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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0D336 it is the complementary color #4F2CC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0D336. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0D336 shade: #B5D331, #C6E544, #D7F757, #E8FF6A and #F9FF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0D336. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0D336 shade: #B0D336, #9FC123, #8EAF10, #7D9D00 and #6C8B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0D336 shade: #AFD236, #D2CB36, #D2A136, #D27736 and #D24C36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0D336 shade: #AFD236, #85D236, #5BD236, #36D23B and #36D265

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0D336 shade matches the following richer shades: #AFD236, #BAE622 and #C5FA0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0D336 shade: #AFD236, #A5BF4A, #9AAB5D, #8F9771 and #848385

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0D336 shade: #D2A136, #D2CB36, #B0D236, #87D236 and #5DD236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0D336 shade: #7B9520, #97B728, #AFD236, #BDDA58 and #CAE179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0D336 shade: #B0D336, #36D277 and #B636D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0D336 shade: #B0D336, #36B0D2 and #D236B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0D336 shade: #B0D336, #36D277, #5836D2 and #D23691

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0D336 shade: #B0D336, #36D2A6, #5836D2 and #D23662

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 74 / 17

HEX #B0D336

RGB 176 211 54

HSL 73.38, 0.64%, 0.52%

LAB 79.66, -31.91, 68.76

 

Complementary color

CMYK 61 / 78 / 0 / 21

HEX #4F2CC9

RGB 79 44 201

HSL 253.38, 0.64%, 0.48%

LAB 33.31, 55.65, -75.19

 

CMYK 14 / 0 / 77 / 17

HEX #B5D331

RGB 181 211 49

HSL 71.11, 0.65%, 0.51%

LAB 79.97, -30.12, 70.73

 

CMYK 14 / 0 / 70 / 10

HEX #C6E544

RGB 198 229 68

HSL 71.55, 0.76%, 0.58%

LAB 86.24, -30.82, 70.9

 

CMYK 13 / 0 / 65 / 3

HEX #D7F757

RGB 215 247 87

HSL 72, 0.91%, 0.65%

LAB 92.42, -31.38, 70.55

 

CMYK 9 / 0 / 58 / 0

HEX #E8FF6A

RGB 232 255 106

HSL 69.26, 1%, 0.71%

LAB 95.88, -27.2, 66.97

 

CMYK 2 / 0 / 51 / 0

HEX #F9FF7D

RGB 249 255 125

HSL 62.77, 1%, 0.75%

LAB 97.28, -19.12, 60.65

 

CMYK 17 / 0 / 74 / 17

HEX #B0D336

RGB 176 211 54

HSL 73.38, 0.64%, 0.52%

LAB 79.66, -31.91, 68.76

 

CMYK 18 / 0 / 82 / 24

HEX #9FC123

RGB 159 193 35

HSL 72.91, 0.69%, 0.45%

LAB 73.31, -31.15, 68.09

 

CMYK 19 / 0 / 91 / 31

HEX #8EAF10

RGB 142 175 16

HSL 72.45, 0.83%, 0.37%

LAB 66.86, -30.19, 66.23

 

CMYK 20 / 0 / 100 / 38

HEX #7D9D00

RGB 125 157 0

HSL 72.23, 1%, 0.31%

LAB 60.31, -29.02, 62.87

 

CMYK 22 / 0 / 100 / 45

HEX #6C8B00

RGB 108 139 0

HSL 73.38, 1%, 0.27%

LAB 53.66, -27.56, 57.32

 

CMYK 17 / 0 / 74 / 18

HEX #AFD236

RGB 175 210 54

HSL 73.46, 0.63%, 0.52%

LAB 79.31, -31.84, 68.4

 

CMYK 0 / 3 / 74 / 18

HEX #D2CB36

RGB 210 203 54

HSL 57.31, 0.63%, 0.52%

LAB 80, -13.96, 69.98

 

CMYK 0 / 23 / 74 / 18

HEX #D2A136

RGB 210 161 54

HSL 41.15, 0.63%, 0.52%

LAB 69.08, 7.93, 59.58

 

