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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0E29B it is the complementary color #4F1D64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0E29B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0E29B shade: #B5E296, #C6F4A9, #D7FFBC, #E8FFCF and #F9FFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0E29B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0E29B shade: #B0E29B, #9FD088, #8EBE75, #7DAC62 and #6C9A4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0E29B shade: #B0E29C, #C3E29C, #D6E29C, #E2DA9C and #E2C89C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0E29B shade: #B0E29C, #9EE29C, #9CE2AD, #9CE2C0 and #9CE2D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0E29B shade matches the following richer shades: #B0E29C, #ACEC91 and #A8F687

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0E29B shade: #B0E29C, #B5D7A6, #B9CDB0, #BDC3BB and #C1B9C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0E29B shade: #D6E29C, #C3E29C, #B1E29C, #9EE29C and #9CE2AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0E29B shade: #7ECF5C, #97D97C, #B0E29C, #CAEBBC and #E3F4DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0E29B shade: #B0E29B, #9CE2DB and #E29CCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0E29B shade: #B0E29B, #9CB1E2 and #E29CB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0E29B shade: #B0E29B, #9CE2DB, #CD9CE2 and #E29CA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0E29B shade: #B0E29B, #9CD4E2, #CD9CE2 and #E2AA9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 31 / 11

HEX #B0E29B

RGB 176 226 155

HSL 102.25, 0.55%, 0.75%

LAB 84.99, -28.96, 29.63

 

Complementary color

CMYK 21 / 71 / 0 / 61

HEX #4F1D64

RGB 79 29 100

HSL 282.25, 0.55%, 0.25%

LAB 21.8, 35.74, -31.79

 

CMYK 20 / 0 / 34 / 11

HEX #B5E296

RGB 181 226 150

HSL 95.53, 0.57%, 0.74%

LAB 85.21, -27.95, 32.53

 

CMYK 19 / 0 / 31 / 4

HEX #C6F4A9

RGB 198 244 169

HSL 96.8, 0.77%, 0.81%

LAB 91.49, -27.84, 31.46

 

CMYK 16 / 0 / 26 / 0

HEX #D7FFBC

RGB 215 255 188

HSL 95.82, 1%, 0.87%

LAB 95.83, -24.42, 27.91

 

CMYK 9 / 0 / 19 / 0

HEX #E8FFCF

RGB 232 255 207

HSL 88.75, 1%, 0.91%

LAB 97.3, -15.69, 20.47

 

CMYK 2 / 0 / 11 / 0

HEX #F9FFE2

RGB 249 255 226

HSL 72.41, 1%, 0.94%

LAB 98.89, -6.86, 13.18

 

CMYK 22 / 0 / 31 / 11

HEX #B0E29B

RGB 176 226 155

HSL 102.25, 0.55%, 0.75%

LAB 84.99, -28.96, 29.63

 

CMYK 24 / 0 / 35 / 18

HEX #9FD088

RGB 159 208 136

HSL 100.83, 0.43%, 0.67%

LAB 78.61, -29.11, 30.73

 

CMYK 25 / 0 / 38 / 25

HEX #8EBE75

RGB 142 190 117

HSL 99.45, 0.36%, 0.6%

LAB 72.14, -29.26, 31.87

 

CMYK 27 / 0 / 43 / 33

HEX #7DAC62

RGB 125 172 98

HSL 98.11, 0.31%, 0.53%

LAB 65.55, -29.39, 33.07

 

CMYK 30 / 0 / 49 / 40

HEX #6C9A4F

RGB 108 154 79

HSL 96.8, 0.32%, 0.46%

LAB 58.85, -29.49, 34.31

 

CMYK 22 / 0 / 31 / 11

HEX #B0E29C

RGB 176 226 156

HSL 102.86, 0.55%, 0.75%

LAB 85.01, -28.81, 29.14

 

CMYK 14 / 0 / 31 / 11

HEX #C3E29C

RGB 195 226 156

HSL 86.57, 0.55%, 0.75%

LAB 86.2, -22.11, 30.95

 

