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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0CC87 it is the complementary color #4F3378. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0CC87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0CC87 shade: #B5CC82, #C6DE95, #D7F0A8, #E8FFBB and #F9FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0CC87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0CC87 shade: #B0CC87, #9FBA74, #8EA861, #7D964E and #6C843B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0CC87 shade: #AECA85, #C1CA85, #CAC185, #CAAF85 and #CA9C85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0CC87 shade: #AECA85, #9CCA85, #89CA85, #85CA94 and #85CAA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0CC87 shade matches the following richer shades: #AECA85, #B1D977, #B4E769 and #B6F55B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0CC87 shade: #AECA85, #ACBC93, #A9AEA1, #A6A0AF and #A492BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0CC87 shade: #CAC185, #C1CA85, #AFCA85, #9CCA85 and #8ACA85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0CC87 shade: #88B14C, #9BBE68, #AECA85, #C1D7A2 and #D4E3BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0CC87 shade: #B0CC87, #85CAAF and #CA85CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0CC87 shade: #B0CC87, #85AFCA and #CA85AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0CC87 shade: #B0CC87, #85CAAF, #A185CA and #CA85A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0CC87 shade: #B0CC87, #85CAC4, #A185CA and #CA858C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 34 / 20

HEX #B0CC87

RGB 176 204 135

HSL 84.35, 0.4%, 0.66%

LAB 78.56, -21.17, 31.37

 

Complementary color

CMYK 34 / 58 / 0 / 53

HEX #4F3378

RGB 79 51 120

HSL 264.35, 0.4%, 0.34%

LAB 27.81, 28.44, -35.04

 

CMYK 11 / 0 / 36 / 20

HEX #B5CC82

RGB 181 204 130

HSL 78.65, 0.42%, 0.65%

LAB 78.82, -19.95, 34.35

 

CMYK 11 / 0 / 33 / 13

HEX #C6DE95

RGB 198 222 149

HSL 79.73, 0.53%, 0.73%

LAB 85.21, -20.01, 33.24

 

CMYK 10 / 0 / 30 / 6

HEX #D7F0A8

RGB 215 240 168

HSL 80.83, 0.71%, 0.8%

LAB 91.5, -20.05, 32.17

 

CMYK 9 / 0 / 27 / 0

HEX #E8FFBB

RGB 232 255 187

HSL 80.29, 1%, 0.87%

LAB 96.93, -18.62, 30.09

 

CMYK 2 / 0 / 19 / 0

HEX #F9FFCE

RGB 249 255 206

HSL 67.35, 1%, 0.9%

LAB 98.48, -9.9, 22.8

 

CMYK 14 / 0 / 34 / 20

HEX #B0CC87

RGB 176 204 135

HSL 84.35, 0.4%, 0.66%

LAB 78.56, -21.17, 31.37

 

CMYK 15 / 0 / 38 / 27

HEX #9FBA74

RGB 159 186 116

HSL 83.14, 0.34%, 0.59%

LAB 72.06, -21.16, 32.51

 

CMYK 15 / 0 / 42 / 34

HEX #8EA861

RGB 142 168 97

HSL 81.97, 0.29%, 0.52%

LAB 65.45, -21.12, 33.69

 

CMYK 17 / 0 / 48 / 41

HEX #7D964E

RGB 125 150 78

HSL 80.83, 0.32%, 0.45%

LAB 58.72, -21.04, 34.91

 

CMYK 18 / 0 / 55 / 48

HEX #6C843B

RGB 108 132 59

HSL 79.73, 0.38%, 0.37%

LAB 51.84, -20.89, 36.11

 

CMYK 14 / 0 / 34 / 21

HEX #AECA85

RGB 174 202 133

HSL 84.35, 0.39%, 0.66%

LAB 77.84, -21.19, 31.43

 

CMYK 4 / 0 / 34 / 21

HEX #C1CA85

RGB 193 202 133

HSL 67.83, 0.39%, 0.66%

LAB 79.2, -13.98, 33.47

 

