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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1087B it is the complementary color #4EF784. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1087B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1087B shade: #B60876, #C71A89, #D82C9C, #E93EAF and #FA50C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1087B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1087B shade: #B1087B, #A00068, #8F0055, #7E0042 and #6D002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1087B shade: #AF0879, #AF084C, #AF081F and #AF0808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1087B shade: #AF0879, #AF08A7, #8A08AF, #5D08AF and #3008AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1087B shade matches the following richer shades: #AF0879

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1087B shade: #AF0879, #A01774, #91256F, #823469 and #734364

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1087B shade: #8B08AF, #AF08A6, #AF087A, #AF084D and #AF0821

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1087B shade: #600443, #87065E, #AF0879, #D60A95 and #F416AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1087B shade: #B1087B, #AF5E08 and #08AFA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1087B shade: #B1087B, #7AAF08 and #087AAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1087B shade: #B1087B, #AF5E08, #08AF3D and #0859AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1087B shade: #B1087B, #AF9008, #08AF3D and #0826AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 31 / 31

HEX #B1087B

RGB 177 8 123

HSL 319.17, 0.91%, 0.36%

LAB 39.5, 66.82, -17.44

 

Complementary color

CMYK 68 / 0 / 47 / 3

HEX #4EF784

RGB 78 247 132

HSL 139.17, 0.91%, 0.64%

LAB 86.9, -67.09, 42.85

 

CMYK 0 / 96 / 35 / 29

HEX #B60876

RGB 182 8 118

HSL 322.07, 0.92%, 0.37%

LAB 40.29, 67.35, -13.02

 

CMYK 0 / 87 / 31 / 22

HEX #C71A89

RGB 199 26 137

HSL 321.5, 0.77%, 0.44%

LAB 45.2, 70.61, -16.95

 

CMYK 0 / 80 / 28 / 15

HEX #D82C9C

RGB 216 44 156

HSL 320.93, 0.69%, 0.51%

LAB 50.45, 72.7, -20.07

 

CMYK 0 / 73 / 25 / 9

HEX #E93EAF

RGB 233 62 175

HSL 320.35, 0.8%, 0.58%

LAB 55.95, 73.89, -22.56

 

CMYK 0 / 68 / 22 / 2

HEX #FA50C2

RGB 250 80 194

HSL 319.76, 0.94%, 0.65%

LAB 61.62, 74.46, -24.57

 

CMYK 0 / 95 / 31 / 31

HEX #B1087B

RGB 177 8 123

HSL 319.17, 0.91%, 0.36%

LAB 39.5, 66.82, -17.44

 

CMYK 0 / 100 / 35 / 37

HEX #A00068

RGB 160 0 104

HSL 321, 1%, 0.31%

LAB 34.95, 62.08, -12.71

 

CMYK 0 / 100 / 41 / 44

HEX #8F0055

RGB 143 0 85

HSL 324.34, 1%, 0.28%

LAB 30.63, 56.41, -7.25

 

CMYK 0 / 100 / 48 / 51

HEX #7E0042

RGB 126 0 66

HSL 328.57, 1%, 0.25%

LAB 26.24, 50.67, -1.46

 

CMYK 0 / 100 / 57 / 57

HEX #6D002F

RGB 109 0 47

HSL 334.13, 1%, 0.21%

LAB 21.79, 44.9, 4.76

 

CMYK 0 / 95 / 31 / 31

HEX #AF0879

RGB 175 8 121

HSL 319.4, 0.91%, 0.36%

LAB 39.02, 66.17, -16.97

 

CMYK 0 / 95 / 57 / 31

HEX #AF084C

RGB 175 8 76

HSL 335.57, 0.91%, 0.36%

LAB 37.5, 62.12, 9.44

 

CMYK 0 / 95 / 82 / 31

HEX #AF081F

RGB 175 8 31

HSL 351.74, 0.91%, 0.36%

LAB 36.72, 59.97, 36.76

 

CMYK 0 / 95 / 95 / 31

HEX #AF0808

RGB 175 8 8

HSL 0, 0.91%, 0.36%

LAB 36.57, 59.54, 47.56

 

CMYK 0 / 95 / 31 / 31

HEX #AF0879

RGB 175 8 121

HSL 319.4, 0.91%, 0.36%

LAB 39.02, 66.17, -16.97

 

CMYK 0 / 95 / 5 / 31

HEX #AF08A7

RGB 175 8 167

HSL 302.87, 0.91%, 0.36%

LAB 41.34, 72.1, -41.44

 

CMYK 21 / 95 / 0 / 31

HEX #8A08AF

RGB 138 8 175

HSL 286.71, 0.91%, 0.36%

LAB 35.35, 67.43, -56.21

 

CMYK 47 / 95 / 0 / 31

HEX #5D08AF

RGB 93 8 175

HSL 270.54, 0.91%, 0.36%

LAB 28.37, 61.92, -67.91

 

CMYK 73 / 95 / 0 / 31

HEX #3008AF

RGB 48 8 175

HSL 254.37, 0.91%, 0.36%

LAB 23.33, 58.74, -76.42

 

CMYK 0 / 95 / 31 / 31

HEX #AF0879

RGB 175 8 121

HSL 319.4, 0.91%, 0.36%

LAB 39.02, 66.17, -16.97

 

CMYK 0 / 95 / 31 / 31

HEX #AF0879

RGB 175 8 121

HSL 319.4, 0.91%, 0.36%

LAB 39.02, 66.17, -16.97

 