CMYK 0 / 43 / 74 / 18

HEX #D27736

RGB 210 119 54

HSL 25, 0.63%, 0.52%

LAB 59.12, 30.57, 49.6

 

CMYK 0 / 64 / 74 / 18

HEX #D24C36

RGB 210 76 54

HSL 8.46, 0.63%, 0.52%

LAB 50.85, 51.65, 40.82

 

CMYK 17 / 0 / 74 / 18

HEX #AFD236

RGB 175 210 54

HSL 73.46, 0.63%, 0.52%

LAB 79.31, -31.84, 68.4

 

CMYK 37 / 0 / 74 / 18

HEX #85D236

RGB 133 210 54

HSL 89.62, 0.63%, 0.52%

LAB 76.89, -47.6, 65.23

 

CMYK 57 / 0 / 74 / 18

HEX #5BD236

RGB 91 210 54

HSL 105.77, 0.63%, 0.52%

LAB 75.19, -60.27, 62.99

 

CMYK 74 / 0 / 72 / 18

HEX #36D23B

RGB 54 210 59

HSL 121.92, 0.63%, 0.52%

LAB 74.31, -67.4, 60.06

 

CMYK 74 / 0 / 52 / 18

HEX #36D265

RGB 54 210 101

HSL 138.08, 0.63%, 0.52%

LAB 74.71, -62.64, 42.47

 

CMYK 17 / 0 / 74 / 18

HEX #AFD236

RGB 175 210 54

HSL 73.46, 0.63%, 0.52%

LAB 79.31, -31.84, 68.4

 

CMYK 19 / 0 / 85 / 10

HEX #BAE622

RGB 186 230 34

HSL 73.47, 0.8%, 0.52%

LAB 85.58, -37.37, 79.51

 

CMYK 21 / 0 / 94 / 2

HEX #C5FA0E

RGB 197 250 14

HSL 73.47, 0.96%, 0.52%

LAB 91.81, -42.32, 87.67

 

CMYK 17 / 0 / 74 / 18

HEX #AFD236

RGB 175 210 54

HSL 73.46, 0.63%, 0.52%

LAB 79.31, -31.84, 68.4

 

CMYK 14 / 0 / 61 / 25

HEX #A5BF4A

RGB 165 191 74

HSL 73.33, 0.48%, 0.52%

LAB 73.39, -25.6, 54.52

 

CMYK 10 / 0 / 46 / 33

HEX #9AAB5D

RGB 154 171 93

HSL 73.08, 0.32%, 0.52%

LAB 67.12, -18.34, 38.02

 

CMYK 5 / 0 / 25 / 41

HEX #8F9771

RGB 143 151 113

HSL 72.63, 0.15%, 0.52%

LAB 60.93, -9.63, 19.11

 

CMYK 1 / 2 / 0 / 48

HEX #848385

RGB 132 131 133

HSL 270, 0.01%, 0.52%

LAB 54.9, 0.77, -0.95

 

CMYK 0 / 23 / 74 / 18

HEX #D2A136

RGB 210 161 54

HSL 41.15, 0.63%, 0.52%

LAB 69.08, 7.93, 59.58

 

CMYK 0 / 3 / 74 / 18

HEX #D2CB36

RGB 210 203 54

HSL 57.31, 0.63%, 0.52%

LAB 80, -13.96, 69.98

 

CMYK 16 / 0 / 74 / 18

HEX #B0D236

RGB 176 210 54

HSL 73.08, 0.63%, 0.52%

LAB 79.38, -31.44, 68.49

 

CMYK 36 / 0 / 74 / 18

HEX #87D236

RGB 135 210 54

HSL 88.85, 0.63%, 0.52%

LAB 76.99, -46.9, 65.36

 

CMYK 56 / 0 / 74 / 18

HEX #5DD236

RGB 93 210 54

HSL 105, 0.63%, 0.52%

LAB 75.26, -59.76, 63.07

 

