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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B19B55 it is the complementary color #4E64AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B19B55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B19B55 shade: #B69B50, #C7AD63, #D8BF76, #E9D189 and #FAE39C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B19B55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B19B55 shade: #B19B55, #A08942, #8F772F, #7E651C and #6D5309

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B19B55 shade: #B09A53, #B08153, #B06853 and #B05353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B19B55 shade: #B09A53, #ADB053, #94B053, #7BB053 and #62B053

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B19B55 shade matches the following richer shades: #B09A53, #C4A43F, #D8AF2B and #ECB917

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B19B55 shade: #B09A53, #9C8F68, #87857C, #737A90 and #5F6FA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B19B55 shade: #B06753, #B08053, #B09953, #AEB053 and #96B053

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B19B55 shade: #796937, #958244, #B09A53, #BDAA70 and #CABB8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B19B55 shade: #B19B55, #58B053 and #7453B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B19B55 shade: #B19B55, #53B099 and #9953B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B19B55 shade: #B19B55, #58B053, #536AB0 and #AB53B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B19B55 shade: #B19B55, #53B06A, #536AB0 and #B05399

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 52 / 31

HEX #B19B55

RGB 177 155 85

HSL 45.65, 0.37%, 0.51%

LAB 64.52, -1.08, 39.37

 

Complementary color

CMYK 54 / 41 / 0 / 33

HEX #4E64AA

RGB 78 100 170

HSL 225.65, 0.37%, 0.49%

LAB 43.71, 12.57, -40.15

 

CMYK 0 / 15 / 56 / 29

HEX #B69B50

RGB 182 155 80

HSL 44.12, 0.41%, 0.51%

LAB 64.94, 0.63, 42.51

 

CMYK 0 / 13 / 50 / 22

HEX #C7AD63

RGB 199 173 99

HSL 44.4, 0.47%, 0.58%

LAB 71.51, -0.17, 41.23

 

CMYK 0 / 12 / 45 / 15

HEX #D8BF76

RGB 216 191 118

HSL 44.69, 0.56%, 0.65%

LAB 77.97, -0.84, 39.96

 

CMYK 0 / 10 / 41 / 9

HEX #E9D189

RGB 233 209 137

HSL 45, 0.69%, 0.73%

LAB 84.34, -1.42, 38.73

 

CMYK 0 / 9 / 38 / 2

HEX #FAE39C

RGB 250 227 156

HSL 45.32, 0.9%, 0.8%

LAB 90.63, -1.92, 37.56

 

CMYK 0 / 12 / 52 / 31

HEX #B19B55

RGB 177 155 85

HSL 45.65, 0.37%, 0.51%

LAB 64.52, -1.08, 39.37

 

CMYK 0 / 14 / 59 / 37

HEX #A08942

RGB 160 137 66

HSL 45.32, 0.42%, 0.44%

LAB 57.81, -0.24, 40.66

 

CMYK 0 / 17 / 67 / 44

HEX #8F772F

RGB 143 119 47

HSL 45, 0.51%, 0.37%

LAB 50.97, 0.8, 41.84

 

CMYK 0 / 20 / 78 / 51

HEX #7E651C

RGB 126 101 28

HSL 44.69, 0.64%, 0.3%

LAB 43.98, 2.12, 42.63

 

CMYK 0 / 24 / 92 / 57

HEX #6D5309

RGB 109 83 9

HSL 44.4, 0.85%, 0.23%

LAB 36.85, 3.82, 42.28

 

CMYK 0 / 13 / 53 / 31

HEX #B09A53

RGB 176 154 83

HSL 45.81, 0.37%, 0.51%

LAB 64.13, -1.15, 39.9

 

CMYK 0 / 27 / 53 / 31

HEX #B08153

RGB 176 129 83

HSL 29.68, 0.37%, 0.51%

LAB 57.61, 12.67, 31.9

 

