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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1158B it is the complementary color #4EEA74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1158B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1158B shade: #B61586, #C72799, #D839AC, #E94BBF and #FA5DD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1158B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1158B shade: #B1158B, #A00378, #8F0065, #7E0052 and #6D003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1158B shade: #B2148B, #B21461, #B21436 and #B21414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1158B shade: #B2148B, #AD14B2, #8314B2, #5914B2 and #2E14B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1158B shade matches the following richer shades: #B2148B and #C20493

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1158B shade: #B2148B, #A12483, #91357B, #814572 and #71556A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1158B shade: #8214B2, #AC14B2, #B2148D, #B21463 and #B21439

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1158B shade: #680C51, #8D106E, #B2148B, #D619A8 and #E632BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1158B shade: #B1158B, #B25814 and #14B297

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1158B shade: #B1158B, #8DB214 and #148DB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1158B shade: #B1158B, #B25814, #14B239 and #146DB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1158B shade: #B1158B, #B28814, #14B239 and #143EB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 21 / 31

HEX #B1158B

RGB 177 21 139

HSL 314.62, 0.79%, 0.39%

LAB 40.81, 66.97, -25.29

 

Complementary color

CMYK 67 / 0 / 50 / 8

HEX #4EEA74

RGB 78 234 116

HSL 134.62, 0.79%, 0.61%

LAB 82.77, -64.91, 45.33

 

CMYK 0 / 88 / 26 / 29

HEX #B61586

RGB 182 21 134

HSL 317.89, 0.79%, 0.4%

LAB 41.54, 67.42, -21.03

 

CMYK 0 / 80 / 23 / 22

HEX #C72799

RGB 199 39 153

HSL 317.25, 0.67%, 0.47%

LAB 46.83, 69.7, -24.11

 

CMYK 0 / 74 / 20 / 15

HEX #D839AC

RGB 216 57 172

HSL 316.6, 0.67%, 0.54%

LAB 52.4, 71, -26.52

 

CMYK 0 / 68 / 18 / 9

HEX #E94BBF

RGB 233 75 191

HSL 315.95, 0.78%, 0.6%

LAB 58.15, 71.6, -28.42

 

CMYK 0 / 63 / 16 / 2

HEX #FA5DD2

RGB 250 93 210

HSL 315.29, 0.94%, 0.67%

LAB 64, 71.74, -29.95

 

CMYK 0 / 88 / 21 / 31

HEX #B1158B

RGB 177 21 139

HSL 314.62, 0.79%, 0.39%

LAB 40.81, 66.97, -25.29

 

CMYK 0 / 98 / 25 / 37

HEX #A00378

RGB 160 3 120

HSL 315.29, 0.96%, 0.32%

LAB 35.78, 63.51, -21.58

 

CMYK 0 / 100 / 29 / 44

HEX #8F0065

RGB 143 0 101

HSL 317.62, 1%, 0.28%

LAB 31.3, 58.13, -16.68

 

CMYK 0 / 100 / 35 / 51

HEX #7E0052

RGB 126 0 82

HSL 320.95, 1%, 0.25%

LAB 26.86, 52.29, -11.32

 

CMYK 0 / 100 / 42 / 57

HEX #6D003F

RGB 109 0 63

HSL 325.32, 1%, 0.21%

LAB 22.34, 46.35, -5.61

 

CMYK 0 / 89 / 22 / 30

HEX #B2148B

RGB 178 20 139

HSL 314.81, 0.8%, 0.39%

LAB 40.94, 67.35, -25.07

 

CMYK 0 / 89 / 46 / 30

HEX #B21461

RGB 178 20 97

HSL 330.76, 0.8%, 0.39%

LAB 39.29, 62.84, -1.37

 

CMYK 0 / 89 / 70 / 30

HEX #B21436

RGB 178 20 54

HSL 347.09, 0.8%, 0.39%

LAB 38.25, 59.91, 24.66

 

CMYK 0 / 89 / 89 / 30

HEX #B21414

RGB 178 20 20

HSL 0, 0.8%, 0.39%

LAB 37.87, 58.79, 43.82

 

CMYK 0 / 89 / 22 / 30

HEX #B2148B

RGB 178 20 139

HSL 314.81, 0.8%, 0.39%

LAB 40.94, 67.35, -25.07

 

CMYK 3 / 89 / 0 / 30

HEX #AD14B2

RGB 173 20 178

HSL 298.1, 0.8%, 0.39%

LAB 42.15, 71.91, -46.71

 

CMYK 26 / 89 / 0 / 30

HEX #8314B2

RGB 131 20 178

HSL 282.15, 0.8%, 0.39%

LAB 35.08, 65.05, -58.48

 

CMYK 50 / 89 / 0 / 30

HEX #5914B2

RGB 89 20 178

HSL 266.2, 0.8%, 0.39%

LAB 29, 59.66, -68.68

 

CMYK 74 / 89 / 0 / 30

HEX #2E14B2

RGB 46 20 178

HSL 249.87, 0.8%, 0.39%

LAB 24.63, 56.22, -76.07

 

CMYK 0 / 89 / 22 / 30

HEX #B2148B

RGB 178 20 139

HSL 314.81, 0.8%, 0.39%

LAB 40.94, 67.35, -25.07

 

CMYK 0 / 98 / 24 / 24

HEX #C20493

RGB 194 4 147

HSL 314.84, 0.96%, 0.39%

LAB 43.75, 73.41, -25.36

 

CMYK 0 / 89 / 22 / 30

HEX #B2148B

RGB 178 20 139

HSL 314.81, 0.8%, 0.39%

LAB 40.94, 67.35, -25.07

 

