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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1E44D it is the complementary color #4E1BB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1E44D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1E44D shade: #B6E448, #C7F65B, #D8FF6E, #E9FF81 and #FAFF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1E44D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1E44D shade: #B1E44D, #A0D23A, #8FC027, #7EAE14 and #6D9C01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1E44D shade: #B1E44D, #DAE44D, #E4C64D, #E49D4D and #E4744D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1E44D shade: #B1E44D, #88E44D, #60E44D, #4DE463 and #4DE48C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1E44D shade matches the following richer shades: #B1E44D and #B6F43D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1E44D shade: #B1E44D, #ACD35E, #A6C36E, #A1B27F and #9CA28F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1E44D shade: #E4C64D, #DAE44D, #B2E44D, #89E44D and #61E44D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1E44D shade: #8AC21D, #A1DF29, #B1E44D, #C1E971 and #D0EF95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1E44D shade: #B1E44D, #4DE49E and #DA4DE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1E44D shade: #B1E44D, #4DB2E4 and #E44DB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1E44D shade: #B1E44D, #4DE49E, #7F4DE4 and #E44D93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1E44D shade: #B1E44D, #4DE4CB, #7F4DE4 and #E44D66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 66 / 11

HEX #B1E44D

RGB 177 228 77

HSL 80.26, 0.74%, 0.6%

LAB 84.67, -37.95, 65.56

 

Complementary color

CMYK 56 / 85 / 0 / 30

HEX #4E1BB2

RGB 78 27 178

HSL 260.26, 0.74%, 0.4%

LAB 28.43, 56.3, -69.67

 

CMYK 20 / 0 / 68 / 11

HEX #B6E448

RGB 182 228 72

HSL 77.69, 0.74%, 0.59%

LAB 84.95, -36.37, 67.83

 

CMYK 19 / 0 / 63 / 4

HEX #C7F65B

RGB 199 246 91

HSL 78.19, 0.9%, 0.66%

LAB 91.15, -36.78, 67.32

 

CMYK 15 / 0 / 57 / 0

HEX #D8FF6E

RGB 216 255 110

HSL 76.14, 1%, 0.72%

LAB 94.84, -33.01, 63.82

 

CMYK 9 / 0 / 49 / 0

HEX #E9FF81

RGB 233 255 129

HSL 70.48, 1%, 0.75%

LAB 96.17, -24.93, 57.24

 

CMYK 2 / 0 / 42 / 0

HEX #FAFF94

RGB 250 255 148

HSL 62.8, 1%, 0.79%

LAB 97.62, -16.64, 50.42

 

CMYK 22 / 0 / 66 / 11

HEX #B1E44D

RGB 177 228 77

HSL 80.26, 0.74%, 0.6%

LAB 84.67, -37.95, 65.56

 

CMYK 24 / 0 / 72 / 18

HEX #A0D23A

RGB 160 210 58

HSL 79.74, 0.63%, 0.53%

LAB 78.39, -37.51, 65.84

 

CMYK 26 / 0 / 80 / 25

HEX #8FC027

RGB 143 192 39

HSL 79.22, 0.66%, 0.45%

LAB 72.02, -36.91, 65.47

 

CMYK 28 / 0 / 89 / 32

HEX #7EAE14

RGB 126 174 20

HSL 78.7, 0.79%, 0.38%

LAB 65.56, -36.11, 64.04

 

CMYK 30 / 0 / 99 / 39

HEX #6D9C01

RGB 109 156 1

HSL 78.19, 0.99%, 0.31%

LAB 59, -35.09, 61.28

 

CMYK 22 / 0 / 66 / 11

HEX #B1E44D

RGB 177 228 77

HSL 80.26, 0.74%, 0.6%

LAB 84.67, -37.95, 65.56

 

CMYK 4 / 0 / 66 / 11

HEX #DAE44D

RGB 218 228 77

HSL 63.97, 0.74%, 0.6%

LAB 87.45, -21.82, 69.3

 

