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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B19685 it is the complementary color #4E697A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B19685. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B19685 shade: #B69680, #C7A893, #D8BAA6, #E9CCB9 and #FADECC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B19685. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B19685 shade: #B19685, #A08472, #8F725F, #7E604C and #6D4E39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B19685 shade: #B19685, #B18A85 and #B18585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B19685 shade: #B19685, #B1A285, #B1AE85, #A8B185 and #9DB185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B19685 shade matches the following richer shades: #B19685, #C19275, #D18F65, #E18B55 and #F18745

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B19685 shade: #B19685, #A19A95, #919DA5, #81A1B5 and #71A5C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B19685 shade: #B1858C, #B18A85, #B19685, #B1A285 and #B1AD85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B19685 shade: #8B6C59, #A1806C, #B19685, #C1AC9E and #D1C1B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B19685 shade: #B19685, #97B185 and #8586B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B19685 shade: #B19685, #85B196 and #9685B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B19685 shade: #B19685, #97B185, #85A0B1 and #9F85B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B19685 shade: #B19685, #8AB185, #85A0B1 and #AC85B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 25 / 31

HEX #B19685

RGB 177 150 133

HSL 23.18, 0.22%, 0.61%

LAB 64.04, 7.37, 12.7

 

Complementary color

CMYK 36 / 14 / 0 / 52

HEX #4E697A

RGB 78 105 122

HSL 203.18, 0.22%, 0.39%

LAB 42.96, -5.35, -12.66

 

CMYK 0 / 18 / 30 / 29

HEX #B69680

RGB 182 150 128

HSL 24.44, 0.27%, 0.61%

LAB 64.42, 8.64, 16.09

 

CMYK 0 / 16 / 26 / 22

HEX #C7A893

RGB 199 168 147

HSL 24.23, 0.32%, 0.68%

LAB 71.05, 8.11, 15.06

 

CMYK 0 / 14 / 23 / 15

HEX #D8BAA6

RGB 216 186 166

HSL 24, 0.39%, 0.75%

LAB 77.56, 7.64, 14.1

 

CMYK 0 / 12 / 21 / 9

HEX #E9CCB9

RGB 233 204 185

HSL 23.75, 0.52%, 0.82%

LAB 83.97, 7.23, 13.2

 

CMYK 0 / 11 / 18 / 2

HEX #FADECC

RGB 250 222 204

HSL 23.48, 0.82%, 0.89%

LAB 90.29, 6.85, 12.35

 

CMYK 0 / 15 / 25 / 31

HEX #B19685

RGB 177 150 133

HSL 23.18, 0.22%, 0.61%

LAB 64.04, 7.37, 12.7

 

CMYK 0 / 18 / 29 / 37

HEX #A08472

RGB 160 132 114

HSL 23.48, 0.19%, 0.54%

LAB 57.26, 7.9, 13.73

 

CMYK 0 / 20 / 34 / 44

HEX #8F725F

RGB 143 114 95

HSL 23.75, 0.2%, 0.47%

LAB 50.33, 8.52, 14.86

 

CMYK 0 / 24 / 40 / 51

HEX #7E604C

RGB 126 96 76

HSL 24, 0.25%, 0.4%

LAB 43.25, 9.26, 16.12

 

CMYK 0 / 28 / 48 / 57

HEX #6D4E39

RGB 109 78 57

HSL 24.23, 0.31%, 0.33%

LAB 35.98, 10.18, 17.56

 

CMYK 0 / 15 / 25 / 31

HEX #B19685

RGB 177 150 133

HSL 23.18, 0.22%, 0.61%

LAB 64.04, 7.37, 12.7

 

CMYK 0 / 22 / 25 / 31

HEX #B18A85

RGB 177 138 133

HSL 6.82, 0.22%, 0.61%

LAB 60.97, 14.06, 8.36

 

CMYK 0 / 25 / 25 / 31

HEX #B18585

RGB 177 133 133

HSL 0, 0.22%, 0.61%

LAB 59.72, 16.87, 6.57

 

