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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1B3AC it is the complementary color #4E4C53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1B3AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1B3AC shade: #B6B3A7, #C7C5BA, #D8D7CD, #E9E9E0 and #FAFBF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1B3AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1B3AC shade: #B1B3AC, #A0A199, #8F8F86, #7E7D73 and #6D6B60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1B3AC shade: #B1B3AC, #B3B3AC, #B3B1AC, #B3AFAC and #B3AEAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1B3AC shade: #B1B3AC, #AFB3AC, #ADB3AC, #ACB3AD and #ACB3AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1B3AC shade matches the following richer shades: #B1B3AC, #B6BF9F, #BCCC93, #C1D986 and #C7E679

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1B3AC shade: #B1B3AC, #ABA6B9, #A699C6, #A08CD3 and #9B7FDF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1B3AC shade: #B3B1AC, #B3B3AC, #B1B3AC, #AFB3AC and #ADB3AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1B3AC shade: #888B81, #9D9F97, #B1B3AC, #C5C6C2 and #D9DAD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1B3AC shade: #B1B3AC, #ACB3AF and #B2ACB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1B3AC shade: #B1B3AC, #ACB1B3 and #B3ACB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1B3AC shade: #B1B3AC, #ACB3AF, #AEACB3 and #B3ACB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1B3AC shade: #B1B3AC, #ACB3B1, #AEACB3 and #B3ACAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 4 / 30

HEX #B1B3AC

RGB 177 179 172

HSL 77.14, 0.04%, 0.69%

LAB 72.61, -2, 3.31

 

Complementary color

CMYK 6 / 8 / 0 / 67

HEX #4E4C53

RGB 78 76 83

HSL 257.14, 0.04%, 0.31%

LAB 32.73, 2.37, -3.84

 

CMYK 0 / 2 / 8 / 29

HEX #B6B3A7

RGB 182 179 167

HSL 48, 0.09%, 0.68%

LAB 72.88, -1.08, 6.49

 

CMYK 0 / 1 / 7 / 22

HEX #C7C5BA

RGB 199 197 186

HSL 50.77, 0.1%, 0.75%

LAB 79.4, -1.26, 5.75

 

CMYK 0 / 0 / 5 / 15

HEX #D8D7CD

RGB 216 215 205

HSL 54.55, 0.12%, 0.83%

LAB 85.81, -1.42, 5.04

 

CMYK 0 / 0 / 4 / 9

HEX #E9E9E0

RGB 233 233 224

HSL 60, 0.17%, 0.9%

LAB 92.12, -1.57, 4.36

 

CMYK 0 / 0 / 3 / 2

HEX #FAFBF3

RGB 250 251 243

HSL 67.5, 0.5%, 0.97%

LAB 98.35, -1.71, 3.7

 

CMYK 1 / 0 / 4 / 30

HEX #B1B3AC

RGB 177 179 172

HSL 77.14, 0.04%, 0.69%

LAB 72.61, -2, 3.31

 

CMYK 1 / 0 / 5 / 37

HEX #A0A199

RGB 160 161 153

HSL 67.5, 0.04%, 0.62%

LAB 65.95, -1.85, 4.03

 

CMYK 0 / 0 / 6 / 44

HEX #8F8F86

RGB 143 143 134

HSL 60, 0.04%, 0.54%

LAB 59.16, -1.7, 4.78

 

CMYK 0 / 1 / 9 / 51

HEX #7E7D73

RGB 126 125 115

HSL 54.55, 0.05%, 0.47%

LAB 52.22, -1.53, 5.58

 

CMYK 0 / 2 / 12 / 57

HEX #6D6B60

RGB 109 107 96

HSL 50.77, 0.06%, 0.4%

LAB 45.1, -1.35, 6.44

 

CMYK 1 / 0 / 4 / 30

HEX #B1B3AC

RGB 177 179 172

HSL 77.14, 0.04%, 0.69%

LAB 72.61, -2, 3.31

 

CMYK 0 / 0 / 4 / 30

HEX #B3B3AC

RGB 179 179 172

HSL 60, 0.04%, 0.69%

LAB 72.76, -1.28, 3.56

 

