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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0D72F it is the complementary color #4F28D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0D72F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0D72F shade: #B5D72A, #C6E93D, #D7FB50, #E8FF63 and #F9FF76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0D72F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0D72F shade: #B0D72F, #9FC51C, #8EB309, #7DA100 and #6C8F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0D72F shade: #AFD72D, #D7D02D, #D7A22D, #D7742D and #D7472D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0D72F shade: #AFD72D, #81D72D, #53D72D, #2DD734 and #2DD761

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0D72F shade matches the following richer shades: #AFD72D and #BAEB18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0D72F shade: #AFD72D, #A4C241, #99AE55, #8F9A69 and #84867D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0D72F shade: #D7A12D, #D7CE2D, #B2D72D, #84D72D and #57D72D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0D72F shade: #79951C, #95B723, #AFD72D, #BCDD4F and #C9E472

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0D72F shade: #B0D72F, #2DD773 and #B72DD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0D72F shade: #B0D72F, #2DB2D7 and #D72DB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0D72F shade: #B0D72F, #2DD773, #512DD7 and #D72D90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0D72F shade: #B0D72F, #2DD7A6, #512DD7 and #D72D5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 78 / 16

HEX #B0D72F

RGB 176 215 47

HSL 73.93, 0.68%, 0.51%

LAB 80.76, -34.07, 71.91

 

Complementary color

CMYK 62 / 81 / 0 / 18

HEX #4F28D0

RGB 79 40 208

HSL 253.93, 0.68%, 0.49%

LAB 33.42, 59.37, -79.08

 

CMYK 16 / 0 / 80 / 16

HEX #B5D72A

RGB 181 215 42

HSL 71.79, 0.68%, 0.5%

LAB 81.07, -32.26, 73.67

 

CMYK 15 / 0 / 74 / 9

HEX #C6E93D

RGB 198 233 61

HSL 72.21, 0.8%, 0.58%

LAB 87.3, -33.02, 74.27

 

CMYK 14 / 0 / 68 / 2

HEX #D7FB50

RGB 215 251 80

HSL 72.63, 0.96%, 0.65%

LAB 93.46, -33.63, 74.21

 

CMYK 9 / 0 / 61 / 0

HEX #E8FF63

RGB 232 255 99

HSL 68.85, 1%, 0.69%

LAB 95.82, -27.69, 69.78

 

CMYK 2 / 0 / 54 / 0

HEX #F9FF76

RGB 249 255 118

HSL 62.63, 1%, 0.73%

LAB 97.21, -19.68, 63.67

 

CMYK 18 / 0 / 78 / 16

HEX #B0D72F

RGB 176 215 47

HSL 73.93, 0.68%, 0.51%

LAB 80.76, -34.07, 71.91

 

CMYK 19 / 0 / 86 / 23

HEX #9FC51C

RGB 159 197 28

HSL 73.49, 0.75%, 0.44%

LAB 74.44, -33.24, 70.69

 

CMYK 21 / 0 / 95 / 30

HEX #8EB309

RGB 142 179 9

HSL 73.06, 0.9%, 0.37%

LAB 68.03, -32.2, 68.12

 

CMYK 22 / 0 / 100 / 37

HEX #7DA100

RGB 125 161 0

HSL 73.42, 1%, 0.32%

LAB 61.52, -30.92, 63.78

 

CMYK 24 / 0 / 100 / 44

HEX #6C8F00

RGB 108 143 0

HSL 74.69, 1%, 0.28%

LAB 54.9, -29.49, 58.27

 

CMYK 19 / 0 / 79 / 16

HEX #AFD72D

RGB 175 215 45

HSL 74.12, 0.68%, 0.51%

LAB 80.69, -34.54, 72.38

 

CMYK 0 / 3 / 79 / 16

HEX #D7D02D

RGB 215 208 45

HSL 57.53, 0.68%, 0.51%

LAB 81.7, -14.68, 74.4

 