CMYK 0 / 41 / 53 / 31

HEX #B06853

RGB 176 104 83

HSL 13.55, 0.37%, 0.51%

LAB 51.56, 26.64, 24.16

 

CMYK 0 / 53 / 53 / 31

HEX #B05353

RGB 176 83 83

HSL 0, 0.37%, 0.51%

LAB 47.03, 37.9, 18.16

 

CMYK 0 / 13 / 53 / 31

HEX #B09A53

RGB 176 154 83

HSL 45.81, 0.37%, 0.51%

LAB 64.13, -1.15, 39.9

 

CMYK 2 / 0 / 53 / 31

HEX #ADB053

RGB 173 176 83

HSL 61.94, 0.37%, 0.51%

LAB 69.87, -14.07, 46.61

 

CMYK 16 / 0 / 53 / 31

HEX #94B053

RGB 148 176 83

HSL 78.06, 0.37%, 0.51%

LAB 68, -24.3, 43.96

 

CMYK 30 / 0 / 53 / 31

HEX #7BB053

RGB 123 176 83

HSL 94.19, 0.37%, 0.51%

LAB 66.43, -33.87, 41.71

 

CMYK 44 / 0 / 53 / 31

HEX #62B053

RGB 98 176 83

HSL 110.32, 0.37%, 0.51%

LAB 65.18, -42.34, 39.91

 

CMYK 0 / 13 / 53 / 31

HEX #B09A53

RGB 176 154 83

HSL 45.81, 0.37%, 0.51%

LAB 64.13, -1.15, 39.9

 

CMYK 0 / 16 / 68 / 23

HEX #C4A43F

RGB 196 164 63

HSL 45.56, 0.53%, 0.51%

LAB 68.49, 0.68, 54.8

 

CMYK 0 / 19 / 80 / 15

HEX #D8AF2B

RGB 216 175 43

HSL 45.78, 0.69%, 0.51%

LAB 73.18, 2.66, 67.51

 

CMYK 0 / 22 / 90 / 7

HEX #ECB917

RGB 236 185 23

HSL 45.63, 0.85%, 0.51%

LAB 77.63, 5.6, 76.92

 

CMYK 0 / 13 / 53 / 31

HEX #B09A53

RGB 176 154 83

HSL 45.81, 0.37%, 0.51%

LAB 64.13, -1.15, 39.9

 

CMYK 0 / 8 / 33 / 39

HEX #9C8F68

RGB 156 143 104

HSL 45, 0.21%, 0.51%

LAB 59.63, -1.28, 22.54

 

CMYK 0 / 1 / 8 / 47

HEX #87857C

RGB 135 133 124

HSL 49.09, 0.04%, 0.51%

LAB 55.46, -0.95, 5.11

 

CMYK 20 / 15 / 0 / 44

HEX #737A90

RGB 115 122 144

HSL 225.52, 0.12%, 0.51%

LAB 51.36, 2.35, -12.78

 

CMYK 42 / 32 / 0 / 36

HEX #5F6FA4

RGB 95 111 164

HSL 226.09, 0.27%, 0.51%

LAB 47.6, 8.15, -30.41

 

CMYK 0 / 41 / 53 / 31

HEX #B06753

RGB 176 103 83

HSL 12.9, 0.37%, 0.51%

LAB 51.33, 27.19, 23.86

 

CMYK 0 / 27 / 53 / 31

HEX #B08053

RGB 176 128 83

HSL 29.03, 0.37%, 0.51%

LAB 57.36, 13.23, 31.58

 

CMYK 0 / 13 / 53 / 31

HEX #B09953

RGB 176 153 83

HSL 45.16, 0.37%, 0.51%

LAB 63.87, -0.61, 39.58

 

CMYK 1 / 0 / 53 / 31

HEX #AEB053

RGB 174 176 83

HSL 61.29, 0.37%, 0.51%

LAB 69.95, -13.65, 46.73

 

CMYK 15 / 0 / 53 / 31

HEX #96B053

RGB 150 176 83

HSL 76.77, 0.37%, 0.51%

LAB 68.14, -23.5, 44.15

 

