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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B11E88 it is the complementary color #4EE177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B11E88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B11E88 shade: #B61E83, #C73096, #D842A9, #E954BC and #FA66CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B11E88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B11E88 shade: #B11E88, #A00C75, #8F0062, #7E004F and #6D003C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B11E88 shade: #B21E89, #B21E61, #B21E39 and #B21E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B11E88 shade: #B21E89, #B21EB1, #8C1EB2, #641EB2 and #3C1EB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B11E88 shade matches the following richer shades: #B21E89 and #C30D90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B11E88 shade: #B21E89, #A12F81, #90407A, #805172 and #6F616B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B11E88 shade: #8B1EB2, #B21EB2, #B21E8B, #B21E63 and #B21E3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B11E88 shade: #6C1253, #8F186E, #B21E89, #D624A4 and #DF44B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B11E88 shade: #B11E88, #B2631E and #1EB29E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B11E88 shade: #B11E88, #8BB21E and #1E8BB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B11E88 shade: #B11E88, #B2631E, #1EB245 and #1E6DB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B11E88 shade: #B11E88, #B2901E, #1EB245 and #1E40B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 23 / 31

HEX #B11E88

RGB 177 30 136

HSL 316.73, 0.71%, 0.41%

LAB 41.3, 64.77, -22.69

 

Complementary color

CMYK 65 / 0 / 47 / 12

HEX #4EE177

RGB 78 225 119

HSL 136.73, 0.71%, 0.59%

LAB 80.07, -61.26, 40.52

 

CMYK 0 / 84 / 28 / 29

HEX #B61E83

RGB 182 30 131

HSL 320.13, 0.72%, 0.42%

LAB 42.02, 65.3, -18.44

 

CMYK 0 / 76 / 25 / 22

HEX #C73096

RGB 199 48 150

HSL 319.47, 0.61%, 0.48%

LAB 47.57, 66.86, -21.18

 

CMYK 0 / 69 / 22 / 15

HEX #D842A9

RGB 216 66 169

HSL 318.8, 0.66%, 0.55%

LAB 53.34, 67.6, -23.31

 

CMYK 0 / 64 / 19 / 9

HEX #E954BC

RGB 233 84 188

HSL 318.12, 0.77%, 0.62%

LAB 59.25, 67.8, -25

 

CMYK 0 / 59 / 17 / 2

HEX #FA66CF

RGB 250 102 207

HSL 317.43, 0.94%, 0.69%

LAB 65.23, 67.65, -26.38

 

CMYK 0 / 83 / 23 / 31

HEX #B11E88

RGB 177 30 136

HSL 316.73, 0.71%, 0.41%

LAB 41.3, 64.77, -22.69

 

CMYK 0 / 93 / 27 / 37

HEX #A00C75

RGB 160 12 117

HSL 317.43, 0.86%, 0.34%

LAB 36.02, 62.03, -19.31

 

CMYK 0 / 100 / 31 / 44

HEX #8F0062

RGB 143 0 98

HSL 318.88, 1%, 0.28%

LAB 31.16, 57.79, -14.94

 

CMYK 0 / 100 / 37 / 51

HEX #7E004F

RGB 126 0 79

HSL 322.38, 1%, 0.25%

LAB 26.74, 51.96, -9.5

 

CMYK 0 / 100 / 45 / 57

HEX #6D003C

RGB 109 0 60

HSL 326.97, 1%, 0.21%

LAB 22.22, 46.05, -3.71

 

CMYK 0 / 83 / 23 / 30

HEX #B21E89

RGB 178 30 137

HSL 316.62, 0.71%, 0.41%

LAB 41.53, 65.12, -22.93

 

CMYK 0 / 83 / 46 / 30

HEX #B21E61

RGB 178 30 97

HSL 332.84, 0.71%, 0.41%

LAB 40.01, 60.77, -0.31

 

CMYK 0 / 83 / 68 / 30

HEX #B21E39

RGB 178 30 57

HSL 349.05, 0.71%, 0.41%

LAB 39.05, 57.92, 23.76

 

CMYK 0 / 83 / 83 / 30

HEX #B21E1E

RGB 178 30 30

HSL 0, 0.71%, 0.41%

LAB 38.7, 56.87, 39.45

 

CMYK 0 / 83 / 23 / 30

HEX #B21E89

RGB 178 30 137

HSL 316.62, 0.71%, 0.41%

LAB 41.53, 65.12, -22.93

 

CMYK 0 / 83 / 1 / 30

HEX #B21EB1

RGB 178 30 177

HSL 300.41, 0.71%, 0.41%

LAB 43.61, 70.78, -43.74

 

CMYK 21 / 83 / 0 / 30

HEX #8C1EB2

RGB 140 30 178

HSL 284.59, 0.71%, 0.41%

LAB 37.33, 64.08, -54.76

 

CMYK 44 / 83 / 0 / 30

HEX #641EB2

RGB 100 30 178

HSL 268.38, 0.71%, 0.41%

LAB 31.47, 57.91, -64.57

 

CMYK 66 / 83 / 0 / 30

HEX #3C1EB2

RGB 60 30 178

HSL 252.16, 0.71%, 0.41%

LAB 27.03, 53.41, -72.04

 

CMYK 0 / 83 / 23 / 30

HEX #B21E89

RGB 178 30 137

HSL 316.62, 0.71%, 0.41%

LAB 41.53, 65.12, -22.93

 

CMYK 0 / 93 / 26 / 24

HEX #C30D90

RGB 195 13 144

HSL 316.81, 0.88%, 0.41%

LAB 44.09, 72.41, -22.98

 

CMYK 0 / 83 / 23 / 30

HEX #B21E89

RGB 178 30 137

HSL 316.62, 0.71%, 0.41%

LAB 41.53, 65.12, -22.93

 

