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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B18C06 it is the complementary color #4E73F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B18C06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B18C06 shade: #B68C01, #C79E14, #D8B027, #E9C23A and #FAD44D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B18C06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B18C06 shade: #B18C06, #A07A00, #8F6800, #7E5600 and #6D4400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B18C06 shade: #B18C06, #B15E06, #B13006 and #B10606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B18C06 shade: #B18C06, #A8B106, #7AB106, #4BB106 and #1DB106

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B18C06 shade matches the following richer shades: #B18C06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B18C06 shade: #B18C06, #A28315, #937B24, #847232 and #756A41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B18C06 shade: #B13106, #B15E06, #B18C06, #A8B106 and #7BB106

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B18C06 shade: #614D03, #896C04, #B18C06, #D8AB07 and #F6C513

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B18C06 shade: #B18C06, #09B106 and #4706B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B18C06 shade: #B18C06, #06B18C and #8C06B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B18C06 shade: #B18C06, #09B106, #062BB1 and #AE06B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B18C06 shade: #B18C06, #06B136, #062BB1 and #B10680

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 97 / 31

HEX #B18C06

RGB 177 140 6

HSL 47.02, 0.93%, 0.36%

LAB 59.99, 3.31, 63.73

 

Complementary color

CMYK 69 / 54 / 0 / 2

HEX #4E73F9

RGB 78 115 249

HSL 227.02, 0.93%, 0.64%

LAB 52.64, 30.24, -70.89

 

CMYK 0 / 23 / 99 / 29

HEX #B68C01

RGB 182 140 1

HSL 46.08, 0.99%, 0.36%

LAB 60.52, 5.52, 65.13

 

CMYK 0 / 21 / 90 / 22

HEX #C79E14

RGB 199 158 20

HSL 46.26, 0.82%, 0.43%

LAB 67.01, 3.64, 67.69

 

CMYK 0 / 19 / 82 / 15

HEX #D8B027

RGB 216 176 39

HSL 46.44, 0.69%, 0.5%

LAB 73.41, 2, 68.92

 

CMYK 0 / 17 / 75 / 9

HEX #E9C23A

RGB 233 194 58

HSL 46.63, 0.8%, 0.57%

LAB 79.73, 0.59, 69.1

 

CMYK 0 / 15 / 69 / 2

HEX #FAD44D

RGB 250 212 77

HSL 46.82, 0.95%, 0.64%

LAB 85.98, -0.62, 68.67

 

CMYK 0 / 21 / 97 / 31

HEX #B18C06

RGB 177 140 6

HSL 47.02, 0.93%, 0.36%

LAB 59.99, 3.31, 63.73

 

CMYK 0 / 24 / 100 / 37

HEX #A07A00

RGB 160 122 0

HSL 45.75, 1%, 0.31%

LAB 53.38, 5.41, 59.22

 

CMYK 0 / 27 / 100 / 44

HEX #8F6800

RGB 143 104 0

HSL 43.64, 1%, 0.28%

LAB 46.63, 7.7, 53.68

 

CMYK 0 / 32 / 100 / 51

HEX #7E5600

RGB 126 86 0

HSL 40.95, 1%, 0.25%

LAB 39.73, 10.13, 48.02

 

CMYK 0 / 38 / 100 / 57

HEX #6D4400

RGB 109 68 0

HSL 37.43, 1%, 0.21%

LAB 32.67, 12.7, 42.25

 

CMYK 0 / 21 / 97 / 31

HEX #B18C06

RGB 177 140 6

HSL 47.02, 0.93%, 0.36%

LAB 59.99, 3.31, 63.73

 

CMYK 0 / 47 / 97 / 31

HEX #B15E06

RGB 177 94 6

HSL 30.88, 0.93%, 0.36%

LAB 48.72, 28.82, 55.85

 

CMYK 0 / 73 / 97 / 31

HEX #B13006

RGB 177 48 6

HSL 14.74, 0.93%, 0.36%

LAB 40.37, 50.52, 50.62

 

CMYK 0 / 97 / 97 / 31

HEX #B10606

RGB 177 6 6

HSL 0, 0.93%, 0.36%

LAB 36.91, 60.28, 48.75

 

CMYK 0 / 21 / 97 / 31

HEX #B18C06

RGB 177 140 6

HSL 47.02, 0.93%, 0.36%

LAB 59.99, 3.31, 63.73

 

CMYK 5 / 0 / 97 / 31

HEX #A8B106

RGB 168 177 6

HSL 63.16, 0.93%, 0.36%

LAB 69.31, -20.25, 70.28

 

CMYK 31 / 0 / 97 / 31

HEX #7AB106

RGB 122 177 6

HSL 79.3, 0.93%, 0.36%

LAB 66.21, -39.28, 66.53

 

CMYK 58 / 0 / 97 / 31

HEX #4BB106

RGB 75 177 6

HSL 95.79, 0.93%, 0.36%

LAB 64.12, -54.78, 63.99

 

CMYK 84 / 0 / 97 / 31

HEX #1DB106

RGB 29 177 6

HSL 111.93, 0.93%, 0.36%

LAB 63.11, -63.42, 62.75

 

CMYK 0 / 21 / 97 / 31

HEX #B18C06

RGB 177 140 6

HSL 47.02, 0.93%, 0.36%

LAB 59.99, 3.31, 63.73

 

CMYK 0 / 21 / 97 / 31

HEX #B18C06

RGB 177 140 6

HSL 47.02, 0.93%, 0.36%

LAB 59.99, 3.31, 63.73

 

