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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1C922 it is the complementary color #4E36DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1C922. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1C922 shade: #B6C91D, #C7DB30, #D8ED43, #E9FF56 and #FAFF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1C922. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1C922 shade: #B1C922, #A0B70F, #8FA500, #7E9300 and #6D8100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1C922 shade: #B0C822, #C8B322, #C88622, #C85922 and #C82C22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1C922 shade: #B0C822, #83C822, #56C822, #29C822 and #22C847

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1C922 shade matches the following richer shades: #B0C822 and #BEDB0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1C922 shade: #B0C822, #A3B534, #95A247, #888F5A and #7A7C6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1C922 shade: #C88522, #C8B222, #B2C822, #85C822 and #59C822

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1C922 shade: #728216, #91A51C, #B0C822, #C5DD36 and #CFE35A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1C922 shade: #B1C922, #22C859 and #9C22C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1C922 shade: #B1C922, #22B2C8 and #C822B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1C922 shade: #B1C922, #22C859, #3822C8 and #C82291

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1C922 shade: #B1C922, #22C88B, #3822C8 and #C8225F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 83 / 21

HEX #B1C922

RGB 177 201 34

HSL 68.62, 0.71%, 0.46%

LAB 76.82, -27.58, 71.86

 

Complementary color

CMYK 65 / 76 / 0 / 13

HEX #4E36DD

RGB 78 54 221

HSL 248.62, 0.71%, 0.54%

LAB 36.89, 56.54, -80.86

 

CMYK 9 / 0 / 86 / 21

HEX #B6C91D

RGB 182 201 29

HSL 66.63, 0.75%, 0.45%

LAB 77.17, -25.64, 73.4

 

CMYK 9 / 0 / 78 / 14

HEX #C7DB30

RGB 199 219 48

HSL 67.02, 0.7%, 0.52%

LAB 83.45, -26.62, 74.64

 

CMYK 9 / 0 / 72 / 7

HEX #D8ED43

RGB 216 237 67

HSL 67.41, 0.83%, 0.6%

LAB 89.66, -27.43, 75

 

CMYK 9 / 0 / 66 / 0

HEX #E9FF56

RGB 233 255 86

HSL 67.81, 1%, 0.67%

LAB 95.8, -28.11, 74.79

 

CMYK 2 / 0 / 59 / 0

HEX #FAFF69

RGB 250 255 105

HSL 62, 1%, 0.71%

LAB 97.17, -20.23, 69.18

 

CMYK 12 / 0 / 83 / 21

HEX #B1C922

RGB 177 201 34

HSL 68.62, 0.71%, 0.46%

LAB 76.82, -27.58, 71.86

 

CMYK 13 / 0 / 92 / 28

HEX #A0B70F

RGB 160 183 15

HSL 68.21, 0.85%, 0.39%

LAB 70.44, -26.5, 69.77

 

CMYK 13 / 0 / 100 / 35

HEX #8FA500

RGB 143 165 0

HSL 68, 1%, 0.32%

LAB 63.96, -25.22, 66.17

 

CMYK 14 / 0 / 100 / 42

HEX #7E9300

RGB 126 147 0

HSL 68.57, 1%, 0.29%

LAB 57.37, -23.7, 60.68

 

CMYK 16 / 0 / 100 / 49

HEX #6D8100

RGB 109 129 0

HSL 69.3, 1%, 0.25%

LAB 50.63, -22.16, 55.07

 

CMYK 12 / 0 / 83 / 22

HEX #B0C822

RGB 176 200 34

HSL 68.67, 0.71%, 0.46%

LAB 76.47, -27.51, 71.53

 

CMYK 0 / 11 / 83 / 22

HEX #C8B322

RGB 200 179 34

HSL 52.41, 0.71%, 0.46%

LAB 72.65, -6.71, 69.05

 

CMYK 0 / 33 / 83 / 22

HEX #C88622

RGB 200 134 34

HSL 36.14, 0.71%, 0.46%

LAB 61.17, 17.48, 59.23

 

CMYK 0 / 56 / 83 / 22

HEX #C85922

RGB 200 89 34

HSL 19.88, 0.71%, 0.46%

LAB 51.31, 41.28, 50.55

 

CMYK 0 / 78 / 83 / 22

HEX #C82C22

RGB 200 44 34

HSL 3.61, 0.71%, 0.46%

LAB 44.51, 59.56, 44.36

 

CMYK 12 / 0 / 83 / 22

HEX #B0C822

RGB 176 200 34

HSL 68.67, 0.71%, 0.46%

LAB 76.47, -27.51, 71.53

 

CMYK 35 / 0 / 83 / 22

HEX #83C822

RGB 131 200 34

HSL 84.94, 0.71%, 0.46%

LAB 73.71, -45.09, 68.05

 

CMYK 57 / 0 / 83 / 22

HEX #56C822

RGB 86 200 34

HSL 101.2, 0.71%, 0.46%

LAB 71.83, -59.15, 65.67

 

CMYK 80 / 0 / 83 / 22

HEX #29C822

RGB 41 200 34

HSL 117.47, 0.71%, 0.46%

LAB 70.8, -67.8, 64.35

 

CMYK 83 / 0 / 65 / 22

HEX #22C847

RGB 34 200 71

HSL 133.37, 0.71%, 0.46%

LAB 70.94, -65.67, 51.66

 

CMYK 12 / 0 / 83 / 22

HEX #B0C822

RGB 176 200 34

HSL 68.67, 0.71%, 0.46%

LAB 76.47, -27.51, 71.53

 

CMYK 13 / 0 / 93 / 14

HEX #BEDB0F

RGB 190 219 15

HSL 68.53, 0.87%, 0.46%

LAB 82.72, -31.12, 80.31

 

