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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0DD5F it is the complementary color #4F22A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0DD5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0DD5F shade: #B5DD5A, #C6EF6D, #D7FF80, #E8FF93 and #F9FFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0DD5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0DD5F shade: #B0DD5F, #9FCB4C, #8EB939, #7DA726 and #6C9513

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0DD5F shade: #B0DD5F, #D2DD5F, #DDC65F, #DDA45F and #DD825F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0DD5F shade: #B0DD5F, #8EDD5F, #6CDD5F, #5FDD74 and #5FDD96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0DD5F shade matches the following richer shades: #B0DD5F, #B4EC4F and #B9FC3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0DD5F shade: #B0DD5F, #ABCD6E, #A7BD7E, #A2AE8E and #9E9E9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0DD5F shade: #DDC55F, #D2DD5F, #B0DD5F, #8FDD5F and #6DDD5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0DD5F shade: #8AC028, #9FD53D, #B0DD5F, #C0E481 and #D1EBA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0DD5F shade: #B0DD5F, #5FDDA4 and #D65FDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0DD5F shade: #B0DD5F, #5FB0DD and #DD5FB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0DD5F shade: #B0DD5F, #5FDDA4, #8B5FDD and #DD5F97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0DD5F shade: #B0DD5F, #5FDDCA, #8B5FDD and #DD5F72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 57 / 13

HEX #B0DD5F

RGB 176 221 95

HSL 81.43, 0.65%, 0.62%

LAB 82.79, -33.75, 56.01

 

Complementary color

CMYK 51 / 79 / 0 / 37

HEX #4F22A0

RGB 79 34 160

HSL 261.43, 0.65%, 0.38%

LAB 27.69, 48.81, -60.02

 

CMYK 18 / 0 / 59 / 13

HEX #B5DD5A

RGB 181 221 90

HSL 78.32, 0.66%, 0.61%

LAB 83.06, -32.27, 58.58

 

CMYK 17 / 0 / 54 / 6

HEX #C6EF6D

RGB 198 239 109

HSL 78.92, 0.8%, 0.68%

LAB 89.32, -32.52, 57.64

 

CMYK 16 / 0 / 50 / 0

HEX #D7FF80

RGB 215 255 128

HSL 78.9, 1%, 0.75%

LAB 94.96, -31.79, 55.96

 

CMYK 9 / 0 / 42 / 0

HEX #E8FF93

RGB 232 255 147

HSL 72.78, 1%, 0.79%

LAB 96.32, -23.53, 48.99

 

CMYK 2 / 0 / 35 / 0

HEX #F9FFA6

RGB 249 255 166

HSL 64.04, 1%, 0.83%

LAB 97.8, -15.08, 41.91

 

CMYK 20 / 0 / 57 / 13

HEX #B0DD5F

RGB 176 221 95

HSL 81.43, 0.65%, 0.62%

LAB 82.79, -33.75, 56.01

 

CMYK 22 / 0 / 63 / 20

HEX #9FCB4C

RGB 159 203 76

HSL 80.79, 0.55%, 0.55%

LAB 76.44, -33.5, 56.88

 

CMYK 23 / 0 / 69 / 27

HEX #8EB939

RGB 142 185 57

HSL 80.16, 0.53%, 0.47%

LAB 70, -33.13, 57.45

 

CMYK 25 / 0 / 77 / 35

HEX #7DA726

RGB 125 167 38

HSL 79.53, 0.63%, 0.4%

LAB 63.46, -32.6, 57.47

 

CMYK 28 / 0 / 87 / 42

HEX #6C9513

RGB 108 149 19

HSL 78.92, 0.77%, 0.33%

LAB 56.81, -31.86, 56.44

 

CMYK 20 / 0 / 57 / 13

HEX #B0DD5F

RGB 176 221 95

HSL 81.43, 0.65%, 0.62%

LAB 82.79, -33.75, 56.01

 

CMYK 5 / 0 / 57 / 13

HEX #D2DD5F

RGB 210 221 95

HSL 65.24, 0.65%, 0.62%

LAB 85.12, -20.47, 59.27

 