CMYK 0 / 25 / 79 / 16

HEX #D7A22D

RGB 215 162 45

HSL 41.29, 0.68%, 0.51%

LAB 69.81, 9.21, 63.79

 

CMYK 0 / 46 / 79 / 16

HEX #D7742D

RGB 215 116 45

HSL 25.06, 0.68%, 0.51%

LAB 59.09, 33.83, 53.84

 

CMYK 0 / 67 / 79 / 16

HEX #D7472D

RGB 215 71 45

HSL 9.18, 0.68%, 0.51%

LAB 50.85, 55.09, 45.83

 

CMYK 19 / 0 / 79 / 16

HEX #AFD72D

RGB 175 215 45

HSL 74.12, 0.68%, 0.51%

LAB 80.69, -34.54, 72.38

 

CMYK 40 / 0 / 79 / 16

HEX #81D72D

RGB 129 215 45

HSL 90.35, 0.68%, 0.51%

LAB 78.14, -51.46, 69.12

 

CMYK 61 / 0 / 79 / 16

HEX #53D72D

RGB 83 215 45

HSL 106.59, 0.68%, 0.51%

LAB 76.45, -64.47, 66.93

 

CMYK 79 / 0 / 76 / 16

HEX #2DD734

RGB 45 215 52

HSL 122.47, 0.68%, 0.51%

LAB 75.7, -70.69, 63.81

 

CMYK 79 / 0 / 55 / 16

HEX #2DD761

RGB 45 215 97

HSL 138.35, 0.68%, 0.51%

LAB 76.08, -66.05, 46

 

CMYK 19 / 0 / 79 / 16

HEX #AFD72D

RGB 175 215 45

HSL 74.12, 0.68%, 0.51%

LAB 80.69, -34.54, 72.38

 

CMYK 21 / 0 / 90 / 8

HEX #BAEB18

RGB 186 235 24

HSL 73.93, 0.84%, 0.51%

LAB 86.96, -39.83, 82.38

 

CMYK 19 / 0 / 79 / 16

HEX #AFD72D

RGB 175 215 45

HSL 74.12, 0.68%, 0.51%

LAB 80.69, -34.54, 72.38

 

CMYK 15 / 0 / 66 / 24

HEX #A4C241

RGB 164 194 65

HSL 73.95, 0.51%, 0.51%

LAB 74.1, -28.09, 59

 

CMYK 12 / 0 / 51 / 32

HEX #99AE55

RGB 153 174 85

HSL 74.16, 0.35%, 0.51%

LAB 67.8, -21.1, 42.83

 

CMYK 7 / 0 / 32 / 40

HEX #8F9A69

RGB 143 154 105

HSL 73.47, 0.2%, 0.51%

LAB 61.63, -12.41, 24.47

 

CMYK 1 / 0 / 7 / 47

HEX #84867D

RGB 132 134 125

HSL 73.33, 0.04%, 0.51%

LAB 55.52, -2.48, 4.58

 

CMYK 0 / 25 / 79 / 16

HEX #D7A12D

RGB 215 161 45

HSL 40.94, 0.68%, 0.51%

LAB 69.56, 9.75, 63.56

 

CMYK 0 / 4 / 79 / 16

HEX #D7CE2D

RGB 215 206 45

HSL 56.82, 0.68%, 0.51%

LAB 81.17, -13.68, 73.93

 

CMYK 17 / 0 / 79 / 16

HEX #B2D72D

RGB 178 215 45

HSL 73.06, 0.68%, 0.51%

LAB 80.88, -33.35, 72.62

 

CMYK 39 / 0 / 79 / 16

HEX #84D72D

RGB 132 215 45

HSL 89.29, 0.68%, 0.51%

LAB 78.28, -50.46, 69.3

 

CMYK 60 / 0 / 79 / 16

HEX #57D72D

RGB 87 215 45

HSL 105.18, 0.68%, 0.51%

LAB 76.57, -63.54, 67.08

 