CMYK 5 / 0 / 31 / 11

HEX #D6E29C

RGB 214 226 156

HSL 70.29, 0.55%, 0.75%

LAB 87.53, -15.12, 32.95

 

CMYK 0 / 4 / 31 / 11

HEX #E2DA9C

RGB 226 218 156

HSL 53.14, 0.55%, 0.75%

LAB 86.36, -6.57, 31.56

 

CMYK 0 / 12 / 31 / 11

HEX #E2C89C

RGB 226 200 156

HSL 37.71, 0.55%, 0.75%

LAB 81.77, 2.72, 25.39

 

CMYK 22 / 0 / 31 / 11

HEX #B0E29C

RGB 176 226 156

HSL 102.86, 0.55%, 0.75%

LAB 85.01, -28.81, 29.14

 

CMYK 30 / 0 / 31 / 11

HEX #9EE29C

RGB 158 226 156

HSL 118.29, 0.55%, 0.75%

LAB 84, -34.81, 27.61

 

CMYK 31 / 0 / 23 / 11

HEX #9CE2AD

RGB 156 226 173

HSL 134.57, 0.55%, 0.75%

LAB 84.21, -32.55, 19.07

 

CMYK 31 / 0 / 15 / 11

HEX #9CE2C0

RGB 156 226 192

HSL 150.86, 0.55%, 0.75%

LAB 84.62, -28.95, 9.69

 

CMYK 31 / 0 / 7 / 11

HEX #9CE2D3

RGB 156 226 211

HSL 167.14, 0.55%, 0.75%

LAB 85.08, -25.02, 0.34

 

CMYK 22 / 0 / 31 / 11

HEX #B0E29C

RGB 176 226 156

HSL 102.86, 0.55%, 0.75%

LAB 85.01, -28.81, 29.14

 

CMYK 27 / 0 / 39 / 7

HEX #ACEC91

RGB 172 236 145

HSL 102.2, 0.71%, 0.75%

LAB 87.39, -36.4, 37.81

 

CMYK 32 / 0 / 45 / 4

HEX #A8F687

RGB 168 246 135

HSL 102.16, 0.86%, 0.75%

LAB 89.85, -43.49, 45.8

 

CMYK 22 / 0 / 31 / 11

HEX #B0E29C

RGB 176 226 156

HSL 102.86, 0.55%, 0.75%

LAB 85.01, -28.81, 29.14

 

CMYK 16 / 0 / 23 / 16

HEX #B5D7A6

RGB 181 215 166

HSL 101.63, 0.38%, 0.75%

LAB 82.47, -20.19, 20.55

 

CMYK 10 / 0 / 14 / 20

HEX #B9CDB0

RGB 185 205 176

HSL 101.38, 0.22%, 0.75%

LAB 80.24, -12.09, 12.17

 

CMYK 3 / 0 / 4 / 24

HEX #BDC3BB

RGB 189 195 187

HSL 105, 0.06%, 0.75%

LAB 78.13, -3.54, 3.29

 

CMYK 2 / 6 / 0 / 23

HEX #C1B9C5

RGB 193 185 197

HSL 280, 0.09%, 0.75%

LAB 76.11, 5.03, -5.05

 

CMYK 5 / 0 / 31 / 11

HEX #D6E29C

RGB 214 226 156

HSL 70.29, 0.55%, 0.75%

LAB 87.53, -15.12, 32.95

 

CMYK 14 / 0 / 31 / 11

HEX #C3E29C

RGB 195 226 156

HSL 86.57, 0.55%, 0.75%

LAB 86.2, -22.11, 30.95

 

CMYK 22 / 0 / 31 / 11

HEX #B1E29C

RGB 177 226 156

HSL 102, 0.55%, 0.75%

LAB 85.07, -28.47, 29.23

 

CMYK 30 / 0 / 31 / 11

HEX #9EE29C

RGB 158 226 156

HSL 118.29, 0.55%, 0.75%

LAB 84, -34.81, 27.61

 

