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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B169F1 it is the complementary color #4E960E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B169F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B169F1 shade: #B669EC, #C77BFF, #D88DFF, #E99FFF and #FAB1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B169F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B169F1 shade: #B169F1, #A057DE, #8F45CB, #7E33B8 and #6D21A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B169F1 shade: #B169F1, #D569F1, #F169E7, #F169C3 and #F1699E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B169F1 shade: #B169F1, #8C69F1 and #6969F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B169F1 shade matches the following richer shades: #B169F1 and #B25CFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B169F1 shade: #B169F1, #B076E3, #AF84D6, #AF91C9 and #AE9EBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B169F1 shade: #696BF1, #8B69F1, #AF69F1, #D369F1 and #F169EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B169F1 shade: #8A1EEA, #9D43ED, #B169F1, #C48FF4 and #D8B5F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B169F1 shade: #B169F1, #F16990 and #69F179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B169F1 shade: #B169F1, #F1AF69 and #69F1AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B169F1 shade: #B169F1, #F16990, #ABF169 and #69F1CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B169F1 shade: #B169F1, #F16B69, #ABF169 and #69EEF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 56 / 0 / 5

HEX #B169F1

RGB 177 105 241

HSL 271.76, 0.83%, 0.68%

LAB 57.85, 53.43, -57.65

 

Complementary color

CMYK 48 / 0 / 91 / 41

HEX #4E960E

RGB 78 150 14

HSL 91.76, 0.83%, 0.32%

LAB 55.55, -43.54, 55.78

 

CMYK 23 / 56 / 0 / 7

HEX #B669EC

RGB 182 105 236

HSL 275.27, 0.78%, 0.67%

LAB 58.14, 53.52, -54.37

 

CMYK 22 / 52 / 0 / 0

HEX #C77BFF

RGB 199 123 255

HSL 274.55, 1%, 0.74%

LAB 64.59, 52.71, -54.5

 

CMYK 15 / 45 / 0 / 0

HEX #D88DFF

RGB 216 141 255

HSL 279.47, 1%, 0.78%

LAB 70.08, 47.85, -45.69

 

CMYK 9 / 38 / 0 / 0

HEX #E99FFF

RGB 233 159 255

HSL 286.25, 1%, 0.81%

LAB 75.66, 43.27, -36.86

 

CMYK 2 / 31 / 0 / 0

HEX #FAB1FF

RGB 250 177 255

HSL 296.15, 1%, 0.85%

LAB 81.29, 38.97, -28.05

 

CMYK 27 / 56 / 0 / 5

HEX #B169F1

RGB 177 105 241

HSL 271.76, 0.83%, 0.68%

LAB 57.85, 53.43, -57.65

 

CMYK 28 / 61 / 0 / 13

HEX #A057DE

RGB 160 87 222

HSL 272.44, 0.67%, 0.61%

LAB 51.34, 54.25, -57.53

 

CMYK 30 / 66 / 0 / 20

HEX #8F45CB

RGB 143 69 203

HSL 273.13, 0.56%, 0.53%

LAB 44.81, 54.94, -57.28

 

CMYK 32 / 72 / 0 / 28

HEX #7E33B8

RGB 126 51 184

HSL 273.83, 0.57%, 0.46%

LAB 38.31, 55.35, -56.82

 

CMYK 34 / 80 / 0 / 35

HEX #6D21A5

RGB 109 33 165

HSL 274.55, 0.67%, 0.39%

LAB 31.93, 55.18, -55.96

 

CMYK 27 / 56 / 0 / 5

HEX #B169F1

RGB 177 105 241

HSL 271.76, 0.83%, 0.68%

LAB 57.85, 53.43, -57.65

 

CMYK 12 / 56 / 0 / 5

HEX #D569F1

RGB 213 105 241

HSL 287.65, 0.83%, 0.68%

LAB 62.17, 62.26, -50.51

 

CMYK 0 / 56 / 4 / 5

HEX #F169E7

RGB 241 105 231

HSL 304.41, 0.83%, 0.68%

LAB 65.42, 67.62, -39.6

 

CMYK 0 / 56 / 19 / 5

HEX #F169C3

RGB 241 105 195

HSL 320.29, 0.83%, 0.68%

LAB 63.95, 62.15, -21.67

 

CMYK 0 / 56 / 34 / 5

HEX #F1699E

RGB 241 105 158

HSL 336.62, 0.83%, 0.68%

LAB 62.74, 57.4, -2.39

 

CMYK 27 / 56 / 0 / 5

HEX #B169F1

RGB 177 105 241

HSL 271.76, 0.83%, 0.68%

LAB 57.85, 53.43, -57.65

 

CMYK 42 / 56 / 0 / 5

HEX #8C69F1

RGB 140 105 241

HSL 255.44, 0.83%, 0.68%

LAB 54.06, 44.93, -63.94

 

CMYK 56 / 56 / 0 / 5

HEX #6969F1

RGB 105 105 241

HSL 240, 0.83%, 0.68%

LAB 51.22, 37.95, -68.67

 

CMYK 27 / 56 / 0 / 5

HEX #B169F1

RGB 177 105 241

HSL 271.76, 0.83%, 0.68%

LAB 57.85, 53.43, -57.65

 

CMYK 30 / 64 / 0 / 0

HEX #B25CFE

RGB 178 92 254

HSL 271.85, 0.99%, 0.68%

LAB 56.36, 63.03, -67.24

 

CMYK 27 / 56 / 0 / 5

HEX #B169F1

RGB 177 105 241

HSL 271.76, 0.83%, 0.68%

LAB 57.85, 53.43, -57.65

 

