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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1CD0E it is the complementary color #4E32F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1CD0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1CD0E shade: #B6CD09, #C7DF1C, #D8F12F, #E9FF42 and #FAFF55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1CD0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1CD0E shade: #B1CD0E, #A0BB00, #8FA900, #7E9700 and #6D8500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1CD0E shade: #B1CD0E, #CDB50E, #CD820E, #CD4E0E and #CD1B0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1CD0E shade: #B1CD0E, #7DCD0E, #4ACD0E, #16CD0E and #0ECD39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1CD0E shade matches the following richer shades: #B1CD0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1CD0E shade: #B1CD0E, #A4BB1F, #97A931, #8B9743 and #7E8655

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1CD0E shade: #CD800E, #CDB30E, #B3CD0E, #80CD0E and #4DCD0E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1CD0E shade: #6E7F08, #8FA60B, #B1CD0E, #CEEE15 and #D6F13C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1CD0E shade: #B1CD0E, #0ECD4D and #9A0ECD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1CD0E shade: #B1CD0E, #0EB3CD and #CD0EB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1CD0E shade: #B1CD0E, #0ECD4D, #270ECD and #CD0E8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1CD0E shade: #B1CD0E, #0ECD87, #270ECD and #CD0E54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 93 / 20

HEX #B1CD0E

RGB 177 205 14

HSL 68.8, 0.87%, 0.43%

LAB 77.9, -29.91, 76.27

 

Complementary color

CMYK 68 / 79 / 0 / 5

HEX #4E32F1

RGB 78 50 241

HSL 248.8, 0.87%, 0.57%

LAB 38.29, 64.17, -89.92

 

CMYK 11 / 0 / 96 / 20

HEX #B6CD09

RGB 182 205 9

HSL 67.04, 0.92%, 0.42%

LAB 78.24, -27.91, 77.22

 

CMYK 11 / 0 / 87 / 13

HEX #C7DF1C

RGB 199 223 28

HSL 67.38, 0.78%, 0.49%

LAB 84.48, -29.09, 80.1

 

CMYK 10 / 0 / 80 / 5

HEX #D8F12F

RGB 216 241 47

HSL 67.73, 0.87%, 0.56%

LAB 90.65, -30.09, 81.72

 

CMYK 9 / 0 / 74 / 0

HEX #E9FF42

RGB 233 255 66

HSL 66.98, 1%, 0.63%

LAB 95.68, -29.1, 81.44

 

CMYK 2 / 0 / 67 / 0

HEX #FAFF55

RGB 250 255 85

HSL 61.76, 1%, 0.67%

LAB 97.02, -21.42, 76.8

 

CMYK 14 / 0 / 93 / 20

HEX #B1CD0E

RGB 177 205 14

HSL 68.8, 0.87%, 0.43%

LAB 77.9, -29.91, 76.27

 

CMYK 14 / 0 / 100 / 27

HEX #A0BB00

RGB 160 187 0

HSL 68.66, 1%, 0.37%

LAB 71.56, -28.63, 72.4

 

CMYK 15 / 0 / 100 / 34

HEX #8FA900

RGB 143 169 0

HSL 69.23, 1%, 0.33%

LAB 65.13, -27.17, 67.05

 

CMYK 17 / 0 / 100 / 41

HEX #7E9700

RGB 126 151 0

HSL 69.93, 1%, 0.3%

LAB 58.57, -25.68, 61.58

 

CMYK 18 / 0 / 100 / 48

HEX #6D8500

RGB 109 133 0

HSL 70.83, 1%, 0.26%

LAB 51.87, -24.18, 56

 

CMYK 14 / 0 / 93 / 20

HEX #B1CD0E

RGB 177 205 14

HSL 68.8, 0.87%, 0.43%

LAB 77.9, -29.91, 76.27

 

CMYK 0 / 12 / 93 / 20

HEX #CDB50E

RGB 205 181 14

HSL 52.46, 0.87%, 0.43%

LAB 73.58, -5.96, 73.94

 

