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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B14DFD it is the complementary color #4EB202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B14DFD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B14DFD shade: #B64DF8, #C75FFF, #D871FF, #E983FF and #FA95FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B14DFD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B14DFD shade: #B14DFD, #A03BEA, #8F29D7, #7E17C4 and #6D05B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B14DFD shade: #B14EFD, #E04EFD, #FD4EEA, #FD4EBB and #FD4E8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B14DFD shade: #B14EFD, #824EFD, #534EFD and #4E4EFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B14DFD shade matches the following richer shades: #B14EFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B14DFD shade: #B14EFD, #AF5CEE, #AD6BE0, #AB79D1 and #A988C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B14DFD shade: #544EFD, #824EFD, #B14EFD, #E04EFD and #FD4EEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B14DFD shade: #8D02F6, #9F25FC, #B14EFD, #C377FD and #D59FFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B14DFD shade: #B14DFD, #FD4E77 and #4EFD6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B14DFD shade: #B14DFD, #FDB14E and #4EFDB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B14DFD shade: #B14DFD, #FD4E77, #9AFD4E and #4EFDD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B14DFD shade: #B14DFD, #FD594E, #9AFD4E and #4EF1FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 70 / 0 / 1

HEX #B14DFD

RGB 177 77 253

HSL 274.09, 0.98%, 0.65%

LAB 53.76, 69.32, -70.9

 

Complementary color

CMYK 56 / 0 / 99 / 30

HEX #4EB202

RGB 78 178 2

HSL 94.09, 0.98%, 0.35%

LAB 64.54, -54.41, 64.87

 

CMYK 27 / 69 / 0 / 3

HEX #B64DF8

RGB 182 77 248

HSL 276.84, 0.92%, 0.64%

LAB 54.06, 69.21, -67.6

 

CMYK 22 / 63 / 0 / 0

HEX #C75FFF

RGB 199 95 255

HSL 279, 1%, 0.69%

LAB 59.48, 66.36, -62.65

 

CMYK 15 / 56 / 0 / 0

HEX #D871FF

RGB 216 113 255

HSL 283.52, 1%, 0.72%

LAB 64.67, 61.95, -54.25

 

CMYK 9 / 49 / 0 / 0

HEX #E983FF

RGB 233 131 255

HSL 289.35, 1%, 0.76%

LAB 70.02, 57.6, -45.66

 

CMYK 2 / 42 / 0 / 0

HEX #FA95FF

RGB 250 149 255

HSL 297.17, 1%, 0.79%

LAB 75.48, 53.39, -37

 

CMYK 30 / 70 / 0 / 1

HEX #B14DFD

RGB 177 77 253

HSL 274.09, 0.98%, 0.65%

LAB 53.76, 69.32, -70.9

 

CMYK 32 / 75 / 0 / 8

HEX #A03BEA

RGB 160 59 234

HSL 274.63, 0.81%, 0.57%

LAB 47.68, 69.38, -70.23

 

CMYK 33 / 81 / 0 / 16

HEX #8F29D7

RGB 143 41 215

HSL 275.17, 0.69%, 0.5%

LAB 41.74, 68.84, -69.18

 

CMYK 36 / 88 / 0 / 23

HEX #7E17C4

RGB 126 23 196

HSL 275.72, 0.79%, 0.43%

LAB 36.05, 67.36, -67.56

 

CMYK 38 / 97 / 0 / 31

HEX #6D05B1

RGB 109 5 177

HSL 276.28, 0.95%, 0.36%

LAB 30.72, 64.52, -65.15

 

CMYK 30 / 69 / 0 / 1

HEX #B14EFD

RGB 177 78 253

HSL 273.94, 0.98%, 0.65%

LAB 53.91, 68.9, -70.66

 

CMYK 11 / 69 / 0 / 1

HEX #E04EFD

RGB 224 78 253

HSL 290.06, 0.98%, 0.65%

LAB 60.24, 78.21, -60.14

 

CMYK 0 / 69 / 8 / 1

HEX #FD4EEA

RGB 253 78 234

HSL 306.51, 0.98%, 0.65%

LAB 63.57, 81.34, -44.04

 

CMYK 0 / 69 / 26 / 1

HEX #FD4EBB

RGB 253 78 187

HSL 322.63, 0.98%, 0.65%

LAB 61.58, 75.05, -20.57

 

CMYK 0 / 69 / 45 / 1

HEX #FD4E8C

RGB 253 78 140

HSL 338.74, 0.98%, 0.65%

LAB 60.09, 70.1, 4.42

 

CMYK 30 / 69 / 0 / 1

HEX #B14EFD

RGB 177 78 253

HSL 273.94, 0.98%, 0.65%

LAB 53.91, 68.9, -70.66

 

CMYK 49 / 69 / 0 / 1

HEX #824EFD

RGB 130 78 253

HSL 257.83, 0.98%, 0.65%

LAB 48.62, 60.61, -79.5

 

CMYK 67 / 69 / 0 / 1

HEX #534EFD

RGB 83 78 253

HSL 241.71, 0.98%, 0.65%

LAB 44.77, 54.17, -85.95

 

CMYK 69 / 69 / 0 / 1

HEX #4E4EFD

RGB 78 78 253

HSL 240, 0.98%, 0.65%

LAB 44.46, 53.63, -86.47

 

CMYK 30 / 69 / 0 / 1

HEX #B14EFD

RGB 177 78 253

HSL 273.94, 0.98%, 0.65%

LAB 53.91, 68.9, -70.66

 

CMYK 30 / 69 / 0 / 1

HEX #B14EFD

RGB 177 78 253

HSL 273.94, 0.98%, 0.65%

LAB 53.91, 68.9, -70.66

 