CMYK 19 / 0 / 81 / 42

HEX #79951C

RGB 121 149 28

HSL 73.88, 0.68%, 0.35%

LAB 57.7, -26.12, 55.18

 

CMYK 19 / 0 / 81 / 28

HEX #95B723

RGB 149 183 35

HSL 73.78, 0.68%, 0.43%

LAB 69.74, -30.53, 64.68

 

CMYK 19 / 0 / 79 / 16

HEX #AFD72D

RGB 175 215 45

HSL 74.12, 0.68%, 0.51%

LAB 80.69, -34.54, 72.38

 

CMYK 15 / 0 / 64 / 13

HEX #BCDD4F

RGB 188 221 79

HSL 73.94, 0.68%, 0.59%

LAB 83.43, -30.37, 63.69

 

CMYK 12 / 0 / 50 / 11

HEX #C9E472

RGB 201 228 114

HSL 74.21, 0.68%, 0.67%

LAB 86.56, -25.76, 52.17

 

CMYK 18 / 0 / 78 / 16

HEX #B0D72F

RGB 176 215 47

HSL 73.93, 0.68%, 0.51%

LAB 80.76, -34.07, 71.91

 

CMYK 79 / 0 / 47 / 16

HEX #2DD773

RGB 45 215 115

HSL 144.71, 0.68%, 0.51%

LAB 76.31, -63.32, 37.6

 

CMYK 15 / 79 / 0 / 16

HEX #B72DD7

RGB 183 45 215

HSL 288.71, 0.68%, 0.51%

LAB 48.07, 74.3, -58.64

 

CMYK 18 / 0 / 78 / 16

HEX #B0D72F

RGB 176 215 47

HSL 73.93, 0.68%, 0.51%

LAB 80.76, -34.07, 71.91

 

CMYK 79 / 17 / 0 / 16

HEX #2DB2D7

RGB 45 178 215

HSL 193.06, 0.68%, 0.51%

LAB 67.51, -22.29, -28.6

 

CMYK 0 / 79 / 17 / 16

HEX #D72DB2

RGB 215 45 178

HSL 313.06, 0.68%, 0.51%

LAB 51.31, 74.94, -31.74

 

CMYK 18 / 0 / 78 / 16

HEX #B0D72F

RGB 176 215 47

HSL 73.93, 0.68%, 0.51%

LAB 80.76, -34.07, 71.91

 

CMYK 79 / 0 / 47 / 16

HEX #2DD773

RGB 45 215 115

HSL 144.71, 0.68%, 0.51%

LAB 76.31, -63.32, 37.6

 

CMYK 62 / 79 / 0 / 16

HEX #512DD7

RGB 81 45 215

HSL 252.71, 0.68%, 0.51%

LAB 35.07, 59.35, -80.41

 

CMYK 0 / 79 / 33 / 16

HEX #D72D90

RGB 215 45 144

HSL 325.06, 0.68%, 0.51%

LAB 49.9, 70.86, -13.76

 

CMYK 18 / 0 / 78 / 16

HEX #B0D72F

RGB 176 215 47

HSL 73.93, 0.68%, 0.51%

LAB 80.76, -34.07, 71.91

 

CMYK 79 / 0 / 23 / 16

HEX #2DD7A6

RGB 45 215 166

HSL 162.71, 0.68%, 0.51%

LAB 77.23, -53.05, 12.43

 

CMYK 62 / 79 / 0 / 16

HEX #512DD7

RGB 81 45 215

HSL 252.71, 0.68%, 0.51%

LAB 35.07, 59.35, -80.41

 

CMYK 0 / 79 / 57 / 16

HEX #D72D5D

RGB 215 45 93

HSL 343.06, 0.68%, 0.51%

LAB 48.4, 66.34, 15.08

 

Description

Color code: HEX #B0D72F | qconv.com Color code: HEX #B0D72F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 215 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 215 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 78 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 78% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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