CMYK 0 / 37 / 93 / 20

HEX #CD820E

RGB 205 130 14

HSL 36.44, 0.87%, 0.43%

LAB 60.76, 21.4, 64.47

 

CMYK 0 / 62 / 93 / 20

HEX #CD4E0E

RGB 205 78 14

HSL 20.1, 0.87%, 0.43%

LAB 50.05, 47.92, 57

 

CMYK 0 / 87 / 93 / 20

HEX #CD1B0E

RGB 205 27 14

HSL 4.08, 0.87%, 0.43%

LAB 43.94, 64.75, 53.1

 

CMYK 14 / 0 / 93 / 20

HEX #B1CD0E

RGB 177 205 14

HSL 68.8, 0.87%, 0.43%

LAB 77.9, -29.91, 76.27

 

CMYK 39 / 0 / 93 / 20

HEX #7DCD0E

RGB 125 205 14

HSL 85.13, 0.87%, 0.43%

LAB 74.86, -49.82, 72.57

 

CMYK 64 / 0 / 93 / 20

HEX #4ACD0E

RGB 74 205 14

HSL 101.15, 0.87%, 0.43%

LAB 72.99, -64.36, 70.27

 

CMYK 89 / 0 / 93 / 20

HEX #16CD0E

RGB 22 205 14

HSL 117.49, 0.87%, 0.43%

LAB 72.14, -71.79, 69.22

 

CMYK 93 / 0 / 72 / 20

HEX #0ECD39

RGB 14 205 57

HSL 133.51, 0.87%, 0.43%

LAB 72.26, -69.99, 58.54

 

CMYK 14 / 0 / 93 / 20

HEX #B1CD0E

RGB 177 205 14

HSL 68.8, 0.87%, 0.43%

LAB 77.9, -29.91, 76.27

 

CMYK 14 / 0 / 93 / 20

HEX #B1CD0E

RGB 177 205 14

HSL 68.8, 0.87%, 0.43%

LAB 77.9, -29.91, 76.27

 

CMYK 12 / 0 / 83 / 27

HEX #A4BB1F

RGB 164 187 31

HSL 68.85, 0.72%, 0.43%

LAB 71.91, -26.36, 68.01

 

CMYK 11 / 0 / 71 / 34

HEX #97A931

RGB 151 169 49

HSL 69, 0.55%, 0.43%

LAB 65.89, -22.24, 56.57

 

CMYK 8 / 0 / 56 / 41

HEX #8B9743

RGB 139 151 67

HSL 68.57, 0.39%, 0.43%

LAB 59.91, -16.87, 42.11

 

CMYK 6 / 0 / 37 / 47

HEX #7E8655

RGB 126 134 85

HSL 69.8, 0.22%, 0.43%

LAB 54.18, -11.32, 25.43

 

CMYK 0 / 38 / 93 / 20

HEX #CD800E

RGB 205 128 14

HSL 35.81, 0.87%, 0.43%

LAB 60.29, 22.49, 64.13

 

CMYK 0 / 13 / 93 / 20

HEX #CDB30E

RGB 205 179 14

HSL 51.83, 0.87%, 0.43%

LAB 73.06, -4.92, 73.54

 

CMYK 13 / 0 / 93 / 20

HEX #B3CD0E

RGB 179 205 14

HSL 68.17, 0.87%, 0.43%

LAB 78.04, -29.09, 76.44

 

CMYK 38 / 0 / 93 / 20

HEX #80CD0E

RGB 128 205 14

HSL 84.19, 0.87%, 0.43%

LAB 75, -48.78, 72.75

 

CMYK 62 / 0 / 93 / 20

HEX #4DCD0E

RGB 77 205 14

HSL 100.21, 0.87%, 0.43%

LAB 73.07, -63.69, 70.37

 