CMYK 0 / 86 / 28 / 37

HEX #A01774

RGB 160 23 116

HSL 319.27, 0.75%, 0.36%

LAB 36.64, 59.98, -17.73

 

CMYK 0 / 74 / 23 / 43

HEX #91256F

RGB 145 37 111

HSL 318.89, 0.59%, 0.36%

LAB 34.98, 51.68, -17.36

 

CMYK 0 / 60 / 19 / 49

HEX #823469

RGB 130 52 105

HSL 319.23, 0.43%, 0.36%

LAB 34.44, 40.09, -14.62

 

CMYK 0 / 42 / 13 / 55

HEX #734364

RGB 115 67 100

HSL 318.75, 0.26%, 0.36%

LAB 35.16, 25.9, -10.56

 

CMYK 21 / 95 / 0 / 31

HEX #8B08AF

RGB 139 8 175

HSL 287.07, 0.91%, 0.36%

LAB 35.51, 67.58, -55.93

 

CMYK 0 / 95 / 5 / 31

HEX #AF08A6

RGB 175 8 166

HSL 303.23, 0.91%, 0.36%

LAB 41.28, 71.95, -40.93

 

CMYK 0 / 95 / 30 / 31

HEX #AF087A

RGB 175 8 122

HSL 319.04, 0.91%, 0.36%

LAB 39.06, 66.28, -17.53

 

CMYK 0 / 95 / 56 / 31

HEX #AF084D

RGB 175 8 77

HSL 335.21, 0.91%, 0.36%

LAB 37.52, 62.19, 8.83

 

CMYK 0 / 95 / 81 / 31

HEX #AF0821

RGB 175 8 33

HSL 351.02, 0.91%, 0.36%

LAB 36.74, 60.03, 35.63

 

CMYK 0 / 96 / 30 / 62

HEX #600443

RGB 96 4 67

HSL 318.91, 0.92%, 0.2%

LAB 19.96, 42.76, -12.27

 

CMYK 0 / 96 / 30 / 47

HEX #87065E

RGB 135 6 94

HSL 319.07, 0.91%, 0.28%

LAB 29.64, 54.66, -14.83

 

CMYK 0 / 95 / 31 / 31

HEX #AF0879

RGB 175 8 121

HSL 319.4, 0.91%, 0.36%

LAB 39.02, 66.17, -16.97

 

CMYK 0 / 95 / 30 / 16

HEX #D60A95

RGB 214 10 149

HSL 319.12, 0.91%, 0.44%

LAB 47.86, 77.11, -19.9

 

CMYK 0 / 91 / 29 / 4

HEX #F416AD

RGB 244 22 173

HSL 319.19, 0.91%, 0.52%

LAB 54.89, 84.53, -22.85

 

CMYK 0 / 95 / 31 / 31

HEX #B1087B

RGB 177 8 123

HSL 319.17, 0.91%, 0.36%

LAB 39.5, 66.82, -17.44

 

CMYK 0 / 46 / 95 / 31

HEX #AF5E08

RGB 175 94 8

HSL 30.9, 0.91%, 0.36%

LAB 48.43, 27.99, 55.07

 

CMYK 95 / 0 / 8 / 31

HEX #08AFA1

RGB 8 175 161

HSL 174.97, 0.91%, 0.36%

LAB 64.39, -40.16, -3.42

 

CMYK 0 / 95 / 31 / 31

HEX #B1087B

RGB 177 8 123

HSL 319.17, 0.91%, 0.36%

LAB 39.5, 66.82, -17.44

 

CMYK 30 / 0 / 95 / 31

HEX #7AAF08

RGB 122 175 8

HSL 79.04, 0.91%, 0.36%

LAB 65.6, -38.37, 65.81

 

CMYK 95 / 30 / 0 / 31

HEX #087AAF

RGB 8 122 175

HSL 199.04, 0.91%, 0.36%

LAB 48.34, -8.36, -35.88

 

CMYK 0 / 95 / 31 / 31

HEX #B1087B

RGB 177 8 123

HSL 319.17, 0.91%, 0.36%

LAB 39.5, 66.82, -17.44

 

CMYK 0 / 46 / 95 / 31

HEX #AF5E08

RGB 175 94 8

HSL 30.9, 0.91%, 0.36%

LAB 48.43, 27.99, 55.07

 

CMYK 95 / 0 / 65 / 31

HEX #08AF3D

RGB 8 175 61

HSL 139.04, 0.91%, 0.36%

LAB 62.55, -60.94, 46.57

 

CMYK 95 / 49 / 0 / 31

HEX #0859AF

RGB 8 89 175

HSL 210.9, 0.91%, 0.36%

LAB 38.36, 12.34, -51.8

 

CMYK 0 / 95 / 31 / 31

HEX #B1087B

RGB 177 8 123

HSL 319.17, 0.91%, 0.36%

LAB 39.5, 66.82, -17.44

 

CMYK 0 / 18 / 95 / 31

HEX #AF9008

RGB 175 144 8

HSL 48.86, 0.91%, 0.36%

LAB 60.85, 0.23, 63.96

 

CMYK 95 / 0 / 65 / 31

HEX #08AF3D

RGB 8 175 61

HSL 139.04, 0.91%, 0.36%

LAB 62.55, -60.94, 46.57

 

CMYK 95 / 78 / 0 / 31

HEX #0826AF

RGB 8 38 175

HSL 229.22, 0.91%, 0.36%

LAB 25.36, 45.59, -73.09

 

Description

Color code: HEX #B1087B | qconv.com Color code: HEX #B1087B | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 8 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 8 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 31 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 31% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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