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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B12610 it is the complementary color #4ED9EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B12610. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B12610 shade: #B6260B, #C7381E, #D84A31, #E95C44 and #FA6E57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B12610. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B12610 shade: #B12610, #A01400, #8F0200, #7E0000 and #6D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B12610 shade: #B12610 and #B11010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B12610 shade: #B12610, #B15110, #B17D10, #B1A810 and #8EB110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B12610 shade matches the following richer shades: #B12610 and #C11B00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B12610 shade: #B12610, #A13120, #913D2F, #82483F and #72544F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B12610 shade: #B11050, #B11025, #B12510, #B15010 and #B17B10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B12610 shade: #651609, #8B1E0C, #B12610, #D72E13 and #EB4329

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B12610 shade: #B12610, #7BB110 and #103BB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B12610 shade: #B12610, #10B125 and #2510B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B12610 shade: #B12610, #7BB110, #109BB1 and #4610B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B12610 shade: #B12610, #4BB110, #109BB1 and #7610B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 91 / 31

HEX #B12610

RGB 177 38 16

HSL 8.2, 0.83%, 0.38%

LAB 39.19, 54.04, 46.46

 

Complementary color

CMYK 67 / 9 / 0 / 6

HEX #4ED9EF

RGB 78 217 239

HSL 188.2, 0.83%, 0.62%

LAB 80.45, -30.3, -21.73

 

CMYK 0 / 79 / 94 / 29

HEX #B6260B

RGB 182 38 11

HSL 9.47, 0.89%, 0.38%

LAB 40.17, 55.49, 49.42

 

CMYK 0 / 72 / 85 / 22

HEX #C7381E

RGB 199 56 30

HSL 9.23, 0.74%, 0.45%

LAB 45.72, 55.18, 47.33

 

CMYK 0 / 66 / 77 / 15

HEX #D84A31

RGB 216 74 49

HSL 8.98, 0.68%, 0.52%

LAB 51.52, 54.34, 44.5

 

CMYK 0 / 61 / 71 / 9

HEX #E95C44

RGB 233 92 68

HSL 8.73, 0.79%, 0.59%

LAB 57.46, 53.24, 41.71

 

CMYK 0 / 56 / 65 / 2

HEX #FA6E57

RGB 250 110 87

HSL 8.47, 0.94%, 0.66%

LAB 63.48, 52.02, 39.15

 

CMYK 0 / 79 / 91 / 31

HEX #B12610

RGB 177 38 16

HSL 8.2, 0.83%, 0.38%

LAB 39.19, 54.04, 46.46

 

CMYK 0 / 88 / 100 / 37

HEX #A01400

RGB 160 20 0

HSL 7.5, 1%, 0.31%

LAB 33.93, 53.47, 47.6

 

CMYK 0 / 99 / 100 / 44

HEX #8F0200

RGB 143 2 0

HSL 0.84, 1%, 0.28%

LAB 29.12, 51.75, 42.51

 

CMYK 0 / 100 / 100 / 51

HEX #7E0000

RGB 126 0 0

HSL 0, 1%, 0.25%

LAB 25.06, 47.51, 37.45

 

CMYK 0 / 100 / 100 / 57

HEX #6D0000

RGB 109 0 0

HSL 0, 1%, 0.21%

LAB 21.02, 42.84, 32.03

 

CMYK 0 / 79 / 91 / 31

HEX #B12610

RGB 177 38 16

HSL 8.2, 0.83%, 0.38%

LAB 39.19, 54.04, 46.46

 

CMYK 0 / 91 / 91 / 31

HEX #B11010

RGB 177 16 16

HSL 0, 0.83%, 0.38%

LAB 37.4, 59.13, 45.18

 

CMYK 0 / 79 / 91 / 31

HEX #B12610

RGB 177 38 16

HSL 8.2, 0.83%, 0.38%

LAB 39.19, 54.04, 46.46

 

CMYK 0 / 54 / 91 / 31

HEX #B15110

RGB 177 81 16

HSL 24.22, 0.83%, 0.38%

LAB 46, 35.83, 51.44

 

CMYK 0 / 29 / 91 / 31

HEX #B17D10

RGB 177 125 16

HSL 40.62, 0.83%, 0.38%

LAB 56.14, 11.78, 59.1

 

CMYK 0 / 5 / 91 / 31

HEX #B1A810

RGB 177 168 16

HSL 56.65, 0.83%, 0.38%

LAB 67.57, -11.55, 67.94

 

CMYK 20 / 0 / 91 / 31

HEX #8EB110

RGB 142 177 16

HSL 73.04, 0.83%, 0.38%

LAB 67.45, -31.14, 66.71

 

CMYK 0 / 79 / 91 / 31

HEX #B12610

RGB 177 38 16

HSL 8.2, 0.83%, 0.38%

LAB 39.19, 54.04, 46.46

 

CMYK 0 / 86 / 100 / 24

HEX #C11B00

RGB 193 27 0

HSL 8.39, 1%, 0.38%

LAB 41.41, 61.32, 54.97

 

CMYK 0 / 79 / 91 / 31

HEX #B12610

RGB 177 38 16

HSL 8.2, 0.83%, 0.38%

LAB 39.19, 54.04, 46.46

 

CMYK 0 / 70 / 80 / 37

HEX #A13120

RGB 161 49 32

HSL 7.91, 0.67%, 0.38%

LAB 37.62, 45.27, 36.17

 