CMYK 17 / 0 / 79 / 42

HEX #7B9520

RGB 123 149 32

HSL 73.33, 0.65%, 0.35%

LAB 57.86, -25.09, 54.14

 

CMYK 17 / 0 / 78 / 28

HEX #97B728

RGB 151 183 40

HSL 73.43, 0.64%, 0.44%

LAB 69.89, -29.5, 63.43

 

CMYK 17 / 0 / 74 / 18

HEX #AFD236

RGB 175 210 54

HSL 73.46, 0.63%, 0.52%

LAB 79.31, -31.84, 68.4

 

CMYK 13 / 0 / 60 / 15

HEX #BDDA58

RGB 189 218 88

HSL 73.38, 0.64%, 0.6%

LAB 82.74, -27.91, 59.23

 

CMYK 10 / 0 / 46 / 12

HEX #CAE179

RGB 202 225 121

HSL 73.27, 0.63%, 0.68%

LAB 85.9, -23.24, 48.07

 

CMYK 17 / 0 / 74 / 17

HEX #B0D336

RGB 176 211 54

HSL 73.38, 0.64%, 0.52%

LAB 79.66, -31.91, 68.76

 

CMYK 74 / 0 / 43 / 18

HEX #36D277

RGB 54 210 119

HSL 145, 0.63%, 0.52%

LAB 74.96, -59.77, 33.89

 

CMYK 13 / 74 / 0 / 18

HEX #B636D2

RGB 182 54 210

HSL 289.23, 0.63%, 0.52%

LAB 48.56, 70.45, -55

 

CMYK 17 / 0 / 74 / 17

HEX #B0D336

RGB 176 211 54

HSL 73.38, 0.64%, 0.52%

LAB 79.66, -31.91, 68.76

 

CMYK 74 / 16 / 0 / 18

HEX #36B0D2

RGB 54 176 210

HSL 193.08, 0.63%, 0.52%

LAB 66.89, -21.93, -26.78

 

CMYK 0 / 74 / 16 / 18

HEX #D236B0

RGB 210 54 176

HSL 313.08, 0.63%, 0.52%

LAB 51.24, 71.05, -30.75

 

CMYK 17 / 0 / 74 / 17

HEX #B0D336

RGB 176 211 54

HSL 73.38, 0.64%, 0.52%

LAB 79.66, -31.91, 68.76

 

CMYK 74 / 0 / 43 / 18

HEX #36D277

RGB 54 210 119

HSL 145, 0.63%, 0.52%

LAB 74.96, -59.77, 33.89

 

CMYK 58 / 74 / 0 / 18

HEX #5836D2

RGB 88 54 210

HSL 253.08, 0.63%, 0.52%

LAB 36.68, 54.51, -74.84

 

CMYK 0 / 74 / 31 / 18

HEX #D23691

RGB 210 54 145

HSL 325, 0.63%, 0.52%

LAB 49.96, 67.15, -14.36

 

CMYK 17 / 0 / 74 / 17

HEX #B0D336

RGB 176 211 54

HSL 73.38, 0.64%, 0.52%

LAB 79.66, -31.91, 68.76

 

CMYK 74 / 0 / 21 / 18

HEX #36D2A6

RGB 54 210 166

HSL 163.08, 0.63%, 0.52%

LAB 75.84, -50.04, 10.49

 

CMYK 58 / 74 / 0 / 18

HEX #5836D2

RGB 88 54 210

HSL 253.08, 0.63%, 0.52%

LAB 36.68, 54.51, -74.84

 

CMYK 0 / 74 / 53 / 18

HEX #D23662

RGB 210 54 98

HSL 343.08, 0.63%, 0.52%

LAB 48.54, 62.64, 12.06

 

Description

Color code: HEX #B0D336 | qconv.com Color code: HEX #B0D336 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 211 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 211 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 74 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 74% 17% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - Sensa Greyfurt Tozu ...
Link: http://www.sensatoz.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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