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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0E551 it is the complementary color #4F1AAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0E551. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0E551 shade: #B5E54C, #C6F75F, #D7FF72, #E8FF85 and #F9FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0E551. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0E551 shade: #B0E551, #9FD33E, #8EC12B, #7DAF18 and #6C9D05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0E551 shade: #B0E551, #D8E551, #E5CA51, #E5A251 and #E57B51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0E551 shade: #B0E551, #88E551, #61E551, #51E56A and #51E592

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0E551 shade matches the following richer shades: #B0E551 and #B4F541

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0E551 shade: #B0E551, #ABD562, #A7C472, #A2B482 and #9EA492

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0E551 shade: #E5CA51, #D8E551, #B1E551, #8AE551 and #63E551

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0E551 shade: #8AC61D, #A0DF2E, #B0E551, #C0EA75 and #D1EF99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0E551 shade: #B0E551, #51E5A2 and #DD51E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0E551 shade: #B0E551, #51B1E5 and #E551B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0E551 shade: #B0E551, #51E5A2, #8551E5 and #E55194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0E551 shade: #B0E551, #51E5CF, #8551E5 and #E55168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 65 / 10

HEX #B0E551

RGB 176 229 81

HSL 81.49, 0.74%, 0.61%

LAB 84.93, -38.5, 64.25

 

Complementary color

CMYK 55 / 85 / 0 / 32

HEX #4F1AAE

RGB 79 26 174

HSL 261.49, 0.74%, 0.39%

LAB 28, 55.73, -67.98

 

CMYK 21 / 0 / 67 / 10

HEX #B5E54C

RGB 181 229 76

HSL 78.82, 0.75%, 0.6%

LAB 85.19, -36.95, 66.56

 

CMYK 20 / 0 / 62 / 3

HEX #C6F75F

RGB 198 247 95

HSL 79.34, 0.9%, 0.67%

LAB 91.39, -37.31, 65.96

 

CMYK 16 / 0 / 55 / 0

HEX #D7FF72

RGB 215 255 114

HSL 77.02, 1%, 0.72%

LAB 94.82, -33.06, 62.05

 

CMYK 9 / 0 / 48 / 0

HEX #E8FF85

RGB 232 255 133

HSL 71.31, 1%, 0.76%

LAB 96.15, -24.94, 55.36

 

CMYK 2 / 0 / 40 / 0

HEX #F9FF98

RGB 249 255 152

HSL 63.5, 1%, 0.8%

LAB 97.6, -16.61, 48.46

 

CMYK 23 / 0 / 65 / 10

HEX #B0E551

RGB 176 229 81

HSL 81.49, 0.74%, 0.61%

LAB 84.93, -38.5, 64.25

 

CMYK 25 / 0 / 71 / 17

HEX #9FD33E

RGB 159 211 62

HSL 80.94, 0.63%, 0.54%

LAB 78.64, -38.1, 64.66

 

CMYK 26 / 0 / 78 / 24

HEX #8EC12B

RGB 142 193 43

HSL 80.4, 0.64%, 0.46%

LAB 72.27, -37.57, 64.51

 

CMYK 29 / 0 / 86 / 31

HEX #7DAF18

RGB 125 175 24

HSL 79.87, 0.76%, 0.39%

LAB 65.82, -36.83, 63.4

 

CMYK 31 / 0 / 97 / 38

HEX #6C9D05

RGB 108 157 5

HSL 79.34, 0.94%, 0.32%

LAB 59.26, -35.86, 60.86

 

CMYK 23 / 0 / 65 / 10

HEX #B0E551

RGB 176 229 81

HSL 81.49, 0.74%, 0.61%

LAB 84.93, -38.5, 64.25

 

CMYK 6 / 0 / 65 / 10

HEX #D8E551

RGB 216 229 81

HSL 65.27, 0.74%, 0.61%

LAB 87.6, -22.87, 67.87

 

