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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B12123 it is the complementary color #4EDEDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B12123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B12123 shade: #B6211E, #C73331, #D84544, #E95757 and #FA696A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B12123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B12123 shade: #B12123, #A00F10, #8F0000, #7E0000 and #6D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B12123 shade: #B02022 and #B02020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B12123 shade: #B02022, #B02049, #B02070, #B02097 and #A320B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B12123 shade matches the following richer shades: #B02022 and #C10F11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B12123 shade: #B02022, #9F3132, #8E4243, #7D5353 and #6D6464

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B12123 shade: #B0206F, #B02049, #B02022, #B04420 and #B06A20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B12123 shade: #6A1314, #8D1A1B, #B02022, #D32629 and #DD4648

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B12123 shade: #B12123, #96B020 and #205CB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B12123 shade: #B12123, #22B020 and #2022B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B12123 shade: #B12123, #96B020, #20B0AE and #3A20B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B12123 shade: #B12123, #6AB020, #20B0AE and #6620B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 80 / 31

HEX #B12123

RGB 177 33 35

HSL 359.17, 0.69%, 0.41%

LAB 38.82, 55.94, 36.73

 

Complementary color

CMYK 65 / 0 / 1 / 13

HEX #4EDEDC

RGB 78 222 220

HSL 179.17, 0.69%, 0.59%

LAB 81.31, -38.04, -10.32

 

CMYK 0 / 82 / 84 / 29

HEX #B6211E

RGB 182 33 30

HSL 1.18, 0.72%, 0.42%

LAB 39.79, 57.25, 40.76

 

CMYK 0 / 74 / 75 / 22

HEX #C73331

RGB 199 51 49

HSL 0.8, 0.6%, 0.49%

LAB 45.26, 57.53, 36.91

 

CMYK 0 / 68 / 69 / 15

HEX #D84544

RGB 216 69 68

HSL 0.41, 0.65%, 0.56%

LAB 51, 57.17, 33.43

 

CMYK 0 / 63 / 63 / 9

HEX #E95757

RGB 233 87 87

HSL 0, 0.77%, 0.63%

LAB 56.91, 56.44, 30.44

 

CMYK 0 / 58 / 58 / 2

HEX #FA696A

RGB 250 105 106

HSL 359.59, 0.94%, 0.7%

LAB 62.9, 55.52, 27.86

 

CMYK 0 / 81 / 80 / 31

HEX #B12123

RGB 177 33 35

HSL 359.17, 0.69%, 0.41%

LAB 38.82, 55.94, 36.73

 

CMYK 0 / 91 / 90 / 37

HEX #A00F10

RGB 160 15 16

HSL 359.59, 0.83%, 0.34%

LAB 33.67, 54.65, 40.79

 

CMYK 0 / 100 / 100 / 44

HEX #8F0000

RGB 143 0 0

HSL 0, 1%, 0.28%

LAB 29, 52.07, 42.42

 

CMYK 0 / 100 / 100 / 51

HEX #7E0000

RGB 126 0 0

HSL 0, 1%, 0.25%

LAB 25.06, 47.51, 37.45

 

CMYK 0 / 100 / 100 / 57

HEX #6D0000

RGB 109 0 0

HSL 0, 1%, 0.21%

LAB 21.02, 42.84, 32.03

 

CMYK 0 / 82 / 81 / 31

HEX #B02022

RGB 176 32 34

HSL 359.17, 0.69%, 0.41%

LAB 38.51, 55.88, 36.91

 

CMYK 0 / 82 / 82 / 31

HEX #B02020

RGB 176 32 32

HSL 0, 0.69%, 0.41%

LAB 38.49, 55.82, 38.01

 

CMYK 0 / 82 / 81 / 31

HEX #B02022

RGB 176 32 34

HSL 359.17, 0.69%, 0.41%

LAB 38.51, 55.88, 36.91

 

CMYK 0 / 82 / 59 / 31

HEX #B02049

RGB 176 32 73

HSL 342.92, 0.69%, 0.41%

LAB 39.15, 57.82, 13.67

 

CMYK 0 / 82 / 36 / 31

HEX #B02070

RGB 176 32 112

HSL 326.67, 0.69%, 0.41%

LAB 40.3, 61.25, -9.37

 

CMYK 0 / 82 / 14 / 31

HEX #B02097

RGB 176 32 151

HSL 310.42, 0.69%, 0.41%

LAB 42, 66.08, -30.76

 

CMYK 7 / 82 / 0 / 31

HEX #A320B0

RGB 163 32 176

HSL 294.58, 0.69%, 0.41%

LAB 41.14, 67.32, -47.23

 

CMYK 0 / 82 / 81 / 31

HEX #B02022

RGB 176 32 34

HSL 359.17, 0.69%, 0.41%

LAB 38.51, 55.88, 36.91

 

CMYK 0 / 92 / 91 / 24

HEX #C10F11

RGB 193 15 17

HSL 359.33, 0.86%, 0.41%

LAB 40.77, 63.53, 48.69

 

CMYK 0 / 82 / 81 / 31

HEX #B02022

RGB 176 32 34

HSL 359.17, 0.69%, 0.41%

LAB 38.51, 55.88, 36.91

 

CMYK 0 / 69 / 69 / 38

HEX #9F3132

RGB 159 49 50

HSL 359.45, 0.53%, 0.41%

LAB 37.48, 45.41, 25.35

 