CMYK 0 / 58 / 68 / 43

HEX #913D2F

RGB 145 61 47

HSL 8.57, 0.51%, 0.38%

LAB 37.05, 34.52, 26.07

 

CMYK 0 / 45 / 52 / 49

HEX #82483F

RGB 130 72 63

HSL 8.06, 0.35%, 0.38%

LAB 37.37, 23.68, 16.22

 

CMYK 0 / 26 / 31 / 55

HEX #72544F

RGB 114 84 79

HSL 8.57, 0.18%, 0.38%

LAB 38.69, 11.7, 7.79

 

CMYK 0 / 91 / 55 / 31

HEX #B11050

RGB 177 16 80

HSL 336.15, 0.83%, 0.38%

LAB 38.37, 61.87, 8.15

 

CMYK 0 / 91 / 79 / 31

HEX #B11025

RGB 177 16 37

HSL 352.17, 0.83%, 0.38%

LAB 37.57, 59.63, 34.27

 

CMYK 0 / 79 / 91 / 31

HEX #B12510

RGB 177 37 16

HSL 7.83, 0.83%, 0.38%

LAB 39.08, 54.34, 46.38

 

CMYK 0 / 55 / 91 / 31

HEX #B15010

RGB 177 80 16

HSL 23.85, 0.83%, 0.38%

LAB 45.8, 36.34, 51.29

 

CMYK 0 / 31 / 91 / 31

HEX #B17B10

RGB 177 123 16

HSL 39.88, 0.83%, 0.38%

LAB 55.63, 12.9, 58.72

 

CMYK 0 / 78 / 91 / 60

HEX #651609

RGB 101 22 9

HSL 8.48, 0.84%, 0.22%

LAB 21.43, 34.4, 28.28

 

CMYK 0 / 78 / 91 / 45

HEX #8B1E0C

RGB 139 30 12

HSL 8.5, 0.84%, 0.3%

LAB 30.51, 44.51, 38.26

 

CMYK 0 / 79 / 91 / 31

HEX #B12610

RGB 177 38 16

HSL 8.2, 0.83%, 0.38%

LAB 39.19, 54.04, 46.46

 

CMYK 0 / 79 / 91 / 16

HEX #D72E13

RGB 215 46 19

HSL 8.27, 0.84%, 0.46%

LAB 47.56, 63.11, 54.65

 

CMYK 0 / 71 / 83 / 8

HEX #EB4329

RGB 235 67 41

HSL 8.04, 0.83%, 0.54%

LAB 53.85, 62.9, 51.91

 

CMYK 0 / 79 / 91 / 31

HEX #B12610

RGB 177 38 16

HSL 8.2, 0.83%, 0.38%

LAB 39.19, 54.04, 46.46

 

CMYK 31 / 0 / 91 / 31

HEX #7BB110

RGB 123 177 16

HSL 80.12, 0.83%, 0.38%

LAB 66.28, -38.71, 65.28

 

CMYK 91 / 67 / 0 / 31

HEX #103BB1

RGB 16 59 177

HSL 223.98, 0.83%, 0.38%

LAB 30.43, 33.64, -65.91

 

CMYK 0 / 79 / 91 / 31

HEX #B12610

RGB 177 38 16

HSL 8.2, 0.83%, 0.38%

LAB 39.19, 54.04, 46.46

 

CMYK 91 / 0 / 79 / 31

HEX #10B125

RGB 16 177 37

HSL 127.83, 0.83%, 0.38%

LAB 63.08, -63.26, 56.2

 

CMYK 79 / 91 / 0 / 31

HEX #2510B1

RGB 37 16 177

HSL 247.83, 0.83%, 0.38%

LAB 23.47, 56.8, -77.41

 

CMYK 0 / 79 / 91 / 31

HEX #B12610

RGB 177 38 16

HSL 8.2, 0.83%, 0.38%

LAB 39.19, 54.04, 46.46

 

CMYK 31 / 0 / 91 / 31

HEX #7BB110

RGB 123 177 16

HSL 80.12, 0.83%, 0.38%

LAB 66.28, -38.71, 65.28

 

CMYK 91 / 12 / 0 / 31

HEX #109BB1

RGB 16 155 177

HSL 188.2, 0.83%, 0.38%

LAB 58.72, -25.32, -20.92

 

CMYK 60 / 91 / 0 / 31

HEX #4610B1

RGB 70 16 177

HSL 260.12, 0.83%, 0.38%

LAB 26.29, 58.72, -72.63

 

CMYK 0 / 79 / 91 / 31

HEX #B12610

RGB 177 38 16

HSL 8.2, 0.83%, 0.38%

LAB 39.19, 54.04, 46.46

 

CMYK 58 / 0 / 91 / 31

HEX #4BB110

RGB 75 177 16

HSL 98.01, 0.83%, 0.38%

LAB 64.14, -54.55, 62.63

 

CMYK 91 / 12 / 0 / 31

HEX #109BB1

RGB 16 155 177

HSL 188.2, 0.83%, 0.38%

LAB 58.72, -25.32, -20.92

 

CMYK 33 / 91 / 0 / 31

HEX #7610B1

RGB 118 16 177

HSL 278.01, 0.83%, 0.38%

LAB 32.69, 63.83, -61.87

 

Description

Color code: HEX #B12610 | qconv.com Color code: HEX #B12610 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 38 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 38 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 91 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 91% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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