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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0902F it is the complementary color #4F6FD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0902F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0902F shade: #B5902A, #C6A23D, #D7B450, #E8C663 and #F9D876

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0902F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0902F shade: #B0902F, #9F7E1C, #8E6C09, #7D5A00 and #6C4800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0902F shade: #B1902F, #B16D2F, #B14A2F and #B12F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0902F shade: #B1902F, #AEB12F, #8BB12F, #68B12F and #45B12F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0902F shade matches the following richer shades: #B1902F, #C39A1C and #D5A30A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0902F shade: #B1902F, #9F8741, #8C7E53, #7A7565 and #686C77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0902F shade: #B14B2F, #B16E2F, #B1902F, #AFB12F and #8CB12F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0902F shade: #705B1D, #907626, #B1902F, #CBA83D and #D4B75E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0902F shade: #B0902F, #35B12F and #5C2FB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0902F shade: #B0902F, #2FB190 and #902FB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0902F shade: #B0902F, #35B12F, #2F4FB1 and #AA2FB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0902F shade: #B0902F, #2FB14F, #2F4FB1 and #B12F90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 73 / 31

HEX #B0902F

RGB 176 144 47

HSL 45.12, 0.58%, 0.44%

LAB 61.12, 1.83, 53.36

 

Complementary color

CMYK 62 / 47 / 0 / 18

HEX #4F6FD0

RGB 79 111 208

HSL 225.12, 0.58%, 0.56%

LAB 48.99, 18.72, -53.72

 

CMYK 0 / 20 / 77 / 29

HEX #B5902A

RGB 181 144 42

HSL 44.03, 0.62%, 0.44%

LAB 61.6, 3.84, 55.96

 

CMYK 0 / 18 / 69 / 22

HEX #C6A23D

RGB 198 162 61

HSL 44.23, 0.55%, 0.51%

LAB 68.16, 2.51, 55.37

 

CMYK 0 / 16 / 63 / 16

HEX #D7B450

RGB 215 180 80

HSL 44.44, 0.63%, 0.58%

LAB 74.62, 1.39, 54.39

 

CMYK 0 / 15 / 57 / 9

HEX #E8C663

RGB 232 198 99

HSL 44.66, 0.74%, 0.65%

LAB 80.99, 0.44, 53.25

 

CMYK 0 / 13 / 53 / 2

HEX #F9D876

RGB 249 216 118

HSL 44.89, 0.92%, 0.72%

LAB 87.27, -0.38, 52.04

 

CMYK 0 / 18 / 73 / 31

HEX #B0902F

RGB 176 144 47

HSL 45.12, 0.58%, 0.44%

LAB 61.12, 1.83, 53.36

 

CMYK 0 / 21 / 82 / 38

HEX #9F7E1C

RGB 159 126 28

HSL 44.89, 0.7%, 0.37%

LAB 54.42, 3.3, 53.53

 

CMYK 0 / 24 / 94 / 44

HEX #8E6C09

RGB 142 108 9

HSL 44.66, 0.88%, 0.3%

LAB 47.62, 5.09, 52.32

 

CMYK 0 / 28 / 100 / 51

HEX #7D5A00

RGB 125 90 0

HSL 43.2, 1%, 0.25%

LAB 40.69, 7.27, 48.61

 

CMYK 0 / 33 / 100 / 58

HEX #6C4800

RGB 108 72 0

HSL 40, 1%, 0.21%

LAB 33.61, 9.77, 42.81

 

CMYK 0 / 19 / 73 / 31

HEX #B1902F

RGB 177 144 47

HSL 44.77, 0.58%, 0.44%

LAB 61.22, 2.28, 53.5

 

CMYK 0 / 38 / 73 / 31

HEX #B16D2F

RGB 177 109 47

HSL 28.62, 0.58%, 0.44%

LAB 52.39, 21.76, 44.55

 