CMYK 0 / 71 / 20 / 37

HEX #A12F81

RGB 161 47 129

HSL 316.84, 0.55%, 0.41%

LAB 39.91, 54.81, -20.78

 

CMYK 0 / 56 / 15 / 44

HEX #90407A

RGB 144 64 122

HSL 316.5, 0.38%, 0.41%

LAB 39.58, 41.29, -17.19

 

CMYK 0 / 37 / 11 / 50

HEX #805172

RGB 128 81 114

HSL 317.87, 0.22%, 0.41%

LAB 40.72, 25.02, -10.73

 

CMYK 0 / 13 / 4 / 56

HEX #6F616B

RGB 111 97 107

HSL 317.14, 0.07%, 0.41%

LAB 42.75, 7.55, -3.6

 

CMYK 22 / 83 / 0 / 30

HEX #8B1EB2

RGB 139 30 178

HSL 284.19, 0.71%, 0.41%

LAB 37.17, 63.91, -55.02

 

CMYK 0 / 83 / 0 / 30

HEX #B21EB2

RGB 178 30 178

HSL 300, 0.71%, 0.41%

LAB 43.67, 70.94, -44.24

 

CMYK 0 / 83 / 22 / 30

HEX #B21E8B

RGB 178 30 139

HSL 315.81, 0.71%, 0.41%

LAB 41.62, 65.38, -24.02

 

CMYK 0 / 83 / 44 / 30

HEX #B21E63

RGB 178 30 99

HSL 332.03, 0.71%, 0.41%

LAB 40.07, 60.95, -1.49

 

CMYK 0 / 83 / 66 / 30

HEX #B21E3C

RGB 178 30 60

HSL 347.84, 0.71%, 0.41%

LAB 39.1, 58.08, 21.94

 

CMYK 0 / 83 / 23 / 58

HEX #6C1253

RGB 108 18 83

HSL 316.67, 0.71%, 0.25%

LAB 24.47, 44.35, -15.99

 

CMYK 0 / 83 / 23 / 44

HEX #8F186E

RGB 143 24 110

HSL 316.64, 0.71%, 0.33%

LAB 33.18, 55.01, -19.55

 

CMYK 0 / 83 / 23 / 30

HEX #B21E89

RGB 178 30 137

HSL 316.62, 0.71%, 0.41%

LAB 41.53, 65.12, -22.93

 

CMYK 0 / 83 / 23 / 16

HEX #D624A4

RGB 214 36 164

HSL 316.85, 0.71%, 0.49%

LAB 49.78, 75.05, -25.89

 

CMYK 0 / 70 / 19 / 13

HEX #DF44B4

RGB 223 68 180

HSL 316.65, 0.71%, 0.57%

LAB 55.19, 70.11, -26.77

 

CMYK 0 / 83 / 23 / 31

HEX #B11E88

RGB 177 30 136

HSL 316.73, 0.71%, 0.41%

LAB 41.3, 64.77, -22.69

 

CMYK 0 / 44 / 83 / 30

HEX #B2631E

RGB 178 99 30

HSL 27.97, 0.71%, 0.41%

LAB 50.08, 27.02, 49.85

 

CMYK 83 / 0 / 11 / 30

HEX #1EB29E

RGB 30 178 158

HSL 171.89, 0.71%, 0.41%

LAB 65.42, -41.08, -0.21

 

CMYK 0 / 83 / 23 / 31

HEX #B11E88

RGB 177 30 136

HSL 316.73, 0.71%, 0.41%

LAB 41.3, 64.77, -22.69

 

CMYK 22 / 0 / 83 / 30

HEX #8BB21E

RGB 139 178 30

HSL 75.81, 0.71%, 0.41%

LAB 67.59, -32.44, 63.86

 

CMYK 83 / 22 / 0 / 30

HEX #1E8BB2

RGB 30 139 178

HSL 195.81, 0.71%, 0.41%

LAB 53.98, -15.55, -28.78

 

CMYK 0 / 83 / 23 / 31

HEX #B11E88

RGB 177 30 136

HSL 316.73, 0.71%, 0.41%

LAB 41.3, 64.77, -22.69

 

CMYK 0 / 44 / 83 / 30

HEX #B2631E

RGB 178 99 30

HSL 27.97, 0.71%, 0.41%

LAB 50.08, 27.02, 49.85

 

CMYK 83 / 0 / 61 / 30

HEX #1EB245

RGB 30 178 69

HSL 135.81, 0.71%, 0.41%

LAB 63.79, -59.32, 44.46

 

CMYK 83 / 39 / 0 / 30

HEX #1E6DB2

RGB 30 109 178

HSL 207.97, 0.71%, 0.41%

LAB 44.84, 2.07, -43.15

 

CMYK 0 / 83 / 23 / 31

HEX #B11E88

RGB 177 30 136

HSL 316.73, 0.71%, 0.41%

LAB 41.3, 64.77, -22.69

 

CMYK 0 / 19 / 83 / 30

HEX #B2901E

RGB 178 144 30

HSL 46.22, 0.71%, 0.41%

LAB 61.22, 2.06, 59.59

 

CMYK 83 / 0 / 61 / 30

HEX #1EB245

RGB 30 178 69

HSL 135.81, 0.71%, 0.41%

LAB 63.79, -59.32, 44.46

 

CMYK 83 / 64 / 0 / 30

HEX #1E40B2

RGB 30 64 178

HSL 226.22, 0.71%, 0.41%

LAB 32.16, 31.59, -63.64

 

Description

Color code: HEX #B11E88 | qconv.com Color code: HEX #B11E88 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 30 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 30 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 23 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 23% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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