CMYK 22 / 48 / 0 / 11

HEX #B076E3

RGB 176 118 227

HSL 271.93, 0.66%, 0.68%

LAB 59.65, 43.08, -46.99

 

CMYK 18 / 38 / 0 / 16

HEX #AF84D6

RGB 175 132 214

HSL 271.46, 0.5%, 0.68%

LAB 62.06, 32.1, -35.94

 

CMYK 13 / 28 / 0 / 21

HEX #AF91C9

RGB 175 145 201

HSL 272.14, 0.34%, 0.68%

LAB 64.63, 21.92, -24.7

 

CMYK 7 / 16 / 0 / 26

HEX #AE9EBC

RGB 174 158 188

HSL 272, 0.18%, 0.68%

LAB 67.34, 11.56, -13.33

 

CMYK 56 / 56 / 0 / 5

HEX #696BF1

RGB 105 107 241

HSL 239.12, 0.83%, 0.68%

LAB 51.69, 36.76, -67.91

 

CMYK 42 / 56 / 0 / 5

HEX #8B69F1

RGB 139 105 241

HSL 255, 0.83%, 0.68%

LAB 53.97, 44.71, -64.09

 

CMYK 27 / 56 / 0 / 5

HEX #AF69F1

RGB 175 105 241

HSL 270.88, 0.83%, 0.68%

LAB 57.62, 52.95, -58.02

 

CMYK 12 / 56 / 0 / 5

HEX #D369F1

RGB 211 105 241

HSL 286.76, 0.83%, 0.68%

LAB 61.91, 61.76, -50.93

 

CMYK 0 / 56 / 3 / 5

HEX #F169EA

RGB 241 105 234

HSL 303.09, 0.83%, 0.68%

LAB 65.55, 68.11, -41.05

 

CMYK 41 / 87 / 0 / 8

HEX #8A1EEA

RGB 138 30 234

HSL 271.76, 0.83%, 0.52%

LAB 41.65, 75.25, -80.21

 

CMYK 34 / 72 / 0 / 7

HEX #9D43ED

RGB 157 67 237

HSL 271.76, 0.83%, 0.6%

LAB 48.63, 66.32, -70.39

 

CMYK 27 / 56 / 0 / 5

HEX #B169F1

RGB 177 105 241

HSL 271.76, 0.83%, 0.68%

LAB 57.85, 53.43, -57.65

 

CMYK 20 / 41 / 0 / 4

HEX #C48FF4

RGB 196 143 244

HSL 271.49, 0.82%, 0.76%

LAB 67.96, 38.81, -43.17

 

CMYK 13 / 27 / 0 / 3

HEX #D8B5F8

RGB 216 181 248

HSL 271.34, 0.83%, 0.84%

LAB 78.71, 24.91, -28.53

 

CMYK 27 / 56 / 0 / 5

HEX #B169F1

RGB 177 105 241

HSL 271.76, 0.83%, 0.68%

LAB 57.85, 53.43, -57.65

 

CMYK 0 / 56 / 40 / 5

HEX #F16990

RGB 241 105 144

HSL 342.79, 0.83%, 0.68%

LAB 62.35, 55.86, 5.11

 

CMYK 56 / 0 / 50 / 5

HEX #69F179

RGB 105 241 121

HSL 127.06, 0.83%, 0.68%

LAB 85.65, -61.19, 46.68

 

CMYK 27 / 56 / 0 / 5

HEX #B169F1

RGB 177 105 241

HSL 271.76, 0.83%, 0.68%

LAB 57.85, 53.43, -57.65

 

CMYK 0 / 27 / 56 / 5

HEX #F1AF69

RGB 241 175 105

HSL 30.88, 0.83%, 0.68%

LAB 76.3, 16.66, 45.01

 

CMYK 56 / 0 / 27 / 5

HEX #69F1AF

RGB 105 241 175

HSL 150.88, 0.83%, 0.68%

LAB 86.51, -52.09, 20.91

 

CMYK 27 / 56 / 0 / 5

HEX #B169F1

RGB 177 105 241

HSL 271.76, 0.83%, 0.68%

LAB 57.85, 53.43, -57.65

 

CMYK 0 / 56 / 40 / 5

HEX #F16990

RGB 241 105 144

HSL 342.79, 0.83%, 0.68%

LAB 62.35, 55.86, 5.11

 

CMYK 29 / 0 / 56 / 5

HEX #ABF169

RGB 171 241 105

HSL 90.88, 0.83%, 0.68%

LAB 88.25, -43.59, 57.77

 

CMYK 56 / 0 / 16 / 5

HEX #69F1CA

RGB 105 241 202

HSL 162.79, 0.83%, 0.68%

LAB 87.08, -46.32, 7.71

 

CMYK 27 / 56 / 0 / 5

HEX #B169F1

RGB 177 105 241

HSL 271.76, 0.83%, 0.68%

LAB 57.85, 53.43, -57.65

 

CMYK 0 / 56 / 56 / 5

HEX #F16B69

RGB 241 107 105

HSL 0.88, 0.83%, 0.68%

LAB 61.86, 51.44, 26.8

 

CMYK 29 / 0 / 56 / 5

HEX #ABF169

RGB 171 241 105

HSL 90.88, 0.83%, 0.68%

LAB 88.25, -43.59, 57.77

 

CMYK 56 / 1 / 0 / 5

HEX #69EEF1

RGB 105 238 241

HSL 181.32, 0.83%, 0.68%

LAB 87.24, -35.35, -12.48

 

Description

Color code: HEX #B169F1 | qconv.com Color code: HEX #B169F1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 105 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 105 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 56 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 56% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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