CMYK 13 / 0 / 94 / 50

HEX #6E7F08

RGB 110 127 8

HSL 68.57, 0.88%, 0.26%

LAB 50.11, -20.5, 53.17

 

CMYK 14 / 0 / 93 / 35

HEX #8FA60B

RGB 143 166 11

HSL 68.9, 0.88%, 0.35%

LAB 64.27, -25.53, 64.95

 

CMYK 14 / 0 / 93 / 20

HEX #B1CD0E

RGB 177 205 14

HSL 68.8, 0.87%, 0.43%

LAB 77.9, -29.91, 76.27

 

CMYK 13 / 0 / 91 / 7

HEX #CEEE15

RGB 206 238 21

HSL 68.85, 0.86%, 0.51%

LAB 89.08, -33.34, 85.02

 

CMYK 11 / 0 / 75 / 5

HEX #D6F13C

RGB 214 241 60

HSL 68.95, 0.87%, 0.59%

LAB 90.57, -30.41, 78.02

 

CMYK 14 / 0 / 93 / 20

HEX #B1CD0E

RGB 177 205 14

HSL 68.8, 0.87%, 0.43%

LAB 77.9, -29.91, 76.27

 

CMYK 93 / 0 / 62 / 20

HEX #0ECD4D

RGB 14 205 77

HSL 139.79, 0.87%, 0.43%

LAB 72.42, -67.98, 50.7

 

CMYK 25 / 93 / 0 / 20

HEX #9A0ECD

RGB 154 14 205

HSL 283.98, 0.87%, 0.43%

LAB 40.56, 74.43, -65.26

 

CMYK 14 / 0 / 93 / 20

HEX #B1CD0E

RGB 177 205 14

HSL 68.8, 0.87%, 0.43%

LAB 77.9, -29.91, 76.27

 

CMYK 93 / 13 / 0 / 20

HEX #0EB3CD

RGB 14 179 205

HSL 188.17, 0.87%, 0.43%

LAB 67.08, -28.13, -23.77

 

CMYK 0 / 93 / 13 / 20

HEX #CD0EB3

RGB 205 14 179

HSL 308.17, 0.87%, 0.43%

LAB 47.69, 78.58, -38.15

 

CMYK 14 / 0 / 93 / 20

HEX #B1CD0E

RGB 177 205 14

HSL 68.8, 0.87%, 0.43%

LAB 77.9, -29.91, 76.27

 

CMYK 93 / 0 / 62 / 20

HEX #0ECD4D

RGB 14 205 77

HSL 139.79, 0.87%, 0.43%

LAB 72.42, -67.98, 50.7

 

CMYK 81 / 93 / 0 / 20

HEX #270ECD

RGB 39 14 205

HSL 247.85, 0.87%, 0.43%

LAB 27.17, 64.86, -87.81

 

CMYK 0 / 93 / 31 / 20

HEX #CD0E8D

RGB 205 14 141

HSL 320.1, 0.87%, 0.43%

LAB 45.93, 74.03, -18.17

 

CMYK 14 / 0 / 93 / 20

HEX #B1CD0E

RGB 177 205 14

HSL 68.8, 0.87%, 0.43%

LAB 77.9, -29.91, 76.27

 

CMYK 93 / 0 / 34 / 20

HEX #0ECD87

RGB 14 205 135

HSL 158.01, 0.87%, 0.43%

LAB 73.22, -58.41, 23.24

 

CMYK 81 / 93 / 0 / 20

HEX #270ECD

RGB 39 14 205

HSL 247.85, 0.87%, 0.43%

LAB 27.17, 64.86, -87.81

 

CMYK 0 / 93 / 59 / 20

HEX #CD0E54

RGB 205 14 84

HSL 338.01, 0.87%, 0.43%

LAB 44.14, 69.2, 14.49

 

Description

Color code: HEX #B1CD0E | qconv.com Color code: HEX #B1CD0E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 205 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 205 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 93 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 93% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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