CMYK 0 / 4 / 34 / 21

HEX #CAC185

RGB 202 193 133

HSL 52.17, 0.39%, 0.66%

LAB 77.51, -5.84, 31.39

 

CMYK 0 / 13 / 34 / 21

HEX #CAAF85

RGB 202 175 133

HSL 36.52, 0.39%, 0.66%

LAB 72.83, 3.66, 25.16

 

CMYK 0 / 23 / 34 / 21

HEX #CA9C85

RGB 202 156 133

HSL 20, 0.39%, 0.66%

LAB 68.04, 13.94, 18.63

 

CMYK 14 / 0 / 34 / 21

HEX #AECA85

RGB 174 202 133

HSL 84.35, 0.39%, 0.66%

LAB 77.84, -21.19, 31.43

 

CMYK 23 / 0 / 34 / 21

HEX #9CCA85

RGB 156 202 133

HSL 100, 0.39%, 0.66%

LAB 76.68, -27.73, 29.69

 

CMYK 32 / 0 / 34 / 21

HEX #89CA85

RGB 137 202 133

HSL 116.52, 0.39%, 0.66%

LAB 75.61, -34.21, 28.07

 

CMYK 34 / 0 / 27 / 21

HEX #85CA94

RGB 133 202 148

HSL 133.04, 0.39%, 0.66%

LAB 75.68, -32.94, 20.23

 

CMYK 34 / 0 / 17 / 21

HEX #85CAA7

RGB 133 202 167

HSL 149.57, 0.39%, 0.66%

LAB 76.08, -29.3, 10.65

 

CMYK 14 / 0 / 34 / 21

HEX #AECA85

RGB 174 202 133

HSL 84.35, 0.39%, 0.66%

LAB 77.84, -21.19, 31.43

 

CMYK 18 / 0 / 45 / 15

HEX #B1D977

RGB 177 217 119

HSL 84.49, 0.56%, 0.66%

LAB 82, -29.09, 43.86

 

CMYK 22 / 0 / 55 / 9

HEX #B4E769

RGB 180 231 105

HSL 84.29, 0.72%, 0.66%

LAB 85.94, -35.93, 55.23

 

CMYK 26 / 0 / 63 / 4

HEX #B6F55B

RGB 182 245 91

HSL 84.55, 0.89%, 0.66%

LAB 89.86, -42.61, 65.64

 

CMYK 14 / 0 / 34 / 21

HEX #AECA85

RGB 174 202 133

HSL 84.35, 0.39%, 0.66%

LAB 77.84, -21.19, 31.43

 

CMYK 9 / 0 / 22 / 26

HEX #ACBC93

RGB 172 188 147

HSL 83.41, 0.23%, 0.66%

LAB 74.09, -12.8, 18.95

 

CMYK 3 / 0 / 7 / 32

HEX #A9AEA1

RGB 169 174 161

HSL 83.08, 0.07%, 0.66%

LAB 70.37, -4.17, 6.05

 

CMYK 5 / 9 / 0 / 31

HEX #A6A0AF

RGB 166 160 175

HSL 264, 0.09%, 0.66%

LAB 66.78, 5.06, -6.99

 

CMYK 13 / 23 / 0 / 26

HEX #A492BD

RGB 164 146 189

HSL 265.12, 0.25%, 0.66%

LAB 63.45, 15.17, -19.87

 

CMYK 0 / 4 / 34 / 21

HEX #CAC185

RGB 202 193 133

HSL 52.17, 0.39%, 0.66%

LAB 77.51, -5.84, 31.39

 

CMYK 4 / 0 / 34 / 21

HEX #C1CA85

RGB 193 202 133

HSL 67.83, 0.39%, 0.66%

LAB 79.2, -13.98, 33.47

 

CMYK 13 / 0 / 34 / 21

HEX #AFCA85

RGB 175 202 133

HSL 83.48, 0.39%, 0.66%

LAB 77.9, -20.82, 31.53

 

CMYK 23 / 0 / 34 / 21

HEX #9CCA85

RGB 156 202 133

HSL 100, 0.39%, 0.66%

LAB 76.68, -27.73, 29.69

 