CMYK 0 / 78 / 19 / 37

HEX #A12483

RGB 161 36 131

HSL 314.4, 0.63%, 0.39%

LAB 38.69, 58.8, -23.9

 

CMYK 0 / 63 / 15 / 43

HEX #91357B

RGB 145 53 123

HSL 314.35, 0.46%, 0.39%

LAB 37.84, 47.02, -20.48

 

CMYK 0 / 47 / 12 / 49

HEX #814572

RGB 129 69 114

HSL 315, 0.3%, 0.39%

LAB 38.09, 32.28, -14.7

 

CMYK 0 / 25 / 6 / 56

HEX #71556A

RGB 113 85 106

HSL 315, 0.14%, 0.39%

LAB 39.66, 15.43, -7.56

 

CMYK 27 / 89 / 0 / 30

HEX #8214B2

RGB 130 20 178

HSL 281.77, 0.8%, 0.39%

LAB 34.92, 64.9, -58.74

 

CMYK 3 / 89 / 0 / 30

HEX #AC14B2

RGB 172 20 178

HSL 297.72, 0.8%, 0.39%

LAB 41.98, 71.73, -47

 

CMYK 0 / 89 / 21 / 30

HEX #B2148D

RGB 178 20 141

HSL 314.05, 0.8%, 0.39%

LAB 41.04, 67.6, -26.15

 

CMYK 0 / 89 / 44 / 30

HEX #B21463

RGB 178 20 99

HSL 330, 0.8%, 0.39%

LAB 39.35, 63.01, -2.54

 

CMYK 0 / 89 / 68 / 30

HEX #B21439

RGB 178 20 57

HSL 345.95, 0.8%, 0.39%

LAB 38.31, 60.05, 22.82

 

CMYK 0 / 88 / 22 / 59

HEX #680C51

RGB 104 12 81

HSL 315, 0.79%, 0.23%

LAB 23, 44.68, -16.99

 

CMYK 0 / 89 / 22 / 45

HEX #8D106E

RGB 141 16 110

HSL 314.88, 0.8%, 0.31%

LAB 32.17, 56.35, -21.15

 

CMYK 0 / 89 / 22 / 30

HEX #B2148B

RGB 178 20 139

HSL 314.81, 0.8%, 0.39%

LAB 40.94, 67.35, -25.07

 

CMYK 0 / 88 / 21 / 16

HEX #D619A8

RGB 214 25 168

HSL 314.6, 0.79%, 0.47%

LAB 49.28, 77.52, -29.04

 

CMYK 0 / 78 / 19 / 10

HEX #E632BA

RGB 230 50 186

HSL 314.67, 0.78%, 0.55%

LAB 54.71, 77.97, -30.91

 

CMYK 0 / 88 / 21 / 31

HEX #B1158B

RGB 177 21 139

HSL 314.62, 0.79%, 0.39%

LAB 40.81, 66.97, -25.29

 

CMYK 0 / 51 / 89 / 30

HEX #B25814

RGB 178 88 20

HSL 25.82, 0.8%, 0.39%

LAB 47.62, 32.67, 51.45

 

CMYK 89 / 0 / 15 / 30

HEX #14B297

RGB 20 178 151

HSL 169.75, 0.8%, 0.39%

LAB 65.14, -43.7, 3.24

 

CMYK 0 / 88 / 21 / 31

HEX #B1158B

RGB 177 21 139

HSL 314.62, 0.79%, 0.39%

LAB 40.81, 66.97, -25.29

 

CMYK 21 / 0 / 89 / 30

HEX #8DB214

RGB 141 178 20

HSL 74.05, 0.8%, 0.39%

LAB 67.69, -31.93, 66.19

 

CMYK 89 / 21 / 0 / 30

HEX #148DB2

RGB 20 141 178

HSL 194.05, 0.8%, 0.39%

LAB 54.46, -17.39, -28.04

 

CMYK 0 / 88 / 21 / 31

HEX #B1158B

RGB 177 21 139

HSL 314.62, 0.79%, 0.39%

LAB 40.81, 66.97, -25.29

 

CMYK 0 / 51 / 89 / 30

HEX #B25814

RGB 178 88 20

HSL 25.82, 0.8%, 0.39%

LAB 47.62, 32.67, 51.45

 

CMYK 89 / 0 / 68 / 30

HEX #14B239

RGB 20 178 57

HSL 134.05, 0.8%, 0.39%

LAB 63.58, -61.59, 49.41

 

CMYK 89 / 39 / 0 / 30

HEX #146DB2

RGB 20 109 178

HSL 206.2, 0.8%, 0.39%

LAB 44.66, 1.28, -43.45

 

CMYK 0 / 88 / 21 / 31

HEX #B1158B

RGB 177 21 139

HSL 314.62, 0.79%, 0.39%

LAB 40.81, 66.97, -25.29

 

CMYK 0 / 24 / 89 / 30

HEX #B28814

RGB 178 136 20

HSL 44.05, 0.8%, 0.39%

LAB 59.09, 6.2, 60.53

 

CMYK 89 / 0 / 68 / 30

HEX #14B239

RGB 20 178 57

HSL 134.05, 0.8%, 0.39%

LAB 63.58, -61.59, 49.41

 

CMYK 89 / 65 / 0 / 30

HEX #143EB2

RGB 20 62 178

HSL 224.05, 0.8%, 0.39%

LAB 31.37, 32.25, -64.96

 

Description

Color code: HEX #B1158B | qconv.com Color code: HEX #B1158B | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 21 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 21 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 21 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 21% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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