CMYK 0 / 19 / 87 / 36

HEX #A28315

RGB 162 131 21

HSL 46.81, 0.77%, 0.36%

LAB 56.06, 1.68, 57.11

 

CMYK 0 / 16 / 76 / 42

HEX #937B24

RGB 147 123 36

HSL 47.03, 0.61%, 0.36%

LAB 52.39, -0.24, 48.26

 

CMYK 0 / 14 / 62 / 48

HEX #847232

RGB 132 114 50

HSL 46.83, 0.45%, 0.36%

LAB 48.47, -1.2, 37.31

 

CMYK 0 / 9 / 44 / 54

HEX #756A41

RGB 117 106 65

HSL 47.31, 0.29%, 0.36%

LAB 44.9, -1.99, 24.56

 

CMYK 0 / 72 / 97 / 31

HEX #B13106

RGB 177 49 6

HSL 15.09, 0.93%, 0.36%

LAB 40.5, 50.15, 50.7

 

CMYK 0 / 47 / 97 / 31

HEX #B15E06

RGB 177 94 6

HSL 30.88, 0.93%, 0.36%

LAB 48.72, 28.82, 55.85

 

CMYK 0 / 21 / 97 / 31

HEX #B18C06

RGB 177 140 6

HSL 47.02, 0.93%, 0.36%

LAB 59.99, 3.31, 63.73

 

CMYK 5 / 0 / 97 / 31

HEX #A8B106

RGB 168 177 6

HSL 63.16, 0.93%, 0.36%

LAB 69.31, -20.25, 70.28

 

CMYK 31 / 0 / 97 / 31

HEX #7BB106

RGB 123 177 6

HSL 78.95, 0.93%, 0.36%

LAB 66.27, -38.9, 66.6

 

CMYK 0 / 21 / 97 / 62

HEX #614D03

RGB 97 77 3

HSL 47.23, 0.94%, 0.2%

LAB 33.68, 1.27, 41.12

 

CMYK 0 / 21 / 97 / 46

HEX #896C04

RGB 137 108 4

HSL 46.92, 0.94%, 0.28%

LAB 47.04, 2.61, 52.73

 

CMYK 0 / 21 / 97 / 31

HEX #B18C06

RGB 177 140 6

HSL 47.02, 0.93%, 0.36%

LAB 59.99, 3.31, 63.73

 

CMYK 0 / 21 / 97 / 15

HEX #D8AB07

RGB 216 171 7

HSL 47.08, 0.94%, 0.44%

LAB 72.05, 4.05, 74.13

 

CMYK 0 / 20 / 92 / 4

HEX #F6C513

RGB 246 197 19

HSL 47.05, 0.93%, 0.52%

LAB 81.61, 3.61, 80.99

 

CMYK 0 / 21 / 97 / 31

HEX #B18C06

RGB 177 140 6

HSL 47.02, 0.93%, 0.36%

LAB 59.99, 3.31, 63.73

 

CMYK 95 / 0 / 97 / 31

HEX #09B106

RGB 9 177 6

HSL 118.95, 0.93%, 0.36%

LAB 62.94, -64.95, 62.54

 

CMYK 60 / 97 / 0 / 31

HEX #4706B1

RGB 71 6 177

HSL 262.81, 0.93%, 0.36%

LAB 25.7, 60.94, -73.62

 

CMYK 0 / 21 / 97 / 31

HEX #B18C06

RGB 177 140 6

HSL 47.02, 0.93%, 0.36%

LAB 59.99, 3.31, 63.73

 

CMYK 97 / 0 / 21 / 31

HEX #06B18C

RGB 6 177 140

HSL 167.02, 0.93%, 0.36%

LAB 64.46, -46.83, 8.34

 

CMYK 21 / 97 / 0 / 31

HEX #8C06B1

RGB 140 6 177

HSL 287.02, 0.93%, 0.36%

LAB 35.75, 68.34, -56.73

 

CMYK 0 / 21 / 97 / 31

HEX #B18C06

RGB 177 140 6

HSL 47.02, 0.93%, 0.36%

LAB 59.99, 3.31, 63.73

 

CMYK 95 / 0 / 97 / 31

HEX #09B106

RGB 9 177 6

HSL 118.95, 0.93%, 0.36%

LAB 62.94, -64.95, 62.54

 

CMYK 97 / 76 / 0 / 31

HEX #062BB1

RGB 6 43 177

HSL 227.02, 0.93%, 0.36%

LAB 26.57, 43.36, -72.29

 

CMYK 2 / 97 / 0 / 31

HEX #AE06B1

RGB 174 6 177

HSL 298.95, 0.93%, 0.36%

LAB 41.69, 73.62, -46.84

 

CMYK 0 / 21 / 97 / 31

HEX #B18C06

RGB 177 140 6

HSL 47.02, 0.93%, 0.36%

LAB 59.99, 3.31, 63.73

 

CMYK 97 / 0 / 69 / 31

HEX #06B136

RGB 6 177 54

HSL 136.84, 0.93%, 0.36%

LAB 63.14, -62.38, 50.13

 

CMYK 97 / 76 / 0 / 31

HEX #062BB1

RGB 6 43 177

HSL 227.02, 0.93%, 0.36%

LAB 26.57, 43.36, -72.29

 

CMYK 0 / 97 / 28 / 31

HEX #B10680

RGB 177 6 128

HSL 317.19, 0.93%, 0.36%

LAB 39.64, 67.6, -20.33

 

Description

Color code: HEX #B18C06 | qconv.com Color code: HEX #B18C06 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 140 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 140 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 97 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 97% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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