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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B140D7 it is the complementary color #4EBF28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B140D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B140D7 shade: #B640D2, #C752E5, #D864F8, #E976FF and #FA88FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B140D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B140D7 shade: #B140D7, #A02EC4, #8F1CB1, #7E0A9E and #6D008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B140D7 shade: #B141D6, #D641D4, #D641AB, #D64183 and #D6415B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B140D7 shade: #B141D6, #8941D6, #6041D6 and #4141D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B140D7 shade matches the following richer shades: #B141D6, #BA2FE9 and #C31CFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B140D7 shade: #B141D6, #A854C4, #9E66B1, #95799F and #8C8B8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B140D7 shade: #5F41D6, #8741D6, #AF41D6, #D641D6 and #D641AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B140D7 shade: #8222A3, #9E29C5, #B141D6, #BF63DE and #CD85E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B140D7 shade: #B140D7, #D6414B and #41D673

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B140D7 shade: #B140D7, #D6AF41 and #41D6AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B140D7 shade: #B140D7, #D6414B, #69D641 and #41D6CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B140D7 shade: #B140D7, #D66441, #69D641 and #41B4D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 70 / 0 / 16

HEX #B140D7

RGB 177 64 215

HSL 284.9, 0.65%, 0.55%

LAB 49.4, 66.78, -56.55

 

Complementary color

CMYK 59 / 0 / 79 / 25

HEX #4EBF28

RGB 78 191 40

HSL 104.9, 0.65%, 0.45%

LAB 68.78, -57.7, 61.11

 

CMYK 13 / 70 / 0 / 18

HEX #B640D2

RGB 182 64 210

HSL 288.49, 0.62%, 0.54%

LAB 49.82, 66.87, -52.98

 

CMYK 13 / 64 / 0 / 10

HEX #C752E5

RGB 199 82 229

HSL 287.76, 0.74%, 0.61%

LAB 55.92, 66.9, -53.86

 

CMYK 13 / 60 / 0 / 3

HEX #D864F8

RGB 216 100 248

HSL 287.03, 0.91%, 0.68%

LAB 62.08, 66.61, -54.51

 

CMYK 9 / 54 / 0 / 0

HEX #E976FF

RGB 233 118 255

HSL 290.36, 1%, 0.73%

LAB 67.65, 63.86, -49.39

 

CMYK 2 / 47 / 0 / 0

HEX #FA88FF

RGB 250 136 255

HSL 297.48, 1%, 0.77%

LAB 72.99, 59.8, -40.86

 

CMYK 18 / 70 / 0 / 16

HEX #B140D7

RGB 177 64 215

HSL 284.9, 0.65%, 0.55%

LAB 49.4, 66.78, -56.55

 

CMYK 18 / 77 / 0 / 23

HEX #A02EC4

RGB 160 46 196

HSL 285.6, 0.62%, 0.47%

LAB 43.38, 66.27, -55.42

 

CMYK 19 / 84 / 0 / 31

HEX #8F1CB1

RGB 143 28 177

HSL 286.31, 0.73%, 0.4%

LAB 37.56, 64.92, -53.77

 

CMYK 20 / 94 / 0 / 38

HEX #7E0A9E

RGB 126 10 158

HSL 287.03, 0.88%, 0.33%

LAB 32.08, 62.26, -51.36

 

CMYK 22 / 100 / 0 / 45

HEX #6D008B

RGB 109 0 139

HSL 287.05, 1%, 0.27%

LAB 27.06, 57.81, -47.96

 

CMYK 17 / 70 / 0 / 16

HEX #B141D6

RGB 177 65 214

HSL 285.1, 0.65%, 0.55%

LAB 49.48, 66.19, -55.85

 

CMYK 0 / 70 / 1 / 16

HEX #D641D4

RGB 214 65 212

HSL 300.81, 0.65%, 0.55%

LAB 54.9, 73.75, -45.74

 

