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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0BDF7 it is the complementary color #4F4208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0BDF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0BDF7 shade: #B5BDF2, #C6CFFF, #D7E1FF, #E8F3FF and #F9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0BDF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0BDF7 shade: #B0BDF7, #9FABE4, #8E99D1, #7D87BE and #6C75AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0BDF7 shade: #B0BDF7, #B6B0F7, #C9B0F7, #DCB0F7 and #EFB0F7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0BDF7 shade: #B0BDF7 and #B0B0F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0BDF7 shade matches the following richer shades: #B0BDF7 and #A9B8FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0BDF7 shade: #B0BDF7, #B7C1F0, #BEC6E9, #C5CAE2 and #CCCEDB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0BDF7 shade: #B0E3F7, #B0D0F7, #B0BDF7, #B6B0F7 and #C8B0F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0BDF7 shade: #657EEF, #8A9DF3, #B0BDF7, #D5DCFA and #FBFBFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0BDF7 shade: #B0BDF7, #F7B0F6 and #D9F7B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0BDF7 shade: #B0BDF7, #F7B0BD and #BDF7B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0BDF7 shade: #B0BDF7, #F7B0F6, #F7EAB0 and #B0F7B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0BDF7 shade: #B0BDF7, #F7B0E0, #F7EAB0 and #B0F7C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 23 / 0 / 3

HEX #B0BDF7

RGB 176 189 247

HSL 229.01, 0.82%, 0.83%

LAB 77.48, 8.31, -30.14

 

Complementary color

CMYK 0 / 16 / 90 / 69

HEX #4F4208

RGB 79 66 8

HSL 49.01, 0.82%, 0.17%

LAB 28.32, -1.01, 34.1

 

CMYK 25 / 22 / 0 / 5

HEX #B5BDF2

RGB 181 189 242

HSL 232.13, 0.7%, 0.83%

LAB 77.66, 8.58, -27.16

 

CMYK 22 / 19 / 0 / 0

HEX #C6CFFF

RGB 198 207 255

HSL 230.53, 1%, 0.89%

LAB 83.89, 6.9, -24.48

 

CMYK 16 / 12 / 0 / 0

HEX #D7E1FF

RGB 215 225 255

HSL 225, 1%, 0.92%

LAB 89.63, 2.57, -15.68

 

CMYK 9 / 5 / 0 / 0

HEX #E8F3FF

RGB 232 243 255

HSL 211.3, 1%, 0.95%

LAB 95.36, -1.37, -7.02

 

CMYK 2 / 0 / 0 / 0

HEX #F9FFFF

RGB 249 255 255

HSL 180, 1%, 0.99%

LAB 99.57, -1.96, -0.7

 

CMYK 29 / 23 / 0 / 3

HEX #B0BDF7

RGB 176 189 247

HSL 229.01, 0.82%, 0.83%

LAB 77.48, 8.31, -30.14

 

CMYK 30 / 25 / 0 / 11

HEX #9FABE4

RGB 159 171 228

HSL 229.57, 0.56%, 0.76%

LAB 70.94, 8.7, -30.02

 

CMYK 32 / 27 / 0 / 18

HEX #8E99D1

RGB 142 153 209

HSL 230.15, 0.42%, 0.69%

LAB 64.27, 9.13, -29.94

 

CMYK 34 / 29 / 0 / 25

HEX #7D87BE

RGB 125 135 190

HSL 230.77, 0.33%, 0.62%

LAB 57.47, 9.62, -29.89

 

CMYK 37 / 32 / 0 / 33

HEX #6C75AB

RGB 108 117 171

HSL 231.43, 0.27%, 0.55%

LAB 50.51, 10.19, -29.89

 

CMYK 29 / 23 / 0 / 3

HEX #B0BDF7

RGB 176 189 247

HSL 229.01, 0.82%, 0.83%

LAB 77.48, 8.31, -30.14

 

CMYK 26 / 29 / 0 / 3

HEX #B6B0F7

RGB 182 176 247

HSL 245.07, 0.82%, 0.83%

LAB 74.64, 17.2, -34.48

 

CMYK 19 / 29 / 0 / 3

HEX #C9B0F7

RGB 201 176 247

HSL 261.13, 0.82%, 0.83%

LAB 76.18, 22.83, -31.98

 

CMYK 11 / 29 / 0 / 3

HEX #DCB0F7

RGB 220 176 247

HSL 277.18, 0.82%, 0.83%

LAB 77.86, 28.65, -29.25

 

CMYK 3 / 29 / 0 / 3

HEX #EFB0F7

RGB 239 176 247

HSL 293.24, 0.82%, 0.83%

LAB 79.68, 34.58, -26.31

 

CMYK 29 / 23 / 0 / 3

HEX #B0BDF7

RGB 176 189 247

HSL 229.01, 0.82%, 0.83%

LAB 77.48, 8.31, -30.14

 

CMYK 29 / 29 / 0 / 3

HEX #B0B0F7

RGB 176 176 247

HSL 240, 0.82%, 0.83%

LAB 74.19, 15.48, -35.23

 

CMYK 29 / 23 / 0 / 3

HEX #B0BDF7

RGB 176 189 247

HSL 229.01, 0.82%, 0.83%

LAB 77.48, 8.31, -30.14

 

CMYK 33 / 28 / 0 / 0

HEX #A9B8FE

RGB 169 184 254

HSL 229.41, 0.98%, 0.83%

LAB 75.99, 10.83, -36.24

 

CMYK 29 / 23 / 0 / 3

HEX #B0BDF7

RGB 176 189 247

HSL 229.01, 0.82%, 0.83%

LAB 77.48, 8.31, -30.14

 

