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Color name
HEX #B1900A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1900A it is the complementary color #4E6FF5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1900A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1900A shade: #B69005, #C7A218, #D8B42B, #E9C63E and #FAD851

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1900A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1900A shade: #B1900A, #A07E00, #8F6C00, #7E5A00 and #6D4800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1900A shade: #B2910A, #B2630A, #B2360A and #B20A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1900A shade: #B2910A, #A6B20A, #78B20A, #4BB20A and #1EB20A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1900A shade matches the following richer shades: #B2910A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1900A shade: #B2910A, #A38719, #937E28, #847538 and #756C47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1900A shade: #B2370A, #B2630A, #B2900A, #A7B20A and #7AB20A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1900A shade: #645105, #8B7108, #B2910A, #D9B00C and #F1C71D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1900A shade: #B1900A, #0AB20A and #4D0AB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1900A shade: #B1900A, #0AB290 and #900AB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1900A shade: #B1900A, #0AB20A, #0A2BB2 and #B20AB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1900A shade: #B1900A, #0AB23C, #0A2BB2 and #B20A7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 94 / 31

HEX #B1900A

RGB 177 144 10

HSL 48.14, 0.89%, 0.37%

LAB 61.06, 1.17, 63.91

 

Complementary color

CMYK 68 / 55 / 0 / 4

HEX #4E6FF5

RGB 78 111 245

HSL 228.14, 0.89%, 0.63%

LAB 51.36, 31.32, -70.74

 

CMYK 0 / 21 / 97 / 29

HEX #B69005

RGB 182 144 5

HSL 47.12, 0.95%, 0.37%

LAB 61.57, 3.38, 65.26

 

CMYK 0 / 19 / 88 / 22

HEX #C7A218

RGB 199 162 24

HSL 47.31, 0.78%, 0.44%

LAB 68.06, 1.58, 67.66

 

CMYK 0 / 17 / 80 / 15

HEX #D8B42B

RGB 216 180 43

HSL 47.51, 0.69%, 0.51%

LAB 74.45, 0.03, 68.64

 

CMYK 0 / 15 / 73 / 9

HEX #E9C63E

RGB 233 198 62

HSL 47.72, 0.8%, 0.58%

LAB 80.77, -1.3, 68.66

 

CMYK 0 / 14 / 68 / 2

HEX #FAD851

RGB 250 216 81

HSL 47.93, 0.94%, 0.65%

LAB 87.01, -2.45, 68.14

 

CMYK 0 / 19 / 94 / 31

HEX #B1900A

RGB 177 144 10

HSL 48.14, 0.89%, 0.37%

LAB 61.06, 1.17, 63.91

 

CMYK 0 / 21 / 100 / 37

HEX #A07E00

RGB 160 126 0

HSL 47.25, 1%, 0.31%

LAB 54.44, 3.16, 59.96

 

CMYK 0 / 24 / 100 / 44

HEX #8F6C00

RGB 143 108 0

HSL 45.31, 1%, 0.28%

LAB 47.71, 5.39, 54.41

 

CMYK 0 / 29 / 100 / 51

HEX #7E5A00

RGB 126 90 0

HSL 42.86, 1%, 0.25%

LAB 40.81, 7.75, 48.75

 

CMYK 0 / 34 / 100 / 57

HEX #6D4800

RGB 109 72 0

HSL 39.63, 1%, 0.21%

LAB 33.74, 10.26, 42.96

 

CMYK 0 / 19 / 94 / 30

HEX #B2910A

RGB 178 145 10

HSL 48.21, 0.89%, 0.37%

LAB 61.43, 1.08, 64.23

 

CMYK 0 / 44 / 94 / 30

HEX #B2630A

RGB 178 99 10

HSL 31.79, 0.89%, 0.37%

LAB 49.99, 26.58, 55.93

 

CMYK 0 / 70 / 94 / 30

HEX #B2360A

RGB 178 54 10

HSL 15.71, 0.89%, 0.37%

LAB 41.41, 48.59, 50.13

 

CMYK 0 / 94 / 94 / 30

HEX #B20A0A

RGB 178 10 10

HSL 0, 0.89%, 0.37%

LAB 37.31, 60.12, 47.6

 

CMYK 0 / 19 / 94 / 30

HEX #B2910A

RGB 178 145 10

HSL 48.21, 0.89%, 0.37%

LAB 61.43, 1.08, 64.23

 

CMYK 7 / 0 / 94 / 30

HEX #A6B20A

RGB 166 178 10

HSL 64.29, 0.89%, 0.37%

LAB 69.45, -21.56, 69.84

 

CMYK 33 / 0 / 94 / 30

HEX #78B20A

RGB 120 178 10

HSL 80.71, 0.89%, 0.37%

LAB 66.41, -40.41, 66.16

 

CMYK 58 / 0 / 94 / 30

HEX #4BB20A

RGB 75 178 10

HSL 96.79, 0.89%, 0.37%

LAB 64.45, -55.05, 63.75

 

CMYK 83 / 0 / 94 / 30

HEX #1EB20A

RGB 30 178 10

HSL 112.86, 0.89%, 0.37%

LAB 63.46, -63.51, 62.53

 

CMYK 0 / 19 / 94 / 30

HEX #B2910A

RGB 178 145 10

HSL 48.21, 0.89%, 0.37%

LAB 61.43, 1.08, 64.23

 

CMYK 0 / 19 / 94 / 30

HEX #B2910A

RGB 178 145 10

HSL 48.21, 0.89%, 0.37%

LAB 61.43, 1.08, 64.23

 