CMYK 0 / 70 / 20 / 16

HEX #D641AB

RGB 214 65 171

HSL 317.32, 0.65%, 0.55%

LAB 52.97, 67.72, -25.08

 

CMYK 0 / 70 / 39 / 16

HEX #D64183

RGB 214 65 131

HSL 333.42, 0.65%, 0.55%

LAB 51.51, 62.95, -3.57

 

CMYK 0 / 70 / 57 / 16

HEX #D6415B

RGB 214 65 91

HSL 349.53, 0.65%, 0.55%

LAB 50.49, 59.46, 19.09

 

CMYK 17 / 70 / 0 / 16

HEX #B141D6

RGB 177 65 214

HSL 285.1, 0.65%, 0.55%

LAB 49.48, 66.19, -55.85

 

CMYK 36 / 70 / 0 / 16

HEX #8941D6

RGB 137 65 214

HSL 268.99, 0.65%, 0.55%

LAB 44.17, 58.19, -64.69

 

CMYK 55 / 70 / 0 / 16

HEX #6041D6

RGB 96 65 214

HSL 252.48, 0.65%, 0.55%

LAB 39.79, 51.13, -72.02

 

CMYK 70 / 70 / 0 / 16

HEX #4141D6

RGB 65 65 214

HSL 240, 0.65%, 0.55%

LAB 37.41, 47.06, -76.02

 

CMYK 17 / 70 / 0 / 16

HEX #B141D6

RGB 177 65 214

HSL 285.1, 0.65%, 0.55%

LAB 49.48, 66.19, -55.85

 

CMYK 20 / 80 / 0 / 9

HEX #BA2FE9

RGB 186 47 233

HSL 284.84, 0.81%, 0.55%

LAB 49.92, 77.52, -65.85

 

CMYK 22 / 89 / 0 / 2

HEX #C31CFB

RGB 195 28 251

HSL 284.93, 0.97%, 0.55%

LAB 51.15, 86.3, -73.91

 

CMYK 17 / 70 / 0 / 16

HEX #B141D6

RGB 177 65 214

HSL 285.1, 0.65%, 0.55%

LAB 49.48, 66.19, -55.85

 

CMYK 14 / 57 / 0 / 23

HEX #A854C4

RGB 168 84 196

HSL 285, 0.49%, 0.55%

LAB 50.28, 52.02, -44.31

 

CMYK 11 / 42 / 0 / 31

HEX #9E66B1

RGB 158 102 177

HSL 284.8, 0.32%, 0.55%

LAB 51.78, 35.68, -31.04

 

CMYK 6 / 24 / 0 / 38

HEX #95799F

RGB 149 121 159

HSL 284.21, 0.17%, 0.55%

LAB 54.62, 18.02, -16.29

 

CMYK 0 / 1 / 0 / 45

HEX #8C8B8C

RGB 140 139 140

HSL 300, 0%, 0.55%

LAB 57.97, 0.57, -0.41

 

CMYK 56 / 70 / 0 / 16

HEX #5F41D6

RGB 95 65 214

HSL 252.08, 0.65%, 0.55%

LAB 39.7, 50.98, -72.17

 

CMYK 37 / 70 / 0 / 16

HEX #8741D6

RGB 135 65 214

HSL 268.19, 0.65%, 0.55%

LAB 43.93, 57.82, -65.09

 

CMYK 18 / 70 / 0 / 16

HEX #AF41D6

RGB 175 65 214

HSL 284.3, 0.65%, 0.55%

LAB 49.19, 65.78, -56.33

 

CMYK 0 / 70 / 0 / 16

HEX #D641D6

RGB 214 65 214

HSL 300, 0.65%, 0.55%

LAB 55, 74.07, -46.71

 

CMYK 0 / 70 / 18 / 16

HEX #D641AF

RGB 214 65 175

HSL 315.7, 0.65%, 0.55%

LAB 53.14, 68.26, -27.16

 