CMYK 0 / 54 / 53 / 44

HEX #8E4243

RGB 142 66 67

HSL 359.21, 0.37%, 0.41%

LAB 37.94, 32.31, 14.8

 

CMYK 0 / 34 / 34 / 51

HEX #7D5353

RGB 125 83 83

HSL 0, 0.2%, 0.41%

LAB 39.87, 17.55, 7.16

 

CMYK 0 / 8 / 8 / 57

HEX #6D6464

RGB 109 100 100

HSL 0, 0.04%, 0.41%

LAB 43.19, 3.56, 1.28

 

CMYK 0 / 82 / 37 / 31

HEX #B0206F

RGB 176 32 111

HSL 327.08, 0.69%, 0.41%

LAB 40.26, 61.14, -8.79

 

CMYK 0 / 82 / 59 / 31

HEX #B02049

RGB 176 32 73

HSL 342.92, 0.69%, 0.41%

LAB 39.15, 57.82, 13.67

 

CMYK 0 / 82 / 81 / 31

HEX #B02022

RGB 176 32 34

HSL 359.17, 0.69%, 0.41%

LAB 38.51, 55.88, 36.91

 

CMYK 0 / 61 / 82 / 31

HEX #B04420

RGB 176 68 32

HSL 15, 0.69%, 0.41%

LAB 43.46, 42.24, 42.79

 

CMYK 0 / 40 / 82 / 31

HEX #B06A20

RGB 176 106 32

HSL 30.83, 0.69%, 0.41%

LAB 51.43, 22.36, 50.17

 

CMYK 0 / 82 / 81 / 58

HEX #6A1314

RGB 106 19 20

HSL 359.31, 0.7%, 0.25%

LAB 22.23, 37.59, 23.75

 

CMYK 0 / 82 / 81 / 45

HEX #8D1A1B

RGB 141 26 27

HSL 359.48, 0.69%, 0.33%

LAB 30.59, 46.83, 30.55

 

CMYK 0 / 82 / 81 / 31

HEX #B02022

RGB 176 32 34

HSL 359.17, 0.69%, 0.41%

LAB 38.51, 55.88, 36.91

 

CMYK 0 / 82 / 81 / 17

HEX #D32629

RGB 211 38 41

HSL 358.96, 0.69%, 0.49%

LAB 46.17, 64.55, 43.02

 

CMYK 0 / 68 / 67 / 13

HEX #DD4648

RGB 221 70 72

HSL 359.21, 0.69%, 0.57%

LAB 52.09, 58.58, 32.64

 

CMYK 0 / 81 / 80 / 31

HEX #B12123

RGB 177 33 35

HSL 359.17, 0.69%, 0.41%

LAB 38.82, 55.94, 36.73

 

CMYK 15 / 0 / 82 / 31

HEX #96B020

RGB 150 176 32

HSL 70.83, 0.69%, 0.41%

LAB 67.75, -26.88, 63.76

 

CMYK 82 / 48 / 0 / 31

HEX #205CB0

RGB 32 92 176

HSL 215, 0.69%, 0.41%

LAB 39.74, 12.36, -50.14

 

CMYK 0 / 81 / 80 / 31

HEX #B12123

RGB 177 33 35

HSL 359.17, 0.69%, 0.41%

LAB 38.82, 55.94, 36.73

 

CMYK 81 / 0 / 82 / 31

HEX #22B020

RGB 34 176 32

HSL 119.17, 0.69%, 0.41%

LAB 62.92, -61.57, 57.59

 

CMYK 82 / 81 / 0 / 31

HEX #2022B0

RGB 32 34 176

HSL 239.17, 0.69%, 0.41%

LAB 25.52, 48.97, -73.4

 

CMYK 0 / 81 / 80 / 31

HEX #B12123

RGB 177 33 35

HSL 359.17, 0.69%, 0.41%

LAB 38.82, 55.94, 36.73

 

CMYK 15 / 0 / 82 / 31

HEX #96B020

RGB 150 176 32

HSL 70.83, 0.69%, 0.41%

LAB 67.75, -26.88, 63.76

 

CMYK 82 / 0 / 1 / 31

HEX #20B0AE

RGB 32 176 174

HSL 179.17, 0.69%, 0.41%

LAB 65.29, -35.41, -9.3

 

CMYK 67 / 82 / 0 / 31

HEX #3A20B0

RGB 58 32 176

HSL 250.83, 0.69%, 0.41%

LAB 26.93, 51.79, -71.02

 

CMYK 0 / 81 / 80 / 31

HEX #B12123

RGB 177 33 35

HSL 359.17, 0.69%, 0.41%

LAB 38.82, 55.94, 36.73

 

CMYK 40 / 0 / 82 / 31

HEX #6AB020

RGB 106 176 32

HSL 89.17, 0.69%, 0.41%

LAB 65.14, -43.99, 60.44

 

CMYK 82 / 0 / 1 / 31

HEX #20B0AE

RGB 32 176 174

HSL 179.17, 0.69%, 0.41%

LAB 65.29, -35.41, -9.3

 

CMYK 42 / 82 / 0 / 31

HEX #6620B0

RGB 102 32 176

HSL 269.17, 0.69%, 0.41%

LAB 31.79, 57.01, -62.84

 

Description

Color code: HEX #B12123 | qconv.com Color code: HEX #B12123 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 33 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 33 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 80 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 80% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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