CMYK 0 / 12 / 65 / 10

HEX #E5CA51

RGB 229 202 81

HSL 49.05, 0.74%, 0.61%

LAB 81.56, -4.07, 61.86

 

CMYK 0 / 29 / 65 / 10

HEX #E5A251

RGB 229 162 81

HSL 32.84, 0.74%, 0.61%

LAB 71.62, 16.93, 50.99

 

CMYK 0 / 46 / 65 / 10

HEX #E57B51

RGB 229 123 81

HSL 17.03, 0.74%, 0.61%

LAB 62.86, 37.52, 40.9

 

CMYK 23 / 0 / 65 / 10

HEX #B0E551

RGB 176 229 81

HSL 81.49, 0.74%, 0.61%

LAB 84.93, -38.5, 64.25

 

CMYK 41 / 0 / 65 / 10

HEX #88E551

RGB 136 229 81

HSL 97.7, 0.74%, 0.61%

LAB 82.84, -52.42, 61.4

 

CMYK 58 / 0 / 65 / 10

HEX #61E551

RGB 97 229 81

HSL 113.51, 0.74%, 0.61%

LAB 81.39, -63.33, 59.39

 

CMYK 65 / 0 / 54 / 10

HEX #51E56A

RGB 81 229 106

HSL 130.14, 0.74%, 0.61%

LAB 81.2, -63.97, 48.13

 

CMYK 65 / 0 / 36 / 10

HEX #51E592

RGB 81 229 146

HSL 146.35, 0.74%, 0.61%

LAB 81.76, -57.63, 29.22

 

CMYK 23 / 0 / 65 / 10

HEX #B0E551

RGB 176 229 81

HSL 81.49, 0.74%, 0.61%

LAB 84.93, -38.5, 64.25

 

CMYK 27 / 0 / 73 / 4

HEX #B4F541

RGB 180 245 65

HSL 81.67, 0.9%, 0.61%

LAB 89.58, -45.01, 74.78

 

CMYK 23 / 0 / 65 / 10

HEX #B0E551

RGB 176 229 81

HSL 81.49, 0.74%, 0.61%

LAB 84.93, -38.5, 64.25

 

CMYK 20 / 0 / 54 / 16

HEX #ABD562

RGB 171 213 98

HSL 81.91, 0.58%, 0.61%

LAB 80.25, -31.66, 51.65

 

CMYK 15 / 0 / 42 / 23

HEX #A7C472

RGB 167 196 114

HSL 81.22, 0.41%, 0.61%

LAB 75.4, -23.31, 37.92

 

CMYK 10 / 0 / 28 / 29

HEX #A2B482

RGB 162 180 130

HSL 81.6, 0.25%, 0.61%

LAB 70.83, -15.02, 23.5

 

CMYK 4 / 0 / 11 / 36

HEX #9EA492

RGB 158 164 146

HSL 80, 0.09%, 0.61%

LAB 66.44, -5.48, 8.61

 

CMYK 0 / 12 / 65 / 10

HEX #E5CA51

RGB 229 202 81

HSL 49.05, 0.74%, 0.61%

LAB 81.56, -4.07, 61.86

 

CMYK 6 / 0 / 65 / 10

HEX #D8E551

RGB 216 229 81

HSL 65.27, 0.74%, 0.61%

LAB 87.6, -22.87, 67.87

 

CMYK 23 / 0 / 65 / 10

HEX #B1E551

RGB 177 229 81

HSL 81.08, 0.74%, 0.61%

LAB 84.99, -38.12, 64.33

 

CMYK 40 / 0 / 65 / 10

HEX #8AE551

RGB 138 229 81

HSL 96.89, 0.74%, 0.61%

LAB 82.93, -51.78, 61.52

 

CMYK 57 / 0 / 65 / 10

HEX #63E551

RGB 99 229 81

HSL 112.7, 0.74%, 0.61%

LAB 81.45, -62.85, 59.48

 