CMYK 24 / 20 / 0 / 6

HEX #B7C1F0

RGB 183 193 240

HSL 229.47, 0.66%, 0.83%

LAB 78.75, 6.54, -24.4

 

CMYK 18 / 15 / 0 / 9

HEX #BEC6E9

RGB 190 198 233

HSL 228.84, 0.49%, 0.83%

LAB 80.3, 4.41, -18.24

 

CMYK 13 / 11 / 0 / 11

HEX #C5CAE2

RGB 197 202 226

HSL 229.66, 0.33%, 0.83%

LAB 81.62, 3.01, -12.46

 

CMYK 7 / 6 / 0 / 14

HEX #CCCEDB

RGB 204 206 219

HSL 232, 0.17%, 0.83%

LAB 82.96, 1.78, -6.67

 

CMYK 29 / 8 / 0 / 3

HEX #B0E3F7

RGB 176 227 247

HSL 196.9, 0.82%, 0.83%

LAB 87.43, -11.8, -15.04

 

CMYK 29 / 16 / 0 / 3

HEX #B0D0F7

RGB 176 208 247

HSL 212.96, 0.82%, 0.83%

LAB 82.41, -1.92, -22.61

 

CMYK 29 / 23 / 0 / 3

HEX #B0BDF7

RGB 176 189 247

HSL 229.01, 0.82%, 0.83%

LAB 77.48, 8.31, -30.14

 

CMYK 26 / 29 / 0 / 3

HEX #B6B0F7

RGB 182 176 247

HSL 245.07, 0.82%, 0.83%

LAB 74.64, 17.2, -34.48

 

CMYK 19 / 29 / 0 / 3

HEX #C8B0F7

RGB 200 176 247

HSL 260.28, 0.82%, 0.83%

LAB 76.1, 22.53, -32.12

 

CMYK 58 / 47 / 0 / 6

HEX #657EEF

RGB 101 126 239

HSL 229.13, 0.81%, 0.67%

LAB 56.01, 23.92, -59.84

 

CMYK 43 / 35 / 0 / 5

HEX #8A9DF3

RGB 138 157 243

HSL 229.14, 0.81%, 0.75%

LAB 66.51, 14.99, -45.23

 

CMYK 29 / 23 / 0 / 3

HEX #B0BDF7

RGB 176 189 247

HSL 229.01, 0.82%, 0.83%

LAB 77.48, 8.31, -30.14

 

CMYK 15 / 12 / 0 / 2

HEX #D5DCFA

RGB 213 220 250

HSL 228.65, 0.79%, 0.91%

LAB 88.08, 3.53, -15.4

 

CMYK 1 / 1 / 0 / 0

HEX #FBFBFE

RGB 251 251 254

HSL 240, 0.6%, 0.99%

LAB 98.69, 0.53, -1.44

 

CMYK 29 / 23 / 0 / 3

HEX #B0BDF7

RGB 176 189 247

HSL 229.01, 0.82%, 0.83%

LAB 77.48, 8.31, -30.14

 

CMYK 0 / 29 / 0 / 3

HEX #F7B0F6

RGB 247 176 246

HSL 300.85, 0.82%, 0.83%

LAB 80.45, 36.92, -24.53

 

CMYK 12 / 0 / 29 / 3

HEX #D9F7B0

RGB 217 247 176

HSL 85.35, 0.82%, 0.83%

LAB 93.63, -21.62, 31

 

CMYK 29 / 23 / 0 / 3

HEX #B0BDF7

RGB 176 189 247

HSL 229.01, 0.82%, 0.83%

LAB 77.48, 8.31, -30.14

 

CMYK 0 / 29 / 23 / 3

HEX #F7B0BD

RGB 247 176 189

HSL 349.01, 0.82%, 0.83%

LAB 78.75, 27.7, 3.76

 

CMYK 23 / 0 / 29 / 3

HEX #BDF7B0

RGB 189 247 176

HSL 109.01, 0.82%, 0.83%

LAB 91.9, -31.25, 28.37

 

CMYK 29 / 23 / 0 / 3

HEX #B0BDF7

RGB 176 189 247

HSL 229.01, 0.82%, 0.83%

LAB 77.48, 8.31, -30.14

 

CMYK 0 / 29 / 0 / 3

HEX #F7B0F6

RGB 247 176 246

HSL 300.85, 0.82%, 0.83%

LAB 80.45, 36.92, -24.53

 

CMYK 0 / 5 / 29 / 3

HEX #F7EAB0

RGB 247 234 176

HSL 49.01, 0.82%, 0.83%

LAB 92.47, -4.23, 29.81

 

CMYK 29 / 0 / 28 / 3

HEX #B0F7B1

RGB 176 247 177

HSL 120.85, 0.82%, 0.83%

LAB 91.2, -35.31, 26.8

 

CMYK 29 / 23 / 0 / 3

HEX #B0BDF7

RGB 176 189 247

HSL 229.01, 0.82%, 0.83%

LAB 77.48, 8.31, -30.14

 

CMYK 0 / 29 / 9 / 3

HEX #F7B0E0

RGB 247 176 224

HSL 319.44, 0.82%, 0.83%

LAB 79.73, 33.1, -13.76

 

CMYK 0 / 5 / 29 / 3

HEX #F7EAB0

RGB 247 234 176

HSL 49.01, 0.82%, 0.83%

LAB 92.47, -4.23, 29.81

 

CMYK 29 / 0 / 20 / 3

HEX #B0F7C6

RGB 176 247 198

HSL 138.59, 0.82%, 0.83%

LAB 91.61, -31.7, 16.61

 

Description

Color code: HEX #B0BDF7 | qconv.com Color code: HEX #B0BDF7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 189 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 189 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 23 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 23% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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