CMYK 0 / 10 / 57 / 13

HEX #DDC65F

RGB 221 198 95

HSL 49.05, 0.65%, 0.62%

LAB 79.95, -4.42, 53.66

 

CMYK 0 / 26 / 57 / 13

HEX #DDA45F

RGB 221 164 95

HSL 32.86, 0.65%, 0.62%

LAB 71.38, 13.5, 43.61

 

CMYK 0 / 41 / 57 / 13

HEX #DD825F

RGB 221 130 95

HSL 16.67, 0.65%, 0.62%

LAB 63.48, 31.7, 33.89

 

CMYK 20 / 0 / 57 / 13

HEX #B0DD5F

RGB 176 221 95

HSL 81.43, 0.65%, 0.62%

LAB 82.79, -33.75, 56.01

 

CMYK 36 / 0 / 57 / 13

HEX #8EDD5F

RGB 142 221 95

HSL 97.62, 0.65%, 0.62%

LAB 80.9, -45.88, 53.35

 

CMYK 51 / 0 / 57 / 13

HEX #6CDD5F

RGB 108 221 95

HSL 113.81, 0.65%, 0.62%

LAB 79.46, -56.15, 51.3

 

CMYK 57 / 0 / 48 / 13

HEX #5FDD74

RGB 95 221 116

HSL 130, 0.65%, 0.62%

LAB 79.27, -56.68, 41.08

 

CMYK 57 / 0 / 32 / 13

HEX #5FDD96

RGB 95 221 150

HSL 146.19, 0.65%, 0.62%

LAB 79.81, -50.95, 24.59

 

CMYK 20 / 0 / 57 / 13

HEX #B0DD5F

RGB 176 221 95

HSL 81.43, 0.65%, 0.62%

LAB 82.79, -33.75, 56.01

 

CMYK 24 / 0 / 67 / 7

HEX #B4EC4F

RGB 180 236 79

HSL 81.4, 0.81%, 0.62%

LAB 87.12, -40.26, 67.4

 

CMYK 27 / 0 / 75 / 1

HEX #B9FC3F

RGB 185 252 63

HSL 81.27, 0.97%, 0.62%

LAB 91.82, -46.27, 77.64

 

CMYK 20 / 0 / 57 / 13

HEX #B0DD5F

RGB 176 221 95

HSL 81.43, 0.65%, 0.62%

LAB 82.79, -33.75, 56.01

 

CMYK 17 / 0 / 46 / 20

HEX #ABCD6E

RGB 171 205 110

HSL 81.47, 0.49%, 0.62%

LAB 78.14, -26.63, 43.4

 

CMYK 12 / 0 / 33 / 26

HEX #A7BD7E

RGB 167 189 126

HSL 80.95, 0.32%, 0.62%

LAB 73.62, -18.28, 29.43

 

CMYK 7 / 0 / 18 / 32

HEX #A2AE8E

RGB 162 174 142

HSL 82.5, 0.16%, 0.62%

LAB 69.4, -10.01, 15.04

 

CMYK 0 / 0 / 1 / 38

HEX #9E9E9D

RGB 158 158 157

HSL 60, 0.01%, 0.62%

LAB 65.09, -0.19, 0.51

 

CMYK 0 / 11 / 57 / 13

HEX #DDC55F

RGB 221 197 95

HSL 48.57, 0.65%, 0.62%

LAB 79.69, -3.9, 53.36

 

CMYK 5 / 0 / 57 / 13

HEX #D2DD5F

RGB 210 221 95

HSL 65.24, 0.65%, 0.62%

LAB 85.12, -20.47, 59.27

 

CMYK 20 / 0 / 57 / 13

HEX #B0DD5F

RGB 176 221 95

HSL 81.43, 0.65%, 0.62%

LAB 82.79, -33.75, 56.01

 

CMYK 35 / 0 / 57 / 13

HEX #8FDD5F

RGB 143 221 95

HSL 97.14, 0.65%, 0.62%

LAB 80.95, -45.55, 53.41

 