CMYK 0 / 13 / 66 / 11

HEX #E4C64D

RGB 228 198 77

HSL 48.08, 0.74%, 0.6%

LAB 80.41, -2.67, 62.29

 

CMYK 0 / 31 / 66 / 11

HEX #E49D4D

RGB 228 157 77

HSL 31.79, 0.74%, 0.6%

LAB 70.28, 18.94, 51.37

 

CMYK 0 / 49 / 66 / 11

HEX #E4744D

RGB 228 116 77

HSL 15.5, 0.74%, 0.6%

LAB 61.24, 40.45, 41.07

 

CMYK 22 / 0 / 66 / 11

HEX #B1E44D

RGB 177 228 77

HSL 80.26, 0.74%, 0.6%

LAB 84.67, -37.95, 65.56

 

CMYK 40 / 0 / 66 / 11

HEX #88E44D

RGB 136 228 77

HSL 96.56, 0.74%, 0.6%

LAB 82.52, -52.35, 62.63

 

CMYK 58 / 0 / 66 / 11

HEX #60E44D

RGB 96 228 77

HSL 112.45, 0.74%, 0.6%

LAB 81.02, -63.58, 60.59

 

CMYK 66 / 0 / 57 / 11

HEX #4DE463

RGB 77 228 99

HSL 128.74, 0.74%, 0.6%

LAB 80.72, -65.27, 50.75

 

CMYK 66 / 0 / 39 / 11

HEX #4DE48C

RGB 77 228 140

HSL 145.03, 0.74%, 0.6%

LAB 81.27, -59.05, 31.6

 

CMYK 22 / 0 / 66 / 11

HEX #B1E44D

RGB 177 228 77

HSL 80.26, 0.74%, 0.6%

LAB 84.67, -37.95, 65.56

 

CMYK 25 / 0 / 75 / 4

HEX #B6F43D

RGB 182 244 61

HSL 80.33, 0.89%, 0.6%

LAB 89.39, -44.04, 75.89

 

CMYK 22 / 0 / 66 / 11

HEX #B1E44D

RGB 177 228 77

HSL 80.26, 0.74%, 0.6%

LAB 84.67, -37.95, 65.56

 

CMYK 18 / 0 / 55 / 17

HEX #ACD35E

RGB 172 211 94

HSL 80, 0.57%, 0.6%

LAB 79.71, -30.71, 52.86

 

CMYK 15 / 0 / 44 / 24

HEX #A6C36E

RGB 166 195 110

HSL 80.47, 0.41%, 0.6%

LAB 74.99, -23.68, 39.41

 

CMYK 10 / 0 / 29 / 30

HEX #A1B27F

RGB 161 178 127

HSL 80, 0.25%, 0.6%

LAB 70.14, -14.81, 24.17

 

CMYK 4 / 0 / 12 / 36

HEX #9CA28F

RGB 156 162 143

HSL 78.95, 0.09%, 0.6%

LAB 65.66, -5.66, 9.15

 

CMYK 0 / 13 / 66 / 11

HEX #E4C64D

RGB 228 198 77

HSL 48.08, 0.74%, 0.6%

LAB 80.41, -2.67, 62.29

 

CMYK 4 / 0 / 66 / 11

HEX #DAE44D

RGB 218 228 77

HSL 63.97, 0.74%, 0.6%

LAB 87.45, -21.82, 69.3

 

CMYK 22 / 0 / 66 / 11

HEX #B2E44D

RGB 178 228 77

HSL 79.87, 0.74%, 0.6%

LAB 84.73, -37.57, 65.65

 

CMYK 40 / 0 / 66 / 11

HEX #89E44D

RGB 137 228 77

HSL 96.16, 0.74%, 0.6%

LAB 82.56, -52.03, 62.7

 

CMYK 57 / 0 / 66 / 11

HEX #61E44D

RGB 97 228 77

HSL 112.05, 0.74%, 0.6%

LAB 81.05, -63.34, 60.63

 

