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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B109D6 it is the complementary color #4EF629. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B109D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B109D6 shade: #B609D1, #C71BE4, #D82DF7, #E93FFF and #FA51FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B109D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B109D6 shade: #B109D6, #A000C3, #8F00B0, #7E009D and #6D008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B109D6 shade: #B208D7, #D708C5, #D7088D, #D70855 and #D7081D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B109D6 shade: #B208D7, #7A08D7, #4208D7, #0B08D7 and #0808D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B109D6 shade matches the following richer shades: #B208D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B109D6 shade: #B208D7, #A61BC5, #9A2DB3, #8F3FA0 and #83518E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B109D6 shade: #4308D7, #7A08D7, #B108D7, #D708C6 and #D7088F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B109D6 shade: #700588, #9107AF, #B208D7, #CC14F5 and #D53CF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B109D6 shade: #B109D6, #D70C08 and #08D75E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B109D6 shade: #B109D6, #D7B108 and #08D7B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B109D6 shade: #B109D6, #D70C08, #2ED708 and #08D3D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B109D6 shade: #B109D6, #D74A08, #2ED708 and #0896D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 96 / 0 / 16

HEX #B109D6

RGB 177 9 214

HSL 289.17, 0.92%, 0.44%

LAB 44.8, 79.75, -63.4

 

Complementary color

CMYK 68 / 0 / 83 / 4

HEX #4EF629

RGB 78 246 41

HSL 109.17, 0.92%, 0.56%

LAB 85.85, -75.59, 76.52

 

CMYK 13 / 96 / 0 / 18

HEX #B609D1

RGB 182 9 209

HSL 291.9, 0.92%, 0.43%

LAB 45.28, 79.65, -59.7

 

CMYK 13 / 88 / 0 / 11

HEX #C71BE4

RGB 199 27 228

HSL 291.34, 0.79%, 0.5%

LAB 50.13, 83.13, -62.59

 

CMYK 13 / 82 / 0 / 3

HEX #D82DF7

RGB 216 45 247

HSL 290.79, 0.93%, 0.57%

LAB 55.27, 85.5, -64.85

 

CMYK 9 / 75 / 0 / 0

HEX #E93FFF

RGB 233 63 255

HSL 293.13, 1%, 0.62%

LAB 59.98, 85.17, -61.59

 

CMYK 2 / 68 / 0 / 0

HEX #FA51FF

RGB 250 81 255

HSL 298.28, 1%, 0.66%

LAB 64.51, 82.9, -54.22

 

CMYK 17 / 96 / 0 / 16

HEX #B109D6

RGB 177 9 214

HSL 289.17, 0.92%, 0.44%

LAB 44.8, 79.75, -63.4

 

CMYK 18 / 100 / 0 / 24

HEX #A000C3

RGB 160 0 195

HSL 289.23, 1%, 0.38%

LAB 40.27, 75.01, -59.86

 

CMYK 19 / 100 / 0 / 31

HEX #8F00B0

RGB 143 0 176

HSL 288.75, 1%, 0.35%

LAB 35.93, 69.34, -55.81

 

CMYK 20 / 100 / 0 / 38

HEX #7E009D

RGB 126 0 157

HSL 288.15, 1%, 0.31%

LAB 31.51, 63.55, -51.68

 

CMYK 21 / 100 / 0 / 46

HEX #6D008A

RGB 109 0 138

HSL 287.39, 1%, 0.27%

LAB 26.98, 57.62, -47.47

 

CMYK 17 / 96 / 0 / 16

HEX #B208D7

RGB 178 8 215

HSL 289.28, 0.93%, 0.44%

LAB 45, 80.16, -63.63

 

CMYK 0 / 96 / 8 / 16

HEX #D708C5

RGB 215 8 197

HSL 305.22, 0.93%, 0.44%

LAB 50.28, 83.27, -44.44

 

CMYK 0 / 96 / 34 / 16

HEX #D7088D

RGB 215 8 141

HSL 321.45, 0.93%, 0.44%

LAB 47.68, 76.65, -15.32

 

CMYK 0 / 96 / 60 / 16

HEX #D70855

RGB 215 8 85

HSL 337.68, 0.93%, 0.44%

LAB 46.01, 72.2, 16.76

 

CMYK 0 / 96 / 87 / 16

HEX #D7081D

RGB 215 8 29

HSL 353.91, 0.93%, 0.44%

LAB 45.23, 70.07, 48.67

 

CMYK 17 / 96 / 0 / 16

HEX #B208D7

RGB 178 8 215

HSL 289.28, 0.93%, 0.44%

LAB 45, 80.16, -63.63

 

CMYK 43 / 96 / 0 / 16

HEX #7A08D7

RGB 122 8 215

HSL 273.04, 0.93%, 0.44%

LAB 36.4, 73.4, -78.05

 

CMYK 69 / 96 / 0 / 16

HEX #4208D7

RGB 66 8 215

HSL 256.81, 0.93%, 0.44%

LAB 30.01, 69.47, -88.84

 

CMYK 95 / 96 / 0 / 16

HEX #0B08D7

RGB 11 8 215

HSL 240.87, 0.93%, 0.44%

LAB 27.16, 68.17, -93.66

 

CMYK 96 / 96 / 0 / 16

HEX #0808D7

RGB 8 8 215

HSL 240, 0.93%, 0.44%

LAB 27.11, 68.14, -93.76

 

CMYK 17 / 96 / 0 / 16

HEX #B208D7

RGB 178 8 215

HSL 289.28, 0.93%, 0.44%

LAB 45, 80.16, -63.63

 

CMYK 17 / 96 / 0 / 16

HEX #B208D7

RGB 178 8 215

HSL 289.28, 0.93%, 0.44%

LAB 45, 80.16, -63.63

 