CMYK 0 / 1 / 4 / 30

HEX #B3B1AC

RGB 179 177 172

HSL 42.86, 0.04%, 0.69%

LAB 72.23, -0.21, 2.79

 

CMYK 0 / 2 / 4 / 30

HEX #B3AFAC

RGB 179 175 172

HSL 25.71, 0.04%, 0.69%

LAB 71.71, 0.87, 2.03

 

CMYK 0 / 3 / 4 / 30

HEX #B3AEAC

RGB 179 174 172

HSL 17.14, 0.04%, 0.69%

LAB 71.44, 1.41, 1.65

 

CMYK 1 / 0 / 4 / 30

HEX #B1B3AC

RGB 177 179 172

HSL 77.14, 0.04%, 0.69%

LAB 72.61, -2, 3.31

 

CMYK 2 / 0 / 4 / 30

HEX #AFB3AC

RGB 175 179 172

HSL 94.29, 0.04%, 0.69%

LAB 72.45, -2.71, 3.07

 

CMYK 3 / 0 / 4 / 30

HEX #ADB3AC

RGB 173 179 172

HSL 111.43, 0.04%, 0.69%

LAB 72.3, -3.42, 2.83

 

CMYK 4 / 0 / 3 / 30

HEX #ACB3AD

RGB 172 179 173

HSL 128.57, 0.04%, 0.69%

LAB 72.25, -3.58, 2.2

 

CMYK 4 / 0 / 2 / 30

HEX #ACB3AF

RGB 172 179 175

HSL 145.71, 0.04%, 0.69%

LAB 72.3, -3.21, 1.18

 

CMYK 1 / 0 / 4 / 30

HEX #B1B3AC

RGB 177 179 172

HSL 77.14, 0.04%, 0.69%

LAB 72.61, -2, 3.31

 

CMYK 5 / 0 / 17 / 25

HEX #B6BF9F

RGB 182 191 159

HSL 76.88, 0.2%, 0.69%

LAB 75.89, -8.76, 15.11

 

CMYK 8 / 0 / 28 / 20

HEX #BCCC93

RGB 188 204 147

HSL 76.84, 0.36%, 0.69%

LAB 79.6, -15.03, 26.67

 

CMYK 11 / 0 / 38 / 15

HEX #C1D986

RGB 193 217 134

HSL 77.35, 0.52%, 0.69%

LAB 83.28, -21.33, 38.25

 

CMYK 13 / 0 / 47 / 10

HEX #C7E679

RGB 199 230 121

HSL 77.06, 0.69%, 0.69%

LAB 87.05, -26.78, 49.43

 

CMYK 1 / 0 / 4 / 30

HEX #B1B3AC

RGB 177 179 172

HSL 77.14, 0.04%, 0.69%

LAB 72.61, -2, 3.31

 

CMYK 8 / 10 / 0 / 27

HEX #ABA6B9

RGB 171 166 185

HSL 255.79, 0.12%, 0.69%

LAB 69.06, 5.49, -9.11

 

CMYK 16 / 23 / 0 / 22

HEX #A699C6

RGB 166 153 198

HSL 257.33, 0.28%, 0.69%

LAB 65.72, 13.85, -21.42

 

CMYK 24 / 34 / 0 / 17

HEX #A08CD3

RGB 160 140 211

HSL 256.9, 0.45%, 0.69%

LAB 62.45, 22.38, -33.76

 

CMYK 30 / 43 / 0 / 13

HEX #9B7FDF

RGB 155 127 223

HSL 257.5, 0.6%, 0.69%

LAB 59.41, 31.36, -45.27

 

CMYK 0 / 1 / 4 / 30

HEX #B3B1AC

RGB 179 177 172

HSL 42.86, 0.04%, 0.69%

LAB 72.23, -0.21, 2.79

 

CMYK 0 / 0 / 4 / 30

HEX #B3B3AC

RGB 179 179 172

HSL 60, 0.04%, 0.69%

LAB 72.76, -1.28, 3.56

 

CMYK 1 / 0 / 4 / 30

HEX #B1B3AC

RGB 177 179 172

HSL 77.14, 0.04%, 0.69%

LAB 72.61, -2, 3.31

 