CMYK 29 / 0 / 85 / 24

HEX #8AC21D

RGB 138 194 29

HSL 80.36, 0.74%, 0.44%

LAB 72.28, -40.1, 68.13

 

CMYK 28 / 0 / 82 / 13

HEX #A1DF29

RGB 161 223 41

HSL 80.44, 0.74%, 0.52%

LAB 82.12, -43.64, 74.38

 

CMYK 22 / 0 / 66 / 11

HEX #B1E44D

RGB 177 228 77

HSL 80.26, 0.74%, 0.6%

LAB 84.67, -37.95, 65.56

 

CMYK 17 / 0 / 52 / 9

HEX #C1E971

RGB 193 233 113

HSL 80, 0.73%, 0.68%

LAB 87.39, -31.25, 53.49

 

CMYK 13 / 0 / 38 / 6

HEX #D0EF95

RGB 208 239 149

HSL 80.67, 0.74%, 0.76%

LAB 90.47, -24.56, 40.23

 

CMYK 22 / 0 / 66 / 11

HEX #B1E44D

RGB 177 228 77

HSL 80.26, 0.74%, 0.6%

LAB 84.67, -37.95, 65.56

 

CMYK 66 / 0 / 31 / 11

HEX #4DE49E

RGB 77 228 158

HSL 152.19, 0.74%, 0.6%

LAB 81.58, -55.62, 22.79

 

CMYK 4 / 66 / 0 / 11

HEX #DA4DE4

RGB 218 77 228

HSL 296.03, 0.74%, 0.6%

LAB 57.86, 72.97, -50.05

 

CMYK 22 / 0 / 66 / 11

HEX #B1E44D

RGB 177 228 77

HSL 80.26, 0.74%, 0.6%

LAB 84.67, -37.95, 65.56

 

CMYK 66 / 22 / 0 / 11

HEX #4DB2E4

RGB 77 178 228

HSL 199.87, 0.74%, 0.6%

LAB 68.77, -14, -33.71

 

CMYK 0 / 66 / 22 / 11

HEX #E44DB2

RGB 228 77 178

HSL 319.87, 0.74%, 0.6%

LAB 57.09, 67.85, -22.62

 

CMYK 22 / 0 / 66 / 11

HEX #B1E44D

RGB 177 228 77

HSL 80.26, 0.74%, 0.6%

LAB 84.67, -37.95, 65.56

 

CMYK 66 / 0 / 31 / 11

HEX #4DE49E

RGB 77 228 158

HSL 152.19, 0.74%, 0.6%

LAB 81.58, -55.62, 22.79

 

CMYK 44 / 66 / 0 / 11

HEX #7F4DE4

RGB 127 77 228

HSL 259.87, 0.74%, 0.6%

LAB 46.21, 53.97, -69.41

 

CMYK 0 / 66 / 36 / 11

HEX #E44D93

RGB 228 77 147

HSL 332.19, 0.74%, 0.6%

LAB 56, 64.1, -6.18

 

CMYK 22 / 0 / 66 / 11

HEX #B1E44D

RGB 177 228 77

HSL 80.26, 0.74%, 0.6%

LAB 84.67, -37.95, 65.56

 

CMYK 66 / 0 / 11 / 11

HEX #4DE4CB

RGB 77 228 203

HSL 170.07, 0.74%, 0.6%

LAB 82.58, -45.34, 0.57

 

CMYK 44 / 66 / 0 / 11

HEX #7F4DE4

RGB 127 77 228

HSL 259.87, 0.74%, 0.6%

LAB 46.21, 53.97, -69.41

 

CMYK 0 / 66 / 55 / 11

HEX #E44D66

RGB 228 77 102

HSL 350.07, 0.74%, 0.6%

LAB 54.83, 59.96, 18.79

 

Description

Color code: HEX #B1E44D | qconv.com Color code: HEX #B1E44D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 228 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 228 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 66 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 66% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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