CMYK 0 / 58 / 73 / 31

HEX #B14A2F

RGB 177 74 47

HSL 12.46, 0.58%, 0.44%

LAB 44.87, 40.34, 36.49

 

CMYK 0 / 73 / 73 / 31

HEX #B12F2F

RGB 177 47 47

HSL 0, 0.58%, 0.44%

LAB 40.55, 51.96, 31.63

 

CMYK 0 / 19 / 73 / 31

HEX #B1902F

RGB 177 144 47

HSL 44.77, 0.58%, 0.44%

LAB 61.22, 2.28, 53.5

 

CMYK 2 / 0 / 73 / 31

HEX #AEB12F

RGB 174 177 47

HSL 61.38, 0.58%, 0.44%

LAB 69.93, -16.53, 61.81

 

CMYK 21 / 0 / 73 / 31

HEX #8BB12F

RGB 139 177 47

HSL 77.54, 0.58%, 0.44%

LAB 67.38, -31.19, 58.48

 

CMYK 41 / 0 / 73 / 31

HEX #68B12F

RGB 104 177 47

HSL 93.69, 0.58%, 0.44%

LAB 65.43, -44.26, 55.9

 

CMYK 61 / 0 / 73 / 31

HEX #45B12F

RGB 69 177 47

HSL 109.85, 0.58%, 0.44%

LAB 64.09, -54.47, 54.12

 

CMYK 0 / 19 / 73 / 31

HEX #B1902F

RGB 177 144 47

HSL 44.77, 0.58%, 0.44%

LAB 61.22, 2.28, 53.5

 

CMYK 0 / 21 / 86 / 24

HEX #C39A1C

RGB 195 154 28

HSL 45.27, 0.75%, 0.44%

LAB 65.59, 4.19, 64.53

 

CMYK 0 / 23 / 95 / 16

HEX #D5A30A

RGB 213 163 10

HSL 45.22, 0.91%, 0.44%

LAB 69.73, 7.02, 71.96

 

CMYK 0 / 19 / 73 / 31

HEX #B1902F

RGB 177 144 47

HSL 44.77, 0.58%, 0.44%

LAB 61.22, 2.28, 53.5

 

CMYK 0 / 15 / 59 / 38

HEX #9F8741

RGB 159 135 65

HSL 44.68, 0.42%, 0.44%

LAB 57.15, 0.34, 40.38

 

CMYK 0 / 10 / 41 / 45

HEX #8C7E53

RGB 140 126 83

HSL 45.26, 0.26%, 0.44%

LAB 53.08, -1.18, 25.36

 

CMYK 0 / 4 / 17 / 52

HEX #7A7565

RGB 122 117 101

HSL 45.71, 0.09%, 0.44%

LAB 49.25, -1.01, 9.52

 

CMYK 13 / 9 / 0 / 53

HEX #686C77

RGB 104 108 119

HSL 224, 0.07%, 0.44%

LAB 45.63, 0.89, -6.64

 

CMYK 0 / 58 / 73 / 31

HEX #B14B2F

RGB 177 75 47

HSL 12.92, 0.58%, 0.44%

LAB 45.06, 39.85, 36.7

 

CMYK 0 / 38 / 73 / 31

HEX #B16E2F

RGB 177 110 47

HSL 29.08, 0.58%, 0.44%

LAB 52.62, 21.2, 44.8

 

CMYK 0 / 19 / 73 / 31

HEX #B1902F

RGB 177 144 47

HSL 44.77, 0.58%, 0.44%

LAB 61.22, 2.28, 53.5

 

CMYK 1 / 0 / 73 / 31

HEX #AFB12F

RGB 175 177 47

HSL 60.92, 0.58%, 0.44%

LAB 70.01, -16.09, 61.92

 

CMYK 21 / 0 / 73 / 31

HEX #8CB12F

RGB 140 177 47

HSL 77.08, 0.58%, 0.44%

LAB 67.45, -30.79, 58.57

 