CMYK 2 / 0 / 4 / 30

HEX #AFB3AC

RGB 175 179 172

HSL 94.29, 0.04%, 0.69%

LAB 72.45, -2.71, 3.07

 

CMYK 3 / 0 / 4 / 30

HEX #ADB3AC

RGB 173 179 172

HSL 111.43, 0.04%, 0.69%

LAB 72.3, -3.42, 2.83

 

CMYK 2 / 0 / 7 / 45

HEX #888B81

RGB 136 139 129

HSL 78, 0.04%, 0.53%

LAB 57.35, -3.03, 4.96

 

CMYK 1 / 0 / 5 / 38

HEX #9D9F97

RGB 157 159 151

HSL 75, 0.04%, 0.61%

LAB 65.12, -2.22, 3.91

 

CMYK 1 / 0 / 4 / 30

HEX #B1B3AC

RGB 177 179 172

HSL 77.14, 0.04%, 0.69%

LAB 72.61, -2, 3.31

 

CMYK 1 / 0 / 2 / 22

HEX #C5C6C2

RGB 197 198 194

HSL 75, 0.03%, 0.77%

LAB 79.7, -1.07, 1.87

 

CMYK 0 / 0 / 1 / 15

HEX #D9DAD7

RGB 217 218 215

HSL 80, 0.04%, 0.85%

LAB 86.9, -0.87, 1.34

 

CMYK 1 / 0 / 4 / 30

HEX #B1B3AC

RGB 177 179 172

HSL 77.14, 0.04%, 0.69%

LAB 72.61, -2, 3.31

 

CMYK 4 / 0 / 2 / 30

HEX #ACB3AF

RGB 172 179 175

HSL 145.71, 0.04%, 0.69%

LAB 72.3, -3.21, 1.18

 

CMYK 1 / 4 / 0 / 30

HEX #B2ACB3

RGB 178 172 179

HSL 291.43, 0.04%, 0.69%

LAB 71.03, 3.45, -2.83

 

CMYK 1 / 0 / 4 / 30

HEX #B1B3AC

RGB 177 179 172

HSL 77.14, 0.04%, 0.69%

LAB 72.61, -2, 3.31

 

CMYK 4 / 1 / 0 / 30

HEX #ACB1B3

RGB 172 177 179

HSL 197.14, 0.04%, 0.69%

LAB 71.87, -1.36, -1.64

 

CMYK 0 / 4 / 1 / 30

HEX #B3ACB1

RGB 179 172 177

HSL 317.14, 0.04%, 0.69%

LAB 71.05, 3.42, -1.68

 

CMYK 1 / 0 / 4 / 30

HEX #B1B3AC

RGB 177 179 172

HSL 77.14, 0.04%, 0.69%

LAB 72.61, -2, 3.31

 

CMYK 4 / 0 / 2 / 30

HEX #ACB3AF

RGB 172 179 175

HSL 145.71, 0.04%, 0.69%

LAB 72.3, -3.21, 1.18

 

CMYK 3 / 4 / 0 / 30

HEX #AEACB3

RGB 174 172 179

HSL 257.14, 0.04%, 0.69%

LAB 70.7, 2.04, -3.34

 

CMYK 0 / 4 / 2 / 30

HEX #B3ACB0

RGB 179 172 176

HSL 325.71, 0.04%, 0.69%

LAB 71.02, 3.24, -1.17

 

CMYK 1 / 0 / 4 / 30

HEX #B1B3AC

RGB 177 179 172

HSL 77.14, 0.04%, 0.69%

LAB 72.61, -2, 3.31

 

CMYK 4 / 0 / 1 / 30

HEX #ACB3B1

RGB 172 179 177

HSL 162.86, 0.04%, 0.69%

LAB 72.35, -2.82, 0.16

 

CMYK 3 / 4 / 0 / 30

HEX #AEACB3

RGB 174 172 179

HSL 257.14, 0.04%, 0.69%

LAB 70.7, 2.04, -3.34

 

CMYK 0 / 4 / 3 / 30

HEX #B3ACAE

RGB 179 172 174

HSL 342.86, 0.04%, 0.69%

LAB 70.97, 2.87, -0.14

 

Description

Color code: HEX #B1B3AC | qconv.com Color code: HEX #B1B3AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 179 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 179 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 4 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 4% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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