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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B15279 it is the complementary color #4EAD86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B15279. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B15279 shade: #B65274, #C76487, #D8769A, #E988AD and #FA9AC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B15279. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B15279 shade: #B15279, #A04066, #8F2E53, #7E1C40 and #6D0A2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B15279 shade: #B15279, #B1525F and #B15252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B15279 shade: #B15279, #B15293, #B152AC, #9C52B1 and #8352B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B15279 shade matches the following richer shades: #B15279, #C53E75, #D92A72 and #EE156E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B15279 shade: #B15279, #9D667D, #897B80, #748F84 and #60A388

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B15279 shade: #B152AC, #B15293, #B1527A, #B15260 and #B15D52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B15279 shade: #7A3752, #974365, #B15279, #BE6F8F and #CB8BA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B15279 shade: #B15279, #B19C52 and #52A0B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B15279 shade: #B15279, #7AB152 and #527AB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B15279 shade: #B15279, #B19C52, #52B189 and #5267B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B15279 shade: #B15279, #A9B152, #52B189 and #5A52B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 32 / 31

HEX #B15279

RGB 177 82 121

HSL 335.37, 0.38%, 0.51%

LAB 47.96, 42.96, -3.47

 

Complementary color

CMYK 55 / 0 / 23 / 32

HEX #4EAD86

RGB 78 173 134

HSL 155.37, 0.38%, 0.49%

LAB 64.35, -37.52, 11.66

 

CMYK 0 / 55 / 36 / 29

HEX #B65274

RGB 182 82 116

HSL 339.6, 0.41%, 0.52%

LAB 48.56, 44.03, 0.52

 

CMYK 0 / 50 / 32 / 22

HEX #C76487

RGB 199 100 135

HSL 338.79, 0.47%, 0.59%

LAB 55.08, 43.21, -0.97

 

CMYK 0 / 45 / 29 / 15

HEX #D8769A

RGB 216 118 154

HSL 337.96, 0.56%, 0.65%

LAB 61.56, 42.35, -2.23

 

CMYK 0 / 42 / 26 / 9

HEX #E988AD

RGB 233 136 173

HSL 337.11, 0.69%, 0.72%

LAB 67.98, 41.5, -3.32

 

CMYK 0 / 38 / 23 / 2

HEX #FA9AC0

RGB 250 154 192

HSL 336.25, 0.91%, 0.79%

LAB 74.34, 40.68, -4.28

 

CMYK 0 / 54 / 32 / 31

HEX #B15279

RGB 177 82 121

HSL 335.37, 0.38%, 0.51%

LAB 47.96, 42.96, -3.47

 

CMYK 0 / 60 / 36 / 37

HEX #A04066

RGB 160 64 102

HSL 336.25, 0.43%, 0.44%

LAB 41.37, 43.65, -1.83

 

CMYK 0 / 68 / 42 / 44

HEX #8F2E53

RGB 143 46 83

HSL 337.11, 0.51%, 0.37%

LAB 34.84, 44.08, 0.28

 

CMYK 0 / 78 / 49 / 51

HEX #7E1C40

RGB 126 28 64

HSL 337.96, 0.64%, 0.3%

LAB 28.48, 43.9, 3.14

 

CMYK 0 / 91 / 59 / 57

HEX #6D0A2D

RGB 109 10 45

HSL 338.79, 0.83%, 0.23%

LAB 22.51, 42.49, 7.18

 

CMYK 0 / 54 / 32 / 31

HEX #B15279

RGB 177 82 121

HSL 335.37, 0.38%, 0.51%

LAB 47.96, 42.96, -3.47

 

CMYK 0 / 54 / 46 / 31

HEX #B1525F

RGB 177 82 95

HSL 351.79, 0.38%, 0.51%

LAB 47.25, 39.93, 11.25

 

CMYK 0 / 54 / 54 / 31

HEX #B15252

RGB 177 82 82

HSL 0, 0.38%, 0.51%

LAB 46.96, 38.7, 18.7

 

CMYK 0 / 54 / 32 / 31

HEX #B15279

RGB 177 82 121

HSL 335.37, 0.38%, 0.51%

LAB 47.96, 42.96, -3.47

 

CMYK 0 / 54 / 17 / 31

HEX #B15293

RGB 177 82 147

HSL 318.95, 0.38%, 0.51%

LAB 48.87, 46.68, -17.7

 

CMYK 0 / 54 / 3 / 31

HEX #B152AC

RGB 177 82 172

HSL 303.16, 0.38%, 0.51%

LAB 49.93, 50.85, -30.83

 

CMYK 12 / 54 / 0 / 31

HEX #9C52B1

RGB 156 82 177

HSL 286.74, 0.38%, 0.51%

LAB 47.34, 45.92, -38.03

 

CMYK 26 / 54 / 0 / 31

HEX #8352B1

RGB 131 82 177

HSL 270.95, 0.38%, 0.51%

LAB 44.28, 39.1, -43.07

 

CMYK 0 / 54 / 32 / 31

HEX #B15279

RGB 177 82 121

HSL 335.37, 0.38%, 0.51%

LAB 47.96, 42.96, -3.47

 

CMYK 0 / 69 / 41 / 23

HEX #C53E75

RGB 197 62 117

HSL 335.56, 0.54%, 0.51%

LAB 47.75, 57.74, -0.98

 

CMYK 0 / 81 / 47 / 15

HEX #D92A72

RGB 217 42 114

HSL 335.31, 0.7%, 0.51%

LAB 49.04, 69.24, 3.16

 

CMYK 0 / 91 / 54 / 7

HEX #EE156E

RGB 238 21 110

HSL 335.39, 0.86%, 0.51%

LAB 51.65, 77.83, 9.89

 