CMYK 31 / 0 / 24 / 11

HEX #9CE2AC

RGB 156 226 172

HSL 133.71, 0.55%, 0.75%

LAB 84.19, -32.72, 19.57

 

CMYK 39 / 0 / 56 / 19

HEX #7ECF5C

RGB 126 207 92

HSL 102.26, 0.55%, 0.59%

LAB 75.97, -45.53, 48.77

 

CMYK 30 / 0 / 43 / 15

HEX #97D97C

RGB 151 217 124

HSL 102.58, 0.55%, 0.67%

LAB 80.55, -37.72, 39.24

 

CMYK 22 / 0 / 31 / 11

HEX #B0E29C

RGB 176 226 156

HSL 102.86, 0.55%, 0.75%

LAB 85.01, -28.81, 29.14

 

CMYK 14 / 0 / 20 / 8

HEX #CAEBBC

RGB 202 235 188

HSL 102.13, 0.54%, 0.83%

LAB 89.68, -19.22, 19.29

 

CMYK 7 / 0 / 10 / 4

HEX #E3F4DC

RGB 227 244 220

HSL 102.5, 0.52%, 0.91%

LAB 94.4, -9.85, 9.65

 

CMYK 22 / 0 / 31 / 11

HEX #B0E29B

RGB 176 226 155

HSL 102.25, 0.55%, 0.75%

LAB 84.99, -28.96, 29.63

 

CMYK 31 / 0 / 3 / 11

HEX #9CE2DB

RGB 156 226 219

HSL 174, 0.55%, 0.75%

LAB 85.29, -23.26, -3.58

 

CMYK 0 / 31 / 9 / 11

HEX #E29CCD

RGB 226 156 205

HSL 318, 0.55%, 0.75%

LAB 72.46, 33.5, -14.54

 

CMYK 22 / 0 / 31 / 11

HEX #B0E29B

RGB 176 226 155

HSL 102.25, 0.55%, 0.75%

LAB 84.99, -28.96, 29.63

 

CMYK 31 / 22 / 0 / 11

HEX #9CB1E2

RGB 156 177 226

HSL 222, 0.55%, 0.75%

LAB 72.23, 4.01, -26.96

 

CMYK 0 / 31 / 22 / 11

HEX #E29CB1

RGB 226 156 177

HSL 342, 0.55%, 0.75%

LAB 71.64, 29.06, -0.29

 

CMYK 22 / 0 / 31 / 11

HEX #B0E29B

RGB 176 226 155

HSL 102.25, 0.55%, 0.75%

LAB 84.99, -28.96, 29.63

 

CMYK 31 / 0 / 3 / 11

HEX #9CE2DB

RGB 156 226 219

HSL 174, 0.55%, 0.75%

LAB 85.29, -23.26, -3.58

 

CMYK 9 / 31 / 0 / 11

HEX #CD9CE2

RGB 205 156 226

HSL 282, 0.55%, 0.75%

LAB 71.04, 30.57, -28.45

 

CMYK 0 / 31 / 28 / 11

HEX #E29CA3

RGB 226 156 163

HSL 354, 0.55%, 0.75%

LAB 71.28, 27.07, 6.95

 

CMYK 22 / 0 / 31 / 11

HEX #B0E29B

RGB 176 226 155

HSL 102.25, 0.55%, 0.75%

LAB 84.99, -28.96, 29.63

 

CMYK 31 / 6 / 0 / 11

HEX #9CD4E2

RGB 156 212 226

HSL 192, 0.55%, 0.75%

LAB 81.65, -14.63, -12.7

 

CMYK 9 / 31 / 0 / 11

HEX #CD9CE2

RGB 205 156 226

HSL 282, 0.55%, 0.75%

LAB 71.04, 30.57, -28.45

 

CMYK 0 / 25 / 31 / 11

HEX #E2AA9C

RGB 226 170 156

HSL 12, 0.55%, 0.75%

LAB 74.39, 18.63, 15.21

 

Description

Color code: HEX #B0E29B | qconv.com Color code: HEX #B0E29B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 226 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 226 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 31 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 31% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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