CMYK 0 / 15 / 25 / 31

HEX #B19685

RGB 177 150 133

HSL 23.18, 0.22%, 0.61%

LAB 64.04, 7.37, 12.7

 

CMYK 0 / 8 / 25 / 31

HEX #B1A285

RGB 177 162 133

HSL 39.55, 0.22%, 0.61%

LAB 67.19, 0.79, 17.08

 

CMYK 0 / 2 / 25 / 31

HEX #B1AE85

RGB 177 174 133

HSL 55.91, 0.22%, 0.61%

LAB 70.39, -5.67, 21.49

 

CMYK 5 / 0 / 25 / 31

HEX #A8B185

RGB 168 177 133

HSL 72.27, 0.22%, 0.61%

LAB 70.5, -10.73, 21.51

 

CMYK 11 / 0 / 25 / 31

HEX #9DB185

RGB 157 177 133

HSL 87.27, 0.22%, 0.61%

LAB 69.69, -14.89, 20.27

 

CMYK 0 / 15 / 25 / 31

HEX #B19685

RGB 177 150 133

HSL 23.18, 0.22%, 0.61%

LAB 64.04, 7.37, 12.7

 

CMYK 0 / 24 / 39 / 24

HEX #C19275

RGB 193 146 117

HSL 22.89, 0.38%, 0.61%

LAB 64.31, 13.87, 22.24

 

CMYK 0 / 32 / 52 / 18

HEX #D18F65

RGB 209 143 101

HSL 23.33, 0.54%, 0.61%

LAB 65.07, 20.39, 32.35

 

CMYK 0 / 38 / 62 / 12

HEX #E18B55

RGB 225 139 85

HSL 23.14, 0.7%, 0.61%

LAB 65.85, 27.81, 42.22

 

CMYK 0 / 44 / 71 / 5

HEX #F18745

RGB 241 135 69

HSL 23.02, 0.86%, 0.61%

LAB 66.87, 35.41, 51.92

 

CMYK 0 / 15 / 25 / 31

HEX #B19685

RGB 177 150 133

HSL 23.18, 0.22%, 0.61%

LAB 64.04, 7.37, 12.7

 

CMYK 0 / 4 / 7 / 37

HEX #A19A95

RGB 161 154 149

HSL 25, 0.06%, 0.61%

LAB 64.05, 1.64, 3.52

 

CMYK 12 / 5 / 0 / 35

HEX #919DA5

RGB 145 157 165

HSL 204, 0.1%, 0.61%

LAB 64.04, -2.59, -5.63

 

CMYK 29 / 11 / 0 / 29

HEX #81A1B5

RGB 129 161 181

HSL 203.08, 0.26%, 0.61%

LAB 64.56, -6.28, -13.95

 

CMYK 43 / 17 / 0 / 22

HEX #71A5C6

RGB 113 165 198

HSL 203.29, 0.43%, 0.61%

LAB 65.36, -8.52, -22.3

 

CMYK 0 / 25 / 21 / 31

HEX #B1858C

RGB 177 133 140

HSL 350.45, 0.22%, 0.61%

LAB 59.9, 17.94, 2.82

 

CMYK 0 / 22 / 25 / 31

HEX #B18A85

RGB 177 138 133

HSL 6.82, 0.22%, 0.61%

LAB 60.97, 14.06, 8.36

 

CMYK 0 / 15 / 25 / 31

HEX #B19685

RGB 177 150 133

HSL 23.18, 0.22%, 0.61%

LAB 64.04, 7.37, 12.7

 

CMYK 0 / 8 / 25 / 31

HEX #B1A285

RGB 177 162 133

HSL 39.55, 0.22%, 0.61%

LAB 67.19, 0.79, 17.08

 

CMYK 0 / 2 / 25 / 31

HEX #B1AD85

RGB 177 173 133

HSL 54.55, 0.22%, 0.61%

LAB 70.13, -5.13, 21.12

 

