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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B11A1A it is the complementary color #4EE5E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B11A1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B11A1A shade: #B61A15, #C72C28, #D83E3B, #E9504E and #FA6261

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B11A1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B11A1A shade: #B11A1A, #A00807, #8F0000, #7E0000 and #6D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B11A1A shade: #B11A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B11A1A shade: #B11A1A, #B1431A, #B16B1A, #B1941A and #A5B11A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B11A1A shade matches the following richer shades: #B11A1A and #C10A0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B11A1A shade: #B11A1A, #A02B2B, #903B3B, #7F4C4C and #6F5C5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B11A1A shade: #B11A6B, #B11A42, #B11A1A, #B1421A and #B16B1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B11A1A shade: #690F0F, #8D1515, #B11A1A, #D51F1F and #E13C3C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B11A1A shade: #B11A1A, #93B11A and #1A56B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B11A1A shade: #B11A1A, #1AB11A and #1A1AB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B11A1A shade: #B11A1A, #93B11A, #1AB1B1 and #381AB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B11A1A shade: #B11A1A, #66B11A, #1AB1B1 and #661AB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 85 / 31

HEX #B11A1A

RGB 177 26 26

HSL 0, 0.74%, 0.4%

LAB 38.13, 57.43, 40.97

 

Complementary color

CMYK 66 / 0 / 0 / 10

HEX #4EE5E5

RGB 78 229 229

HSL 180, 0.74%, 0.6%

LAB 83.61, -38.77, -11.66

 

CMYK 0 / 86 / 88 / 29

HEX #B61A15

RGB 182 26 21

HSL 1.86, 0.79%, 0.4%

LAB 39.14, 58.73, 44.7

 

CMYK 0 / 78 / 80 / 22

HEX #C72C28

RGB 199 44 40

HSL 1.51, 0.67%, 0.47%

LAB 44.37, 59.44, 40.99

 

CMYK 0 / 71 / 73 / 15

HEX #D83E3B

RGB 216 62 59

HSL 1.15, 0.67%, 0.54%

LAB 49.93, 59.37, 37.33

 

CMYK 0 / 66 / 67 / 9

HEX #E9504E

RGB 233 80 78

HSL 0.77, 0.78%, 0.61%

LAB 55.7, 58.82, 34.08

 

CMYK 0 / 61 / 61 / 2

HEX #FA6261

RGB 250 98 97

HSL 0.39, 0.94%, 0.68%

LAB 61.59, 57.99, 31.26

 

CMYK 0 / 85 / 85 / 31

HEX #B11A1A

RGB 177 26 26

HSL 0, 0.74%, 0.4%

LAB 38.13, 57.43, 40.97

 

CMYK 0 / 95 / 96 / 37

HEX #A00807

RGB 160 8 7

HSL 0.39, 0.92%, 0.33%

LAB 33.27, 55.54, 44.36

 

CMYK 0 / 100 / 100 / 44

HEX #8F0000

RGB 143 0 0

HSL 0, 1%, 0.28%

LAB 29, 52.07, 42.42

 

CMYK 0 / 100 / 100 / 51

HEX #7E0000

RGB 126 0 0

HSL 0, 1%, 0.25%

LAB 25.06, 47.51, 37.45

 

CMYK 0 / 100 / 100 / 57

HEX #6D0000

RGB 109 0 0

HSL 0, 1%, 0.21%

LAB 21.02, 42.84, 32.03

 

CMYK 0 / 85 / 85 / 31

HEX #B11A1A

RGB 177 26 26

HSL 0, 0.74%, 0.4%

LAB 38.13, 57.43, 40.97

 

CMYK 0 / 85 / 85 / 31

HEX #B11A1A

RGB 177 26 26

HSL 0, 0.74%, 0.4%

LAB 38.13, 57.43, 40.97

 

CMYK 0 / 62 / 85 / 31

HEX #B1431A

RGB 177 67 26

HSL 16.29, 0.74%, 0.4%

LAB 43.41, 42.91, 45.6

 

CMYK 0 / 40 / 85 / 31

HEX #B16B1A

RGB 177 107 26

HSL 32.19, 0.74%, 0.4%

LAB 51.77, 22.06, 52.75

 

CMYK 0 / 16 / 85 / 31

HEX #B1941A

RGB 177 148 26

HSL 48.48, 0.74%, 0.4%

LAB 62.17, -0.69, 61.47

 

CMYK 7 / 0 / 85 / 31

HEX #A5B11A

RGB 165 177 26

HSL 64.77, 0.74%, 0.4%

LAB 69.12, -21.18, 66.84

 

CMYK 0 / 85 / 85 / 31

HEX #B11A1A

RGB 177 26 26

HSL 0, 0.74%, 0.4%

LAB 38.13, 57.43, 40.97

 

CMYK 0 / 95 / 95 / 24

HEX #C10A0A

RGB 193 10 10

HSL 0, 0.9%, 0.4%

LAB 40.53, 64.03, 51.14

 

CMYK 0 / 85 / 85 / 31

HEX #B11A1A

RGB 177 26 26

HSL 0, 0.74%, 0.4%

LAB 38.13, 57.43, 40.97

 

CMYK 0 / 73 / 73 / 37

HEX #A02B2B

RGB 160 43 43

HSL 0, 0.58%, 0.4%

LAB 36.7, 47.76, 28.74

 

