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Color name
HEX #B120B4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B120B4 it is the complementary color #4EDF4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B120B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B120B4 shade: #B620AF, #C732C2, #D844D5, #E956E8 and #FA68FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B120B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B120B4 shade: #B120B4, #A00EA1, #8F008E, #7E007B and #6D0068

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B120B4 shade: #B320B6, #B62090, #B62068, #B6203F and #B62020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B120B4 shade: #B320B6, #8A20B6, #6220B6, #3920B6 and #2020B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B120B4 shade matches the following richer shades: #B320B6 and #C30EC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B120B4 shade: #B320B6, #A231A4, #914293, #815482 and #706570

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B120B4 shade: #6120B6, #8920B6, #B120B6, #B62093 and #B6206B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B120B4 shade: #6E136F, #901992, #B320B6, #D526D8 and #DB49DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B120B4 shade: #B120B4, #B63920 and #20B675

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B120B4 shade: #B120B4, #B6B120 and #20B6B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B120B4 shade: #B120B4, #B63920, #25B620 and #209DB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B120B4 shade: #B120B4, #B66620, #25B620 and #2070B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 82 / 0 / 29

HEX #B120B4

RGB 177 32 180

HSL 298.78, 0.7%, 0.42%

LAB 43.76, 70.62, -45.27

 

Complementary color

CMYK 65 / 0 / 66 / 13

HEX #4EDF4B

RGB 78 223 75

HSL 118.78, 0.7%, 0.58%

LAB 78.99, -65.99, 59.05

 

CMYK 0 / 82 / 4 / 29

HEX #B620AF

RGB 182 32 175

HSL 302.8, 0.7%, 0.42%

LAB 44.34, 70.81, -41.35

 

CMYK 0 / 75 / 3 / 22

HEX #C732C2

RGB 199 50 194

HSL 302.01, 0.6%, 0.49%

LAB 49.88, 72.47, -43.5

 

CMYK 0 / 69 / 1 / 15

HEX #D844D5

RGB 216 68 213

HSL 301.22, 0.65%, 0.56%

LAB 55.62, 73.32, -45.14

 

CMYK 0 / 63 / 0 / 9

HEX #E956E8

RGB 233 86 232

HSL 300.41, 0.77%, 0.63%

LAB 61.49, 73.63, -46.41

 

CMYK 0 / 59 / 0 / 2

HEX #FA68FB

RGB 250 104 251

HSL 299.59, 0.95%, 0.7%

LAB 67.42, 73.57, -47.41

 

CMYK 2 / 82 / 0 / 29

HEX #B120B4

RGB 177 32 180

HSL 298.78, 0.7%, 0.42%

LAB 43.76, 70.62, -45.27

 

CMYK 1 / 91 / 0 / 37

HEX #A00EA1

RGB 160 14 161

HSL 299.59, 0.84%, 0.34%

LAB 38.48, 67.85, -42.55

 

CMYK 0 / 100 / 1 / 44

HEX #8F008E

RGB 143 0 142

HSL 300.42, 1%, 0.28%

LAB 33.55, 63.72, -39.04

 

CMYK 0 / 100 / 2 / 51

HEX #7E007B

RGB 126 0 123

HSL 301.43, 1%, 0.25%

LAB 29.07, 57.8, -34.5

 

CMYK 0 / 100 / 5 / 57

HEX #6D0068

RGB 109 0 104

HSL 302.75, 1%, 0.21%

LAB 24.48, 51.74, -29.81

 

CMYK 2 / 82 / 0 / 29

HEX #B320B6

RGB 179 32 182

HSL 298.8, 0.7%, 0.42%

LAB 44.22, 71.31, -45.7

 

CMYK 0 / 82 / 21 / 29

HEX #B62090

RGB 182 32 144

HSL 315.2, 0.7%, 0.42%

LAB 42.75, 66.45, -25.26

 

CMYK 0 / 82 / 43 / 29

HEX #B62068

RGB 182 32 104

HSL 331.2, 0.7%, 0.42%

LAB 41.18, 61.95, -2.91

 

CMYK 0 / 82 / 65 / 29

HEX #B6203F

RGB 182 32 63

HSL 347.6, 0.7%, 0.42%

LAB 40.14, 58.86, 21.55

 

CMYK 0 / 82 / 82 / 29

HEX #B62020

RGB 182 32 32

HSL 0, 0.7%, 0.42%

LAB 39.72, 57.57, 39.62

 

CMYK 2 / 82 / 0 / 29

HEX #B320B6

RGB 179 32 182

HSL 298.8, 0.7%, 0.42%

LAB 44.22, 71.31, -45.7

 

CMYK 24 / 82 / 0 / 29

HEX #8A20B6

RGB 138 32 182

HSL 282.4, 0.7%, 0.42%

LAB 37.51, 63.97, -56.86

 

CMYK 46 / 82 / 0 / 29

HEX #6220B6

RGB 98 32 182

HSL 266.4, 0.7%, 0.42%

LAB 31.82, 57.91, -66.38

 

CMYK 69 / 82 / 0 / 29

HEX #3920B6

RGB 57 32 182

HSL 250, 0.7%, 0.42%

LAB 27.52, 53.45, -73.63

 

CMYK 82 / 82 / 0 / 29

HEX #2020B6

RGB 32 32 182

HSL 240, 0.7%, 0.42%

LAB 25.91, 51.83, -76.34

 

CMYK 2 / 82 / 0 / 29

HEX #B320B6

RGB 179 32 182

HSL 298.8, 0.7%, 0.42%

LAB 44.22, 71.31, -45.7

 

CMYK 2 / 93 / 0 / 22

HEX #C30EC7

RGB 195 14 199

HSL 298.7, 0.87%, 0.42%

LAB 47.03, 79.65, -50.99

 