CMYK 12 / 0 / 83 / 22

HEX #B0C822

RGB 176 200 34

HSL 68.67, 0.71%, 0.46%

LAB 76.47, -27.51, 71.53

 

CMYK 10 / 0 / 71 / 29

HEX #A3B534

RGB 163 181 52

HSL 68.37, 0.55%, 0.46%

LAB 70.23, -22.96, 60.04

 

CMYK 8 / 0 / 56 / 36

HEX #95A247

RGB 149 162 71

HSL 68.57, 0.39%, 0.46%

LAB 63.91, -17.97, 44.97

 

CMYK 5 / 0 / 37 / 44

HEX #888F5A

RGB 136 143 90

HSL 67.92, 0.23%, 0.46%

LAB 57.67, -11.39, 27.37

 

CMYK 2 / 0 / 12 / 51

HEX #7A7C6D

RGB 122 124 109

HSL 68, 0.06%, 0.46%

LAB 51.45, -3.62, 7.94

 

CMYK 0 / 34 / 83 / 22

HEX #C88522

RGB 200 133 34

HSL 35.78, 0.71%, 0.46%

LAB 60.93, 18.02, 59.02

 

CMYK 0 / 11 / 83 / 22

HEX #C8B222

RGB 200 178 34

HSL 52.05, 0.71%, 0.46%

LAB 72.39, -6.19, 68.83

 

CMYK 11 / 0 / 83 / 22

HEX #B2C822

RGB 178 200 34

HSL 67.95, 0.71%, 0.46%

LAB 76.61, -26.68, 71.71

 

CMYK 34 / 0 / 83 / 22

HEX #85C822

RGB 133 200 34

HSL 84.22, 0.71%, 0.46%

LAB 73.81, -44.37, 68.19

 

CMYK 56 / 0 / 83 / 22

HEX #59C822

RGB 89 200 34

HSL 100.12, 0.71%, 0.46%

LAB 71.93, -58.36, 65.79

 

CMYK 12 / 0 / 83 / 49

HEX #728216

RGB 114 130 22

HSL 68.89, 0.71%, 0.3%

LAB 51.38, -19.84, 51.12

 

CMYK 12 / 0 / 83 / 35

HEX #91A51C

RGB 145 165 28

HSL 68.76, 0.71%, 0.38%

LAB 64.17, -23.76, 61.55

 

CMYK 12 / 0 / 83 / 22

HEX #B0C822

RGB 176 200 34

HSL 68.67, 0.71%, 0.46%

LAB 76.47, -27.51, 71.53

 

CMYK 11 / 0 / 76 / 13

HEX #C5DD36

RGB 197 221 54

HSL 68.62, 0.71%, 0.54%

LAB 83.89, -28.14, 73.23

 

CMYK 9 / 0 / 60 / 11

HEX #CFE35A

RGB 207 227 90

HSL 68.76, 0.71%, 0.62%

LAB 86.48, -24.93, 62.84

 

CMYK 12 / 0 / 83 / 21

HEX #B1C922

RGB 177 201 34

HSL 68.62, 0.71%, 0.46%

LAB 76.82, -27.58, 71.86

 

CMYK 83 / 0 / 56 / 22

HEX #22C859

RGB 34 200 89

HSL 139.88, 0.71%, 0.46%

LAB 71.13, -63.43, 43.78

 

CMYK 22 / 83 / 0 / 22

HEX #9C22C8

RGB 156 34 200

HSL 284.1, 0.71%, 0.46%

LAB 41.82, 69.89, -60.3

 

CMYK 12 / 0 / 83 / 21

HEX #B1C922

RGB 177 201 34

HSL 68.62, 0.71%, 0.46%

LAB 76.82, -27.58, 71.86

 

CMYK 83 / 11 / 0 / 22

HEX #22B2C8

RGB 34 178 200

HSL 187.95, 0.71%, 0.46%

LAB 66.79, -28.14, -21.45

 

CMYK 0 / 83 / 11 / 22

HEX #C822B2

RGB 200 34 178

HSL 307.95, 0.71%, 0.46%

LAB 47.8, 74.38, -37.44

 

CMYK 12 / 0 / 83 / 21

HEX #B1C922

RGB 177 201 34

HSL 68.62, 0.71%, 0.46%

LAB 76.82, -27.58, 71.86

 

CMYK 83 / 0 / 56 / 22

HEX #22C859

RGB 34 200 89

HSL 139.88, 0.71%, 0.46%

LAB 71.13, -63.43, 43.78

 

CMYK 72 / 83 / 0 / 22

HEX #3822C8

RGB 56 34 200

HSL 247.95, 0.71%, 0.46%

LAB 29.8, 57.72, -80.48

 

CMYK 0 / 83 / 28 / 22

HEX #C82291

RGB 200 34 145

HSL 319.88, 0.71%, 0.46%

LAB 46.27, 70.14, -20.15

 

CMYK 12 / 0 / 83 / 21

HEX #B1C922

RGB 177 201 34

HSL 68.62, 0.71%, 0.46%

LAB 76.82, -27.58, 71.86

 

CMYK 83 / 0 / 31 / 22

HEX #22C88B

RGB 34 200 139

HSL 157.95, 0.71%, 0.46%

LAB 71.9, -54.42, 19.34

 

CMYK 72 / 83 / 0 / 22

HEX #3822C8

RGB 56 34 200

HSL 247.95, 0.71%, 0.46%

LAB 29.8, 57.72, -80.48

 

CMYK 0 / 83 / 53 / 22

HEX #C8225F

RGB 200 34 95

HSL 337.95, 0.71%, 0.46%

LAB 44.59, 65.31, 8.09

 

Description

Color code: HEX #B1C922 | qconv.com Color code: HEX #B1C922 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 201 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 201 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 83 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 83% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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