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Color name
HEX #B16A4D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B16A4D it is the complementary color #4E95B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B16A4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B16A4D shade: #B66A48, #C77C5B, #D88E6E, #E9A081 and #FAB294

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B16A4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B16A4D shade: #B16A4D, #A0583A, #8F4627, #7E3414 and #6D2201

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B16A4D shade: #B16A4D, #B14F4D and #B14D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B16A4D shade: #B16A4D, #B1854D, #B1A04D, #A7B14D and #8CB14D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B16A4D shade matches the following richer shades: #B16A4D, #C56139, #DA5924 and #EF500F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B16A4D shade: #B16A4D, #9C7362, #877B77, #73848B and #5E8DA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B16A4D shade: #B14D66, #B14F4D, #B1694D, #B1844D and #B19E4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B16A4D shade: #774834, #945941, #B16A4D, #BD826A and #CA9A87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B16A4D shade: #B16A4D, #81B14D and #4D59B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B16A4D shade: #B16A4D, #4DB169 and #694DB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B16A4D shade: #B16A4D, #81B14D, #4D95B1 and #7D4DB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B16A4D shade: #B16A4D, #63B14D, #4D95B1 and #9B4DB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 56 / 31

HEX #B16A4D

RGB 177 106 77

HSL 17.4, 0.39%, 0.5%

LAB 52.05, 25.42, 28.25

 

Complementary color

CMYK 56 / 16 / 0 / 30

HEX #4E95B2

RGB 78 149 178

HSL 197.4, 0.39%, 0.5%

LAB 58.35, -13.82, -21.93

 

CMYK 0 / 42 / 60 / 29

HEX #B66A48

RGB 182 106 72

HSL 18.55, 0.43%, 0.5%

LAB 52.64, 27.09, 31.94

 

CMYK 0 / 38 / 54 / 22

HEX #C77C5B

RGB 199 124 91

HSL 18.33, 0.49%, 0.57%

LAB 59.26, 25.76, 30.16

 

CMYK 0 / 34 / 49 / 15

HEX #D88E6E

RGB 216 142 110

HSL 18.11, 0.58%, 0.64%

LAB 65.8, 24.59, 28.56

 

CMYK 0 / 31 / 45 / 9

HEX #E9A081

RGB 233 160 129

HSL 17.88, 0.7%, 0.71%

LAB 72.26, 23.56, 27.1

 

CMYK 0 / 29 / 41 / 2

HEX #FAB294

RGB 250 178 148

HSL 17.65, 0.91%, 0.78%

LAB 78.64, 22.63, 25.78

 

CMYK 0 / 40 / 56 / 31

HEX #B16A4D

RGB 177 106 77

HSL 17.4, 0.39%, 0.5%

LAB 52.05, 25.42, 28.25

 

CMYK 0 / 45 / 64 / 37

HEX #A0583A

RGB 160 88 58

HSL 17.65, 0.47%, 0.43%

LAB 45.3, 26.84, 30.17

 

CMYK 0 / 51 / 73 / 44

HEX #8F4627

RGB 143 70 39

HSL 17.88, 0.57%, 0.36%

LAB 38.49, 28.45, 32.31

 

CMYK 0 / 59 / 84 / 51

HEX #7E3414

RGB 126 52 20

HSL 18.11, 0.73%, 0.29%

LAB 31.67, 30.22, 34.5

 

CMYK 0 / 69 / 99 / 57

HEX #6D2201

RGB 109 34 1

HSL 18.33, 0.98%, 0.22%

LAB 24.94, 31.94, 35.65

 

CMYK 0 / 40 / 56 / 31

HEX #B16A4D

RGB 177 106 77

HSL 17.4, 0.39%, 0.5%

LAB 52.05, 25.42, 28.25

 

CMYK 0 / 55 / 56 / 31

HEX #B14F4D

RGB 177 79 77

HSL 1.2, 0.39%, 0.5%

LAB 46.28, 39.79, 20.79

 