CMYK 0 / 22 / 36 / 45

HEX #8B6C59

RGB 139 108 89

HSL 22.8, 0.22%, 0.45%

LAB 48.18, 9.5, 15.35

 

CMYK 0 / 20 / 33 / 37

HEX #A1806C

RGB 161 128 108

HSL 22.64, 0.22%, 0.53%

LAB 56.19, 9.74, 15.69

 

CMYK 0 / 15 / 25 / 31

HEX #B19685

RGB 177 150 133

HSL 23.18, 0.22%, 0.61%

LAB 64.04, 7.37, 12.7

 

CMYK 0 / 11 / 18 / 24

HEX #C1AC9E

RGB 193 172 158

HSL 24, 0.22%, 0.69%

LAB 71.77, 5.29, 9.96

 

CMYK 0 / 8 / 12 / 18

HEX #D1C1B8

RGB 209 193 184

HSL 21.6, 0.21%, 0.77%

LAB 79.13, 4.11, 6.55

 

CMYK 0 / 15 / 25 / 31

HEX #B19685

RGB 177 150 133

HSL 23.18, 0.22%, 0.61%

LAB 64.04, 7.37, 12.7

 

CMYK 15 / 0 / 25 / 31

HEX #97B185

RGB 151 177 133

HSL 95.45, 0.22%, 0.61%

LAB 69.27, -17.11, 19.63

 

CMYK 25 / 24 / 0 / 31

HEX #8586B1

RGB 133 134 177

HSL 238.64, 0.22%, 0.61%

LAB 57.28, 9.27, -22.72

 

CMYK 0 / 15 / 25 / 31

HEX #B19685

RGB 177 150 133

HSL 23.18, 0.22%, 0.61%

LAB 64.04, 7.37, 12.7

 

CMYK 25 / 0 / 15 / 31

HEX #85B196

RGB 133 177 150

HSL 143.18, 0.22%, 0.61%

LAB 68.48, -20.35, 9.07

 

CMYK 15 / 25 / 0 / 31

HEX #9685B1

RGB 150 133 177

HSL 263.18, 0.22%, 0.61%

LAB 58.45, 15.33, -20.81

 

CMYK 0 / 15 / 25 / 31

HEX #B19685

RGB 177 150 133

HSL 23.18, 0.22%, 0.61%

LAB 64.04, 7.37, 12.7

 

CMYK 15 / 0 / 25 / 31

HEX #97B185

RGB 151 177 133

HSL 95.45, 0.22%, 0.61%

LAB 69.27, -17.11, 19.63

 

CMYK 25 / 10 / 0 / 31

HEX #85A0B1

RGB 133 160 177

HSL 203.18, 0.22%, 0.61%

LAB 64.41, -5.46, -11.91

 

CMYK 10 / 25 / 0 / 31

HEX #9F85B1

RGB 159 133 177

HSL 275.45, 0.22%, 0.61%

LAB 59.27, 18.33, -19.48

 

CMYK 0 / 15 / 25 / 31

HEX #B19685

RGB 177 150 133

HSL 23.18, 0.22%, 0.61%

LAB 64.04, 7.37, 12.7

 

CMYK 22 / 0 / 25 / 31

HEX #8AB185

RGB 138 177 133

HSL 113.18, 0.22%, 0.61%

LAB 68.42, -21.79, 18.33

 

CMYK 25 / 10 / 0 / 31

HEX #85A0B1

RGB 133 160 177

HSL 203.18, 0.22%, 0.61%

LAB 64.41, -5.46, -11.91

 

CMYK 3 / 25 / 0 / 31

HEX #AC85B1

RGB 172 133 177

HSL 293.18, 0.22%, 0.61%

LAB 60.53, 22.73, -17.44

 

Description

Color code: HEX #B19685 | qconv.com Color code: HEX #B19685 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 150 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 150 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 25 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 25% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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