CMYK 51 / 0 / 57 / 13

HEX #6DDD5F

RGB 109 221 95

HSL 113.33, 0.65%, 0.62%

LAB 79.49, -55.88, 51.35

 

CMYK 28 / 0 / 79 / 25

HEX #8AC028

RGB 138 192 40

HSL 81.32, 0.66%, 0.45%

LAB 71.73, -38.79, 64.82

 

CMYK 25 / 0 / 71 / 16

HEX #9FD53D

RGB 159 213 61

HSL 81.32, 0.64%, 0.54%

LAB 79.21, -39.06, 65.58

 

CMYK 20 / 0 / 57 / 13

HEX #B0DD5F

RGB 176 221 95

HSL 81.43, 0.65%, 0.62%

LAB 82.79, -33.75, 56.01

 

CMYK 16 / 0 / 43 / 11

HEX #C0E481

RGB 192 228 129

HSL 81.82, 0.65%, 0.7%

LAB 86.15, -27.59, 44.36

 

CMYK 11 / 0 / 31 / 8

HEX #D1EBA3

RGB 209 235 163

HSL 81.67, 0.64%, 0.78%

LAB 89.68, -20.46, 32.2

 

CMYK 20 / 0 / 57 / 13

HEX #B0DD5F

RGB 176 221 95

HSL 81.43, 0.65%, 0.62%

LAB 82.79, -33.75, 56.01

 

CMYK 57 / 0 / 26 / 13

HEX #5FDDA4

RGB 95 221 164

HSL 152.86, 0.65%, 0.62%

LAB 80.08, -48.16, 17.65

 

CMYK 3 / 57 / 0 / 13

HEX #D65FDD

RGB 214 95 221

HSL 296.67, 0.65%, 0.62%

LAB 59.62, 63.4, -43.37

 

CMYK 20 / 0 / 57 / 13

HEX #B0DD5F

RGB 176 221 95

HSL 81.43, 0.65%, 0.62%

LAB 82.79, -33.75, 56.01

 

CMYK 57 / 20 / 0 / 13

HEX #5FB0DD

RGB 95 176 221

HSL 201.43, 0.65%, 0.62%

LAB 68.54, -11.91, -30.19

 

CMYK 0 / 57 / 20 / 13

HEX #DD5FB0

RGB 221 95 176

HSL 321.43, 0.65%, 0.62%

LAB 58.69, 58.14, -19.12

 

CMYK 20 / 0 / 57 / 13

HEX #B0DD5F

RGB 176 221 95

HSL 81.43, 0.65%, 0.62%

LAB 82.79, -33.75, 56.01

 

CMYK 57 / 0 / 26 / 13

HEX #5FDDA4

RGB 95 221 164

HSL 152.86, 0.65%, 0.62%

LAB 80.08, -48.16, 17.65

 

CMYK 37 / 57 / 0 / 13

HEX #8B5FDD

RGB 139 95 221

HSL 260.95, 0.65%, 0.62%

LAB 50.56, 44.95, -58.33

 

CMYK 0 / 57 / 32 / 13

HEX #DD5F97

RGB 221 95 151

HSL 333.33, 0.65%, 0.62%

LAB 57.84, 54.85, -5.91

 

CMYK 20 / 0 / 57 / 13

HEX #B0DD5F

RGB 176 221 95

HSL 81.43, 0.65%, 0.62%

LAB 82.79, -33.75, 56.01

 

CMYK 57 / 0 / 9 / 13

HEX #5FDDCA

RGB 95 221 202

HSL 170.95, 0.65%, 0.62%

LAB 80.97, -39.44, -1.2

 

CMYK 37 / 57 / 0 / 13

HEX #8B5FDD

RGB 139 95 221

HSL 260.95, 0.65%, 0.62%

LAB 50.56, 44.95, -58.33

 

CMYK 0 / 57 / 48 / 13

HEX #DD5F72

RGB 221 95 114

HSL 350.95, 0.65%, 0.62%

LAB 56.85, 50.89, 14.33

 

Description

Color code: HEX #B0DD5F | qconv.com Color code: HEX #B0DD5F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 221 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 221 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 57 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 57% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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