CMYK 0 / 17 / 85 / 36

HEX #A38719

RGB 163 135 25

HSL 47.83, 0.73%, 0.37%

LAB 57.25, 0.03, 57.06

 

CMYK 0 / 14 / 73 / 42

HEX #937E28

RGB 147 126 40

HSL 48.22, 0.57%, 0.37%

LAB 53.25, -1.72, 47.46

 

CMYK 0 / 11 / 58 / 48

HEX #847538

RGB 132 117 56

HSL 48.16, 0.4%, 0.37%

LAB 49.39, -2.42, 35.29

 

CMYK 0 / 8 / 39 / 54

HEX #756C47

RGB 117 108 71

HSL 48.26, 0.24%, 0.37%

LAB 45.58, -2.42, 21.99

 

CMYK 0 / 69 / 94 / 30

HEX #B2370A

RGB 178 55 10

HSL 16.07, 0.89%, 0.37%

LAB 41.56, 48.19, 50.23

 

CMYK 0 / 44 / 94 / 30

HEX #B2630A

RGB 178 99 10

HSL 31.79, 0.89%, 0.37%

LAB 49.99, 26.58, 55.93

 

CMYK 0 / 19 / 94 / 30

HEX #B2900A

RGB 178 144 10

HSL 47.86, 0.89%, 0.37%

LAB 61.16, 1.63, 64.03

 

CMYK 6 / 0 / 94 / 30

HEX #A7B20A

RGB 167 178 10

HSL 63.93, 0.89%, 0.37%

LAB 69.53, -21.13, 69.93

 

CMYK 31 / 0 / 94 / 30

HEX #7AB20A

RGB 122 178 10

HSL 80, 0.89%, 0.37%

LAB 66.52, -39.66, 66.29

 

CMYK 0 / 19 / 95 / 61

HEX #645105

RGB 100 81 5

HSL 48, 0.9%, 0.21%

LAB 35.21, 0.42, 41.77

 

CMYK 0 / 19 / 94 / 45

HEX #8B7108

RGB 139 113 8

HSL 48.09, 0.89%, 0.29%

LAB 48.66, 0.77, 53.17

 

CMYK 0 / 19 / 94 / 30

HEX #B2910A

RGB 178 145 10

HSL 48.21, 0.89%, 0.37%

LAB 61.43, 1.08, 64.23

 

CMYK 0 / 19 / 94 / 15

HEX #D9B00C

RGB 217 176 12

HSL 48, 0.9%, 0.45%

LAB 73.43, 1.9, 74.6

 

CMYK 0 / 17 / 88 / 5

HEX #F1C71D

RGB 241 199 29

HSL 48.11, 0.88%, 0.53%

LAB 81.64, 0.59, 79.1

 

CMYK 0 / 19 / 94 / 31

HEX #B1900A

RGB 177 144 10

HSL 48.14, 0.89%, 0.37%

LAB 61.06, 1.17, 63.91

 

CMYK 94 / 0 / 94 / 30

HEX #0AB20A

RGB 10 178 10

HSL 120, 0.89%, 0.37%

LAB 63.28, -65.08, 62.31

 

CMYK 57 / 94 / 0 / 30

HEX #4D0AB2

RGB 77 10 178

HSL 263.93, 0.89%, 0.37%

LAB 26.76, 60.85, -72.43

 

CMYK 0 / 19 / 94 / 31

HEX #B1900A

RGB 177 144 10

HSL 48.14, 0.89%, 0.37%

LAB 61.06, 1.17, 63.91

 

CMYK 94 / 0 / 19 / 30

HEX #0AB290

RGB 10 178 144

HSL 167.86, 0.89%, 0.37%

LAB 64.9, -46.05, 6.76

 

CMYK 19 / 94 / 0 / 30

HEX #900AB2

RGB 144 10 178

HSL 287.86, 0.89%, 0.37%

LAB 36.67, 68.61, -55.8

 

CMYK 0 / 19 / 94 / 31

HEX #B1900A

RGB 177 144 10

HSL 48.14, 0.89%, 0.37%

LAB 61.06, 1.17, 63.91

 

CMYK 94 / 0 / 94 / 30

HEX #0AB20A

RGB 10 178 10

HSL 120, 0.89%, 0.37%

LAB 63.28, -65.08, 62.31

 

CMYK 94 / 76 / 0 / 30

HEX #0A2BB2

RGB 10 43 178

HSL 228.21, 0.89%, 0.37%

LAB 26.75, 43.82, -72.58

 

CMYK 0 / 94 / 0 / 30

HEX #B20AB2

RGB 178 10 178

HSL 300, 0.89%, 0.37%

LAB 42.61, 74.05, -45.93

 

CMYK 0 / 19 / 94 / 31

HEX #B1900A

RGB 177 144 10

HSL 48.14, 0.89%, 0.37%

LAB 61.06, 1.17, 63.91

 

CMYK 94 / 0 / 66 / 30

HEX #0AB23C

RGB 10 178 60

HSL 137.86, 0.89%, 0.37%

LAB 63.53, -61.87, 48.09

 

CMYK 94 / 76 / 0 / 30

HEX #0A2BB2

RGB 10 43 178

HSL 228.21, 0.89%, 0.37%

LAB 26.75, 43.82, -72.58

 

CMYK 0 / 94 / 29 / 30

HEX #B20A7F

RGB 178 10 127

HSL 318.21, 0.89%, 0.37%

LAB 39.94, 67.26, -19.23

 

Description

Color code: HEX #B1900A | qconv.com Color code: HEX #B1900A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 144 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 144 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 94 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 94% 31% C M Y K

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Provide designers and agencies with accurate color values.

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