CMYK 0 / 56 / 56 / 31

HEX #B14D4D

RGB 177 77 77

HSL 0, 0.39%, 0.5%

LAB 45.89, 40.79, 20.29

 

CMYK 0 / 40 / 56 / 31

HEX #B16A4D

RGB 177 106 77

HSL 17.4, 0.39%, 0.5%

LAB 52.05, 25.42, 28.25

 

CMYK 0 / 25 / 56 / 31

HEX #B1854D

RGB 177 133 77

HSL 33.6, 0.39%, 0.5%

LAB 58.66, 10.34, 36.43

 

CMYK 0 / 10 / 56 / 31

HEX #B1A04D

RGB 177 160 77

HSL 49.8, 0.39%, 0.5%

LAB 65.77, -4.46, 44.84

 

CMYK 6 / 0 / 56 / 31

HEX #A7B14D

RGB 167 177 77

HSL 66, 0.39%, 0.5%

LAB 69.61, -17.59, 49.02

 

CMYK 21 / 0 / 56 / 31

HEX #8CB14D

RGB 140 177 77

HSL 82.2, 0.39%, 0.5%

LAB 67.69, -28.54, 46.32

 

CMYK 0 / 40 / 56 / 31

HEX #B16A4D

RGB 177 106 77

HSL 17.4, 0.39%, 0.5%

LAB 52.05, 25.42, 28.25

 

CMYK 0 / 51 / 71 / 23

HEX #C56139

RGB 197 97 57

HSL 17.14, 0.55%, 0.5%

LAB 52.64, 37, 40.61

 

CMYK 0 / 59 / 83 / 15

HEX #DA5924

RGB 218 89 36

HSL 17.47, 0.72%, 0.5%

LAB 54.21, 48.08, 53.37

 

CMYK 0 / 67 / 94 / 6

HEX #EF500F

RGB 239 80 15

HSL 17.41, 0.88%, 0.5%

LAB 56.21, 58.86, 63.59

 

CMYK 0 / 40 / 56 / 31

HEX #B16A4D

RGB 177 106 77

HSL 17.4, 0.39%, 0.5%

LAB 52.05, 25.42, 28.25

 

CMYK 0 / 26 / 37 / 39

HEX #9C7362

RGB 156 115 98

HSL 17.59, 0.23%, 0.5%

LAB 52.08, 13.78, 15.72

 

CMYK 0 / 9 / 12 / 47

HEX #877B77

RGB 135 123 119

HSL 15, 0.06%, 0.5%

LAB 52.56, 3.86, 3.84

 

CMYK 17 / 5 / 0 / 45

HEX #73848B

RGB 115 132 139

HSL 197.5, 0.09%, 0.5%

LAB 54.04, -4.59, -5.85

 

CMYK 41 / 12 / 0 / 37

HEX #5E8DA0

RGB 94 141 160

HSL 197.27, 0.26%, 0.5%

LAB 56.06, -10.8, -15.09

 

CMYK 0 / 56 / 42 / 31

HEX #B14D66

RGB 177 77 102

HSL 345, 0.39%, 0.5%

LAB 46.46, 43.16, 5.89

 

CMYK 0 / 55 / 56 / 31

HEX #B14F4D

RGB 177 79 77

HSL 1.2, 0.39%, 0.5%

LAB 46.28, 39.79, 20.79

 

CMYK 0 / 41 / 56 / 31

HEX #B1694D

RGB 177 105 77

HSL 16.8, 0.39%, 0.5%

LAB 51.82, 25.97, 27.96

 

CMYK 0 / 25 / 56 / 31

HEX #B1844D

RGB 177 132 77

HSL 33, 0.39%, 0.5%

LAB 58.4, 10.89, 36.12

 

CMYK 0 / 11 / 56 / 31

HEX #B19E4D

RGB 177 158 77

HSL 48.6, 0.39%, 0.5%

LAB 65.23, -3.39, 44.22

 