CMYK 30 / 0 / 85 / 22

HEX #8AC61D

RGB 138 198 29

HSL 81.3, 0.74%, 0.45%

LAB 73.47, -41.84, 69.15

 

CMYK 28 / 0 / 79 / 13

HEX #A0DF2E

RGB 160 223 46

HSL 81.36, 0.73%, 0.53%

LAB 82.08, -43.81, 73.03

 

CMYK 23 / 0 / 65 / 10

HEX #B0E551

RGB 176 229 81

HSL 81.49, 0.74%, 0.61%

LAB 84.93, -38.5, 64.25

 

CMYK 18 / 0 / 50 / 8

HEX #C0EA75

RGB 192 234 117

HSL 81.54, 0.74%, 0.69%

LAB 87.65, -31.7, 51.93

 

CMYK 13 / 0 / 36 / 6

HEX #D1EF99

RGB 209 239 153

HSL 80.93, 0.73%, 0.77%

LAB 90.59, -23.7, 38.43

 

CMYK 23 / 0 / 65 / 10

HEX #B0E551

RGB 176 229 81

HSL 81.49, 0.74%, 0.61%

LAB 84.93, -38.5, 64.25

 

CMYK 65 / 0 / 29 / 10

HEX #51E5A2

RGB 81 229 162

HSL 152.84, 0.74%, 0.61%

LAB 82.05, -54.51, 21.37

 

CMYK 3 / 65 / 0 / 10

HEX #DD51E5

RGB 221 81 229

HSL 296.76, 0.74%, 0.61%

LAB 58.89, 72.3, -48.94

 

CMYK 23 / 0 / 65 / 10

HEX #B0E551

RGB 176 229 81

HSL 81.49, 0.74%, 0.61%

LAB 84.93, -38.5, 64.25

 

CMYK 65 / 23 / 0 / 10

HEX #51B1E5

RGB 81 177 229

HSL 201.08, 0.74%, 0.61%

LAB 68.64, -12.5, -34.44

 

CMYK 0 / 65 / 23 / 10

HEX #E551B1

RGB 229 81 177

HSL 321.08, 0.74%, 0.61%

LAB 57.77, 66.44, -20.99

 

CMYK 23 / 0 / 65 / 10

HEX #B0E551

RGB 176 229 81

HSL 81.49, 0.74%, 0.61%

LAB 84.93, -38.5, 64.25

 

CMYK 65 / 0 / 29 / 10

HEX #51E5A2

RGB 81 229 162

HSL 152.84, 0.74%, 0.61%

LAB 82.05, -54.51, 21.37

 

CMYK 42 / 65 / 0 / 10

HEX #8551E5

RGB 133 81 229

HSL 261.08, 0.74%, 0.61%

LAB 47.66, 53.3, -67.58

 

CMYK 0 / 65 / 35 / 10

HEX #E55194

RGB 229 81 148

HSL 332.84, 0.74%, 0.61%

LAB 56.76, 62.93, -5.61

 

CMYK 23 / 0 / 65 / 10

HEX #B0E551

RGB 176 229 81

HSL 81.49, 0.74%, 0.61%

LAB 84.93, -38.5, 64.25

 

CMYK 65 / 0 / 10 / 10

HEX #51E5CF

RGB 81 229 207

HSL 171.08, 0.74%, 0.61%

LAB 83.07, -44.15, -0.82

 

CMYK 42 / 65 / 0 / 10

HEX #8551E5

RGB 133 81 229

HSL 261.08, 0.74%, 0.61%

LAB 47.66, 53.3, -67.58

 

CMYK 0 / 65 / 55 / 10

HEX #E55168

RGB 229 81 104

HSL 350.68, 0.74%, 0.61%

LAB 55.63, 58.81, 18.73

 

Description

Color code: HEX #B0E551 | qconv.com Color code: HEX #B0E551 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 229 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 229 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 65 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 65% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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