CMYK 0 / 54 / 32 / 31

HEX #B15279

RGB 177 82 121

HSL 335.37, 0.38%, 0.51%

LAB 47.96, 42.96, -3.47

 

CMYK 0 / 35 / 20 / 38

HEX #9D667D

RGB 157 102 125

HSL 334.91, 0.22%, 0.51%

LAB 49.68, 25.55, -3.63

 

CMYK 0 / 10 / 7 / 46

HEX #897B80

RGB 137 123 128

HSL 338.57, 0.06%, 0.51%

LAB 53, 6.29, -0.77

 

CMYK 19 / 0 / 8 / 44

HEX #748F84

RGB 116 143 132

HSL 155.56, 0.11%, 0.51%

LAB 57.1, -11.9, 2.68

 

CMYK 41 / 0 / 17 / 36

HEX #60A388

RGB 96 163 136

HSL 155.82, 0.27%, 0.51%

LAB 62.05, -27.73, 7.39

 

CMYK 0 / 54 / 3 / 31

HEX #B152AC

RGB 177 82 172

HSL 303.16, 0.38%, 0.51%

LAB 49.93, 50.85, -30.83

 

CMYK 0 / 54 / 17 / 31

HEX #B15293

RGB 177 82 147

HSL 318.95, 0.38%, 0.51%

LAB 48.87, 46.68, -17.7

 

CMYK 0 / 54 / 31 / 31

HEX #B1527A

RGB 177 82 122

HSL 334.74, 0.38%, 0.51%

LAB 47.99, 43.09, -4.03

 

CMYK 0 / 54 / 46 / 31

HEX #B15260

RGB 177 82 96

HSL 351.16, 0.38%, 0.51%

LAB 47.27, 40.03, 10.67

 

CMYK 0 / 47 / 54 / 31

HEX #B15D52

RGB 177 93 82

HSL 6.95, 0.38%, 0.51%

LAB 49.23, 32.94, 21.72

 

CMYK 0 / 55 / 33 / 52

HEX #7A3752

RGB 122 55 82

HSL 335.82, 0.38%, 0.35%

LAB 32.87, 32.37, -2.37

 

CMYK 0 / 56 / 33 / 41

HEX #974365

RGB 151 67 101

HSL 335.71, 0.39%, 0.43%

LAB 40.46, 38.99, -2.71

 

CMYK 0 / 54 / 32 / 31

HEX #B15279

RGB 177 82 121

HSL 335.37, 0.38%, 0.51%

LAB 47.96, 42.96, -3.47

 

CMYK 0 / 42 / 25 / 25

HEX #BE6F8F

RGB 190 111 143

HSL 335.7, 0.38%, 0.59%

LAB 56.39, 35.38, -3.87

 

CMYK 0 / 32 / 19 / 20

HEX #CB8BA5

RGB 203 139 165

HSL 335.63, 0.38%, 0.67%

LAB 64.87, 28.16, -3.81

 

CMYK 0 / 54 / 32 / 31

HEX #B15279

RGB 177 82 121

HSL 335.37, 0.38%, 0.51%

LAB 47.96, 42.96, -3.47

 

CMYK 0 / 12 / 54 / 31

HEX #B19C52

RGB 177 156 82

HSL 46.74, 0.38%, 0.51%

LAB 64.75, -1.89, 41.17

 

CMYK 54 / 10 / 0 / 31

HEX #52A0B1

RGB 82 160 177

HSL 190.74, 0.38%, 0.51%

LAB 61.75, -19.15, -16.18

 

CMYK 0 / 54 / 32 / 31

HEX #B15279

RGB 177 82 121

HSL 335.37, 0.38%, 0.51%

LAB 47.96, 42.96, -3.47

 

CMYK 31 / 0 / 54 / 31

HEX #7AB152

RGB 122 177 82

HSL 94.74, 0.38%, 0.51%

LAB 66.67, -34.8, 42.46

 

CMYK 54 / 31 / 0 / 31

HEX #527AB1

RGB 82 122 177

HSL 214.74, 0.38%, 0.51%

LAB 50.56, 2.24, -33.42

 

CMYK 0 / 54 / 32 / 31

HEX #B15279

RGB 177 82 121

HSL 335.37, 0.38%, 0.51%

LAB 47.96, 42.96, -3.47

 

CMYK 0 / 12 / 54 / 31

HEX #B19C52

RGB 177 156 82

HSL 46.74, 0.38%, 0.51%

LAB 64.75, -1.89, 41.17

 

CMYK 54 / 0 / 23 / 31

HEX #52B189

RGB 82 177 137

HSL 154.74, 0.38%, 0.51%

LAB 65.78, -37.73, 12.06

 

CMYK 54 / 42 / 0 / 31

HEX #5267B1

RGB 82 103 177

HSL 226.74, 0.38%, 0.51%

LAB 45.18, 13.9, -41.9

 

CMYK 0 / 54 / 32 / 31

HEX #B15279

RGB 177 82 121

HSL 335.37, 0.38%, 0.51%

LAB 47.96, 42.96, -3.47

 

CMYK 5 / 0 / 54 / 31

HEX #A9B152

RGB 169 177 82

HSL 65.05, 0.38%, 0.51%

LAB 69.82, -16.33, 46.95

 

CMYK 54 / 0 / 23 / 31

HEX #52B189

RGB 82 177 137

HSL 154.74, 0.38%, 0.51%

LAB 65.78, -37.73, 12.06

 

CMYK 49 / 54 / 0 / 31

HEX #5A52B1

RGB 90 82 177

HSL 245.05, 0.38%, 0.51%

LAB 40.22, 28.9, -49.8

 

Description

Color code: HEX #B15279 | qconv.com Color code: HEX #B15279 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 82 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 82 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 32 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 32% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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