CMYK 32 / 0 / 34 / 21

HEX #8ACA85

RGB 138 202 133

HSL 115.65, 0.39%, 0.66%

LAB 75.66, -33.88, 28.15

 

CMYK 23 / 0 / 57 / 31

HEX #88B14C

RGB 136 177 76

HSL 84.36, 0.4%, 0.5%

LAB 67.43, -30.19, 46.42

 

CMYK 18 / 0 / 45 / 25

HEX #9BBE68

RGB 155 190 104

HSL 84.42, 0.4%, 0.58%

LAB 72.76, -26.15, 39.48

 

CMYK 14 / 0 / 34 / 21

HEX #AECA85

RGB 174 202 133

HSL 84.35, 0.39%, 0.66%

LAB 77.84, -21.19, 31.43

 

CMYK 10 / 0 / 25 / 16

HEX #C1D7A2

RGB 193 215 162

HSL 84.91, 0.4%, 0.74%

LAB 83.2, -16.54, 23.77

 

CMYK 7 / 0 / 16 / 11

HEX #D4E3BF

RGB 212 227 191

HSL 85, 0.39%, 0.82%

LAB 88.3, -11.28, 15.91

 

CMYK 14 / 0 / 34 / 20

HEX #B0CC87

RGB 176 204 135

HSL 84.35, 0.4%, 0.66%

LAB 78.56, -21.17, 31.37

 

CMYK 34 / 0 / 13 / 21

HEX #85CAAF

RGB 133 202 175

HSL 156.52, 0.39%, 0.66%

LAB 76.27, -27.65, 6.61

 

CMYK 0 / 34 / 0 / 21

HEX #CA85CA

RGB 202 133 202

HSL 300, 0.39%, 0.66%

LAB 64.64, 37.45, -25

 

CMYK 14 / 0 / 34 / 20

HEX #B0CC87

RGB 176 204 135

HSL 84.35, 0.4%, 0.66%

LAB 78.56, -21.17, 31.37

 

CMYK 34 / 13 / 0 / 21

HEX #85AFCA

RGB 133 175 202

HSL 203.48, 0.39%, 0.66%

LAB 69.41, -7.5, -18.25

 

CMYK 0 / 34 / 13 / 21

HEX #CA85AF

RGB 202 133 175

HSL 323.48, 0.39%, 0.66%

LAB 63.69, 32.69, -11.22

 

CMYK 14 / 0 / 34 / 20

HEX #B0CC87

RGB 176 204 135

HSL 84.35, 0.4%, 0.66%

LAB 78.56, -21.17, 31.37

 

CMYK 34 / 0 / 13 / 21

HEX #85CAAF

RGB 133 202 175

HSL 156.52, 0.39%, 0.66%

LAB 76.27, -27.65, 6.61

 

CMYK 20 / 34 / 0 / 21

HEX #A185CA

RGB 161 133 202

HSL 264.35, 0.39%, 0.66%

LAB 60.44, 24.56, -31.83

 

CMYK 0 / 34 / 20 / 21

HEX #CA85A1

RGB 202 133 161

HSL 335.65, 0.39%, 0.66%

LAB 63.26, 30.45, -3.92

 

CMYK 14 / 0 / 34 / 20

HEX #B0CC87

RGB 176 204 135

HSL 84.35, 0.4%, 0.66%

LAB 78.56, -21.17, 31.37

 

CMYK 34 / 0 / 3 / 21

HEX #85CAC4

RGB 133 202 196

HSL 174.78, 0.39%, 0.66%

LAB 76.81, -22.99, -3.92

 

CMYK 20 / 34 / 0 / 21

HEX #A185CA

RGB 161 133 202

HSL 264.35, 0.39%, 0.66%

LAB 60.44, 24.56, -31.83

 

CMYK 0 / 34 / 31 / 21

HEX #CA858C

RGB 202 133 140

HSL 353.91, 0.39%, 0.66%

LAB 62.7, 27.44, 7.21

 

Description

Color code: HEX #B0CC87 | qconv.com Color code: HEX #B0CC87 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 204 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 204 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 34 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 34% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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