CMYK 0 / 59 / 59 / 44

HEX #903B3B

RGB 144 59 59

HSL 0, 0.42%, 0.4%

LAB 36.69, 36.02, 18.21

 

CMYK 0 / 40 / 40 / 50

HEX #7F4C4C

RGB 127 76 76

HSL 0, 0.25%, 0.4%

LAB 38.2, 21.59, 9.2

 

CMYK 0 / 17 / 17 / 56

HEX #6F5C5C

RGB 111 92 92

HSL 0, 0.09%, 0.4%

LAB 40.91, 7.72, 2.88

 

CMYK 0 / 85 / 40 / 31

HEX #B11A6B

RGB 177 26 107

HSL 327.81, 0.74%, 0.4%

LAB 39.83, 62.38, -6.92

 

CMYK 0 / 85 / 63 / 31

HEX #B11A42

RGB 177 26 66

HSL 344.11, 0.74%, 0.4%

LAB 38.69, 59.09, 17.56

 

CMYK 0 / 85 / 85 / 31

HEX #B11A1A

RGB 177 26 26

HSL 0, 0.74%, 0.4%

LAB 38.13, 57.43, 40.97

 

CMYK 0 / 63 / 85 / 31

HEX #B1421A

RGB 177 66 26

HSL 15.89, 0.74%, 0.4%

LAB 43.24, 43.37, 45.44

 

CMYK 0 / 40 / 85 / 31

HEX #B16B1A

RGB 177 107 26

HSL 32.19, 0.74%, 0.4%

LAB 51.77, 22.06, 52.75

 

CMYK 0 / 86 / 86 / 59

HEX #690F0F

RGB 105 15 15

HSL 0, 0.75%, 0.24%

LAB 21.5, 38.34, 25.87

 

CMYK 0 / 85 / 85 / 45

HEX #8D1515

RGB 141 21 21

HSL 0, 0.74%, 0.32%

LAB 30.04, 48.04, 33.48

 

CMYK 0 / 85 / 85 / 31

HEX #B11A1A

RGB 177 26 26

HSL 0, 0.74%, 0.4%

LAB 38.13, 57.43, 40.97

 

CMYK 0 / 85 / 85 / 16

HEX #D51F1F

RGB 213 31 31

HSL 0, 0.75%, 0.48%

LAB 45.94, 66.41, 48.12

 

CMYK 0 / 73 / 73 / 12

HEX #E13C3C

RGB 225 60 60

HSL 0, 0.73%, 0.56%

LAB 51.34, 62.86, 38.81

 

CMYK 0 / 85 / 85 / 31

HEX #B11A1A

RGB 177 26 26

HSL 0, 0.74%, 0.4%

LAB 38.13, 57.43, 40.97

 

CMYK 17 / 0 / 85 / 31

HEX #93B11A

RGB 147 177 26

HSL 71.92, 0.74%, 0.4%

LAB 67.82, -28.81, 65.21

 

CMYK 85 / 51 / 0 / 31

HEX #1A56B1

RGB 26 86 177

HSL 216.16, 0.74%, 0.4%

LAB 37.93, 16.19, -53.66

 

CMYK 0 / 85 / 85 / 31

HEX #B11A1A

RGB 177 26 26

HSL 0, 0.74%, 0.4%

LAB 38.13, 57.43, 40.97

 

CMYK 85 / 0 / 85 / 31

HEX #1AB11A

RGB 26 177 26

HSL 120, 0.74%, 0.4%

LAB 63.13, -63.07, 59.31

 

CMYK 85 / 85 / 0 / 31

HEX #1A1AB1

RGB 26 26 177

HSL 240, 0.74%, 0.4%

LAB 24.11, 52.74, -76.36

 

CMYK 0 / 85 / 85 / 31

HEX #B11A1A

RGB 177 26 26

HSL 0, 0.74%, 0.4%

LAB 38.13, 57.43, 40.97

 

CMYK 17 / 0 / 85 / 31

HEX #93B11A

RGB 147 177 26

HSL 71.92, 0.74%, 0.4%

LAB 67.82, -28.81, 65.21

 

CMYK 85 / 0 / 0 / 31

HEX #1AB1B1

RGB 26 177 177

HSL 180, 0.74%, 0.4%

LAB 65.62, -35.42, -10.48

 

CMYK 68 / 85 / 0 / 31

HEX #381AB1

RGB 56 26 177

HSL 251.92, 0.74%, 0.4%

LAB 26.02, 54.41, -73.12

 

CMYK 0 / 85 / 85 / 31

HEX #B11A1A

RGB 177 26 26

HSL 0, 0.74%, 0.4%

LAB 38.13, 57.43, 40.97

 

CMYK 42 / 0 / 85 / 31

HEX #66B11A

RGB 102 177 26

HSL 89.8, 0.74%, 0.4%

LAB 65.23, -46.03, 61.98

 

CMYK 85 / 0 / 0 / 31

HEX #1AB1B1

RGB 26 177 177

HSL 180, 0.74%, 0.4%

LAB 65.62, -35.42, -10.48

 

CMYK 42 / 85 / 0 / 31

HEX #661AB1

RGB 102 26 177

HSL 270.2, 0.74%, 0.4%

LAB 31.2, 59.24, -64.4

 

Description

Color code: HEX #B11A1A | qconv.com Color code: HEX #B11A1A | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 26 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 26 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 85 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 85% 31% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - 中成文具行
Link: http://www.cyeh.com.tw

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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