CMYK 2 / 82 / 0 / 29

HEX #B320B6

RGB 179 32 182

HSL 298.8, 0.7%, 0.42%

LAB 44.22, 71.31, -45.7

 

CMYK 1 / 70 / 0 / 36

HEX #A231A4

RGB 162 49 164

HSL 298.96, 0.54%, 0.42%

LAB 42.09, 59.83, -38.59

 

CMYK 1 / 55 / 0 / 42

HEX #914293

RGB 145 66 147

HSL 298.52, 0.38%, 0.42%

LAB 41.25, 45.02, -29.86

 

CMYK 1 / 35 / 0 / 49

HEX #815482

RGB 129 84 130

HSL 298.7, 0.21%, 0.42%

LAB 42.18, 26.73, -18.27

 

CMYK 0 / 10 / 0 / 56

HEX #706570

RGB 112 101 112

HSL 300, 0.05%, 0.42%

LAB 44.12, 6.54, -4.59

 

CMYK 47 / 82 / 0 / 29

HEX #6120B6

RGB 97 32 182

HSL 266, 0.7%, 0.42%

LAB 31.7, 57.77, -66.59

 

CMYK 25 / 82 / 0 / 29

HEX #8920B6

RGB 137 32 182

HSL 282, 0.7%, 0.42%

LAB 37.35, 63.8, -57.12

 

CMYK 3 / 82 / 0 / 29

HEX #B120B6

RGB 177 32 182

HSL 298, 0.7%, 0.42%

LAB 43.88, 70.94, -46.26

 

CMYK 0 / 82 / 19 / 29

HEX #B62093

RGB 182 32 147

HSL 314, 0.7%, 0.42%

LAB 42.89, 66.84, -26.86

 

CMYK 0 / 82 / 41 / 29

HEX #B6206B

RGB 182 32 107

HSL 330, 0.7%, 0.42%

LAB 41.28, 62.24, -4.65

 

CMYK 1 / 83 / 0 / 56

HEX #6E136F

RGB 110 19 111

HSL 299.35, 0.71%, 0.25%

LAB 26.53, 48.99, -31.07

 

CMYK 1 / 83 / 0 / 43

HEX #901992

RGB 144 25 146

HSL 299.01, 0.71%, 0.34%

LAB 35.4, 60.37, -38.53

 

CMYK 2 / 82 / 0 / 29

HEX #B320B6

RGB 179 32 182

HSL 298.8, 0.7%, 0.42%

LAB 44.22, 71.31, -45.7

 

CMYK 1 / 82 / 0 / 15

HEX #D526D8

RGB 213 38 216

HSL 298.99, 0.7%, 0.5%

LAB 52.39, 81.57, -52.02

 

CMYK 2 / 67 / 0 / 13

HEX #DB49DF

RGB 219 73 223

HSL 298.4, 0.7%, 0.58%

LAB 57.22, 73.83, -48.24

 

CMYK 2 / 82 / 0 / 29

HEX #B120B4

RGB 177 32 180

HSL 298.78, 0.7%, 0.42%

LAB 43.76, 70.62, -45.27

 

CMYK 0 / 69 / 82 / 29

HEX #B63920

RGB 182 57 32

HSL 10, 0.7%, 0.42%

LAB 42.73, 49.21, 42.48

 

CMYK 82 / 0 / 36 / 29

HEX #20B675

RGB 32 182 117

HSL 154, 0.7%, 0.42%

LAB 65.79, -52.5, 22.75

 

CMYK 2 / 82 / 0 / 29

HEX #B120B4

RGB 177 32 180

HSL 298.78, 0.7%, 0.42%

LAB 43.76, 70.62, -45.27

 

CMYK 0 / 3 / 82 / 29

HEX #B6B120

RGB 182 177 32

HSL 58, 0.7%, 0.42%

LAB 70.52, -13.62, 67.13

 

CMYK 82 / 0 / 3 / 29

HEX #20B6B1

RGB 32 182 177

HSL 178, 0.7%, 0.42%

LAB 67.23, -37.29, -8.07

 

CMYK 2 / 82 / 0 / 29

HEX #B120B4

RGB 177 32 180

HSL 298.78, 0.7%, 0.42%

LAB 43.76, 70.62, -45.27

 

CMYK 0 / 69 / 82 / 29

HEX #B63920

RGB 182 57 32

HSL 10, 0.7%, 0.42%

LAB 42.73, 49.21, 42.48

 

CMYK 80 / 0 / 82 / 29

HEX #25B620

RGB 37 182 32

HSL 118, 0.7%, 0.42%

LAB 64.93, -63.01, 59.47

 

CMYK 82 / 14 / 0 / 29

HEX #209DB6

RGB 32 157 182

HSL 190, 0.7%, 0.42%

LAB 59.71, -23.59, -22.22

 

CMYK 2 / 82 / 0 / 29

HEX #B120B4

RGB 177 32 180

HSL 298.78, 0.7%, 0.42%

LAB 43.76, 70.62, -45.27

 

CMYK 0 / 44 / 82 / 29

HEX #B66620

RGB 182 102 32

HSL 28, 0.7%, 0.42%

LAB 51.33, 27.15, 50.38

 

CMYK 80 / 0 / 82 / 29

HEX #25B620

RGB 37 182 32

HSL 118, 0.7%, 0.42%

LAB 64.93, -63.01, 59.47

 

CMYK 82 / 38 / 0 / 29

HEX #2070B6

RGB 32 112 182

HSL 208, 0.7%, 0.42%

LAB 46.01, 1.93, -43.62

 

Description

Color code: HEX #B120B4 | qconv.com Color code: HEX #B120B4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 32 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 32 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 82 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 82% 0% 29% C M Y K

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Provide designers and agencies with accurate color values.

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