51 / 0 / 3 / 9

HEX #72E8E2

RGB 114 232 226

HSL 176.95, 0.72%, 0.68%

LAB 85.39, -34.7, -7.32

 

CMYK 28 / 51 / 0 / 9

HEX #A772E8

RGB 167 114 232

HSL 266.95, 0.72%, 0.68%

LAB 58.11, 44.06, -52.28

 

CMYK 0 / 51 / 48 / 9

HEX #E87278

RGB 232 114 120

HSL 356.95, 0.72%, 0.68%

LAB 62.12, 46.16, 18.38

 

Description

Color code: HEX #B1E871 | qconv.com Color code: HEX #B1E871 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 232 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 232 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 51 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 51% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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