CMYK 0 / 39 / 56 / 53

HEX #774834

RGB 119 72 52

HSL 17.91, 0.39%, 0.34%

LAB 35.61, 17.82, 20.38

 

CMYK 0 / 40 / 56 / 42

HEX #945941

RGB 148 89 65

HSL 17.35, 0.39%, 0.42%

LAB 43.98, 21.74, 24.11

 

CMYK 0 / 40 / 56 / 31

HEX #B16A4D

RGB 177 106 77

HSL 17.4, 0.39%, 0.5%

LAB 52.05, 25.42, 28.25

 

CMYK 0 / 31 / 44 / 26

HEX #BD826A

RGB 189 130 106

HSL 17.35, 0.39%, 0.58%

LAB 59.73, 19.85, 22.16

 

CMYK 0 / 24 / 33 / 21

HEX #CA9A87

RGB 202 154 135

HSL 17.01, 0.39%, 0.66%

LAB 67.59, 15.29, 16.9

 

CMYK 0 / 40 / 56 / 31

HEX #B16A4D

RGB 177 106 77

HSL 17.4, 0.39%, 0.5%

LAB 52.05, 25.42, 28.25

 

CMYK 27 / 0 / 56 / 31

HEX #81B14D

RGB 129 177 77

HSL 88.8, 0.39%, 0.5%

LAB 67.01, -32.76, 45.36

 

CMYK 56 / 50 / 0 / 31

HEX #4D59B1

RGB 77 89 177

HSL 232.8, 0.39%, 0.5%

LAB 41.05, 21.67, -48.51

 

CMYK 0 / 40 / 56 / 31

HEX #B16A4D

RGB 177 106 77

HSL 17.4, 0.39%, 0.5%

LAB 52.05, 25.42, 28.25

 

CMYK 56 / 0 / 41 / 31

HEX #4DB169

RGB 77 177 105

HSL 136.8, 0.39%, 0.5%

LAB 65, -45.26, 28.26

 

CMYK 41 / 56 / 0 / 31

HEX #694DB1

RGB 105 77 177

HSL 256.8, 0.39%, 0.5%

LAB 40.39, 35.4, -49.46

 

CMYK 0 / 40 / 56 / 31

HEX #B16A4D

RGB 177 106 77

HSL 17.4, 0.39%, 0.5%

LAB 52.05, 25.42, 28.25

 

CMYK 27 / 0 / 56 / 31

HEX #81B14D

RGB 129 177 77

HSL 88.8, 0.39%, 0.5%

LAB 67.01, -32.76, 45.36

 

CMYK 56 / 16 / 0 / 31

HEX #4D95B1

RGB 77 149 177

HSL 196.8, 0.39%, 0.5%

LAB 58.27, -14.33, -21.49

 

CMYK 29 / 56 / 0 / 31

HEX #7D4DB1

RGB 125 77 177

HSL 268.8, 0.39%, 0.5%

LAB 42.52, 40.34, -45.91

 

CMYK 0 / 40 / 56 / 31

HEX #B16A4D

RGB 177 106 77

HSL 17.4, 0.39%, 0.5%

LAB 52.05, 25.42, 28.25

 

CMYK 44 / 0 / 56 / 31

HEX #63B14D

RGB 99 177 77

HSL 106.8, 0.39%, 0.5%

LAB 65.46, -43.17, 43.16

 

CMYK 56 / 16 / 0 / 31

HEX #4D95B1

RGB 77 149 177

HSL 196.8, 0.39%, 0.5%

LAB 58.27, -14.33, -21.49

 

CMYK 12 / 56 / 0 / 31

HEX #9B4DB1

RGB 155 77 177

HSL 286.8, 0.39%, 0.5%

LAB 46.25, 48.2, -39.76

 

Description

Color code: HEX #B16A4D | qconv.com Color code: HEX #B16A4D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 106 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 106 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 56 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 56% 31% C M Y K

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Provide designers and agencies with accurate color values.

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