CMYK 0 / 13 / 55 / 53

HEX #796937

RGB 121 105 55

HSL 45.45, 0.38%, 0.35%

LAB 44.86, -0.65, 30.19

 

CMYK 0 / 13 / 54 / 42

HEX #958244

RGB 149 130 68

HSL 45.93, 0.37%, 0.43%

LAB 54.84, -1.06, 35.87

 

CMYK 0 / 13 / 53 / 31

HEX #B09A53

RGB 176 154 83

HSL 45.81, 0.37%, 0.51%

LAB 64.13, -1.15, 39.9

 

CMYK 0 / 10 / 41 / 26

HEX #BDAA70

RGB 189 170 112

HSL 45.19, 0.37%, 0.59%

LAB 69.99, -1.39, 32.39

 

CMYK 0 / 7 / 31 / 21

HEX #CABB8C

RGB 202 187 140

HSL 45.48, 0.37%, 0.67%

LAB 76.06, -1.83, 25.77

 

CMYK 0 / 12 / 52 / 31

HEX #B19B55

RGB 177 155 85

HSL 45.65, 0.37%, 0.51%

LAB 64.52, -1.08, 39.37

 

CMYK 50 / 0 / 53 / 31

HEX #58B053

RGB 88 176 83

HSL 116.77, 0.37%, 0.51%

LAB 64.76, -45.32, 39.31

 

CMYK 34 / 53 / 0 / 31

HEX #7453B0

RGB 116 83 176

HSL 261.29, 0.37%, 0.51%

LAB 42.81, 34.32, -44.91

 

CMYK 0 / 12 / 52 / 31

HEX #B19B55

RGB 177 155 85

HSL 45.65, 0.37%, 0.51%

LAB 64.52, -1.08, 39.37

 

CMYK 53 / 0 / 13 / 31

HEX #53B099

RGB 83 176 153

HSL 165.16, 0.37%, 0.51%

LAB 65.9, -33.32, 3.39

 

CMYK 13 / 53 / 0 / 31

HEX #9953B0

RGB 153 83 176

HSL 285.16, 0.37%, 0.51%

LAB 47.1, 44.35, -37.85

 

CMYK 0 / 12 / 52 / 31

HEX #B19B55

RGB 177 155 85

HSL 45.65, 0.37%, 0.51%

LAB 64.52, -1.08, 39.37

 

CMYK 50 / 0 / 53 / 31

HEX #58B053

RGB 88 176 83

HSL 116.77, 0.37%, 0.51%

LAB 64.76, -45.32, 39.31

 

CMYK 53 / 40 / 0 / 31

HEX #536AB0

RGB 83 106 176

HSL 225.16, 0.37%, 0.51%

LAB 46.02, 11.93, -39.98

 

CMYK 3 / 53 / 0 / 31

HEX #AB53B0

RGB 171 83 176

HSL 296.77, 0.37%, 0.51%

LAB 49.47, 49.4, -33.95

 

CMYK 0 / 12 / 52 / 31

HEX #B19B55

RGB 177 155 85

HSL 45.65, 0.37%, 0.51%

LAB 64.52, -1.08, 39.37

 

CMYK 53 / 0 / 40 / 31

HEX #53B06A

RGB 83 176 106

HSL 134.84, 0.37%, 0.51%

LAB 64.91, -43.17, 27.65

 

CMYK 53 / 40 / 0 / 31

HEX #536AB0

RGB 83 106 176

HSL 225.16, 0.37%, 0.51%

LAB 46.02, 11.93, -39.98

 

CMYK 0 / 53 / 13 / 31

HEX #B05399

RGB 176 83 153

HSL 314.84, 0.37%, 0.51%

LAB 49.15, 46.84, -20.85

 

Description

Color code: HEX #B19B55 | qconv.com Color code: HEX #B19B55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 155 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 155 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 52 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 52% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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