CMYK 16 / 86 / 0 / 23

HEX #A61BC5

RGB 166 27 197

HSL 289.06, 0.76%, 0.44%

LAB 42.65, 72.61, -57.14

 

CMYK 14 / 75 / 0 / 30

HEX #9A2DB3

RGB 154 45 179

HSL 288.81, 0.6%, 0.44%

LAB 41.22, 62.22, -48.97

 

CMYK 11 / 61 / 0 / 37

HEX #8F3FA0

RGB 143 63 160

HSL 289.48, 0.43%, 0.44%

LAB 41.11, 48.49, -37.93

 

CMYK 8 / 43 / 0 / 44

HEX #83518E

RGB 131 81 142

HSL 289.18, 0.27%, 0.44%

LAB 42.25, 31.65, -25.42

 

CMYK 69 / 96 / 0 / 16

HEX #4308D7

RGB 67 8 215

HSL 257.1, 0.93%, 0.44%

LAB 30.09, 69.52, -88.7

 

CMYK 43 / 96 / 0 / 16

HEX #7A08D7

RGB 122 8 215

HSL 273.04, 0.93%, 0.44%

LAB 36.4, 73.4, -78.05

 

CMYK 18 / 96 / 0 / 16

HEX #B108D7

RGB 177 8 215

HSL 288.99, 0.93%, 0.44%

LAB 44.84, 80.02, -63.91

 

CMYK 0 / 96 / 8 / 16

HEX #D708C6

RGB 215 8 198

HSL 304.93, 0.93%, 0.44%

LAB 50.33, 83.41, -44.93

 

CMYK 0 / 96 / 33 / 16

HEX #D7088F

RGB 215 8 143

HSL 320.87, 0.93%, 0.44%

LAB 47.76, 76.85, -16.42

 

CMYK 18 / 96 / 0 / 47

HEX #700588

RGB 112 5 136

HSL 289.01, 0.93%, 0.28%

LAB 27.66, 56.81, -45.09

 

CMYK 17 / 96 / 0 / 31

HEX #9107AF

RGB 145 7 175

HSL 289.29, 0.92%, 0.36%

LAB 36.49, 68.59, -54.29

 

CMYK 17 / 96 / 0 / 16

HEX #B208D7

RGB 178 8 215

HSL 289.28, 0.93%, 0.44%

LAB 45, 80.16, -63.63

 

CMYK 17 / 92 / 0 / 4

HEX #CC14F5

RGB 204 20 245

HSL 289.07, 0.92%, 0.52%

LAB 51.76, 87.67, -69.5

 

CMYK 13 / 76 / 0 / 4

HEX #D53CF6

RGB 213 60 246

HSL 289.35, 0.91%, 0.6%

LAB 56.12, 80.82, -62.95

 

CMYK 17 / 96 / 0 / 16

HEX #B109D6

RGB 177 9 214

HSL 289.17, 0.92%, 0.44%

LAB 44.8, 79.75, -63.4

 

CMYK 0 / 94 / 96 / 16

HEX #D70C08

RGB 215 12 8

HSL 1.16, 0.93%, 0.44%

LAB 45.26, 69.44, 56.77

 

CMYK 96 / 0 / 56 / 16

HEX #08D75E

RGB 8 215 94

HSL 144.93, 0.93%, 0.44%

LAB 75.74, -69.1, 46.91

 

CMYK 17 / 96 / 0 / 16

HEX #B109D6

RGB 177 9 214

HSL 289.17, 0.92%, 0.44%

LAB 44.8, 79.75, -63.4

 

CMYK 0 / 18 / 96 / 16

HEX #D7B108

RGB 215 177 8

HSL 48.99, 0.93%, 0.44%

LAB 73.49, 0.46, 75

 

CMYK 96 / 0 / 18 / 16

HEX #08D7B1

RGB 8 215 177

HSL 168.99, 0.93%, 0.44%

LAB 77.18, -52.58, 6.46

 

CMYK 17 / 96 / 0 / 16

HEX #B109D6

RGB 177 9 214

HSL 289.17, 0.92%, 0.44%

LAB 44.8, 79.75, -63.4

 

CMYK 0 / 94 / 96 / 16

HEX #D70C08

RGB 215 12 8

HSL 1.16, 0.93%, 0.44%

LAB 45.26, 69.44, 56.77

 

CMYK 79 / 0 / 96 / 16

HEX #2ED708

RGB 46 215 8

HSL 108.99, 0.93%, 0.44%

LAB 75.58, -72.36, 72.8

 

CMYK 96 / 2 / 0 / 16

HEX #08D3D7

RGB 8 211 215

HSL 181.16, 0.93%, 0.44%

LAB 77.01, -40.28, -14.17

 

CMYK 17 / 96 / 0 / 16

HEX #B109D6

RGB 177 9 214

HSL 289.17, 0.92%, 0.44%

LAB 44.8, 79.75, -63.4

 

CMYK 0 / 66 / 96 / 16

HEX #D74A08

RGB 215 74 8

HSL 19.13, 0.93%, 0.44%

LAB 51.11, 53.12, 59.95

 

CMYK 79 / 0 / 96 / 16

HEX #2ED708

RGB 46 215 8

HSL 108.99, 0.93%, 0.44%

LAB 75.58, -72.36, 72.8

 

CMYK 96 / 30 / 0 / 16

HEX #0896D7

RGB 8 150 215

HSL 198.84, 0.93%, 0.44%

LAB 58.76, -9.45, -42.25

 

Description

Color code: HEX #B109D6 | qconv.com Color code: HEX #B109D6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 9 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 9 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 96 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 96% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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