CMYK 26 / 61 / 0 / 7

HEX #AF5CEE

RGB 175 92 238

HSL 274.11, 0.81%, 0.65%

LAB 55.01, 58.8, -60.54

 

CMYK 23 / 52 / 0 / 12

HEX #AD6BE0

RGB 173 107 224

HSL 273.85, 0.65%, 0.65%

LAB 56.86, 47.52, -49.75

 

CMYK 18 / 42 / 0 / 18

HEX #AB79D1

RGB 171 121 209

HSL 274.09, 0.49%, 0.65%

LAB 58.92, 35.95, -38.08

 

CMYK 13 / 30 / 0 / 24

HEX #A988C3

RGB 169 136 195

HSL 273.56, 0.33%, 0.65%

LAB 61.64, 23.78, -25.97

 

CMYK 67 / 69 / 0 / 1

HEX #544EFD

RGB 84 78 253

HSL 242.06, 0.98%, 0.65%

LAB 44.84, 54.28, -85.84

 

CMYK 49 / 69 / 0 / 1

HEX #824EFD

RGB 130 78 253

HSL 257.83, 0.98%, 0.65%

LAB 48.62, 60.61, -79.5

 

CMYK 30 / 69 / 0 / 1

HEX #B14EFD

RGB 177 78 253

HSL 273.94, 0.98%, 0.65%

LAB 53.91, 68.9, -70.66

 

CMYK 11 / 69 / 0 / 1

HEX #E04EFD

RGB 224 78 253

HSL 290.06, 0.98%, 0.65%

LAB 60.24, 78.21, -60.14

 

CMYK 0 / 69 / 7 / 1

HEX #FD4EEB

RGB 253 78 235

HSL 306.17, 0.98%, 0.65%

LAB 63.61, 81.49, -44.52

 

CMYK 43 / 99 / 0 / 4

HEX #8D02F6

RGB 141 2 246

HSL 274.18, 0.98%, 0.49%

LAB 41.78, 82.2, -86.75

 

CMYK 37 / 85 / 0 / 1

HEX #9F25FC

RGB 159 37 252

HSL 274.05, 0.97%, 0.57%

LAB 46.61, 79.88, -82.1

 

CMYK 30 / 69 / 0 / 1

HEX #B14EFD

RGB 177 78 253

HSL 273.94, 0.98%, 0.65%

LAB 53.91, 68.9, -70.66

 

CMYK 23 / 53 / 0 / 1

HEX #C377FD

RGB 195 119 253

HSL 274.03, 0.97%, 0.73%

LAB 63.25, 53.32, -55.55

 

CMYK 16 / 37 / 0 / 0

HEX #D59FFE

RGB 213 159 254

HSL 274.11, 0.98%, 0.81%

LAB 73.61, 37.19, -39.66

 

CMYK 30 / 70 / 0 / 1

HEX #B14DFD

RGB 177 77 253

HSL 274.09, 0.98%, 0.65%

LAB 53.76, 69.32, -70.9

 

CMYK 0 / 69 / 53 / 1

HEX #FD4E77

RGB 253 78 119

HSL 345.94, 0.98%, 0.65%

LAB 59.58, 68.37, 15.99

 

CMYK 69 / 0 / 58 / 1

HEX #4EFD6B

RGB 78 253 107

HSL 129.94, 0.98%, 0.65%

LAB 88.42, -72.52, 56.22

 

CMYK 30 / 70 / 0 / 1

HEX #B14DFD

RGB 177 77 253

HSL 274.09, 0.98%, 0.65%

LAB 53.76, 69.32, -70.9

 

CMYK 0 / 30 / 69 / 1

HEX #FDB14E

RGB 253 177 78

HSL 33.94, 0.98%, 0.65%

LAB 77.8, 18.81, 59.88

 

CMYK 69 / 0 / 30 / 1

HEX #4EFDB1

RGB 78 253 177

HSL 153.94, 0.98%, 0.65%

LAB 89.41, -61.23, 23.79

 

CMYK 30 / 70 / 0 / 1

HEX #B14DFD

RGB 177 77 253

HSL 274.09, 0.98%, 0.65%

LAB 53.76, 69.32, -70.9

 

CMYK 0 / 69 / 53 / 1

HEX #FD4E77

RGB 253 78 119

HSL 345.94, 0.98%, 0.65%

LAB 59.58, 68.37, 15.99

 

CMYK 39 / 0 / 69 / 1

HEX #9AFD4E

RGB 154 253 78

HSL 93.94, 0.98%, 0.65%

LAB 90.63, -56.45, 70.97

 

CMYK 69 / 0 / 16 / 1

HEX #4EFDD4

RGB 78 253 212

HSL 165.94, 0.98%, 0.65%

LAB 90.15, -53.5, 6.83

 

CMYK 30 / 70 / 0 / 1

HEX #B14DFD

RGB 177 77 253

HSL 274.09, 0.98%, 0.65%

LAB 53.76, 69.32, -70.9

 

CMYK 0 / 65 / 69 / 1

HEX #FD594E

RGB 253 89 78

HSL 3.77, 0.98%, 0.65%

LAB 60.41, 61.67, 40.52

 

CMYK 39 / 0 / 69 / 1

HEX #9AFD4E

RGB 154 253 78

HSL 93.94, 0.98%, 0.65%

LAB 90.63, -56.45, 70.97

 

CMYK 69 / 5 / 0 / 1

HEX #4EF1FD

RGB 78 241 253

HSL 184.11, 0.98%, 0.65%

LAB 87.79, -37.56, -18.02

 

Description

Color code: HEX #B14DFD | qconv.com Color code: HEX #B14DFD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 77 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 77 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 70 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 70% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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