CMYK 0 / 19 / 74 / 56

HEX #705B1D

RGB 112 91 29

HSL 44.82, 0.59%, 0.28%

LAB 39.61, 1.33, 37.35

 

CMYK 0 / 18 / 74 / 44

HEX #907626

RGB 144 118 38

HSL 45.28, 0.58%, 0.36%

LAB 50.72, 1.3, 45.68

 

CMYK 0 / 19 / 73 / 31

HEX #B1902F

RGB 177 144 47

HSL 44.77, 0.58%, 0.44%

LAB 61.22, 2.28, 53.5

 

CMYK 0 / 17 / 70 / 20

HEX #CBA83D

RGB 203 168 61

HSL 45.21, 0.58%, 0.52%

LAB 70.2, 1.48, 57.63

 

CMYK 0 / 14 / 56 / 17

HEX #D4B75E

RGB 212 183 94

HSL 45.25, 0.58%, 0.6%

LAB 75.25, -0.44, 48.47

 

CMYK 0 / 18 / 73 / 31

HEX #B0902F

RGB 176 144 47

HSL 45.12, 0.58%, 0.44%

LAB 61.12, 1.83, 53.36

 

CMYK 70 / 0 / 73 / 31

HEX #35B12F

RGB 53 177 47

HSL 117.23, 0.58%, 0.44%

LAB 63.68, -57.89, 53.57

 

CMYK 48 / 73 / 0 / 31

HEX #5C2FB1

RGB 92 47 177

HSL 260.77, 0.58%, 0.44%

LAB 32.88, 49.31, -61.7

 

CMYK 0 / 18 / 73 / 31

HEX #B0902F

RGB 176 144 47

HSL 45.12, 0.58%, 0.44%

LAB 61.12, 1.83, 53.36

 

CMYK 73 / 0 / 19 / 31

HEX #2FB190

RGB 47 177 144

HSL 164.77, 0.58%, 0.44%

LAB 65.01, -42.53, 6.98

 

CMYK 19 / 73 / 0 / 31

HEX #902FB1

RGB 144 47 177

HSL 284.77, 0.58%, 0.44%

LAB 39.81, 59.07, -50.13

 

CMYK 0 / 18 / 73 / 31

HEX #B0902F

RGB 176 144 47

HSL 45.12, 0.58%, 0.44%

LAB 61.12, 1.83, 53.36

 

CMYK 70 / 0 / 73 / 31

HEX #35B12F

RGB 53 177 47

HSL 117.23, 0.58%, 0.44%

LAB 63.68, -57.89, 53.57

 

CMYK 73 / 55 / 0 / 31

HEX #2F4FB1

RGB 47 79 177

HSL 225.23, 0.58%, 0.44%

LAB 36.69, 23.06, -55.64

 

CMYK 4 / 73 / 0 / 31

HEX #AA2FB1

RGB 170 47 177

HSL 296.77, 0.58%, 0.44%

LAB 43.88, 64.52, -43.39

 

CMYK 0 / 18 / 73 / 31

HEX #B0902F

RGB 176 144 47

HSL 45.12, 0.58%, 0.44%

LAB 61.12, 1.83, 53.36

 

CMYK 73 / 0 / 55 / 31

HEX #2FB14F

RGB 47 177 79

HSL 134.77, 0.58%, 0.44%

LAB 63.85, -55.42, 39.88

 

CMYK 73 / 55 / 0 / 31

HEX #2F4FB1

RGB 47 79 177

HSL 225.23, 0.58%, 0.44%

LAB 36.69, 23.06, -55.64

 

CMYK 0 / 73 / 19 / 31

HEX #B12F90

RGB 177 47 144

HSL 315.23, 0.58%, 0.44%

LAB 43.35, 61, -24.39

 

Description

Color code: HEX #B0902F | qconv.com Color code: HEX #B0902F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 144 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 144 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 73 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 73% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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