CMYK 20 / 79 / 0 / 36

HEX #8222A3

RGB 130 34 163

HSL 284.65, 0.65%, 0.39%

LAB 35.07, 58.16, -49.51

 

CMYK 20 / 79 / 0 / 23

HEX #9E29C5

RGB 158 41 197

HSL 285, 0.66%, 0.47%

LAB 42.59, 67.69, -57.28

 

CMYK 17 / 70 / 0 / 16

HEX #B141D6

RGB 177 65 214

HSL 285.1, 0.65%, 0.55%

LAB 49.48, 66.19, -55.85

 

CMYK 14 / 55 / 0 / 13

HEX #BF63DE

RGB 191 99 222

HSL 284.88, 0.65%, 0.63%

LAB 57.34, 55.84, -47.73

 

CMYK 10 / 42 / 0 / 10

HEX #CD85E5

RGB 205 133 229

HSL 285, 0.65%, 0.71%

LAB 66.07, 43.62, -37.8

 

CMYK 18 / 70 / 0 / 16

HEX #B140D7

RGB 177 64 215

HSL 284.9, 0.65%, 0.55%

LAB 49.4, 66.78, -56.55

 

CMYK 0 / 70 / 65 / 16

HEX #D6414B

RGB 214 65 75

HSL 355.97, 0.65%, 0.55%

LAB 50.2, 58.44, 28.27

 

CMYK 70 / 0 / 46 / 16

HEX #41D673

RGB 65 214 115

HSL 140.13, 0.65%, 0.55%

LAB 76.35, -60.21, 37.72

 

CMYK 18 / 70 / 0 / 16

HEX #B140D7

RGB 177 64 215

HSL 284.9, 0.65%, 0.55%

LAB 49.4, 66.78, -56.55

 

CMYK 0 / 18 / 70 / 16

HEX #D6AF41

RGB 214 175 65

HSL 44.3, 0.65%, 0.55%

LAB 73.11, 2.72, 59.29

 

CMYK 70 / 0 / 18 / 16

HEX #41D6AF

RGB 65 214 175

HSL 164.3, 0.65%, 0.55%

LAB 77.47, -48.06, 8.03

 

CMYK 18 / 70 / 0 / 16

HEX #B140D7

RGB 177 64 215

HSL 284.9, 0.65%, 0.55%

LAB 49.4, 66.78, -56.55

 

CMYK 0 / 70 / 65 / 16

HEX #D6414B

RGB 214 65 75

HSL 355.97, 0.65%, 0.55%

LAB 50.2, 58.44, 28.27

 

CMYK 51 / 0 / 70 / 16

HEX #69D641

RGB 105 214 65

HSL 103.89, 0.65%, 0.55%

LAB 76.97, -57.19, 61.02

 

CMYK 70 / 0 / 5 / 16

HEX #41D6CC

RGB 65 214 204

HSL 175.97, 0.65%, 0.55%

LAB 78.21, -40.6, -6.4

 

CMYK 18 / 70 / 0 / 16

HEX #B140D7

RGB 177 64 215

HSL 284.9, 0.65%, 0.55%

LAB 49.4, 66.78, -56.55

 

CMYK 0 / 53 / 70 / 16

HEX #D66441

RGB 214 100 65

HSL 14.09, 0.65%, 0.55%

LAB 55.88, 42.46, 40.72

 

CMYK 51 / 0 / 70 / 16

HEX #69D641

RGB 105 214 65

HSL 103.89, 0.65%, 0.55%

LAB 76.97, -57.19, 61.02

 

CMYK 70 / 16 / 0 / 16

HEX #41B4D6

RGB 65 180 214

HSL 193.69, 0.65%, 0.55%

LAB 68.48, -21.29, -26.52

 

Description

Color code: HEX #B140D7 | qconv.com Color code: HEX #B140D7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 64 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 64 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 70 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 70% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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